[Wartburg Orphans' Farm School]Biblio.com
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1879Best.-Nr. 38680Mount Vernon: Printing office of the Wartburg Orphans' Farm School 1879. First edition. Stitched paper wrappers. Overall very good copies with some chips to wrappers. Tenth report has tear along spine. 8vo. Tenth Report includes a "Compliments of G.C. Holls" card as well as a typed letter laid in loose. Thirteenth Report contains a typed letter laid in loose from the same. Holls was the Director of the Institution and on the Board of Managers. Reports cover from May 1 1875 to May 1 of each of the following years through 1879. The Wartburg Orphans' Farm School was founded in 1866 serving children who had lost parents during the Civil War. Over time the facility shifted to serving the elderly and is currently known as the Wartburg Adult Care Community. OCLC shows four locations: Huntington Trinity Yale NYHS. Printing office of the Wartburg Orphans' Farm School unknown
1879Best.-Nr. 38680Mount Vernon: Printing office of the Wartburg Orphans' Farm School 1879. First edition. Stitched paper wrappers. Overall very good copies with some chips to wrappers. Tenth report has tear along spine. 8vo. Tenth Report includes a "Compliments of G.C. Holls" card as well as a typed letter laid in loose. Thirteenth Report contains a typed letter laid in loose from the same. Holls was the Director of the Institution and on the Board of Managers. Reports cover from May 1 1875 to May 1 of each of the following years through 1879. The Wartburg Orphans' Farm School was founded in 1866 serving children who had lost parents during the Civil War. Over time the facility shifted to serving the elderly and is currently known as the Wartburg Adult Care Community. OCLC shows four locations: Huntington Trinity Yale NYHS. Printing office of the Wartburg Orphans' Farm School unknown books
1842196 p. XLib stamp of the Lebanon County Historical Society on front paste down. Damp stain. Age stain. 24mo. 155 mm. Original full cloth binding embossed in blind. Extremities worn with slight loss. Title continues: "With An Introductory Essay, By The Rev. Dr. Alexander, of Princeton, NJ." This is: Archibald Alexander (1772-1851). Hardbound. Good. AI BX 8
Best.-Nr. 26663K.A.S. King Alfred's School Highgate 26 March 1904 Play first performed in 1894. Four pages 4to fold marks staining part foxing text clear and complete. Programme comprises: Page 1 the basic information about the play characters etc; Page 2 a poetic prologue by "E.R."; pp.3 & 4 school song class songs and "Call-over Songs". From the Papers of Sylvia Lynd nee Dryhurst author a former pupil of the School and at the time of this performance probably daughter of Nannie Florence Dryhurst Irish writer translator activist and nationalist and wife of Irish Nationalist author Robert Lynd. K.A.S. [King Alfred's School, Highgate] 26 March 1904 [Play first performed in 1894] unknown
1906Best.-Nr. 62143Rochester New York:: West High School October 1906 - Octo 1927. Small area of damage to the text of several leaves of the first issue; light overall use. . West High School, unknown
1724Best.-Nr. AQ24901Oxoniæ i.e. Oxford: E Typographeo Clarendoniano 1724. 2 99p 3. The first and sixth words of the title are transliterated from the Greek. Contemporary panelled sheep. Rubbed joints starting paper label with title in manuscript to head of spine. Contemporary inked ownership inscriptions of James Stuart to front endpapers scattered spotting. The sole recorded Oxford edition of an anthology of classical Greek satirical verse extracted from manuscripts held by the Bodleian for the use of students of Westminster School; including excerpts from the works of inter alia Anacreon Menander and Theocritus. The first London edition appeared in 1734. ESTC records copies at six locations in the British Isles BL NLS Nottingham Oxford Representative Church Body and St. Canice's Cathedral and six further worldwide California Chicago Illinois Kinder NYPL and Yale. ESTC T131082. First edition. 8vo. E Typographeo Clarendoniano unknown
Best.-Nr. 54214Londini London: ex officina Jacobi Tonson & Johannis Watts 1727 12mo. pp. 368 xvi. Device to title-page woodcut ornaments. Contemporary brown calf title label to spine Cambridge-style panelled boards edges sprinkled red. Headcap and corners a bit worn and stained upper joint just starting but still very sound. Armorial bookplate of the Earl of Berkshire Lord Marshal of England printed with the date 1720 to front pastedown. Henry Bowes Howard 11th Earl of Suffolk 4th Earl of Berkshire 16861757. A collection of Classical Latin speeches with notes published for use at Westminster School. ESTC T142677 Londini [London]: ex officina Jacobi Tonson & Johannis Watts, 1727 hardcover
Best.-Nr. 110755Tokyo Workshop Shashin Gakko September 1974-July 1976. . First editions; issue 1 loose sheets folded horizontally as issued 390 x 267 mm 15¼ x 10½ in issues 2-4 tabloids folded horizontally as issued 436 x 280 mm 17¼ x 11 in issues 5-8 narrow 4to 281 x 148 mm 11 x 5¾ in; black-and-white photographs printed in offset; issues 1-4 lightly toned occasional very minor spotting issues 3 and 4 with light wear to edges and short tear to spine at fold issues 5-8 wire-stitched photo-illustrated wrappers white printed in black lightly rubbed light handling marks oxidation to staples issue 8 with an abrasion to upper top right corner a very good to near-fine set; 16; 16; 16; 16; 72; 80; 72; 72pp. Workshop was the eponymous journal of Workshop Shashin Gakko. This independent photography school taught limited-enrolment classes by its co-founders Tomatsu Shomei Moriyama Daido Araki Nobuyushi Hosoe Eikoh Fukase Masahisa and Yokosuka Noriaki. Each photographer taught a workshop for a period of one year with a strong emphasis on one-to-one teacher-student relationships. During the first year Nakahira Takuma and Narahara Ikko also taught two additional two-month courses. The journal actively explored new trends in photography through essays and criticism by members of the group and others. Issue 4 was edited by Araki and was based on the simple theme of 'making photography' for this issue he contributed an essay on how to shoot good portraits. Issue 6 was the most controversial issue published in January 1976 which announced 'We Will Sell Photographs: An Exhibition of Photographs Selected by Twelve Photographers' which was issued to accompany an exhibition in February 1976 as an attempt to present photographs as commodities. At that time in Japan as elsewhere sales of photographs as works of art were virtually non-existent and there was some resistance to the idea most notably from Norio Asaki in Asahi Camera. The Workshop Photography School lasted from April 1974 until March 1976 but one last journal issue was issued in July 1976. This eighth issue featured 'A Roundtable Discussion with Names Withdrawn: Bashing Photography Magazines' in which the Workshop teachers set about challenging the conventional views of photography put forward by Asahi Camera and other photography magazines as well as criticising popular photographers including Kitai Kazuo and Shinoyama Kishin. The school continued briefly as Araki's Private Photo School until 1977 when Araki offered another one-year workshop. The Workshop Photography School paved the way for several independent galleries and organisations that followed such as Image Shop Camp Photo Gallery Prism and Photo Gallery Put. For a New World to Come 354-358. Tokyo, Workshop Shashin Gakko, September 1974-July 1976. unknown
1974Best.-Nr. 2090502130600660Iwanamishoten 1974. Soft Cover. Fine. Number of pages: 498p Plate size: 22cm Number of books: 5 Iwanamishoten paperback
1966Best.-Nr. 2083002115901424Wan'yashoten 1966. Soft Cover. Fine. Number of pages: 86p Size: 19cm Wan'yashoten paperback
1964Best.-Nr. 123642Paris, école française d’Extrême-Orient 1964 In-4 28 x 19,5 cm. Brochés, couvertures grises, report titre en noir sur les dos et les premiers plats de couverture, 598 pp. en pagination continue, notes en bas de page, 79 planches hors texte, 1 & 2 tableaux hors texte, 23 figures dans le texte, table des illustrations, table des matières,
1968Best.-Nr. 123645Paris, école française d’Extrême-Orient 1968 In-4 28 x 19,5 cm. Broché, couvertures grise, report titre en noir sur le dos et le premier plat de couverture, 639 pp., notes en bas de page, 5 planches hors texte, 3 cartes, table des illustrations, table des matières. Exemplaire en très bon état, pages non coupées.
1966Best.-Nr. 123646Paris, école française d’Extrême-Orient 1966 In-4 28 x 19,5 cm. Broché, couvertures grise, report titre en noir sur le dos et le premier plat de couverture, 639 pp., notes en bas de page, 42 planches hors texte, 11 figures dans le texte, table des illustrations, table des matières. Exemplaire en très bon état, pages non coupées.
1963Best.-Nr. 123647Paris, école française d’Extrême-Orient 1963 In-4 28 x 19,5 cm. Broché, couvertures grise, report titre en noir sur le dos et le premier plat de couverture, [444] pp., notes en bas de page, 72 planches hors texte, 15 figures dans le texte, table des illustrations, table des matières. Exemplaire en très bon état, pages non coupées.
2005Best.-Nr. 19780Genève, Galerie Selano, 2005-2010. 21 catalogues brochés.
1948Best.-Nr. 121131Paris, Imprimerie Nationale de France 1948 In-4 28 x 22,5 cm. Broché, couverture grise, titre en noir sur le dos et le premier plat de couverture, 469 pp., 4 planches horst texte dont le frontispice, index, table des planches hors texte, table des matières. Exemplaire en très bon état, pages non coupées.
Best.-Nr. 17516Saumur, chez Dubosse, 1830. 2 vol. in-8,,VIII-408 pp. + 353 pp., cartonnage éditeur illustré (cartonnages défraîchis, manques, petites rousseurs, annotations).
Best.-Nr. 199101845. I9n-8, 518-7 pp., demi-basane bleue, dos long orné de filets dorés, tranches mouchetées (petites épidermures et frottements).
Best.-Nr. 165387S.l.n.d. in-4, 2 pp., dérelié.
1917Best.-Nr. 123598Hanoi, Imprimerie d’Extrëme-Orient 1917 In-4 28 x 19 cm. Broché, couverture grise dos muet, titre en noir sur le premier plat de couverture, 158 pp., table des matières. Couverture poussiéreuse.
Best.-Nr. 236585Paris, Bureaux de la Science Sociale, 1908 in-8, paginé 445 à 598, ill. h.-t., broché.
Best.-Nr. 3713Paris, Musées Nationaux, 1959, 62 pp. 15,3 X 22 cm, br. Ouv. rich. ill. h.t. phot. coul. & n.b Couv. ill. coul. Préface de Jean Cassou.
Best.-Nr. 58731963. Grand in-8° broché sous étui. Couverture rempliée. Planches hors texte. 274 pages. Complet du grand " Plan détaillé du quartier Sainte-Geneviève " (1757). E.O. tirée à 1.250 exemplaires numérotés. 1/250 de tête.
Best.-Nr. 5874Imprimerie G. Estran. 1911. Grand in-8°, reliure cartonnage. 192 pages.
1829Best.-Nr. 46404906, 1829 ; Lettre de protestation contre sa mise à l’écart de l’École Royale de Musique. La date du 4 août 1829 est notée d’une autre main au dos de la lettre.Alexis de Garaudé (Nancy 1779 - Paris 1852) est le fils d’un conseiller au parlement de Nancy. Il reçut une bonne éducation où la musique n’entrait que comme divertissement. Ruiné lors de la Révolution il partit à Paris pour se consacrer entièrement à la musique. Il entre comme professeur à l’École Royale en 1816 et y enseigne selon Fétis III p. 402 jusqu’en 1841, ce qui laisse penser que cette lettre aura convaincu son destinataire. Il est l’auteur de nombreux ouvrages d’enseignement musical. Le destinataire n’est pas nommé autrement que M. le vicomte, il s’agirait donc du vicomte a. Dubois de Beauchesne, alors directeur de cet établissement. “Quelque péniblement froissé que je puisse être par la décision que vous me faîtes l’honneur de m’annoncer, je la reçois avec respect, persuadé que vous l’avez jugée être dans les intérêts de l’École Royale d’après quelques renseignements qui vous auront été transmis sur moi (...) par des personnes qui jamais n’ont assisté à une seule de mes leçons, depuis 13 ans (...) Si la preuve contraire à leur assertion hazardée résulte des prix nombreux obtenus aux concours par mes élèves ; si 8 ou 10 d’entre eux jouent avec succès les premiers rôles en province (...) si ces renseignements erronés (...) étaient formellement contredits par MM. Rossini et Banderali qui peuvent vous affirmer que je suis l’un des professeurs le plus utile à l’école (...) comment présumer que l’auteur d’une Méthode complète de chant reconnue pour être rédigée avec beaucoup de clarté soit incapable de la démontrer avec clarté ! ... et si ma clientèle de leçons payantes se compose en partie d’élèves des diverses classes de l’école et des épouses et filles d’artistes musiciens célèbres (tels que Bohrer, Drouet, Pacini &c) qui viennent m’apporter leur argent, comment croire que je suis un mauvais professeur (...) Je confie à votre esprit de justice le soin de vous bien éclairer sur une erreur qui blesse profondément un artiste auquel les malheurs de la Révolution n’ont laissé que son dévouement passionné à une carrière qu’il parcourt avec quelques succès (...)”Les archives de M. de Beauchesne, qui contenaient un grand nombre de lettres d’A. de Garaudé, ont été vendues à l’Hôtel Drouot le 3 avril 1877.
