10.253 resultados
1941ref. 013620New York: Random House 1941. Stated Thirteenth Printing. Beige hardcover cloth binding with black horse head on front black stripes on spine with red text is clean square and tight. Text block has red stain on top clean and tight. DJ missing chip bottom of front cover that takes out the WAL of Farley's first name chip wraps around spine and to back of jacket. Chip top of spine takes out the words THE BLACK from the title. other small chips along top edge - now protected in clean Brodart. Sun-faded spine. Not price - clipped. $2.00 price on front flap.Front flap also has a couple of tape marks as does back flap. 275 pages. Back flap advertises Juneau the Sleigh Dog by West Lathrop. Back of dj lists 8 titles of fiction for boys - first is Skycruiser by Howard M. Brier last is Hurricane Treasure by Bert Sackett. Only other Farly title listed is The Black Stallion Returns which follows this title. First in the popular series where Alex and The Black are shipwrecked on a deserted island and develop a special bond. Illus. by Ward Keith. 8vo - over 7¾" - 9¾" tall. 1st Edition. Hardcover. Very Good/Fair. Random House Hardcover
1959ref. 013938Dodd Mead & Company 1959. Ex-school library. Orange hardcover cloth binding square and tight with bumped and wrinkled upper right hand corner - clean with library marking on spine. Back pocket removed some stamps and yellowed tape marks on covers. 254 pages. DJ shows some wear. Not price-clipped. Protected now in clean Brodart. Story of a colt born with a clubfoot and the Apache Indian boy Ponce who helps the crippled horse overcome his handicap to become as famous a racehorse as his dam Desert Storm. Follows Desert Storm and Mountain Stallion. Scarce title. Size: 8vo - over 7¾ - 9¾" tall 1st Printing Language: ENG. Illus. by McCann Gerald. 1st Edition. Hardcover. Good/Near Very Good. Dodd, Mead & Company Hardcover
1983ref. 01227Ames Iowa: Iowa University Press 1983. Hardcover. Very Good. Large book indicates 4th printing.332 pages. Great for the collector or animal expert. Dealing with animal restraints in a humane way. Iowa University Press hardcover
1907ref. 6531London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6513London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6519London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6510London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6518London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6511London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6538London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6529London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6537London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6512London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6539London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6509London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6517London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6516London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1907ref. 6515London:: Hull & London 1907. First printing. Fine. Fine original Chromolithograph. Folio 9.5 x 12 inches. Large in format and tailored orderly and refined this plate was printed in colors in up to twelve stones to depict both the varying richness and subtle tones of the eggs of the birds of Great Britain and Ireland. Classified as an Oology or a study of eggs and here elegantly rendered by zoologist and ornithological illustrator Frederick William Frohawk English: 1861-1946 finely detailed paintings of eggs blossomed during the Victorian period to satisfy an ever increasing thirst for knowledge of the abundance of nature and for glorious depictions of the natural world. Wood. 274 Matted in Rag Board Hull & London, unknown
1966ref. 013316E.P. Dutton & Company 1966. Ex-library - Green hardcover cloth binding has tape marks on covers back pocket partially intact some usual stamps and marks text block secure and clean. DJ has spine sticker price-clipped. 188 0ages. Good reading copy. 15 year old Denny teams up with veterinarian Jeff Sutherland because they both believe the colt Endeavor will be a great racehorse - then Jeff loses the colt as part of a gambling debt. Illus. by Crowell Pers - frontispiece only. 8vo - over 7¾ - 9¾" tall. Hardcover. Good/Good. E.P. Dutton & Company Hardcover
ref. 003484New York: Dodd Mead & Co. 1971. Illustrated boards with a hint of rubbing to bottom of spine else fine; matching dust jacket. When a train breaks down Fletcher and Zenobia come to the rescue. Great color illustrations throughout by Chess. . First Edition. Fine/Near Fine. Illus. by Victoria Chess. Square 8vo. Dodd, Mead & Co. hardcover
ref. 003484New York: Dodd Mead & Co. 1971. Illustrated boards with a hint of rubbing to bottom of spine else fine; matching dust jacket. When a train breaks down Fletcher and Zenobia come to the rescue. Great color illustrations throughout by Chess. . First Edition. Fine/Near Fine. Illus. by Victoria Chess. Square 8vo. Dodd, Mead & Co. hardcover books
1933ref. 17228Ann Arbor: Edwards Brothers Inc. Lithoprinters & Publishers. 1933 1934. Softcover. Good. Volume I cover edge and page edge browning a small edge bump and a short edge tear two title page name stamps and a book name a number inside the back cover. The pages of volume I are printed in double columns on one side of the leaf only. Volume II edges sunned spine browned a cup ring page edges toned. Oversize about 8 /12 by 10 3/4. Bound in green card covers. Two heavy oversized books additional postage may be required. ; 186 344 pages . Edwards Brothers, Inc. Lithoprinters & Publishers paperback
1920ref. BOOKS00296594 pages with 22 color illustrations including frontispiece. Duodecimo 5 3/4" x 4 1/4" issued in original purple with red cloth spine and black lettering color pictorial to front cover. Illustrations by John Rea Neill. Early reprint. In 1904 Altemus published the first six books of a series of fairy tale books that would prove to be an extremely popular and a very long running series. "An entirely new series of books for children especially adapted for Christmas or birthday gifts" Altemus Catalogue 1904-1905. These books had three different formats. The first is the scarest while the third is more common. As time went on Altemus discontinued most of its other fairy tale books to concentrate on this group of books. New books were added year and spin-off series combined into one large umbrella listing. Later after Henry Altemus went out of business Platt and Munk reprinted many of the books. This work is from the format III series. The earliest format III books 1918-21 had blank endpapers. In about 1922-1923 the endpapers appeared green illustrating a group of fairy tale creatures dancing around a circle. Between 1923 and 1926 the endpapers were blue. In about 1926 the color changed to grayish. In 1931-2 the endpapers became brightly multicolored. This continued until 1933. The end papers in this edition are green. The listing of ads is through The Little Puppy that Wanted to Know Too Much Henry Altemus Company John Rea Neill was a magazine and children's book illustrator primarily known for illustrating more than forty stories set in the Land of Oz including L. Frank Baum's Ruth Plumly Thompson's and three of his own. His pen-and-ink drawings have become identified almost exclusively with the Oz series. He did a great deal of magazine and newspaper illustration work which is not as well known today. Condition: Spine ends rubbed some sun toning to edges one signature sprung; jacket soiled chips to corners fold over edges hinges and spine ends else about very good in a good to very good scarce jacket. Henry Altemus Company hardcover
1938ref. 013418G.P. Putnam's Sons 1938. Blue hardcover cloth binding with gilt titles and gilt dog head on front has a bit of wear on corners faded spine Illustrated endpapers with a previous owner name fep some spots and smudges hinges good. Inscribed by author on half-title page - there is a stain over inscription. Interior clean and tight. DJ minimal shelfwear not price-clipped. Delightful illustrations and prose - principle dog illustrated terrier - most likely an Irish terrier. Other breeds shown are Scottish Terrier Dachshund Collie Old English Sheepdog Pqpillon Cairn Terrier Cocker Spaniel Wire Fox Terrier Boston Terrier Beagle Great Dane English Setter Irish Setter German Shepherd Dog and a few others. 40 pages. Size: 8vo - over 7¾ - 9¾" tall 1st Printing. Illus. by Dennis Morgan. Inscribed by Authors. 1st Edition. Hardcover. Good/Near Very Good. G.P. Putnam's Sons Hardcover
1902ref. 5377New York:: Forest Fish and Game Commision c. 1902. First printing. Fine condition. . A Fine original chromolithograph printed on heavy coated stock. Quarto 9 x 12.5 Inches. Published as part of the unbound portfolio of prints. This is one of the finest of the late 19th to early 20th century American chromolithographs: a color-printed lithograph for which a separate stone was used for the application of each color thus requiring meticulous registration to recreate the subtle tones of blended color . Archivally double matted in Forest Green rag board sized to 14 x 18 inches suitable for framing. Forest, Fish and Game Commision, unknown
