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1973réf. 453058283zbvkDarmstadt, Wissenschaftliche Buchgesellschaft, 1973. IX, 511 Seiten. - Original-Leineneinband mit goldgeprägtem Deckel- und Rückentitel; 8vo.(ca. 20 x 13 cm).
réf. 0484911937.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0364026200.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0243552882.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0243534329.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987réf. 2091502135413684Tamagawa Cultural Property Research Institute 1987. Soft Cover. Fine. Number of books: 1 Tamagawa Cultural Property Research Institute paperback
1958Ex reference library book with usual (minimal) marks and stamps - library plate inside front cover, stamp to rear of title page and a very small circular stamp to a few other pages. No other inscriptions or marks. A very clean very tight copy with bright unmarked tape-free grey cloth boards and a bump to upper corner of rear cover. Dust jacket not price clipped with small piece missing from top of spine and rubbing to edges. 184pp. Cosima Tura was the leading master of the Ferrarese school in the fifteenth century and works by him are to be found in key galleries around the world. His artistic style is closely related to that of the Expressionists, his colours seem to burn and flicker and a passionate restlessness warps the outlines of his figures. Illustrated with 85 coloured and black & white full-page plates.
réf. ria9780199248117_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Whereas conventional analysis of criminal behaviour highlights social disadvantage unemployment or lack of resources this text develops the argument that abundance of opportunities and resources may lead to specific forms of criminali paperback
réf. 2008JC004Vistas antigas do porto do Rio de Janeiro atribuídas à Escola de Rugendas. Conjunto de dois óleos sobre tela apresentando craquelé na pintura devido á antiguidade das telas. Dimensão das telas octogonais altura e largura: de 49x54 cm. Molduras de madeira com forma octogonal altura e largura: de 60x66 cm. Estes quadros são um par de belíssimas pinturas em formato octogonal tanto da pintura como da moldura representando o Rio de Janeiro: a vista da Baía de Guanabara com o promontório do Pão de Açucar muito distante e já fora do segundo plano. No primero plano o porto ou centro do Rio de Janeiro com cenas do quotidiano nas quais escravos tratam de colocar mercadoria e carregar fardos e um homem um senhor ou autoridade local caminha com um chapéu alto e um bastão. Em segundo plano a Igreja de Santa Luzia e o Aqueducto. Trata-se de um panorâma do principio ou meados do século dezanove cerca de 1820-1840; pintado com a coloração própria da época com desenhos executados com a mestria de um traço rápido e preciso. Ambos os quadros retratam a mesma igreja de Santa Luzia em dois momentos diferentes quando tinha uma e depois duas torres sineiras. O quadro com a pintura a óleo colocado à esquerda na exposição representa o panorama que se pode observar à esquerda da Praia e da Igreja de Santa Luzia nomeadamente: o Aqueduto da Carioca o Morro de Santo António e o Morro de Santa Teresa. O quadro com a pintura a óleo colocado à direita na exposição representa o panorama que se pode observar à direita da Praia e da Igreja de Santa Luzia nomeadamente: o Morro do Castelo com a Igreja de São Sebastião no seu cume e a Praia da Ajuda. Estas obras tem origem na escola de pintura neo-clássica europeia pontificada no Brasil por dois pintores europeus: Rugendas e Debret. Ambos foram convidados pela Casa Imperial brasileira para irem ao Brasil efectuar levantamentos pictoricos de carácter artístico e cientifico. Jean-Baptiste Debret ou De Bret Paris 1768 -1848 foi um pintor da Missão Artística Francesa 1817 que fundou no Rio de Janeiro a academia de Artes e Ofícios mais tarde Academia Imperial de Belas Artes. De volta a França 1831 publicou a Viagem Pitoresca e Histórica ao Brasil 1834-1839 documentando aspectos da natureza do homem e da sociedade brasileira no início do século XIX. Johann Moritz Rugendas Augsburgo 1802 - 1858 foi um pintor alemão descendente de uma antiga família de artistas. Em 1821 aos 19 anos de idade acompanhou a expedição do Barão Georg Heinrich von Langsdorff ao Brasil e publicou em 1835 em Paris o seu célebre trabalho «Malereische Reise in Brasilien» Viagem Pictoresca Através do Brasil no qual retrata em belíssimas gravuras cenas do Brasil colonial. Rugendas foi testemunha ocular da coroação de D. Pedro I como Imperador do Brasil em 1822. No Rio de Janeiro fez amizade com os membros da Missão Francesa especialmente com Jean-Baptiste Debret 1768-1848. A essa fase da viagem correspondem a maioria de seus desenhos de plantas e de animais que permitiram aprimorar a técnica do desenho científico. Rugendas viajou para o México em 1831 e a partir de 1834 percorreu a América do Sul visitando o Chile a Argentina o Peru e a Bolívia. Em 1845 voltou ao Rio de Janeiro onde retratou os membros da família imperial e foi convidado a participar na Exposição Geral de Belas Artes. No ano seguinte partiu definitivamente para a Europa. Em troca de uma pensão anual e vitalícia cedeu sua colecção de desenhos e aguarelas ao rei Maximiliano II da Baviera. EN Ancient views of the port of Rio de Janeiro attributed to the School of Rugendas. Set of two oils on canvas showing cracks in the paint due to the antiquity of the canvases. Dimension of the octagonal canvases height and width: 49x54 cm. Octagonal wooden mouldings height and width: 60x66 cm. This is a pair of beautiful octagonal paintings both the painting and the frame depicting Rio de Janeiro: the view of Guanabara Bay with the promontory of Pão de Açucar far in the distance and already out of the background. In the foreground the port or centre of Rio de Janeiro with scenes of daily life in which slaves are trying to put up merchandise and carry bales and a man a lord or local authority is walking with a tall hat and a stick. In the background the Church of Santa Luzia and the Aqueduct. This is a panorama from the beginning or middle of the nineteenth century around 1820-1840; painted with the contemporary colouring with drawings executed with the mastery of a quick and precise stroke. Both paintings depict the same church of Santa Luzia at two different times when it had one and then two bell towers. The oil painting on the left of the exhibition depicts the panorama that can be seen to the left of the beach and the Church of Santa Luzia namely: the Carioca Aqueduct the Morro de Santo António and the Morro de Santa Teresa. The oil painting on the right of the exhibition depicts the panorama that can be seen to the right of the beach and the Church of Santa Luzia namely: Morro do Castelo with the Church of São Sebastião on its summit and Ajuda beach. These works have their origins in the European neo-classical school of painting personified in Brazil by two European painters: Rugendas and Debret. Both were invited by the Brazilian Imperial House to Brazil to carry out artistic and scientific pictorial surveys. Jean-Baptiste Debret or De Bret Paris 1768 -1848 was a painter from the French Artistic Mission 1817 who founded the Academy of Arts and Crafts in Rio de Janeiro later the Imperial Academy of Fine Arts. On his return to France 1831 he published his Viagem Pitoresca e Histórica ao Brasil Picturesque and Historical Journey to Brazil 1834-1839 documenting aspects of Brazilian nature man and society at the beginning of the 19th century. Johann Moritz Rugendas Augsburg 1802 - 1858 was a German painter descended from an old family of artists. In 1821 at the age of 19 he accompanied Baron Georg Heinrich von Langsdorff"s expedition to Brazil and published his famous work 'Malereische Reise in Brasilien' Pictorialist Journey Through Brazil in Paris in 1835 in which he depicted scenes from colonial Brazil in beautiful engravings. Rugendas was an eyewitness to the coronation of Pedro I as Emperor of Brazil in 1822. In Rio de Janeiro he befriended the members of the French Mission especially Jean-Baptiste Debret 1768-1848. Most of his drawings of plants and animals correspond to this phase of the journey which allowed him to perfect the technique of scientific drawing. Rugendas travelled to Mexico in 1831 and from 1834 onwards he toured South America visiting Chile Argentina Peru and Bolivia. In 1845 he returned to Rio de Janeiro where he portrayed members of the imperial family and was invited to take part in the General Exhibition of Fine Arts. The following year he left for Europe. In exchange for an annual pension for life he gave his collection of drawings and watercolours to King Maximilian II of Bavaria. SDC-99 unknown
réf. 0364643714.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0331111616.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1918réf. mon0000999056Philip Lee Warner 1918. Hardcover. Very Good. in x in x in. Pages clean and bright no markings. Complete with numerous illustrations. Philip Lee Warner hardcover
1923réf. 064394England: Printed for Rugby School by Philip Lee Warner and The Medici Society Ltd. 1923. Book. Very Good. Hardcover. 8 Volume Set. Includes the original volumes 1-7 as well as the volume Rugby School War Register: Containing the Names and Services of Rugbeians in the Great War of 1914-1918 published for the Rugby School by George E. Over. All volumes printed between 1916-1923. Scarce complete set of the Roll of Rugby with a separate photography for each man. The final volume also includes the names of casualties and honours. Shelfwear: scuffing along edges and covers fading along edges and spines foxing and tanning on covers and page leafs. Set is in Very Good-minus condition. Printed for Rugby School by Philip Lee Warner and The Medici Society, Ltd. Hardcover
réf. 035691Philip Lee Warner/Medici Society 1916-1922. nice set; complete; volumes 1 and 2 have original tissue covers . Very Good. Hardcover. 1st Edition. Philip Lee Warner/Medici Society, 1916-1922 hardcover
1839réf. 8712Rugby 1839. 1839 2 340 p. Publisher's embossed cloth binding spine titled in gilt. A Fine copy. Armorial bookplate of Edward Pretty 1792-1865 sometime drawing master at the school and another of Maidstone Museum which he later curated. Two neat embossed stamps are the only other signs of ownership or use. Rugby, hardcover
1895réf. C97195Rugby: Rugby School 1895. First Edition. Hardback. Hardcover Hardcover. Very Good. First Edition. Hardback. 8vo.pp. 365. Original publisher's cloth binding in Brown slightly discoloured lettered gilt at spine. Decorative floral endpapers in green. Contents include essays poems and anecdotes. Illustrations: B/w Sports Day photographs; sepia drawing of a mountain village and boats; b/w Portrait of the late Samuel Brandram; illustration of the school Sanatorium. Contributors include the Uranian poet literary scholar and librarian Charles Edward Sayle most poems are unattributed but at least one has his name beneath. 1864Ã1924. Near very good. Very slight wear fading & slight marking of covers. Rugby School hardcover
1901réf. 449709A. J. Lawrence 1901. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dust-toned and rubbed as with age. Remains well-preserved overall. Physical description: xxiii 385 p. ; 22 cm. Subjects; Rugby School. Rugby Warwickshire. A. J. Lawrence hardcover
réf. 0484559109.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0666242135.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0666874565.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781020250897Hardback. New. hardcover
réf. B9781017068603Hardback. New. hardcover
réf. 0484742485.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1333793898.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 143725800X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
