Bourdon, SebastienBiblio.com
702 résultats
1650réf. 1414051C. 1650. Image measures 7.75 in. x 11.25 in. Matted in frame measuring 14.5 in. x 17.5 in. In Very Good condition with light age toning. Shelved at Rockville PS1101-VII. 1414051. Special Collections - Upstairs. unknown
1650réf. 1414051C. 1650. Image measures 7.75 in. x 11.25 in. Matted in frame measuring 14.5 in. x 17.5 in. In Very Good condition with light age toning. Shelved at Rockville PS1101-VII. 1414051. Special Collections - Upstairs. unknown books
1996réf. 69736TASCHEN. Very Good. Paperback. Inscribed on front free-endpaper by Christo and Jeanne-Claude to noted artist Jeff Price. Light wear to corners. Binding tight and straight inner pages clean and unmarked.; 10.75 X 1.89 X 11.7 inches; 480 pages; Signed by Author & Illustrator . 1996. 3822892688 . TASCHEN paperback
1757réf. V71074Amsterdam: J. Wetstein 1757. Hardcover. Very Good. Head- and tail-pieces initials folding plate copperplate printer's mark to titlepage including 2 female sphinxes & musical angels. Small octavo 157x100mm marbled roan on 4 raised bands spine compartments prettily gilt flowers & leaves with contrasting spine title label 1" split to lower hinge with small loss of leather/tips bit worn. All edges rouge xxvi 6pp contents 148pp 4pp publisher's list. Endpapers with a few library & bookseller's notes/shelving. Name on titlepage Title in red and black. Original silk marker still attached one opening with small ink splatter minimal pale foxing. Third edition of Bourdon de Sigrais' translation of Vegetius' landmark military treatise in very nice condition Graesse VII p272 Brunet V-1111 only 1759 Paris edition. J. Wetstein hardcover
réf. 77553Paris, Michel Caen ancien directeur de ZOOM définit ce journal bimensuel, publié en accord avec la revue américaine SCREW, comme le 'Charlie-Hebdo du sexe'. Couverture du n° 1 par Mick Haggerty et du n°2 par Thierry Dalby. Direction artistique de Pierre-Jean Montax. Les deux couvertures présentent des manques de papier au dos, dans le coin inférieur du n°2 (voir photos) et divers défauts liés à la fragilité du papier journal. Bon état général.
1996réf. 165532Taschen 1996. Signed by artist. Softbound. VG. Slight wave to volume possibly from sitting on shelf. Some kind of printing anomaly to last 20 pages or so uncut and not bound at the very bottom spine corner. Color illustrated glossy wraps. Around 700 pages total - numbered 311 pp. 1000 bw and color plates. Very heavy 9 lbs. In English and German. Signed in blue ink or marker by both Christo and Jeanne-ClaudeOne of the 5000 regular copies of this book apparently but it is not numbered. Two photoprints of installation are laid-in. A fabulous behind-the-scenes look at the conception and execution of installations. Taschen paperback
1996réf. 165532Taschen 1996. Signed by artist. Softbound. VG. Slight wave to volume possibly from sitting on shelf. Some kind of printing anomaly to last 20 pages or so uncut and not bound at the very bottom spine corner. Color illustrated glossy wraps. Around 700 pages total - numbered 311 pp. 1000 bw and color plates. Very heavy 9 lbs. In English and German. Signed in blue ink or marker by both Christo and Jeanne-ClaudeOne of the 5000 regular copies of this book apparently but it is not numbered. Two photoprints of installation are laid-in. A fabulous behind-the-scenes look at the conception and execution of installations. Taschen paperback books
1976réf. 159153N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 adult film. After being kidnapped a doctor and his lover plan to shoot the pornographic film of their dreams at a remote French chateau. Four photographs 9.5 x 7 inches three photographs 7 x 5 inches. Very Good plus lightly age toned. Bier 849. N.p. unknown
1976réf. 159153N.p.: N.p. 1976. Seven vintage borderless reference photographs from the 1976 adult film. After being kidnapped a doctor and his lover plan to shoot the pornographic film of their dreams at a remote French chateau. Four photographs 9.5 x 7 inches three photographs 7 x 5 inches. Very Good plus lightly age toned. Bier 849. N.p. unknown books
1774réf. 176881Chez la Veuve Desaint Chez la Veuve Desaint, 1774. In-12 relié plein veau blond de l'époque, dos à 5 nerfs ornés fleurons dorés, pièce de titre de maroquin rouge. Tranches rouges. Titre, XX + 630 pages, 1 feuillet non chiffré. Hors un infime accroc sans manque en queue, bel exmplaire, propre et bien relié.
réf. M6253aRare. Mémoires de la Société Royale de Géographie d'Egypte 7. Société Royale de Géographie d'Egypte Le Caire 1925. First edition. Folio xvi & 157 pages 9 plates. Modern half-leather a fine copy partly uncut. From the library of Egyptologist Charles Cornell Van Siclen III VSX. Language: French/Français. This book ships from the USA shipping costs will be updated accordingly TXR. Relevant subjects: Egypt: New Kingdom 3rd IP Greco-Roman Medieval & Modern Egypt. unknown
1790réf. 1245071Paris 1790. Second Edition. Hardcover. Octavo 167pp. Hardcover without jacket as issued. Bumping and shelf-wear. Light rubbing to red leather-bound boards. Head-edge gilt. Stamp to front paste down endpaper; offsetting from gilt filigree to both front and rear free endpapers. Mild foxing throughout text. Front hinge cracked. Includes two plates: frontispiece and portrait of La Marquise de Pompadour. Text is in French. Good copy only. Spine is red leather with gilt text and five raised bands. 1245071. Special Collections - Downstairs. hardcover
1790réf. 1245071Paris 1790. Second Edition. Hardcover. Octavo 167pp. Hardcover without jacket as issued. Bumping and shelf-wear. Light rubbing to red leather-bound boards. Head-edge gilt. Stamp to front paste down endpaper; offsetting from gilt filigree to both front and rear free endpapers. Mild foxing throughout text. Front hinge cracked. Includes two plates: frontispiece and portrait of La Marquise de Pompadour. Text is in French. Good copy only. Spine is red leather with gilt text and five raised bands. 1245071. Special Collections - Downstairs. hardcover books
1660réf. P4162France c. 1660. Very Good. Margins trimmed laid on 18thc century paper. . Notes: A view of a castle in France during the mid 17th century. Sebastien Bourdon 1616 – 1671 was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the cathedral of Notre Dame. Image Size : 300x460 mm 11.81x18.11 Inches Platemark Size : Paper Size : 310x474 mm 12.20x18.66 Inches Coloring: Black & White Medium: Etching Categories: Etchings & Woodcuts Others; Views Europe France Others; Old Masters; unknown
Acquaforte misure: mm 291 x 432 Pittore e incisore francese. Iniziò la sua carriera nella bottega paterna dove si specializzò nell'arte vetraria. In età adolescenziale riuscì a trasferirsi a Parigi e qui si formò presso i vari mestieranti conducendo una vita da bohemien. Nel 1634 si recò a Roma dove entrò in contatto con Andrea Sacchi, Claude Lorrein e con l'arte del Caravaggio. La formazione in Italia gli permise di accentuare il suo eclettismo e di raggiungere una intensità pittorica che verrà molto apprezzata in Francia. I temi ricorrenti nelle sue opere sono i paesaggi in cui vengono immersi soggetti storico-religiosi. In questa stampa viene rappresentato, in un paesaggio minuziosamente descritto scandito da contrasti chiaroscurali, l’episodio biblico di Giuseppe sulle rive del Nilo. In primo piano sulla destra egli è seduto sul parapetto in pietra di una fontana, è colto di profilo con il volto verso i suoi interlocutori con la mano sinistra aperta e appoggiata sulla gamba sta discutendo con alcuni uomini che lo circondano. Alle loro spalle un altro gruppo di figure; un uomo in piedi che sembra stia indicando il cammino ad alcuni mendicanti. Il tutto sotto un cielo plumbeo solcato da nubi, che si diradano in prossimità delle catene montuose sullo sfondo che chiudono questo ampio paesaggio fluviale. Un'alta torre sullo sfondo dalla forma polilobata domina con la sua massa il centro della scena, si erge al centro di una città d’epoca romana con un ponte di legno, un edificio simile al Colosseo, un arco di trionfo, rovine e un mulino ad acqua. In primo piano da foglie di un cespuglio rampicante si inerpicano sul tronco di un albero dalle ricche fronde sulla sinistra. In basso a destra, inciso, "S. Bourdon pinx et fe C.P.R”. La stampa perciò era protetta dal copyright reale, Cum Privilegio Regis. Impressione eccellente, dai neri intensi. Ottimo stato di conservazione, eccetto una piega verticale visibile solo al verso. Ottimo stato di conservazione. Filigrana: grappolo d'uva nel cerchio con scritta Colombier (Haewood, 2431). Timbro di collezione, in lastra "RH" Richard Houlditch junior L.2214 e al verso "W.N" L.2641B Bibliografia: DuMesnil I, 34 I/III; Le Blanc, 33-44 I/III.
1986réf. 11045Light grey cloth in pictorial slipcase. Decorative endpapers. The fabric sample adhered to page is present. Fading to spine. Some wear to cloth of slipcase. Otherwise a nice clean copy without previous owners' names or other markings. Please expect the possibility of additional postage as this book weighs circa 12 pounds. 12 x 11.25 in Harry N. Abrams, Inc. hardcover
1978réf. 194766New York: Harry N Abrams 1978. Hardcover. Good/Good tanning to cloth edges. dense spotted & speckled foxing to board edges. light scuffs smudges to cloth. spine tanned/darkened & foxed. slipcase cloth scuffed & smudge; top panel hash rubbing to edges & corners w/ erosion to one edge; gloss scuffed & scratched. cream cloth w/ silver spine printing. 694 pgs w/ bw & color illustrations some fold-out. glossy illustrated black cloth slipcase. Spine top spongey though textblock and pages remain firm/intact. Signed by Christo; number 918 of 2159. Harry N Abrams hardcover
1978réf. 194766New York: Harry N Abrams 1978. Hardcover. Good/Good tanning to cloth edges. dense spotted & speckled foxing to board edges. light scuffs smudges to cloth. spine tanned/darkened & foxed. slipcase cloth scuffed & smudge; top panel hash rubbing to edges & corners w/ erosion to one edge; gloss scuffed & scratched. cream cloth w/ silver spine printing. 694 pgs w/ bw & color illustrations some fold-out. glossy illustrated black cloth slipcase. Spine top spongey though textblock and pages remain firm/intact. Signed by Christo; number 918 of 2159. Harry N Abrams hardcover books
1905réf. 134327Paris; Bibliotheque Charpentier 1905. First Edition. Paperback. Near fine copy in the original stiff-card wrappers; minor rubbing to the extremities. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 531 pages; Physical desc. : 531p ; 19cm. Subject: Russia - History - Revolution 1905-1907. Language: French. Limited - Number 1 of only 10 copies issued on Japanese paper. Paris; Bibliotheque Charpentier paperback
réf. 38564Paris, Imprimerie Nationale [et l'imprimerie de la Société des jeunes français], l'An II (1793-1794). 5 livraisons réunies en un volume in-8 (209 x 139 mm), broché, couverture de papier marbré, 20 p.; 28 p.; 26 p., (1) p.; 28, (1) p.; (1) f. blanc, 19 p.
1970réf. 5620New York: Harry N. Abrams 1970. 1st. Cloth. Collectible; Very Good/Fine. INSCRIBED BY CHRISTO on the front free endpaper. A very sharp copy to boot of the 1970 1st edition. Tight and VG in a bright clean Near Fine dustjacket. Oblong quarto hundreds of crisp black-and-white and color photographs thruout. One of the great early monographs on Chrsito. ALSO INCLUDES A VG EXAMPLE OF PUBLISHER'S UNCOMMON ORIGINAL SHIPPING CARTON. Harry N. Abrams unknown
1970réf. 5620New York: Harry N. Abrams 1970. 1st. Cloth. Collectible; Very Good/Fine. INSCRIBED BY CHRISTO on the front free endpaper. A very sharp copy to boot of the 1970 1st edition. Tight and VG in a bright clean Near Fine dustjacket. Oblong quarto hundreds of crisp black-and-white and color photographs thruout. One of the great early monographs on Chrsito. ALSO INCLUDES A VG EXAMPLE OF PUBLISHER'S UNCOMMON ORIGINAL SHIPPING CARTON. Harry N. Abrams unknown books
1972réf. 177162New York: Harry N. Abrams 1972. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket.; 15 X 1 X 11 inches; 321 pages. Harry N. Abrams hardcover
réf. 140949112Cologne: Taschen 1996. First Edition. Fine. Deluxe first edition "Special Edition" with fabric swatch mounted to back pastedown. 696 pp. profusely illustrated with color photographs. Oblong quarto bound in publisher's silver cloth lettered in blue on spine. Fine. Housed in the original slipcase printed paper and silver cloth with spot of soiling to upper edge. The story of Christo and Jeanne-Claude's 24-year quest to wrap Germany's historic parliament building in woven silvery cloth held with blue rope. The two artists were known for their monumental fabric installations of which this was the most iconic. The installation subverted the imposing dignity of the famous building a Neo-Renaissance behemoth left in ruins by the Battle for Berlin in 1945. The building was stripped and restored by the West German government during the 1960s then further repaired and crowned with a new glass dome in time for the new millennium. Before the new construction began Christo and Jeanne-Claude finally gained permission to wrap the building after decades of lobbying. The effort was seen as a symbol of reunification drawing millions of Germans to physically interact with what would once more be the seat of their government for the first time since 1933. Taschen unknown
réf. 140949112Cologne: Taschen 1996. First Edition. Fine. Deluxe first edition "Special Edition" with fabric swatch mounted to back pastedown. 696 pp. profusely illustrated with color photographs. Oblong quarto bound in publisher's silver cloth lettered in blue on spine. Fine. Housed in the original slipcase printed paper and silver cloth with spot of soiling to upper edge. The story of Christo and Jeanne-Claude's 24-year quest to wrap Germany's historic parliament building in woven silvery cloth held with blue rope. The two artists were known for their monumental fabric installations of which this was the most iconic. The installation subverted the imposing dignity of the famous building a Neo-Renaissance behemoth left in ruins by the Battle for Berlin in 1945. The building was stripped and restored by the West German government during the 1960s then further repaired and crowned with a new glass dome in time for the new millennium. Before the new construction began Christo and Jeanne-Claude finally gained permission to wrap the building after decades of lobbying. The effort was seen as a symbol of reunification drawing millions of Germans to physically interact with what would once more be the seat of their government for the first time since 1933. Taschen unknown books
