38.924 Ergebnisse
1939Best.-Nr. 4556Bellegarde, Sadag, 1939 ; in-8, broché ; 253 pp. et 1 carte hors-texte ; nombreux tableaux et cartes in-texte.
Best.-Nr. 665417Paris, Oudin Frères, Grenoble, Baratier & Dardelet, 1884 in-8, 144 pp., broché.
Best.-Nr. 14655Moulins, Crépin-Leblond, 1909 ; petit in-8, broché. 192 pp.-1 f. 1 planche hors-texte. Couverture illustrée. Bon état.
1995Best.-Nr. 10436Fides In-8 Couverture souple Montréal 1995
Best.-Nr. 19527Paris, JC Lattès, 1990. 16 x 24, 304 pp., quelques illustrations en N/B, broché, état neuf.
Best.-Nr. 82239Lausanne, Payot, 1965. 18 x 17, 221 pp., nombreuses illustrations en N/B, broché + jaquette + rhodoïd, bon état.
Best.-Nr. 75761Paris, éd. La Saint-Cyrienne. Les ordres de Chevalerie, septembre 1948, EDITION ORIGINALE expl. n° 1723/2845 sur Vélin bouffant, in-4, cartonnage souple couv. rempliée papier crème avec titre en noir sur le premier plat éd., 172 pp., ill. par 3 dessins en coul. hors-texte, un frontispice et de nb. dessins en noir de Albert Brenet, préface de Jérome et Jean Tharaud, bibliographie, table des illustrations, table des matières, Toute l'histoire de l'Ecole militaire de Saint-Cyr en France. Très beaux dessins en couleurs et en noir d'Albert Brenet. Pas courant Très bon état; la couverture est très légèrement défraîchie
Best.-Nr. 1523Paris, Les Ordres de Chevalerie, 1948 pet. in-4, 165 pp., ill. in et h. t. d'A. Brenet, broché.
Best.-Nr. 26618Paris, Editions Orféa, collection Rythme plastique, 1950. Plaquette in-12, couverture jaune à rabats avec une reproduction en noir et blanc au centre, non paginé.(32 pp). Avec une note biographique.
1966Best.-Nr. 19613Skira, coll. « Le Goût de notre Temps » 1966 In-12, pleine toile écru éditeur, sous jaquette illustrée, photographies en couleurs encollées, 146 pp. Bon état intérieur. Jaquette légèrement abîmée
Best.-Nr. 1910Couverture soupkle Paris, plf, 1950. Plaquette in-12 (19 x 14 cm), un cahier agrafé, imprimée en 2 couleurs, infime déchirure en pied. 11 feuillets non chiffrés (soit 22 pages), illustrés de 8 reproductions hors-texte en noir, partiellement non coupé, papier légèrement jauni. Texte en français par Pierre Descargues. Fait partie de la "Collection Artistes de ce Temps". Seconde édition de cette monographie précoce consacrée à l'artiste portugaise de l'École de Paris, parue un an après l'originale. L'ouvrage analyse la perspective fragmentée et l'abstraction architecturale unique de Vieira da Silva. Contient 8 reproductions d'oeuvres majeures (dont Les Drapeaux, La Guerre et Le Kaleidoscope). Bon état intérieur, bon exemplaire de cette seconde édition.
1994437p. Literature as revenge in the lives and works of Virginia and Leonard Woolf, D. H. Lawrence, Djuna Barnes and Henry Miller Hardcover Fine condition very good d.j. good
Paris, Editions Orféa, collection Rythme plastique, 1950. Plaquette in-12, couverture jaune à rabats avec une reproduction en noir et blanc au centre, non paginé.(32 pp). Avec une note biographique. Petite monographie sur Frederick-Franck avec 11 reproductions en noir et blanc de ses tableaux en hors-texte.
1798Acquaforte e acquatinta stampata con inchiostri blu, rosso, giallo e nero. Nel margine inferiore, sotto l'immagine, a sinistra: Schall px. a destra: Descourtis st. Due donne nude sedute in riva a un fiume, impegnate a leggere una lettera, mentre due giovani uomini nascosti nelle rocce dietro cercano di rubare i loro vestiti con una canna da pesca. Questa stampa a colori meticolosamente realizzata riproduce un dipinto a olio di Jean-Frédéric Schall, un artista meglio conosciuto per le sue scene pastorali e vagamente erotiche. Durante la Rivoluzione francese (1789-99), il mercato delle stampe a colori di lusso declinò, poiché i soggetti stuzzicanti e i segni del lusso erano considerati immorali. Quando gli atteggiamenti si rilassarono intorno al 1800, stampatori come Descourtis realizzarono alcune stampe a colori usando piastre multiple per stratificare inchiostri colorati come avevano fatto prima della Rivoluzione. Descurtis era allievo di Jean-Francois Janinet, che è considerato dalla critica artistica uno dei più importanti incisori a colori francesi e si mise in evidenza per le sue innovazioni tecniche, quali l'acquatinta in quadricromia, oltreché per lo stile caratterizzato dall'intensità dei colori Tuttavia, questo processo lungo e costoso fu presto sostituito dalla colorazione a mano che i lavoratori potevano realizzare più facilmente ed economicamente. Esemplare in ottimo stato di conservazione. Wash manner etching and engraving printed in blue, red, yellow, and black inks. In lower margin, beneath the image, at left: Schall p.x at right: Descourtis s.t Two naked woman sitting by a river and busy reading a letter, while two young men hidden in the rocks behind are trying to steal their clothes with a fishing rod. This meticulously crafted color print reproduces an oil painting by Jean-Frédéric Schall, an artist best known for his pastoral and mildly erotic scenes.During the French Revolution (1789–99), the market for deluxe color prints declined, as titillating subjects and signs of luxury were considered immoral. When attitudes relaxed around 1800, printmakers like Descourtis made a few color prints using multiple plates to layer tinted inks as they had before the Revolution. Descourtis learned his method of multiple-plate color printing from Jean Frarnçois Janinet and like him used toolwork on the plate rather than aquatint, an acid immersion process used to create general areas of shading. However, this time-consuming and expensive process was soon replaced by hand coloring that workers could more cheaply and easily accomplish. Very good example. Portalis & Béraldi 3; Model/Springer p. 50, plate 20.
1798Acquaforte e acquatinta stampata con inchiostri blu, rosso, giallo e nero. Nel margine inferiore, sotto l'immagine, a sinistra: Schall pinx. a destra: Descourtis sculp. Questa stampa a colori meticolosamente realizzata riproduce un dipinto a olio di Jean-Frédéric Schall, un artista meglio conosciuto per le sue scene pastorali e vagamente erotiche. Durante la Rivoluzione francese (1789-99), il mercato delle stampe a colori di lusso declinò, poiché i soggetti stuzzicanti e i segni del lusso erano considerati immorali. Quando gli atteggiamenti si rilassarono intorno al 1800, stampatori come Descourtis realizzarono alcune stampe a colori usando matrici multiple per stratificare inchiostri colorati come avevano fatto prima della Rivoluzione. Descurtis era allievo di Jean-Francois Janinet, che è considerato dalla critica artistica uno dei più importanti incisori a colori francesi e si mise in evidenza per le sue innovazioni tecniche, quali l'acquatinta in quadricromia, oltreché per lo stile caratterizzato dall'intensità dei colori Tuttavia, questo processo lungo e costoso fu presto sostituito dalla colorazione a mano che i lavoratori potevano realizzare più facilmente ed economicamente. Esemplare in ottimo stato di conservazione. Wash manner etching and engraving printed in blue, red, yellow, and black inks. In lower margin, beneath the image, at left: Schall pinx. at right: Descourtis sculp. A young woman surprises her sweetheart, whom she has found reading love letters in a wooded park. The love-struck fellow carries a miniature portrait of her as a keepsake. Verdant foliage, a nearby brook, and a blooming rosebush signal fertility and the bounty of life. The nude female statue sitting on a pedestal seems to watch the playful lovers. This meticulously crafted color print reproduces an oil painting by Jean-Frédéric Schall, an artist best known for his pastoral and mildly erotic scenes. During the French Revolution (1789–99), the market for deluxe color prints declined, as titillating subjects and signs of luxury were considered immoral. When attitudes relaxed around 1800, printmakers like Descourtis made a few color prints using multiple plates to layer tinted inks as they had before the Revolution. Descourtis learned his method of multiple-plate color printing from Jean Frarnçois Janinet and like him used toolwork on the plate rather than aquatint, an acid immersion process used to create general areas of shading. However, this time-consuming and expensive process was soon replaced by hand coloring that workers could more cheaply and easily accomplish. Very good example. Portalis/Béraldi 3; Model/Springer p. 50, plate 20.
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2026Best.-Nr. LRB4004278Paris: Editions Recreasoft 2026 Language: English. Approximately 586 pages. English : Print-on-demand reprint. Original edition : 1900. A detailed historical account of the first fifty years of Latter-day Saints Sunday schools covering their organization development and educational mission from 1849 to 1899. Of interest to readers of Mormon history religious education and the institutional growth of the Church of Jesus Christ of Latter-day Saints with substantial documentary and historical value for researchers. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
