Hertz, DavidBiblio.com
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1938réf. 2221949First edition. 10 1/2" x 8 1/2". Color and b/w illustrations by Elise. Format and design by Merle Armitage. Dust jacket unclipped; soft creases; small chips. Gift pencil inscription on back of last page. Enclosed in a new blue cloth chemise and slipcase; leather spine label. Very good. unpaginated. Children's tale of an adventurous and pampered dachshund in Vienna U.S. and Paris. Longmans, Green & Co. hardcover
1938réf. 2221949First edition. 10 1/2" x 8 1/2". Color and b/w illustrations by Elise. Format and design by Merle Armitage. Dust jacket unclipped; soft creases; small chips. Gift pencil inscription on back of last page. Enclosed in a new blue cloth chemise and slipcase; leather spine label. Very good. unpaginated. Children's tale of an adventurous and pampered dachshund in Vienna U.S. and Paris. Longmans, Green & Co. hardcover books
1867réf. 011099London: Read & Co. 1867 Circa 1867. Color pictorial covers with illumination printed on violet paper mounted on linen spine worn some loss to lower cover occasional marks but clean overall. A cat recounts the troubles of her life and how she eventually came to her present pleasant situation. The tale is told in verse and illustrated with and-colored engravings. Rare with only two institutional copies located. Not in Necker. Date based on publisher's name and address they operated as Read & Co until 1867 having merged with Brooks in 1868 to become Read & Brooks. . Pictorial Wraps. Good Plus/No Jacket. Illus. by Jas W Barfoot. Small 4to. Read & Co.
1867réf. 011099London: Read & Co. 1867 Circa 1867. Color pictorial covers with illumination printed on violet paper mounted on linen spine worn some loss to lower cover occasional marks but clean overall. A cat recounts the troubles of her life and how she eventually came to her present pleasant situation. The tale is told in verse and illustrated with and-colored engravings. Rare with only two institutional copies located. Not in Necker. Date based on publisher's name and address they operated as Read & Co until 1867 having merged with Brooks in 1868 to become Read & Brooks. . Pictorial Wraps. Good Plus/No Jacket. Illus. by Jas W Barfoot. Small 4to. Read & Co. books
1944réf. 011190New York: Harper & Brothers 1944 Red cloth pictorially stamped in black ink; color pictorial dust jacket with edge wear long closed tear to front panel original price intact $1.75. A really lovely copy of the book in a presentable dust jacket. The first book for which Margret Rey received author credit. The story of a long daschund called Pretzel. Illustrated in color throughout. ".the beginning of Harper picturebooks about the difficulties of being different." Bader pg 248. Stated First Edition. Cloth Hard Cover. Fine/Good Plus. Illus. by H A Rey. 4to. Harper & Brothers hardcover
1944réf. 011190New York: Harper & Brothers 1944 Red cloth pictorially stamped in black ink; color pictorial dust jacket with edge wear long closed tear to front panel original price intact $1.75. A really lovely copy of the book in a presentable dust jacket. The first book for which Margret Rey received author credit. The story of a long daschund called Pretzel. Illustrated in color throughout. ".the beginning of Harper picturebooks about the difficulties of being different." Bader pg 248. Stated First Edition. Cloth Hard Cover. Fine/Good Plus. Illus. by H A Rey. 4to. Harper & Brothers hardcover books
1792réf. 88595Paris, Chez Lacombe, Libraire 1792 In-8. Reliure de l’époque plein veau havane raciné, dos à nerfs encadrés de filets dorés, XII-412 pp., 10 planches repliées gravées sur cuivre, dont une double. Accroc en tête de dos, épideumure sur le plat inférieur, intérieur assez frais, hormis mouillures en pages de garde.
1944réf. 19570Paris Aux Editions Arc-En-Ciel 1944 1 in-4 Paris, Aux Editions Arc-En-Ciel, 1944, en feuilles, sous couverture rempliée, sous le titre un chien en médaillon, titre sur le dos plat, 100 pages.
1854réf. CZC-13198Œuvres complètes de Buffon, mises en ordre et précédées d'une notice historique par M. Richard, suivies de la classification comparée d'après G.Cuvier, Lesson, etc... Georges Cuvier, un autre naturaliste français du XIXe siècle, a également joué un rôle important en classant les animaux et en établissant la base de la taxonomie moderne. Sa classification des animaux a été incorporée dans cette édition des œuvres de Buffon pour apporter une perspective plus moderne à l'œuvre originale de Buffon. complet en 5 volumes in4, reliés dos cuir, 26x17cm, reliures manipulées avec usures et frottements ( photos), reliures solides, bon ensemble. Tome I. 770pp. Théorie de la terre, minéraux TII. 750pp. suite des minéraux, expérience sur les végétaux, histoire des animaux. TIII. 731pp. Animaux domestiques, animaux du nouveau monde, carnassiers. TIV. 551pp. Oiseaux de proie, oiseaux qui ne peuvent voler, TV. 568pp. Oiseaux incertains ou inconnus, suite des oiseaux + table générale des matières + tableau synonymique des concordances. Paris, Administration de la Librairie Historique, 1854
1854réf. CZC-13198Œuvres complètes de Buffon, mises en ordre et précédées d'une notice historique par M. Richard, suivies de la classification comparée d'après G.Cuvier, Lesson, etc... Georges Cuvier, un autre naturaliste français du XIXe siècle, a également joué un rôle important en classant les animaux et en établissant la base de la taxonomie moderne. Sa classification des animaux a été incorporée dans cette édition des œuvres de Buffon pour apporter une perspective plus moderne à l'œuvre originale de Buffon. complet en 5 volumes in4, reliés dos cuir, 26x17cm, reliures manipulées avec usures et frottements ( photos), reliures solides, bon ensemble. Tome I. 770pp. Théorie de la terre, minéraux TII. 750pp. suite des minéraux, expérience sur les végétaux, histoire des animaux. TIII. 731pp. Animaux domestiques, animaux du nouveau monde, carnassiers. TIV. 551pp. Oiseaux de proie, oiseaux qui ne peuvent voler, TV. 568pp. Oiseaux incertains ou inconnus, suite des oiseaux + table générale des matières + tableau synonymique des concordances. Paris, Administration de la Librairie Historique, 1854
1803réf. CZC-13747Par une société de naturalistes et d'agriculteurs, avec des figures tirées des trois règnes de la nature. Ensemble de 6 volumes, comprenant : TXI. HIP-IMP. 7 gravures en taille douce, manque de papier sur les plats ( à restaurer), volume solide, frais, tranches rouges, 584pp. TXII. INA-LAT. 10 gravures en taille douce, frais, tranches rouges, 566pp. TXIII. LAU-MAL. 10 gravures en taille douce, manque de papier sur les plats ( à restaurer) tranches rouges, 576pp. TXIV. MAL-MOI. 10 gravures en taille douce, trous de vers en marge, tranches rouges, 590pp. TXVI. OBO-PAN 13 gravures en taille douce, tranches rouges, 575pp. TXVIII. PIN-PYX 10 gravures en taille douce, volume solide, frais, tranches rouges, 595pp Paris, Imprimerie Crapelet, chez Deterville, An XI, 1803
1803réf. CZC-13747Par une société de naturalistes et d'agriculteurs, avec des figures tirées des trois règnes de la nature. Ensemble de 6 volumes, comprenant : TXI. HIP-IMP. 7 gravures en taille douce, manque de papier sur les plats ( à restaurer), volume solide, frais, tranches rouges, 584pp. TXII. INA-LAT. 10 gravures en taille douce, frais, tranches rouges, 566pp. TXIII. LAU-MAL. 10 gravures en taille douce, manque de papier sur les plats ( à restaurer) tranches rouges, 576pp. TXIV. MAL-MOI. 10 gravures en taille douce, trous de vers en marge, tranches rouges, 590pp. TXVI. OBO-PAN 13 gravures en taille douce, tranches rouges, 575pp. TXVIII. PIN-PYX 10 gravures en taille douce, volume solide, frais, tranches rouges, 595pp Paris, Imprimerie Crapelet, chez Deterville, An XI, 1803
1997réf. 107332BBKöln, Lisboa, London, New York, Paris, Tokyo, Benedikt Taschen und Terra Editions, (1997). Folio (36 x 30 cm.). 251, (1) S. mit über 140 Farbtafeln und 1 signierten Orig.-Farbphotographie. Beigefarbiger Orig.-Velourlederband mit goldgepr. Rücken- und Deckeltitel, farb. Deckelbild und Goldschnitt, in Velourleder-Buchkassette mit goldgepr. Rücken- und Deckeltitel. [14 Warenabbildungen] Sonderausgabe.
1963réf. 19028Paris Editions du Pont-Neuf 1963 1 in-folio Paris, Editions du Pont-Neuf, Marcelle Marquet, 1963, in-folio oblong, toile greige éditeur, plats illustrés d'un chat au recto et au verso d'un poisson, dos plat, sous étui cartonné, 30 feuilles dont 17 planches hors-texte.
réf. 856879Maloine S. A. Editeur Paris 1976 In-8 carré ( 245 X 190 mm ), cartonnage anthracite et brochage spirale. Planches dépliantes en couleurs hors-texte. Bel exemplaire. Très rare.
réf. 127302Maloine S. A. Editeur Paris 1976 In-8 carré ( 245 X 190 mm ), cartonnage anthracite et brochage spirale. Planches dépliantes en couleurs hors-texte. Bel exemplaire. Très rare.
1967réf. 21317Librairie Arthème Fayard 1967 1 in-8 Paris, Librairie Arthème Fayard, 1967, in-8 oblong, cartonnage illustré en couleurs, titre en long sur le dos lisse.
réf. 007906Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 37 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. there are a couple of inconspicuous corrections/revisions to the painting Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
réf. 007907Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 36 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
réf. 007908Painting. Illus. by Barbara Everard. Fine. Unframed. This is the original plate No. 30 from "Wild Flowers of the World" - a fine water-colour painting by the renowned botanical artist Barbara Everard b. 1910 died . It is a highly decorative work in very good condition with vibrant but accurate colours being much finer than the rather poor reproduction in "Wild Flowers of the World" suggests. And far larger too measuing 47 x 37cm. It has hand-written pencil notes to the reverse presumably in the hand of Everard regarding the species depicted and various printing notes. there are a couple of inconspicuous corrections/revisions to the painting Barbara Everard worked at Kew and is one of only nineteen "contemporary" botanical artists whose work features in William T. Stearn's "Flower Artists of Kew" 1990 plates 9 10 & 11 also published in America under the title "Botanical Masters: Plant Portraits by Contemporary Artists. New York: Prentice Hall 1990". Everard began drawing and painting flowers in 1947 when in the Far East. She has provided illustrations for many works among them O. Pulin and A. Huxley Flowers of the Mediterranean 1965 but her major work was the superb and highly successful 'Wild Flowers of the World' 1970 with text by Brian D. Morley. This monumental work whilst neither rare nor expensive has become a classic of the botanical literature in large part due to the 192 plates by Everard featuing over 1000 of the world's exotic and colourful plants - and this is a rare opportunity to acquire one of these original plates. Everard was a keen and accomplished gardener with a fine collection of orchids. She set up the "The Barbara Everard Trust for Orchid Conservation" recognising the need to conserve private collections of orchids as they often contained plants no longer growing in their native habitat. The Trust is administered by the Orchid Society of Great Britain as a separate charity. As much of her time was spent illustrating books she rarely sold her paintings privately and on her death left her orchids and the majority of her paintings and studies to the Royal Botanical Gardens Kew. Consequently her original paintings are rare but given their quality should be in every serious collection. We have a few other orginal plates from "Wild Flowers of the World" and would be pleased to offer discounts on multiple orders. For further details or images please do not hesitate to contact us. Please note: this painting supplied with mount and backing but not framed. 0. unknown
réf. 103777aafParis, Editions G.P., 1945, in-4to, (32 x 24 cm), 32 p. (non num.), ill. en couleurs. (exemplaire avec colophon: il a été réimprimé par la Néogravure à la date anniversaire de la Libération de Paris... Dépot légal 59), reliure en demi-toile originale ill.
réf. 44377aafParis, Huzard, 1809-08-08-12-13-06, in-8vo, 1 gravure sur cuivre avec 4 figures, partiel. non coupé, non rogné brochures originales muettes, étiquettes de titre et de bibliothèque en papier aux dos.
1984réf. 8742Barcelona, sans nom, 1984. In-folio non paginé, cartonnage noir avec titre en gris, dos muet. Quelques petites marques discrètes au cartonnage, belle condition générale.
1920réf. 009623Covent Garden London: Lawrence & Jellicoe Ltd 1920 Pictorial card cover with edge and spine wear soiled and marked completely unused painting book. A book containing 8 spreads with an example color plate and its corresponding plate that is meant to be colored in by the user. The title page is also meant to be colored in. Amazingly this copy is completely uncolored. The paper used in the production of this book is meant to take the paint well however it is also very fragile so it will need to be handled with great care. This is an uncommon Aldin item especially unused. Pictorial Card Covers. Very Good -/No Jacket. Illus. by Cecil Aldin. 4to. Lawrence & Jellicoe, Ltd paperback
1920réf. 009623Covent Garden London: Lawrence & Jellicoe Ltd 1920 Pictorial card cover with edge and spine wear soiled and marked completely unused painting book. A book containing 8 spreads with an example color plate and its corresponding plate that is meant to be colored in by the user. The title page is also meant to be colored in. Amazingly this copy is completely uncolored. The paper used in the production of this book is meant to take the paint well however it is also very fragile so it will need to be handled with great care. This is an uncommon Aldin item especially unused. Pictorial Card Covers. Very Good -/No Jacket. Illus. by Cecil Aldin. 4to. Lawrence & Jellicoe, Ltd paperback books
