Renard

Renard — marelibri

Deutsch Nationale Kunst-Ausstellung Düsseldorf 1902

1902réf. 52612Düsseldorf: Verlag der Dt. Nat. Kunstausstellung 1902. First edition. Loose leaf. Very good to fine condition. Oblong Quarto. 35 original silver gelatin prints. Original brown leather portfolio with gilt emblem and gilt lettering on gilt-framed cover. Red silk inside front cover and portfolio flaps. The bottom flap gilt-stamped Otto Renard Paul Adam Buchbinderei Düsseldorf. Album of thirty-five original photographs 9 3/4 x 11 1/4" by court photographer Otto Renard that document National Art exhibtion of 1902 by room. The photographs include a exterior panorama view of the newly built Art Palace its courtyard an interior view of the dome the large gallery the large hall and various galleries with work of artist groups and art organizations e.g. Kunstgenossenschaft Berlin Secession Berlin Dresden Düsseldorf 6 Munich Luitpold Group Munich Secession Munich Art Association Rhineland and Westfalia Art Alliance "Hagen" from Vienna 2 Art Collective Vienna Secession Vienna recreation room Secession Vienna the Van der Velde room the art historian gallery 5 old Japanese art. The exhibition includes paintings furniture sculpture and statuettes and a variety of interiors. The Art Palace was built for the 1902 Industry and Craft Exhibition for the Rhineland Westfalia and neighboring districts. The building of the Kunstpalast was in large part due to the efforts of Fritz Roeber director of the Düsseldorf Art Academy the painter Georg Oeder and the art historian Paul Clement in the late 1800s who were able to convince Heinrich Lueg director of the association for commerce that the time for another great art and commerce exhibition had come. The goal was the establishment of a new permanent venture for art exhibitions that was to become the center of the arts in the Rhinelands and Westfalia. Lueg took the lead and started the planing for the Kunstpalast already in 1898. The goal was to exhibit the development of the past 20 years in a formidable gallery and the 1900 Paris World exhibition was the model for the undertaking. Despite the fact that some of the planned buildings were not ready by the opening of the two exhibitions it opened on May 1st and closed on October 20th 1902 the exhibitions became a huge success. Two OCLC entries. Text in German. Portfolio with light wear one inch closed tear at top right of portfolio cover. Some light worm damage in silk of inside front cover and right flap. Few plates with minor damage at edges and lightly age-toned in margins. Images fine. Otto Renard 1855-1943 was known for his documentation of art exhibitions among them the 1902 art and commerce exhibition in 1902. The distinction "Hof Fotograf Court photographer" he earned while working at the court of Zar Nikolaus II. Renard returned to Germany after the turn of the century to open photo-studios in Düsseldorf and Aachen. He became wealthy due to his invention of a photo-paper moved to Berlin and then to Darmstadt. Verlag der Dt. Nat. Kunstausstellung unknown books

Eric Chaim Kline - Bookseller · États-Unis4 750,00 $US≈ 4 243,73 €

Fox, RichardABAA

Critical Reflections on Religion and Media in Contemporary Bali

2011réf. 52973Leiden: Brill 2011. First edition. Hardcover. Good . Octavo. xvi 339 1pp. Index and 24 page bibliography. Text in English with occasional samples of Indonesian languages. Pictorial boards with lilac/gray spine lettered in white. A fine but ex-library copy with minimal markings; i.e. rubber stamps on title page & bottom of text block. Lacking the DVD in a rear pocket. Scholars of religion have always worked closely with media of one kind or another from sacred books and archaic languages to cassette-sermons and the Internet. Yet comparatively little attention has been paid to the ways we actually use these and other media in the pursuit of historical inquiry. Drawing on ethnographic and archival research conducted on the Indonesian island of Bali this book offers a critique of the media-related assumptions underpinning fields as diverse in their subject matter and approach as the history of religions British cultural studies and Old Javanese philology. Its central contention is that more nuanced attention to problems of media will have serious implications for how we think about the study of religions past and present. Publisher Contents: Religion media history -- The past in the present : a tale of bouquets and bombsites -- Reframing the problem : mediating the recent history of 'the Balinese' -- The subject of tolerance : televising 'the teachings of our religion' -- Assume the position : performative style and the voice of authority -- Substantial transmissions : religion and the idea of 'the old Javanese text' -- Plus c̦a change : from textual fetish to performative accomplishment -- A dramatic performance : mpu kuturan and the three sanctuaries -- The complexity of the realm : chasing a traditional tale. OCLC Volume 130 in the Brill's series "Numen Book Series. Studies in the History of Religions. Brill hardcover books

Eric Chaim Kline - Bookseller · États-Unis75,00 $US≈ 67,01 €

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