10.253 resultados
1790ref. 1926London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
1790ref. 2180London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. Matted in Rag Board G. Shaw and F.P. & E. Nodder, unknown
1790ref. 2181London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. Matted in Rag Board G. Shaw and F.P. & E. Nodder, unknown
1790ref. 2174London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. Matted in Rag Board G. Shaw and F.P. & E. Nodder, unknown
1790ref. 5497London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
1790ref. 5498London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
1790ref. 5499London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. G. Shaw and F.P. & E. Nodder, unknown
1790ref. 2172London:: G. Shaw and F.P. & E. Nodder 1790-1813. First edition. Fine in original bright hand-coloring. A Fine and rare original hand-colored copperplate engraving by Frederick Polydore Nodder and/or his son Richard Polydore Nodder from The Naturalist's Miscellany. Octavo 6 x 9.5 inches 15.24 x 24.13 cm. Includes the original text in both English and Latin by George Shaw MD FRS. The Naturalist's Miscellany distinguished by the refined hand-colored copperplate engravings and astute naturalists' observations was aptly named as a diverse naturalists' compendium of the birds mammals reptiles insects fish and crustacean identified by seventeenth and eighteenth century naturalists spanning the globe particularly around the South Seas. Many of nature's most fascinating and unusual creatures were discovered during this period several of which were introduced through The Naturalist's Miscellany. Doctor George Shaw 1751-1813 Fellow of the Royal Society cofounder of the Linnaean Society as well as Zoologist of the British Museum contributed the text. Publication of the Naturalist's Miscellany ceased with his death in 1813. Upon the death of the artist FP Nodder 1770-1800 his wife Elizabeth and their son Richard Polydore Nodder 1793-1820 contributed artistically and editorially to the publication. Indeed a family affair both Frederick Polydore Nodder and his son Richard produced every one of the plates. A gifted and distinguished naturalist Frederick P. Nodder was the preferred Botanical Painter to Her Majesty Queen Charlotte. His early skills as botanical and animal draughtsman and engraver were honed from his association with Sir Joseph Banks who employed Nodder to complete and engrave the drawings from the sketchbooks of the late Sydney Parkinson. Parkinson accompanied Banks as botanical draughtsman aboard Captain James Cook's The Endeavor in 1771. Parkinson died on the return of this South Seas Voyage. These engravings along with the natural history collections of the British Museum were the basis for the mastery of the Naturalist's Miscellany. Frederick's son Richard P. Nodder a gifted animal painter in his own right was distinguished as botanic painter to King George III. At the time of its creation The Naturalist's Miscellany was highly coveted as a definitive natural history offering and as was the custom the work was issued in installments between 1790 and 1813. Each volume was dedicated by permission and dutifully inscribed to the most devoted patrons and contributors of the natural historical pursuits of eighteenth and early nineteenth century Britain: Queen Charlotte Sir Joseph Banks Thomas Pennant Esq. The Universities of Oxford and Cambridge The Trustees of the British Museum to name a few. Andrews1986 Blunt 151Coats 25 Sitwell FBB 142 Wood 482. Copyright: Lowry-James Rare Prints & Books 1/09. Matted in Rag Board G. Shaw and F.P. & E. Nodder, unknown
1917ref. 011871New York: E.P. Dutton 1917. Maroon hardcover cloth binding with gilt title and Irish Terrier illustration on front cover - binding secure and tight. Bumped corners. Frontispiece illustration of "Army" the hero of the story and the title page. Tissue intact between frontispiece and title page. 5 other b/w sketches in story. Interior clean and tight no other writing tears or marks. Foxing. 111 pages. True story of a brave Irish Terrier dog - the bravery of a man the faithfulness of a dog the kind heart of the British Tommy and the wanton cruelty of the German Hun. Author heard the story from a Major Edgar and with the major's kind permission was allowed to elaborate it into this story which is told from the dog's viewpoint. A nice copy of a scarce title. Size: 12mo - over 6¾" - 7¾" tall. Illus. by Illustrated. 1st. Hardcover. Near Very Good/No Jacket. E.P. Dutton Hardcover
1880ref. 009032London Paris & New York: Cassell Petter Galpin & Co 1880 60 leaves printed on rectos only. Color pictorial boards with a 2" abrasion to front cover heavy shelf wear losss to spine ends gift inscriptions and a few small marks inside but generally clean. Entertaining verse accompanied by color artwork on every page. The verses and images range from everyday scenes whimsy and nearly fantastical including a humanized kite cat and insects. Originally published in booklet format in 3 volumes. Scarce. Pictorial Boards. Good/No Jacket. 4to. Cassell, Petter, Galpin & Co unknown
1880ref. 009032London Paris & New York: Cassell Petter Galpin & Co 1880 60 leaves printed on rectos only. Color pictorial boards with a 2" abrasion to front cover heavy shelf wear losss to spine ends gift inscriptions and a few small marks inside but generally clean. Entertaining verse accompanied by color artwork on every page. The verses and images range from everyday scenes whimsy and nearly fantastical including a humanized kite cat and insects. Originally published in booklet format in 3 volumes. Scarce. Pictorial Boards. Good/No Jacket. 4to. Cassell, Petter, Galpin & Co unknown books
1994ref. 009452New York: Macmillan 1994 Blue cloth boards in color pictorial dust jacket with original price intact $14.95. Story of five little Siamese cats who get into lots of trouble. Bright and stupendous illustrations by Gretchen Schields.This copy is simply signed by Amy Tan and Gretchen Schields on the title page. . Signed by Author & Illustrator. First Edition First Printing. Hard Cover. Fine/Fine. Illus. by Gretchen Schields. 4to. Macmillan hardcover
1994ref. 009452New York: Macmillan 1994 Blue cloth boards in color pictorial dust jacket with original price intact $14.95. Story of five little Siamese cats who get into lots of trouble. Bright and stupendous illustrations by Gretchen Schields.This copy is simply signed by Amy Tan and Gretchen Schields on the title page. . Signed by Author & Illustrator. First Edition First Printing. Hard Cover. Fine/Fine. Illus. by Gretchen Schields. 4to. Macmillan hardcover books
1946ref. 011338New York: Simon & Schuster 1946 Pictorial boards with shelf wear tiny tear near gutter of first three pages pages age-toned; matching dust jacket with tiny nicks along edges edge tears and creasing to rear panel price-clipped. Little Golden Book #23. A little kitten goes exploring around the farm. Adorable artwork in color and b&w throughout. . First Edition. Pictorial Boards. Very Good/Very Good. Illus. by Gustaf Tenggren. Square 8vo. Simon & Schuster unknown
1946ref. 011338New York: Simon & Schuster 1946 Pictorial boards with shelf wear tiny tear near gutter of first three pages pages age-toned; matching dust jacket with tiny nicks along edges edge tears and creasing to rear panel price-clipped. Little Golden Book #23. A little kitten goes exploring around the farm. Adorable artwork in color and b&w throughout. . First Edition. Pictorial Boards. Very Good/Very Good. Illus. by Gustaf Tenggren. Square 8vo. Simon & Schuster unknown books
1810ref. 146931810. Arabian and Turkish Horses printed in Prague in 1810 presents two regional horse types within the European visual culture of natural history and comparative animal classification. Issued as part of Westasiatische Thiere or "West Asian Animals" the engraving distinguishes Arabian and Turkish horses through bodily form movement coloring and the dress of their handlers. The plate supports study of early nineteenth-century European representations of Middle Eastern equestrian culture animal breeding regional identity and the use of human costume to establish geographic context in zoological illustration. Das Arabische Pferd and Das Türkische Pferd. Prague 1810. Engraved plate from Westasiatische Thiere. Approximately 7 × 10 inches. The sheet contains two horizontally arranged scenes. Above beneath the caption "Das Arabische Pferd" a turbaned handler controls the reins of two animated black-and-white horses shown lifting their forelegs and turning toward one another. Below "Das Türkische Pferd" depicts a second turbaned figure in boots leading two more heavily built dappled horses. All four animals are shown intact and presented in profile or near-profile allowing comparison of their proportions musculature coats and carriage. The contrasting poses differentiate the lively movement assigned to the Arabian pair from the steadier stance of the Turkish horses. The plate uses regional labels and costume to organize equine varieties for a German-speaking European audience combining zoological comparison with generalized representations of Middle Eastern appearance. Its imagery is therefore relevant not only to the history of horses but also to the ways European publishers classified animals and peoples through geographic typologies. No tears losses or significant staining are reported with only minor evidence of age and handling. Very good. A visually detailed comparative plate connecting Arabian and Turkish horse culture with the classificatory conventions of early nineteenth-century illustrated publishing. unknown
1810ref. 146931810. Arabian and Turkish Horses printed in Prague in 1810 presents two regional horse types within the European visual culture of natural history and comparative animal classification. Issued as part of Westasiatische Thiere or "West Asian Animals" the engraving distinguishes Arabian and Turkish horses through bodily form movement coloring and the dress of their handlers. The plate supports study of early nineteenth-century European representations of Middle Eastern equestrian culture animal breeding regional identity and the use of human costume to establish geographic context in zoological illustration. Das Arabische Pferd and Das Türkische Pferd. Prague 1810. Engraved plate from Westasiatische Thiere. Approximately 7 × 10 inches. The sheet contains two horizontally arranged scenes. Above beneath the caption "Das Arabische Pferd" a turbaned handler controls the reins of two animated black-and-white horses shown lifting their forelegs and turning toward one another. Below "Das Türkische Pferd" depicts a second turbaned figure in boots leading two more heavily built dappled horses. All four animals are shown intact and presented in profile or near-profile allowing comparison of their proportions musculature coats and carriage. The contrasting poses differentiate the lively movement assigned to the Arabian pair from the steadier stance of the Turkish horses. The plate uses regional labels and costume to organize equine varieties for a German-speaking European audience combining zoological comparison with generalized representations of Middle Eastern appearance. Its imagery is therefore relevant not only to the history of horses but also to the ways European publishers classified animals and peoples through geographic typologies. No tears losses or significant staining are reported with only minor evidence of age and handling. Very good. A visually detailed comparative plate connecting Arabian and Turkish horse culture with the classificatory conventions of early nineteenth-century illustrated publishing. unknown books
1959ref. 16626Vantage Press. 1959. 1st Edition. Hardcover. Very good a loose bookplate of Ruth and long time Broadway and TV producer and set designer Arthur Knorr pastedown browned from the bookplate a minor bit of finger smudging. A nice tight still fairly bright copy. Good dust jacket light rubbing. Dust jacket is in a protective cover. An original receipt for the book dated 3-8-59 laid in. ; Photographs section line map.; 140 pages . Vantage Press hardcover
1956ref. 013816Philadelphia: The Westminster Press 1956. Red hardcover cloth binding has water mark on front from glass being set on it some other light soiling along edges name ffep. DJ very tattered with many chips tears and tape repairs. Not price-clipped top corner is clipped. Protected from further damage in clean Brodart jacket. 207 pages. Scarce title. 3rd in a series about Don Revere and his friend Clare Stannard. In this one Don tries to get his Arabian Raffy accepted as a cutting horse. Follows Champion of the Cross Five followed by Olympic Horseman. Size: 8vo - over 7¾" - 9¾" tall. 1st Edition. Hardcover. Good/Poor. The Westminster Press Hardcover
1930ref. 79045“Audax” 1930 In-folio. Reliure demi-chagrin vert foncé à coins, dos lisse orné de filets et de petits fers hippiques dorés, 736 pp. Reliure frottée avec accroc au dos, intérieur en bon état.
2005ref. 143220منشورات زكي بوزيد (Zaki Bouzid) 2005 Livre en arabe. In-4 reliure éditeur pleine toile marron, titre doré. 26 cm sur 28,5. 295 pages. Bon état d’occasion.
1111Circa 1860. Many full page illustrations. Small split at top of front cover joint with spine. Black discolouration to margins of front free endpaper
1958Hardcover in good condition. Boards are a little warped and worn with some superficial marks throughout. Spine face and edges a little worn. Protected in a plastic sleeve. Some traces of foxing on pastedowns and endpapers. Contents are sound and clear. CM Used
ref. DADAX027591125XNew unknown
2007ref. 038655United Kingdom 2007. Painting. Illus. by Ann Smith. Fine. Unframed. Original. A fine unframed original botanical watercolour painting of Meconopsis 'Lingholm' by the late botanical artist Ann Smith signed and dated 2007. Painting: 430 x 310 mm A fine vibrant piece. Artist's biography: Ann Smith was a goldsmith by trade a highly skilled artisan working out of Chipping Campden in the Cotswolds but with a passion for botanical illustration. She was a member of various botanical art societies; she exhibited at the Royal Horticultural Society RHS Botanical Art exhibitions held in The Lindley Hall London; for the 2004 exhibition she prepared a mixed collection of botanical works including studies of Romneya coulteri and Papaver orientalis 'Beauty of Livermere' in a later exhibition she presented a themed collection featuring various Meconopsis blue popy species and cultivars. Ann Smith was an accomplished botanical artist who painted with great fidelity her plants morphologically accurate and finely detailed but her paintings are always well composed and perhaps it is this her strong sense of composition that is her greatest quality. We hold a a significant stock so please enquire if you are looking for particular botanical illustrations. . unknown
