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1739Acquaforte stampata in verde / blu, tratta da The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Poco dopo la sconfitta dell'armata spagnola del 1588, Lord Howard of Effingham, comandante della flotta britannica, commissionò a Robert Adams la produzione di una serie di disegni che rappresentavano le varie fasi dell'azione; poi commissionò H.C. Vroom la realizzazione di una serie di disegni per arazzi, basati sul lavoro di Adams. Le tele furono tessute da Francis Spiring di Haarlem. Alcuni anni dopo, i disegni furono venduti a Giacomo I e, successivamente, arredarono le pareti della Camera dei Lord. Tutti gli arazzi, tranne uno rubato precedentemente, furono bruciati, insieme a gran parte del Palazzo di Westminster nel 1834. La grande opera di Pine che raffigura questa famosa battaglia navale è, ora, di grande importanza storica. A parte il notevole dettaglio dell'incisione e la ricchezza dell'invenzione nei vari cartigli, l'uso contenuto dell'inchiostro colorato per stampare la superficie della lastra produce un effetto sorprendentemente attraente e rappresenta un importante esempio primordiale della stampa a colori per le illustrazioni. Bellissimo esemplare, stampato su carta vergata coeva, con pieni margini, in ottimo stato di conservazione. Etching printed in green/blue, taken from The tapestry hangings of the House of Lords: representing the several engagements between the English and Spanish fleets, in the ever memorable year MDLXXXVIII, with the portraits of the Lord High-Admiral, and the other noble commanders, taken from the life. To which are added, from a book entitled, Expeditionis Hispanorum in Angliam Vera Descriptio, A.D. 1588, done, as is supposed, for the said tapestry to be work'd after, ten charts of the sea-coasts of England, and a general one of England, Scotland, Ireland, France, Holland, &c. shewing the places of action between the two fleets; ornaments with medals struck upon the occasion, and other suitable devices. Also an historical account of each day's action, collected from the most authentic manuscripts and writers. By John Pine, engraver. London, MDCCXXXIX. Sold by J. Pine in Old Bond Street near Picadilly. Shortly after the defeat of the Spanish “Armada” in 1588, Lord Howard of Effingham, commander of the British Fleet, commissioned Robert Adams to produce a series of charts representing the various phases of the action and then H.C. Vroom to produce a series of designs for tapestries, based on the work of Adams. They were woven by Francis Spiring of Haarlem. Some years later, they were sold to James I and eventually came to furnish the walls of the House of Lords. All the tapestries, except one stolen at an earlier date and now lost, were burned in the fire that destroyed most of the Palace of Westminster in 1834. Pine's great work depicting this famous naval battle is therefore now of great historical importance. Apart from the remarkable detail of the engraving and the wealth of invention in the various cartouches, the restrained use of coloured ink to print the plate surface produces a strikingly attractive effect, and represents a very early example of the colour-printing of illustrations. T.Clayton, 'The English Print 1688-1802', New Haven and London, 1997, pp.87; Berlin Catalogue 1677.
réf. 14740DBo.J. Thomas Struth, geboren 1954 in Geldern. Studium an der Staatlichen Kunstakademie Düsseldorf 1973 - 1980, Malerei bei Gerhard Richter und Peter Kleeman, ab 1976 Fotografie bei Bernd Becher. Fotograf der Düsseldorfer Fotoschule. [4 Warenabbildungen]
2005réf. ANAIS-0153522836HARCOURT SCHOOL PUBLISHERS 2005-11-01. 1. paperback. Good. 21.6x1.3x27.9. Buy with confidence. Excellent Customer Service & Return policy. HARCOURT SCHOOL PUBLISHERS paperback
2004réf. ANAIS-015341670XHARCOURT SCHOOL PUBLISHERS 2004-03-01. 1. hardcover. Good. 22.4x3.3x27.7. Buy with confidence. Excellent Customer Service & Return policy. HARCOURT SCHOOL PUBLISHERS hardcover
réf. ANAIS-0153416661HARCOURT SCHOOL PUBLISHERS. hardcover. Good. 8.9x1x11. Buy with confidence. Excellent Customer Service & Return policy. HARCOURT SCHOOL PUBLISHERS hardcover
2003réf. ANAIS-0153408790Houghton Mifflin School 2003-01-01. Workbook. paperback. Good. 20.3x0.3x26.7. Buy with confidence. Excellent Customer Service & Return policy. Houghton Mifflin School paperback
2001réf. ANAIS-0153226056Houghton Mifflin School 2001-01-01. paperback. Good. 20.3x1.3x26.7. Buy with confidence. Excellent Customer Service & Return policy. Houghton Mifflin School paperback
2008Hardcover Like New. Ships directly from publishers being a new release book . Pls. allow a minimum of 25 business days delivery time.
1739réf. SUE2210BR2nd edition 1739 parallel text Latin and English 364 pages index title page in red and black main text black only; engraved panels at head of each chapter and small decorative images at end of preface main text and index this copy is in leather binding with engraved panels and five raised bands; boards are in poor condition very dried out and badly worn at edges with front board completely detached; text block is intact; there is some evidence of a water spill along outer vertical edge most conspicuous on title page please inspect image barely discernible by p.70 reverse of title page has a handwritten pencil list of the emperors and there are a few more pencil notes on the final page which is otherwise blank; main text is clean and free of notes etc; in summary this is an attractive copy of a scarce title in need of rebinding otherwise very good condition bearing in mind its age carefully packaged and dispatched from UK within two working days A Bettesworth and C Hitch at the Red Lion in Paternoster Row hardcover
2004réf. 1-1405013133Macmillan Carribean 2004. Paperback. New. 2nd edition. 356 pages. 9.37x8.58x1.42 inches. Macmillan Carribean paperback
1948réf. ZB3943951948-1976. volumes 1-29. 1948-1976. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
1987réf. 2091502135705346Army School History Compilation Committee 1987. Soft Cover. Fine. The book is in fine condition. Army School History Compilation Committee paperback
réf. 2081002109000958Nagasaki University School of Medicine N.A. Soft Cover. Fine. Number of pages: 2 70 901 68 19 10 30p 12p 13 sheets Size: 22cm Nagasaki University School of Medicine paperback
1999réf. 2091202133205861Shinto University Compilation Committee 1999. Soft Cover. Fine. Number of books: 4 books in total Shinto University Compilation Committee paperback
réf. 0153599308-11-1HARCOURT SCHOOL PUBLISHERS. 1. Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible with all pages included. It may have slight markings and/or highlighting. HARCOURT SCHOOL PUBLISHERS unknown
1989réf. 2111902160305199green bookstore 1989. Soft Cover. Fine. Number of pages: 1088 pages Size: B5 size green bookstore paperback
réf. 2091502135300849Not Available N.A. Soft Cover. Fine. Number of books: 4 Not Available paperback
réf. GOR015043728Paperback. Very Good. paperback
1939réf. 2080502106917648Not Available 1939. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1987réf. ZB394307Knoxville Tenn. : School of Social Work University of Tennessee Knoxvill 1987-1993. volumes 11; 17. 1987-1993. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Knoxville, Tenn. : School of Social Work, University of Tennessee, Knoxvill unknown
1930réf. 58055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue” in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days” but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soul”; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revue”; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.” Another shows adolescent boy and girl dance team in an “Apache” dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
réf. PC88Large folio album ca. 35.5 x 27.5 cm 14 x 10 ¾ in. 86 original photographs including 80 albumen prints and 6 cyanotypes mounted on recto and/or verso of 29 leaves ca. 34.5 x 24.5 cm 13 ½ x 9 ½ in. 10 large photographs from ca. 23.5 x 17.5 cm 9 ¼ x 6 ¾ in. to ca. 27.5 x 23.5 cm 10 ¾ x 9 ¼ in. one photograph ca. 5.5 x 9 cm 2 x 3 ½ in. and the rest ca. 13.5 x 9.5 cm 5 ¼ x 3 ¾ in. to ca. 12 x 18.5 cm 4 ½ x 7 ¼ in. All captioned in period manuscript black ink on mount and/or in negative on the photograph. Period brown half sheep with gilt bands brown pebbled cloth boards and moiré endpapers. Album leaves slightly waved covers with some mild wear at extremities but overall album and photographs in very good condition. This album contains photographs showing onboard activities landscapes and port cities during the travels of two French Navy School ships. The majority of the album focuses on a voyage aboard the Iphigénie frigate from October 5th 1886 to July 30th 1887 around the Mediterranean sea and across the Atlantic Ocean to the Caribbean. Two large photographs show a rare views of a equatorial line-crossing ceremony in November 1886 during which the crew dress up in costumes. Several photographs show landscapes of the Caribbean including the Islands of the Saints « La Grande Anse » and the Chameau Mountain in Guadeloupe as well as the Madame river in Martinique. Additionally there are two portraits of laundresses in Fort de France Martinique. Eight photographs of Malta include a panorama of Valletta views of the port and streets in the Faubourg of Lisla. There are several images showing Portugal including the Tower of Belem in Lisbon and eight views of the Pena Palace in Sintra. Photographs of Algeria include views of Alger and Mers-el-Kébir and two portraits of Moorish women. Also shown are several onboard exercises such as firing the canon and military exercises on land such as landing exercises. The album also contains photographs of another Naval School ship’s voyage from Manche France to Anvers Belgium onboard the Bougainville in 1885. These include views of the Saint André Church and the Calvaire St Paul in Anvers as well as two destroyer stationed in the Brest port the Terrible and the d’Estaing. Overall a historically interesting early album showing scenes of the voyages and activities of French Naval School ships in the Mediterranean Atlantic and Caribbean. List of Captioned Images : Chaire de la cathédrale d’Anvers ; Chaire de l’église de St André Anvers ; Anvers Lot de la Bourse ; Salle du Conseil – Palais des Grands Maîtres Malte ; Chef de Corporation par G. De Vos – Musée d’Anvers ; Malte – Le Port Polyphemus torpilleur anglais lance torpilles sous l’eau- guille mobile ; Le Christ de Léonard de Vinci cathédrale d’Anvers ; Malte – L’entrée du port ; Le Christ de Rubens ; Malte – Le Port ; L’Intérieur de St André Anvers ; Calvaire St Paul Anvers ; L’Adoration de l’agneau de Van Dyck ; Iphigénie au mouillage dans le port de Philippeville Mai 1887 ; Tour de Belem – Lisbonne – Octobre 86 ; Faubourg de Belem Lisbonne ; Couvent des Hicronymites – Lisbonne ; Château Royal de la Pena sur la Suerra Cintra 30 kil ouest de Lisbonne ; Porte d’entrée du Château de la Pena ; Château de la Pena ; Château de la Pena porte d’entrée ; Ruines du château des Maures sur un piton en face de la Pena ; Autre vue de la Pena prise de la route qui y conduit ; Cour intérieure de la Pena. À gauche vue sur l’océan. A droite porte d’entrée diable ; Château de la Pena Porte donnant accès aux galeries qui conduisent à la porte principale diable ; La Pena ; Blanchisseuse de Fort de France dans ses plus beaux atours ; Maison particulière sur la savane à Fort de France ; La fête du passage de la Ligne à bord de l’Iphigénie Passage à la baille pour le baptème ; Paysages des environs de Fort de France ; Arbre à Pain ; Rivière Madame Fort de France ; La fête du passage de la Ligne à bord de l’Iphigénie Novembre 1886. Le défilé du roi tropique et sa suite ; Decembre 86 à Janvier 87 Deux Vues prises des flancs du chameau ; Mouillage des Saintes terre d’en haut le bourg à droite le fort Napoleon à gauche le fort de la bête rouge au premier plan l’Iphigénie ; La terre d’en haut Le Bourg anse du fond curé au premier plan puis petite anse puis anse du bourg ; Alger Vue générale prise des jetées ; Mauresque d’Alger – Aïcha ; Le Bourg des Saintes ; Vue Prise des flancs du Chameau du bourg des Saintes et d’un ravin ; Terrible cuirasse d’escadre canon du 42 eme ; L’Iphigénie au mouillage des Saintes prise des bords de l’anse du bourg porte sable à droite porte à vache et paté à gauche ; L’ilet à Cabrits l’Iphigénie les aspirants aux observations ; Square sur le quai d’Ajaccio 13 Mai 1887 ; L’ilet à Cabrits ; Montagne du Chameau aux pieds le fort de la tête rouge puis le pain de sucre au dernier plan la terre d’en bas ; Exercice du canon de débarquement aux Saintes ; Blanchisseuse du Fort de France ; Exercices en terrains variés compagnie de débarquement de l’Iphigénie aux Saintes Montagne de Chameau au milieu au dernier plan ; Formation contre la cavalerie ; Ruines près de Quimperlé Juillet 1887 ; Appartements du 1er président à Alger Mai-Juin 1887 ; Exercices de débarquement aux Saintes ; Dakar mi-Novembre 1886 ; Le bourg des saintes ; La Grande Anse Saintes Tir du fusil ; L’Iphigénie aux Saintes – Port Napoléon à droite ; Ajaccio place Grandal ; Statue d’Abattuci Ajaccio près du rivage sortie de la ville en allant à Bastia ; La Valette Malte fin de Mai 1887 ; 4e poste Babord l’Iphigénie ; 1er poste Babord ; Champion poste de guerre de Malte-Anse des Français ; Strada Crocifixo Malte; Strada Vittoria Malte ; Grotte de Napoléon à Ajaccio ; Saintes-Escrime au Sabre ; Galerie dans le palais des Grands Maître Malte ; Iphigénie à Malte- Anse des Français ; Iphigénie Gaillard d’arrière ; Tir du canon de l’Iphigénie ; Gaillard d’Avant l’Iphigénie ; Tir du canon revolver sur la dunette ; Dunette de l’Iphigénie ; Le Terrible en armement dans le port de Brest ; Le d’Estaing en armement dans le port de Brest ; Mers-el-Kébir 10-13 Juin 1887 ; Mers-el-Kébir Le Port vue prise de la route d’Aïn el Turk ; Tir du canon de 10 c/m Gaillard d’avant de l’Iphigénie ; Ecouvillonnez ; Types Algériens Femme Mauresque d’Oran ; Dunette tribord prise de la grande hume ; Gaillard d’avant de l’Iphigénie prise de la Grande Hume hardcover
1935réf. 334200Paris: no publisher 1935. Near Fine. Hand colored lithographic print on fine wove paper. Image size approximately 7" x 11". Likely removed from a folio volume as indicated by a thin stub tipped-in along the left edge of the sheet. Near fine. Possibly one of the eight original Eres prints for the pornographic novel Aventures d'une satyre attributed to Jane de Rozat published in Paris in the mid-1930s. no publisher unknown
1930réf. 334203not indicated: not indicated 1930. Unbound. Near Fine. Hand colored pochoir print on fine wove paper. Image size height preceding width measures approximately 28 x 18 cm. Near fine. Signed "ERES." Could be one of the eight original prints also signed "Eres" for the pornographic novel Aventures d'une satyre attributed to Jane de Rozat published in Paris in the mid-1930s. not indicated unknown
1935réf. 334200Paris: no publisher 1935. Near Fine. Hand colored lithographic print on fine wove paper. Image size approximately 7" x 11". Likely removed from a folio volume as indicated by a thin stub tipped-in along the left edge of the sheet. Near fine. Possibly one of the eight original Eres prints for the pornographic novel Aventures d'une satyre attributed to Jane de Rozat published in Paris in the mid-1930s. no publisher unknown books