36 848 résultats
1951réf. 709307PN. New. 1951. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1932réf. 2083002116203970Nisshindo Bookstore Anjo Aichi Prefecture Agricultural Rehabilitation School 1932. Soft Cover. Fine. The book is in fine condition. Nisshindo Bookstore (Anjo) Aichi Prefecture Agricultural Rehabilitation School paperback
réf. 0483855634.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0243429150.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0483871052.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1926Puntasecca a inchiostro nero su carta vergata color crema, 1926, firmata in basso a sinistra: G. Firmato, a matita, in basso a destra: Frank Gillet. Bellissima prova, in ottimo stato di conservazione. Edward Frank Gillet, spesso accreditato come Frank Gillett, è stato un artista e illustratore britannico. Gillett lavorò a penna e inchiostro, pastello, acquerello e olio e fu notato come un abile caricaturista. Era ispirato dalla vita rurale di Norfolk e il suo lavoro spesso coinvolgeva lo sport, in particolare la caccia alla volpe e la caccia alla lepre. Il suo lavoro è stato esposto dalla Royal Academy of Arts e dalla Walker Art Gallery ed è detenuto dal British Museum e dal Victoria and Albert Museum. Drypoint in black ink on cream laid paper, 1926, signed, lower left: G. Signed, in pencil, lower right: Frank Gillet. A fine impression, very good condition. Edward Frank Gillett often credited as Frank Gillett, was a British artist and illustrator. He worked in pen and ink, pastel, watercolour, and oil. Gillett worked in pen and ink, pastel, watercolour, and oil and was noted as a skillful caricaturist. He was inspired by Norfolk's rural life and his work often involved sport, particularly fox-hunting and hare-coursing. His work has been exhibited by the Royal Academy of Arts and the Walker Art Gallery and is held by the British Museum and the Victoria and Albert Museum.
2011réf. BN403224Cengage Learning Inc 2011. 2011. VBA for Modelers: Developing Decision Support Systems with Microsoft R Office Excel R Printed Access Card: Developing Decision Support Systems with Microsoft® Office Excel® Printed Access Card VBA for Modelers: Developing Decision Support Systems with Microsoft R Office Excel R Printed Access Card: Developing Decision Support Systems with Microsoft® Office Excel® Printed Access Card Albright S. Indiana University School of Business Emeritus Cengage Learning, Inc unknown
1955A book on the progressive stages of teaching vaulting and agility exercises. With 152 illustrations. Sixth impression. xv,83 pages. Sixth impression. Dust jacket has tears and chips around edges and corners plus soiling, browning and slight foxing.
1930Acquaforte, 1930 circa. Lastra mm 125x165, figlio mm 355x505. Firma a matita in basso a destra “L. Bartolini”. Dedica incisa in lastra, in basso “V. Cardarelli”. Dalla biografia di Luigi Bartolini si evince che nel gennaio 1928 ha inizio la corrispondenza epistolare con Vincenzo Cardarelli, che durerà fino al febbraio 1930. Pertanto, la datazione della lastra viene ricondotta a tale periodo. Luigi Bartolini è considerato uno dei maggiori incisori italiani del Novecento, insieme a Giorgio Morandi e Giuseppe Viviani. Oltre ad essere un prolifico incisore (al suo attivo oltre mille acqueforti), fu anche pittore e scrittore. Partecipò sia come pittore che come incisore a diverse edizioni della Biennale di Venezia dal 1928 al 1962. Presente a varie manifestazioni artistiche, sviluppò diverse maniere definite: ‘maniera bionda’, ‘lineare’ e ‘nera’. Ricordiamo soprattutto le acqueforti della serie Marche e della serie Sicilia. Iniziò la sua produzione grafica nel 1914 e il suo stile si rifà alla tradizione naturalistica dell’Ottocento. Molte sue incisioni si possono ricollegare ad alcune opere del Goya, di Telemaco Signorini e di Giovanni Fattori. Eccellente nella rappresentazione della natura morta e del paesaggio, spesso il Bartolini rappresentò dolcemente le cose e gli oggetti più umili, i soggetti di natura più dimessi. In essi ritroviamo il sentimento che diviene immagine e la forma che si sviluppa in espressione. Con Bartolini l’incisione torna ad essere un mezzo di espressione poetica libera dal simbolismo e dal vedutismo allora in voga presso le accademie. Nelle sue acqueforti prevale ora un tratteggio leggero (genere biondo), ora una ricerca del chiaroscuro alla Rembrandt (genere nero). Opera rarissima, non descritta dai repertori. Etching, circa 1930. Plate mm 125x165, son mm 355x505. Pencil signature at lower right "L. Bartolini". Dedication engraved on plate, at bottom "V. Cardarelli". From Luigi Bartolini's biography it is clear that in January 1928 he began his correspondence with Vincenzo Cardarelli, which lasted until February 1930. Therefore, the dating of the plate can be traced back to that period. Born in Cupramontana near Ancona, Luigi Bartolini was the twentieth century Italian etcher, who came closest to the stature of his great rival, Morandi. As a teenager, he saw the collection of etchings, including work by Callot, owned by the Corradi family in Iesi. From 1907 to 1910 Bartolini studied at the Istituto di Belle Arti in Siena, and started to etch c. 1909. He moved to Rome in 1910, where until 1912 he frequented the Accademia di Belle Arti, while also attending lectures on literature and the history of art, and courses on anatomy at the University in Rome. Bartolini studied the etchings of Goya and took lessons on drawing at the Accademia di Spagna. From there, he went to Florence in 1913, where he attended the Scuola del nudo. Bartolini continued his anatomical research, as well as studying architecture, making himself the most assiduous student of all Italian twentieth century printmakers. He also visited the Uffizi and Florentine print dealers to look at the etchings of Rembrandt and Fattori. Bartolini painted his first oils just before the outbreak of the First World War. Although he painted pictures throughout the rest of his career, and was awarded the Premio Marzotto for them in 1956, they have been far eclipsed in fame by his etchings and writings. During the First World War, Bartolini published his first collection of poetry. A very prolific and accomplished writer, in this field he is best known today as the author of the novel, 'Ladri di biciclette' (Bicycle thieves), of 1946, which was quickly turned into a celebrated film by Vittorio de Sica and Cesar Zavattini. After the First World War, Bartolini held a series of minor teaching posts in Macerata, Sassari, Avezzano, Pola, and Caltagirone, while he continued to etch, and started a long career as a polemical journalist and critic of art and architecture. From 1923 to 1929, he wrote for the Naples periodical, 'Cimento', but he also contributed to 'Il Selvaggio', 'Quadrivio', 'Italia letteraria', and 'L'Ambrosiana'. Bartolini's 1924 exhibition of etchings at the Casa d'Arte Bragaglia in Rome was a great success, and later that year he showed 70 etched landscapes of the Marches at the Casa Palazzo di Roma. The following year he visited Paris, where he paid particular attention to the paintings of Van Gogh. Bartolini's political convictions led him to being assaulted by Fascists and hospitalised in 1928. Two years later, he won a prize at the Venice Biennale, where he had exhibited a portfolio of etchings. In 1930, the Turin publisher, Buratti, began to issue a series of portfolios of etchings by contemporary Italian artists under the editorship of Cipriano Oppi, selecting Bartolini for the first album. The following year, Buratti published 'Le carte parlanti', a portfolio of 10 of Bartolini's etchings, which was published in an edition of 20. In 1932, Bartolini shared the first prize at the Prima mostra dell'incisione moderna at the Uffizi with Morandi and Boccioni. His close friend, the leading anti-Fascist art historian, Lionello Venturi, acted as his agent selling his etchings in Paris. Bartolini's correspondence with his compatriots in exile led to his imprisonment, from which he was released on Mussolini's personal intervention. He was then placed under political surveillance. From 1933 to 1938, Bartolini taught in Merano, where he painted and etched in the open air, finding subjects on the banks of the fast flowing Adige. Despite being under political suspicion, he was given a one - man show of 50 etchings at the second Rome Quadriennale in 1935, when he was awarded ...
réf. 2154Very good. Watercolor with brush and ink on light cream wove paper 9 1/4 x 6 inches 235 x 152 mm the full sheet. In very good condition with light minor toning. A skillful watercolor study of two pieces of Greco-Roman redware housed at the Louvre. unknown
197074 pages. Illustrated in colour and black and white. Includes biography of artist. Text in English and French. Average wear. Binding intact. Prior owner's name and library stamp upon first leaf, otherwise unmarked. A sound copy. Book
1946réf. 031828Varietè, Paris 1946. Broschiertes Heft Gut
1930réf. 2080302106809298Elementary School Attached to Nagasaki Normal School 1930. Soft Cover. Fine. The book is in fine condition. Elementary School Attached to Nagasaki Normal School paperback
1976réf. 2082402113506026Meiji tosho 1976. Soft Cover. Fine. The book is in fine condition. Meiji tosho paperback
1990réf. 2091502133516583Iwanamishoten 1990. Soft Cover. Fine. Number of books: 1 Iwanamishoten paperback
réf. DADAX1566997755Rowman & Littlefield Publishers 2016-04-08. Annotated. hardcover. New. 6.19x0.74x9.41. Buy with confidence. Excellent Customer Service & Return policy. Rowman & Littlefield Publishers hardcover
réf. ria9780231186001_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Michael Jackson demonstrates the significance of a phenomenology of time through a multifaceted consideration of the gap between our cultural representations of temporality and our experience. Jackson juxtaposes philosophy history and hardcover
1959160 p. Illustrated with numerous photographs. 8vo. Original full blue cloth binding. Original dust jacket torn with major loss on front cover. PA SHELF 04A
réf. 798272022. Thirty 30 linear feet shelf space. Thirty 30 linear feet shelf space. Vanderbilt Law Review. Nashville TN: Vanderbilt University School of Law. Volumes. 1 to 72 1947-2019 in 122 bound books Volumes 73 no.1 to 75 no.2 Jan 2020-March 2022 in 14 paper bound Volumes. Together 136 books. Ex-library with location labels at foot of spines and property stamps on page edges. else very good. $1995. The Vanderbilt Law Review is the flagship academic journal of Vanderbilt University Law School. The law review was founded in 1947 and is published six times per year. In 2022 it was ranked #8 among general-topic law reviews by the Washington and Lee law journal rankings. unknown books
réf. 798272022. Thirty 30 linear feet shelf space. Thirty 30 linear feet shelf space. Vanderbilt Law Review. Nashville TN: Vanderbilt University School of Law. Volumes. 1 to 72 1947-2019 in 122 bound books Volumes 73 no.1 to 75 no.2 Jan 2020-March 2022 in 14 paper bound Volumes. Together 136 books. Ex-library with location labels at foot of spines and property stamps on page edges. else very good. $1995. The Vanderbilt Law Review is the flagship academic journal of Vanderbilt University Law School. The law review was founded in 1947 and is published six times per year. In 2022 it was ranked #8 among general-topic law reviews by the Washington and Lee law journal rankings. unknown
1932Bound run of Vantech yearbooks for the years 1927 through 1932. Each yearbook was originally bound in softcover. All covers included. Binding may readily be disassembled to reveal 6 sound and complete issues. Very rare. Moderate wear overall. Some years contain autographs. One loose page shows nice photos of the 1931 champion soccer and track teams. A precious and unique memento of early Vancouver. Book
réf. 0366897969.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1932réf. 568a9575Vancouver British Columbia Canada: Vancouver Technical School. Good. 1932. First Edition. Hardcover. Bound run of Vantech yearbooks for the years 1927 through 1932. Each yearbook was originally bound in softcover. All covers included. Binding may readily be disassembled to reveal 6 sound and complete issues. Very rare. Moderate wear overall. Some years contain autographs. One loose page shows nice photos of the 1931 champion soccer and track teams. A precious and unique memento of early Vancouver.; 8vo - over 7¾" - 9¾" tall; Vantech: Vancouver Technical School Yearbooks: 1927 1928 1929 1930 1931 and 1932 - Bound in Hard Cover Sports Teams History Vocational Training Education . Vancouver Technical School hardcover
réf. 21839Antwerpen, Victor Resseler, 1924 Originele uitgeversomslag groen papieromslag met rode letteropdruk, 145 x 225mm., frontispice, titelpagina met vignet, 106pp., z/w platen.
réf. 48489Bruxelles, Edition Revue L'Oeuf, 1980. 16 x 19, 134 pp., très nombreuses illustrations en couleurs et en N/B, broché, bon état.
