38.213 risultati
rif. 78559Paris, Réunion des Musées Nationaux, 2002. 23 x 31, 430 pp., 256 illustrations en couleurs et en N/B, broché, très bon état.
rif. 2315601812 à vue : 28.5 x 22 cm , cadre contemporain en bois doré
rif. 230502(XIXème siècle) à vue : 17.5 x 21 cm - cadre : 32 x 36 cm, Encadrement postérieur du XXème siècle.
rif. 40-12945Cookbook Publishers Inc. Spiralbound. Good. Used good. Cookbook Publishers, Inc unknown
1991rif. 500246659Editions Larousse 1991 10 6x0 6x16 4cm. 1991. Broché.
rif. 1333893841.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 20358Cologne, Benedikt Taschen, 1993. 2 vol. in-folio, 499 pp. + 509-780 pp., cartonnage éditeur de toile noire, étui cartonné illustré.
1961Ex-library book with the usual stamps and markings. Worn cover with peeling edges. 6 5/8"w x 10 1/8"h. 92 pages. Many b&w photos.
rif. 9623Recueil de gravures au burin, avec notices ; Peintres gravés : Raphaël, Le Titien, Le Corrège, L’Albane etc. Ecole moderne : David, Girodet, etc. Paysages d’après Ostade, Poussin, Vernet, Rembrandt etc. In 8 demi-cuir marron moucheté, titre, filets dorés. Faux-titre, frontispice gravé, sous serpente, ajouté, titre, 56 pages, 75 belles gravures au burin. Paris Au bureau de l’écho de la Presse 1842. Quelques rousseurs éparses.
1988rif. ART5919MBroché, 223 pages, paru en 1988 chez Musée Fabre, livre en très bon état général.
rif. 101.991Bruxelles, Editions de La Connaissance, 1948. 15 x 22, 39 pp., quelques illustrations en N/B, broché, état moyen (couverture défraîchie).
1879L'acquaforte mostra la chiesa di Chelsea e il vecchio Battersea Bridge, e il titolo originale, 'Chelsea', è preferibile anche se alcuni studiosi gli assegnano il nome Fulham. Si vedono tre chiatte in mezzo al Tamigi, quella più vicina al ponte presidiata da due barconi. Dietro di loro c'è un vecchio ponte, con quattro pilastri di legno visti a sinistra, una larga campata di ferro, e poi altri tre pilastri a destra. Ci sono figure, cavalli e carri sul ponte. Attraverso le arcate si vede un approdo di un battello a vapore, altri alberi e case su un terrapieno a destra, e un ponte sospeso. La marea è bassa, così che i due moli di destra sono fuori dall'acqua, e un paio di chiatte a fondo piatto si trovano sulla spiaggia a destra. A destra, un campanile quadrato si erge dietro il ponte, il casello è appena visibile alla fine del ponte, e una sostanziale casa quadrata e altri edifici si trovano all'estrema destra, circondati da alti alberi. L'incisione è stata denominata Fulham da Wedmore e dai catalogatori successivi per distinguerla da altre incisioni di Battersea Bridge e Chelsea. Tuttavia, non mostra Fulham. James Abbott McNeill Whistler (Lowell, 10 luglio 1834 – Londra, 17 luglio 1903) è stato un pittore ed incisore statunitense, raramente menzionato come James Whistler. Genio nella produzione di incisioni calcografiche, Whistler è stato tra i più inventivi ed influenti incisori della storia, realizzando quasi 500 opere in cinque decenni. L’acquaforte ha offerto a Whistler l’opportunità di unire la velocità di esecuzione, disegnando rapidamente le idee sulla lastra, alla possibilità di perfezionarle e svilupparle attraverso molteplici stati, mettendo in luce la sua complessa estetica. Il suo lavoro, con un approccio così innovativo, non ha solo attirato seguaci e imitatori, ma ha influenzato l’intero mondo dell’arte. Bibliografia Howard Mansfield A Descriptive Catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler. Caxton Club, 1909, cat. no. 179; Edward Guthrie Kennedy, Royal Cortissoz The Etched Work of Whistler: illustrated by reproductions in collotype of the different states of the plates. The Grolier Club, 1910, cat. no. 182 ii/ii; Katharine A. Lochnan The Etchings of James McNeill Whistler. Ex. cat., The Metropolitan Museum of Art, New York, September 14–November 11, 1984; The Art Gallery of Ontario, Toronto, November 24, 1984–January 13, 1985. Yale University Press, Art Gallery of Ontario, New Haven, 1984, cat. no. 179, pp. 179, 280; Margaret F. MacDonald, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow on-line website at http://etchings.arts.gla.ac.uk. University of Glasgow, 2012, cat. no. 181 v/v. Etching and drypoint, 1879; fifth state of five; printed in black ink on cream laid paper, good condition. The etchings shows Chelsea Church and old Battersea Bridge, and the original title, 'Chelsea', is preferable although some scholars assign it the name Fulham. Three barges are seen in the middle of the River Thames, the one nearest the bridge manned by two bargees. Behind them is an old bridge, with four wooden piers seen to left, a broad iron span, and then three more piers to right. There are figures, horses and carts on the bridge. Seen through the arches are a steamboat landing-stage, more trees and houses on an embankment on the right, and a suspension-bridge. The tide is low, so that the two right-hand piers are out of the water, and a couple of flat-bottomed barges sit high on the beach to right. To the right, a square church tower rises behind the bridge, the toll-booth is just visible at the end of the bridge, and a substantial square house and other buildings stand at far right, surrounded by tall trees. The etching may have been called 'Fulham' by Wedmore and subsequent cataloguers to distinguish it from other etchings of Battersea Bridge and Chelsea. However, it does not show Fulham. The changes have led to confusion and problems in identifying the subsequent history of this etching. James Abbott McNeill Whistler (Lowell, July 10, 1834 - London, July 17, 1903) was an American painter and engraver, rarely mentioned as James Whistler. A genius at producing intaglio etchings, Whistler was among the most inventive and influential printmakers in history, producing nearly 500 works over five decades. Etching offered Whistler the opportunity to combine speed of execution, drawing ideas quickly on the plate, with the ability to refine and develop them through multiple states, highlighting his complex aesthetic. His work, with such an innovative approach, not only attracted followers and imitators, but influenced the entire art world. Bibliografia Howard Mansfield A Descriptive Catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler. Caxton Club, 1909, cat. no. 179; Edward Guthrie Kennedy, Royal Cortissoz The Etched Work of Whistler: illustrated by reproductions in collotype of the different states of the plates. The Grolier Club, 1910, cat. no. 182 ii/ii; Katharine A. Lochnan The Etchings of James McNeill Whistler. Ex. cat., The Metropolitan Museum of Art, New York, September 14–November 11, 1984; The Art Gallery of Ontario, Toronto, November 24, 1984–January 13, 1985. Yale University Press, Art Gallery of Ontario, New Haven, 1984, cat. no. 179, pp. 179, 280; Margaret F. MacDonald, Grischka Petri, Joanna Meacock James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow on-line website at http://etchings.arts.gla.ac.uk. University of Glasgow, 2012, cat. no. 181 v/v.
rif. 500342582Gallimard Sans date. Ce livre autobiographique de Patrick Chamoiseau raconte la scolarité d'un enfant créole et explore la confrontation entre le créole langue parlée à la maison et le français langue imposée par l'école coloniale. Il décrit le parcours du 'négrillon' qui découvre le monde au-delà de la maison familiale
rif. ria9780393417142_inpMultiple-component retail product. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The first atoms-focused text and assessment package for the AP® course unknown
1955Circa 1955. Presents chemistry in an attractive and interesting manner not only to students who wish to become professional chemists, but also to the majority of high school students who will not have further formal instruction but will require some knowledge of the subject in order to have a better understanding of the modern world in which theylive. Uses a historical approach. Contains 33 chapters on topics including: the Scientific Method; Water - the universal solvent; Valence; Fuels and flames; the alkali metals; Chemistry in industry; Organic chemistry; and many more. Black and white illustrations. Minimal markings. Well worn but still quite usable. Book
2014rif. 2081502111903121Zhejiang ancient books 2014. Soft Cover. Fine. Number of pages: 1321p Size: A5 Soft Cover book Zhejiang ancient books paperback
2013rif. 2081502111901293Shanghai Ancient Book Publishing House 2013. Soft Cover. Fine. Size: Hardcover Shanghai Ancient Book Publishing House paperback
rif. 25738grand format cartonné. Jaquette. 157 pages. Illustrations n/b et couleurs.. déchirure sur la jaquette. Intérieur bon. Une expédition par Mondial Relay vous sera proposée 2001 les arènes . France bleu
1997rif. 8068Bath UK: Old School Press 1997. Hard Cover. Near Fine binding. Quarto. 16 pp. Limited edition numbered 46 of 225 copies. Signed by Burnett and Wormell. As issued backed in cloth with decorative paper over boards. A bright fresh copy. Old School Press unknown
rif. 31701Paris - Arles Musée du Quai Branly - Actes Sud 2012 in 4 (28,5x22,5) 1 volume reliure cartonnée illustrée de l'éditeur, 271 pages, avec de nombreuses photographies en noir et blanc, et en couleurs. Ouvrage édité à l'occasion de l'exposition présentée au musée du Quai Branly du 18 septembre 2012 au 14 juillet 2013. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
rif. SB04Q-01072Chicago School of Nursing. Used - Good. Good condition. Slightly dampstained. Issues 1-36 bound together. nursing chicago chicago school of nursing nurses nurse Chicago School of Nursing unknown
1947rif. 759305Chicago School of Nursing January 1947. Hardcover. Good - Cash. 1953 edition. String-bound blue hard cover. Lessons 1-53. General use wear surface and edges rubbed with some creasing. Corners bumped and show wear. Pages show reader wear. Unmarked pages. Some pages are seperated from binding but are still placed in the correct spots. Stock photos may not look exactly like the book. Chicago School of Nursing hardcover
1947rif. 2HL1498Chicago School of Nursing 1947. 53 lessons string bound together in a good to very good Chicago School of Nursing black hardcover titles faded. Some edge wear on pages. Lessons 1 through to 53. Copyright 1947. Hard Cover. Very Good. Chicago School of Nursing Hardcover
1933rif. 3810Chicago 1933. First Edition. 8vo. 3 pp. 1 sheet folded once to produce 4 pages final page blank. 1" tear in fore-edge of both leaves otherwise very good. CRIME AND CRIME DETECTION EXHIBITION AT THE 1933 CHICAGO WORLD'S FAIR. From a contemporary Guidebook "World's Fair Suvenir" sic published by Unk Ebenezer's Tiny Weekly: "Sponsored in part by Northwestern University School of Crime Detection. Actual displays of guns and photographs of many gang killings which are horribly convincing arguments that crime does not pay. Medieval modes of torture and a side-show of the electric chair in operation guide and lecture completes show. 10 cents." Gone are the good ol' days! Not in OCLC. unknown
1933rif. 3810Chicago 1933. First Edition. 8vo. 3 pp. 1 sheet folded once to produce 4 pages final page blank. 1" tear in fore-edge of both leaves otherwise very good. CRIME AND CRIME DETECTION EXHIBITION AT THE 1933 CHICAGO WORLD'S FAIR. From a contemporary Guidebook "World's Fair Suvenir" sic published by Unk Ebenezer's Tiny Weekly: "Sponsored in part by Northwestern University School of Crime Detection. Actual displays of guns and photographs of many gang killings which are horribly convincing arguments that crime does not pay. Medieval modes of torture and a side-show of the electric chair in operation guide and lecture completes show. 10 cents." Gone are the good ol' days! Not in OCLC. unknown books
