BEDE, Saint VenerableBiblio.com
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1545ref. 117351545 Saint Venerable BEDE Bible & Commentary English Monk Church Cosmology Saint Venerable Bede was an English monk during the 7th- and 8th-centuries. He is most remembered for his ecclesiastical work on the history of English people in which he discusses the establishment and growth of the church throughout the known world. He also wrote important commentaries on the books of the Bible. This work explains relevant Biblical passages as well as describes the allegorical notes of Church Fathers. However he did not write exclusively of church theology. He also wrote on the development of time and ideas of cosmology. This 16th-century Latin edition was published in Paris by Roigny. An impressive three-volume folio set! Item number: #11735 Price: $3500 BEDE Saint Venerable Venerabilis Bedae presbyteri theologi doctissimi juxta ac sanctissimi commentationum in Sacras Literas tomus primus : in quo ea maximè quae Veteris Testamenti sunt ita perspicuè ac dilucidè enarrantur ut inter celeberrimos ejus argumenti tractatores… Parisiis : Apud Joannem Roigny 1545/44. 1st editions Details: · Collation: Complete with all pages; 3 volumes o Vol I – 16 272 o Vol II – 16 264 o Vol III – 12 260 · References: USTC 149316 · Language: Latin · Binding: Leather; tight & secure · Size: ~13in X 9in 33.5cm x 23cm · Exceedingly rare and desirable set Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 11735 Photos available upon request. Joannem Roigny hardcover
ref. CBS 9780122276000US Edition. New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
ref. 1850Magnifique planche originale en couleurs, signée, réalisé par Jan Bucquoy en 1992 pour sa BD parodique : La Vie Sexuelle de Tintin, d'après Hergé. Planche de 6 cases au format 48,5 x 33 cm, mettant en scène dans des actes sexuels, Tintin, Milou et Bianca Castafiore. Etat superbe. De toute rareté.
1912ref. 58474[London, Cambridge University Press, 1912]. Gr.-8°. S. (425-)460, Späterer OKart.-Bd.
1988ref. 198641988 1 Dessin à l'encre de Chine et réhauts de couleur verte, 1988, 20.5 x 13 cm., encadré.
2010ref. 238252010 Encre et gouache signée en bas à droite, daté du 25.X.2010, 40 x 50 cm. (format du dessin), 50 x 65 cm. (format de la feuille), encadrée.
ref. 3793Tournai, Castermann, 1996; cartonnage illustré de l'éditeur, jaquette en couleurs.
1802ref. 21182ABLeipzig, Baumgärtner, 1802-1806. 31,5 cm. Mit 105 Kupfertafeln. (So komplett) Marmorierter Pappband (Hardcover), Fadenheftung. Band 4 (Hefte 37 bis 48) Gutes unbeschnittenes Exemlar. Einband bestoßen, beschabt und berieben, Bezugspapier mit Fehlteilen. Seiten insgesamt etwas braunfleckig.
1539ref. 505317Michaelis Vascosani Michel Vascosan 1539. Leather. NEAR FINE. 4 218pp. 9 Index. Folio in 6's collation complete: 2 A3-T6 2. Vulgate text printed in larger font with woodcut drop caps marginal references. Nicely bound in recent vellum with hand-written spine title in a convincing antiquarian hand. Some light staining to the edges small wormhole to top margin toward the gutter not affecting text; else FINE internally; a nice fresh copy. Bede the Venerable was one of the greatest minds of the Middle Ages and his immense learning is on full display in this commentary on the Fourth Gospel drawing on the church fathers as well as interlocating Old Testament and intertextual references. Bede had a particular devotion to the Johnannine gospel; his translation of the Vulgate into Old English is held as the first vernacular translation. The value of this particular edition is due to its significance in the history of printing. Vascosan set up his press 1530 under the banner of his father in law the famed printer Badius and adorned his title pages with the Badius printer's device through the decade. For reasons unclear possibly a dispute with relatives sharing an interest in the firm in 1539 Vascosan stopped using the Badius device. Rather than cut his own device Vascosan simply printed his title pages without one remarkably becoming the first printer to forego this branding tool that was so essential to printer differentiation in an age when books were sold without bindings. While his motivations at the outset are unclear it may have been simply needing to sell some books before a proper device could be cut he took a liking to it and maintained this style throughout his career. Today he is remembered as a pioneer of this 'unadorned elegance of his editions' Oxford Companion to the Book p. 1238. His text-only title pages were 'a harbinger of a new approach to title pages. Vascosan’s decision flew in the face of the Parisian and more generally European book-trade where printers’ devices had played a vital role in the identification and marketing of printers’ and booksellers’ output. He was trail-blazing a new method of promoting his works – a minimalist style which would challenge the use of ornate devices so popular among the first generation of Parisian printers and booksellers. Coupled with his rejection of a printer’s device was what one might call his ‘purification’ of the title page for his title pages are incredibly simple in style the whiteness of the paper dominating. Henri-Jean Martin wittily calls this ‘the graphic mode’ of ‘solemnization of the title page’ as opposed to the second ‘monumental mode’ which by the end of the sixteenth century became saturated with symbols and architectural motifs.' Exhibition Catalog 'Printing in Sixteenth-Century France at the Edward Worth Library.' While we cannot speculate on the priority of printings within the year 1539 we can say that no other copies of a 1539 Vascosan imprint are available in trade at this time and only one appears in auction records. OCLC 60698411 listes 8 copies. Michaelis Vascosani [Michel Vascosan] unknown
2012El capitán Trueno adalid de la justicia liberador del yugo de quienes profesan la esclavitud y desinteresado caballero andante es uno de los personajes más populares del a historieta española.
1799ref. 21140ABLeipzig, Baumgärtner, 1799-1802. 31,5 cm. Titelbl. deutsch, Titelbl. franz. mit 108 Kupfertafeln, davon 11 handkoloriert. Marmorierter Pappband der Zeit. Fadenheftung auf 3 Bändern. Band 3 (Hefte 25 bis 36). [12 Warenabbildungen] Gutes, unbeschnittenes Exemplar. Einband bestoßen, beschabt und berieben. Durchgehend braunfleckig. 1 Kupfer mit Abriss herausgetrennt, nur kurz den Plattenrand berührend. Zwischen den Tafeln Reste der herausgerissenen Seidenhemdchen.
1797ref. 21134ABLeipzig, Baumgärtner, 1797-98. 33 cm. Titelbl. deutsch, Titelbl. franz. mit 108 Kupfertafeln, davon 26 handkoloriert (so komplett). Marmorierter Pappband (Hardcover) der Zeit auf 3 echten Bändern geheftet. Band 2 (Hefte 13 bis 24). Schönes, unbeschnittenes Exemplar. Einband bestoßen, beschabt und berieben. Seiten zumeist randgedunkelt und etwas braun- und fingerfleckig. 1 Tafel mit einem langen Einriss. Die ersten 7 Blatt sowie das Vorsatzblatt restauratorisch aufgezogen und gereini
1933ref. 2090202122900297Bun-za shorin 1933. Soft Cover. Fine. Number of books: 1 Bun-za shorin paperback
ref. 81318Coloniae Agrippinae : sumptibus Antonij Hieratus Gymnici, 1612, 8 tomes reliés en 4 volumes de 250x390 mm environ, Volume 1, tome I. (7) ff. (page de titre gravée, vie de Bède, table), 452 pages ; tome II. Philosophie, (1)f. (page de titre), 238 pages, (1)f., - Volume 2, tome III. Histoire, (3) ff. (titre, table, au Roi, au lecteur), 500 pages, (1) f. ; tome IV. Commentaires Ancien Testament, (2) ff. (titre, table), 916 pages, (1) f., - Volume 3, tome V. (1) f. (titre), 816 pages annoncées (erreurs de pagination, 855 pages) ; tome VI. (1) f. (titre), 852 pages, (1) f., - Volume 4, tome VII. (2) ff. (titre, table) 486 pages ; tome VIII. Ancien Testament, (2) ff. (titre, table), 968 pages, (64) ff. (index), (1) f., reliures plein cuir granité brun, dos à 6 nerfs portant titres et tomaisons dorés, sur pièces de titre en veau fauve, ornés de caissons à riches motifs dorés, tranches mouchetées de rouge. Avec de nombreuses figures, tableaux, diagrammes, calendriers. Ex-libris manuscrits sur les page de titre. Fréquentes erreurs de pagination, le nombre de pages annoncés est parfois erroné, mais ces volumes sont bien complet avec pagination des cahiers cohérente, rousseurs mouillures, des pages brunies, léger manque de papier sur la dernière page du tome II, épidermures, frottements, coiffes ébréchées avec début de fente sur les mors, des tampons de bibliothèque, bon état pour le reste.
1957ref. 232581957. ComicsPolitical ActivismLatin America Archive of five issues of Argentine anti-authoritarian sci-fi comic El Eternauta by Héctor Germán Oesterheld printed in Hora Cero anthologies 1957-59. El Eternauta is widely regarded as one of the most important works in Latin American comics combining speculative science fiction with social commentary and a distinctly Argentine setting. The story follows a small group of survivors navigating a mysterious extraterrestrial invasion that devastates Buenos Aires. Its narrative of collective resistance survival and moral responsibility became foundational to Argentine graphic storytelling and later assumed additional historical resonance through Oesterheld's political activism during Argentina's military dictatorship. The author was kidnapped and "disappeared" along with his daughters for his anti authoritarian activities under the late 1970s military junta. The December 1957 installment opens with five bombers over a city devastated by the deadly snowfall while the 1958 and 1959 installments move through Plaza del Congreso Calle Callao and the invaders' command structure under the running banner "Una cita con el futuro." . This scarce archive includes: 1 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 17. Buenos Aires: Editorial Frontera 25 de diciembre de 1957. A lethal transparent snowfall has annihilated life in Buenos Aires and that Juan and the surviving group witness five bombers after losing their truck and Pablo. 2 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 68. Buenos Aires: Editorial Frontera 17 de diciembre de 1958. Orange and black cover with soldiers advancing through smoke. Juan Favalli and Franco meet a young woman who says the invading force is concentrated in Plaza Congreso and that it can be destroyed if they reach it. 3 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 71. Buenos Aires: Editorial Frontera 7 de enero de 1959. Blue and black cover with helmeted troops approaching a bunker line. After witnessing the invaders' shock forces along Calle Callao and nearing Plaza del Congreso Franco halts Juan and Favalli and leads them through the interior of nearby houses. 4 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 74. Buenos Aires: Editorial Frontera 28 de enero de 1959. Pink and black cover with silhouetted soldiers and a large close profile of a sweating combatant. Bombers from other latitudes attack Plaza del Congreso to destroy the invaders' general headquarters bringing down many aircraft but also blasting the "manos" robots and gurbos below. 5 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 103. Buenos Aires: Editorial Frontera 19 de agosto de 1959. Lacking cover; the surviving issue retains the imprint panel "Hora Cero / Año III / Numero 103." The survivors find a way to strike decisively following a dark-eyed young woman toward the invasion's command post while counting on grenades and the panic of the "manos" once their internal terror gland is triggered. Oesterheld's narrative departs from traditional adventure comics by emphasizing collective action rather than a single heroic protagonist portraying ordinary civilians organizing survival and resistance. The later political charge attached to the serial after Oesterheld's kidnapping and disappearance under the last Argentine dictatorship gives added weight to these original printings but the story itself was already rooted in anti-Authoritarianism presenting military pressure and a collective struggle against greater power. Moderate toning and handling wear throughout; scattered creasing edge wear and small losses to covers; issue no. 103 lacking cover; several covers with penciled or inked prices and markings. Overall good condition. unknown
1957ref. 232581957. ComicsPolitical ActivismLatin America Archive of five issues of Argentine anti-authoritarian sci-fi comic El Eternauta by Héctor Germán Oesterheld printed in Hora Cero anthologies 1957-59. El Eternauta is widely regarded as one of the most important works in Latin American comics combining speculative science fiction with social commentary and a distinctly Argentine setting. The story follows a small group of survivors navigating a mysterious extraterrestrial invasion that devastates Buenos Aires. Its narrative of collective resistance survival and moral responsibility became foundational to Argentine graphic storytelling and later assumed additional historical resonance through Oesterheld's political activism during Argentina's military dictatorship. The author was kidnapped and "disappeared" along with his daughters for his anti authoritarian activities under the late 1970s military junta. The December 1957 installment opens with five bombers over a city devastated by the deadly snowfall while the 1958 and 1959 installments move through Plaza del Congreso Calle Callao and the invaders' command structure under the running banner "Una cita con el futuro." . This scarce archive includes: 1 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 17. Buenos Aires: Editorial Frontera 25 de diciembre de 1957. A lethal transparent snowfall has annihilated life in Buenos Aires and that Juan and the surviving group witness five bombers after losing their truck and Pablo. 2 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 68. Buenos Aires: Editorial Frontera 17 de diciembre de 1958. Orange and black cover with soldiers advancing through smoke. Juan Favalli and Franco meet a young woman who says the invading force is concentrated in Plaza Congreso and that it can be destroyed if they reach it. 3 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 71. Buenos Aires: Editorial Frontera 7 de enero de 1959. Blue and black cover with helmeted troops approaching a bunker line. After witnessing the invaders' shock forces along Calle Callao and nearing Plaza del Congreso Franco halts Juan and Favalli and leads them through the interior of nearby houses. 4 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 74. Buenos Aires: Editorial Frontera 28 de enero de 1959. Pink and black cover with silhouetted soldiers and a large close profile of a sweating combatant. Bombers from other latitudes attack Plaza del Congreso to destroy the invaders' general headquarters bringing down many aircraft but also blasting the "manos" robots and gurbos below. 5 Oesterheld Héctor G.; Solano López Francisco. Hora Cero. Suplemento Semanal. No. 103. Buenos Aires: Editorial Frontera 19 de agosto de 1959. Lacking cover; the surviving issue retains the imprint panel "Hora Cero / Año III / Numero 103." The survivors find a way to strike decisively following a dark-eyed young woman toward the invasion's command post while counting on grenades and the panic of the "manos" once their internal terror gland is triggered. Oesterheld's narrative departs from traditional adventure comics by emphasizing collective action rather than a single heroic protagonist portraying ordinary civilians organizing survival and resistance. The later political charge attached to the serial after Oesterheld's kidnapping and disappearance under the last Argentine dictatorship gives added weight to these original printings but the story itself was already rooted in anti-Authoritarianism presenting military pressure and a collective struggle against greater power. Moderate toning and handling wear throughout; scattered creasing edge wear and small losses to covers; issue no. 103 lacking cover; several covers with penciled or inked prices and markings. Overall good condition. unknown books
1901ref. 408888Grand Rapids Mich: B.D. Jackson 1901. Hardcover. Near Fine. Oblong 12mo. Silk cord-tied red cloth boards with "Jackson's Photographic Views" on front board in gilt. 32 sepia-toned albumen images each approximately 5.75" x 3.75". Each image is captioned by hand on two partially printed with Jackson's name and address contents pages in the front. After a few images et in Vermont the remainder are set in the Midwest particularly Michigan Missouri and Ohio. The Ohio-born Jackson was a professional photographer who started in Grand Rapids but moved to Pomona California in 1901 thus our attribution of the date where he was a success in both portraiture and where he eventually became well-known for landscape photography for the production of stereographs and postcards. His archives are at the Huntington Library. While this group displays some lovely landscapes this album seems more personal and perhaps half are of people several identified and at least one at the home of J.B.H. Jackson in Michigan very likely a relative. Among the images are several of camps and parks locations include Haslet Park Pine Lake and Harwick Michigan; several of Catalfa Grove in Missouri; and Lake Brady Cuyauga River and several of Maple Dell Ohio; as well as the first few set in Royalton Vermont. One image of two small black children is labeled "Chocolate Drops" Really exceptional quality images from the earlier part of Jackson's career. B.D. Jackson hardcover
1901ref. 408888Grand Rapids Mich: B.D. Jackson 1901. Hardcover. Near Fine. Oblong 12mo. Silk cord-tied red cloth boards with "Jackson's Photographic Views" on front board in gilt. 32 sepia-toned albumen images each approximately 5.75" x 3.75". Each image is captioned by hand on two partially printed with Jackson's name and address contents pages in the front. After a few images et in Vermont the remainder are set in the Midwest particularly Michigan Missouri and Ohio. The Ohio-born Jackson was a professional photographer who started in Grand Rapids but moved to Pomona California in 1901 thus our attribution of the date where he was a success in both portraiture and where he eventually became well-known for landscape photography for the production of stereographs and postcards. His archives are at the Huntington Library. While this group displays some lovely landscapes this album seems more personal and perhaps half are of people several identified and at least one at the home of J.B.H. Jackson in Michigan very likely a relative. Among the images are several of camps and parks locations include Haslet Park Pine Lake and Harwick Michigan; several of Catalfa Grove in Missouri; and Lake Brady Cuyauga River and several of Maple Dell Ohio; as well as the first few set in Royalton Vermont. One image of two small black children is labeled "Chocolate Drops" Really exceptional quality images from the earlier part of Jackson's career. B.D. Jackson hardcover books
2000ref. 204722000 Dessin sur papier à l'encre noire, 2000, 19.7 x 28.4 cm, signé dans la planche en bas à droite, mentions manuscrites dans la planche, encadré.
1958ref. 231031958. El Eternauta featured in three Hora Cero Suplemento Semanal issues placing them within the original weekly Frontera run that first introduced Héctor Germán Oesterheld and Francisco Solano López's landmark Argentine science fiction narrative. Hora Cero Suplemento Semanal. Buenos Aires: Editorial Frontera 1958 to 1959. Three oblong octavo weekly comics in original pictorial wrappers Spanish text. Illustrated throughout in black and white on newsprint with orange and black cover designs. Notably this archive includes one of the few Hora Cero issues with a cover illustration pertaining to El Eternauta. The cover image on the October 8 1958 issue depicts on of the "Manos" the enigmatic alien overseers of the invasion in El Eternauta rendered in the dramatic pulp style typical of Hora Cero covers. This scarce archive includes: 1 Hora Cero Suplemento Semanal. No. 45. Buenos Aires: Editorial Frontera Julio 9 1958. Cover price $1.80 with cover art featuring two men in a confrontation one holding a pistol. Interior includes serialized comic pages ending "continuará." 2 Hora Cero Suplemento Semanal. No. 58. Buenos Aires: Editorial Frontera Octubre 8 1958. Cover price $1.80 with cover imagery centered on a large skull form and a male head emerging against a dark ground. Interior pages include Sgt. Kirk credited to Oesterheld and H. Pratt with Native American and frontier conflict scenes. 3 Hora Cero Suplemento Semanal. No. 78. Buenos Aires: Editorial Frontera Febrero 25 1959. Cover price $2.50 with signed cover art of a Native American figure in profile holding a weapon. Interior includes Sgt. Kirk pages and other serialized adventure strips. Interior pages in these issues include installments of El Eternauta under the recurring banner "Una cita con el futuro" with Francisco Solano López's stark black and white artwork depicting armored survivors ruined urban infrastructure military engagements and alien invasion scenes unfolding across Buenos Aires. Serialized episodes preserve the strip's original weekly continuity including captions summarizing prior installments and concluding teasers directing readers to forthcoming Frontera Extra numbers documenting the story in its first mass-market publication context alongside Sgt. Kirk and other Frontera adventure series. Editorial Frontera founded by Héctor Germán Oesterheld with his brother Jorge became the central publishing site for the Argentine comics renaissance of the late 1950s bringing together Oesterheld Solano López Hugo Pratt Alberto Breccia and Arturo del Castillo. El Eternauta later became Oesterheld's defining work its Buenos Aires invasion plot and collective hero structure gaining deeper political resonance after Oesterheld's forced disappearance during Argentina's military dictatorship. Light toning edge wear and expected newsprint fragility; staples intact; interiors complete and legible. Overall good condition. unknown
1958ref. 231031958. El Eternauta featured in three Hora Cero Suplemento Semanal issues placing them within the original weekly Frontera run that first introduced Héctor Germán Oesterheld and Francisco Solano López's landmark Argentine science fiction narrative. Hora Cero Suplemento Semanal. Buenos Aires: Editorial Frontera 1958 to 1959. Three oblong octavo weekly comics in original pictorial wrappers Spanish text. Illustrated throughout in black and white on newsprint with orange and black cover designs. Notably this archive includes one of the few Hora Cero issues with a cover illustration pertaining to El Eternauta. The cover image on the October 8 1958 issue depicts on of the "Manos" the enigmatic alien overseers of the invasion in El Eternauta rendered in the dramatic pulp style typical of Hora Cero covers. This scarce archive includes: 1 Hora Cero Suplemento Semanal. No. 45. Buenos Aires: Editorial Frontera Julio 9 1958. Cover price $1.80 with cover art featuring two men in a confrontation one holding a pistol. Interior includes serialized comic pages ending "continuará." 2 Hora Cero Suplemento Semanal. No. 58. Buenos Aires: Editorial Frontera Octubre 8 1958. Cover price $1.80 with cover imagery centered on a large skull form and a male head emerging against a dark ground. Interior pages include Sgt. Kirk credited to Oesterheld and H. Pratt with Native American and frontier conflict scenes. 3 Hora Cero Suplemento Semanal. No. 78. Buenos Aires: Editorial Frontera Febrero 25 1959. Cover price $2.50 with signed cover art of a Native American figure in profile holding a weapon. Interior includes Sgt. Kirk pages and other serialized adventure strips. Interior pages in these issues include installments of El Eternauta under the recurring banner "Una cita con el futuro" with Francisco Solano López's stark black and white artwork depicting armored survivors ruined urban infrastructure military engagements and alien invasion scenes unfolding across Buenos Aires. Serialized episodes preserve the strip's original weekly continuity including captions summarizing prior installments and concluding teasers directing readers to forthcoming Frontera Extra numbers documenting the story in its first mass-market publication context alongside Sgt. Kirk and other Frontera adventure series. Editorial Frontera founded by Héctor Germán Oesterheld with his brother Jorge became the central publishing site for the Argentine comics renaissance of the late 1950s bringing together Oesterheld Solano López Hugo Pratt Alberto Breccia and Arturo del Castillo. El Eternauta later became Oesterheld's defining work its Buenos Aires invasion plot and collective hero structure gaining deeper political resonance after Oesterheld's forced disappearance during Argentina's military dictatorship. Light toning edge wear and expected newsprint fragility; staples intact; interiors complete and legible. Overall good condition. unknown books
1907ref. mon0000194158George Bell and Sons 1907-01-01. Hardcover. Good. in x in x in. Not ex-library. Clean copy in good condition. George Bell and Sons hardcover
ref. 159701London: Times Newspapers 1970. First Edition. First Edition. The Times Authors series presented gatherings of resources relating to an author including newspaper reviews offprints of articles film stills and various ephemera created for use by students and available for purchase via mail order from the "Times Education Services" office in London. This edition noted as No. 2 focused on George Orwell. Other authors featured included Dylan Thomas Arnold Wesker and Allan Sillitoe. As noted on the folder on offer each issue in the series was "carefully selected and arranged but organised in a loose-leaf format with no imposed sequence. For individual study or group work this flexibility will be found especially helpful for there are numerous points of entry and the direction and centre of interest can depend on the book or books being studied." Among the resources in the edition are: Eight gatherings of reproductions of newspaper articles and reviews relating to Orwell with a number of newspapers represented including "The Observer" "Scrutiny" "The Daily Mirror" "The Times Literary Supplement" "Tribune" and "The Guardian." A reproduction of four articles written by Orwell originally published in "As I Please" his weekly column for the left-wing British newspaper "Tribune." A comic strip based on the 1954 animated film directed by John Halas and Joy Batchelor and created by the film's lead animator Harold Whitaker. A poster advertising Halas and Batchelor's film with a striking black-and-white drawing of charismatic swine leader Napoleon. A double-sided character and set design illustration and a booklet featuring ten black-and-white photographs from the 1954 film. An offprint of two of the five essays from Orwell's 1947 book "The English People" and reproducing the book's covers and title page. A bi-fold bibliography of Orwell's publications and critical works relating to Orwell. "The English People": Fine in staple-bound wrappers. Harold Whitaker strip: Small scratch on the front wrapper else Near Fine in side-stapled wrappers. Poster: 19.5 x 14.5 inches folded. About Fine. Newspaper reproductions bi-fold bibliography design illustration and stills booklet: Very Good plus to Near Fine with some faint offsetting along the top edges. All materials housed in a pictorial green folder measuring 12 x 9 inches. Folder and contents housed in publisher's original plastic envelope Near Fine. Times Newspapers unknown
ref. 159701London: Times Newspapers 1970. First Edition. First Edition. The Times Authors series presented gatherings of resources relating to an author including newspaper reviews offprints of articles film stills and various ephemera created for use by students and available for purchase via mail order from the "Times Education Services" office in London. This edition noted as No. 2 focused on George Orwell. Other authors featured included Dylan Thomas Arnold Wesker and Allan Sillitoe. As noted on the folder on offer each issue in the series was "carefully selected and arranged but organised in a loose-leaf format with no imposed sequence. For individual study or group work this flexibility will be found especially helpful for there are numerous points of entry and the direction and centre of interest can depend on the book or books being studied." Among the resources in the edition are: Eight gatherings of reproductions of newspaper articles and reviews relating to Orwell with a number of newspapers represented including "The Observer" "Scrutiny" "The Daily Mirror" "The Times Literary Supplement" "Tribune" and "The Guardian." A reproduction of four articles written by Orwell originally published in "As I Please" his weekly column for the left-wing British newspaper "Tribune." A comic strip based on the 1954 animated film directed by John Halas and Joy Batchelor and created by the film's lead animator Harold Whitaker. A poster advertising Halas and Batchelor's film with a striking black-and-white drawing of charismatic swine leader Napoleon. A double-sided character and set design illustration and a booklet featuring ten black-and-white photographs from the 1954 film. An offprint of two of the five essays from Orwell's 1947 book "The English People" and reproducing the book's covers and title page. A bi-fold bibliography of Orwell's publications and critical works relating to Orwell. "The English People": Fine in staple-bound wrappers. Harold Whitaker strip: Small scratch on the front wrapper else Near Fine in side-stapled wrappers. Poster: 19.5 x 14.5 inches folded. About Fine. Newspaper reproductions bi-fold bibliography design illustration and stills booklet: Very Good plus to Near Fine with some faint offsetting along the top edges. All materials housed in a pictorial green folder measuring 12 x 9 inches. Folder and contents housed in publisher's original plastic envelope Near Fine. Times Newspapers unknown books
ref. 112255Dargaud editions, collection du Lombard, DL 3e trimestre 1959. Un album cartonné d'environ 30 x 23 , 64 pages collées, bien complet du point tintin sur la page 64. Dos et coiffes en très bon état. De très légers frottements sont observables sur les tranches et coins inférieurs. Une marque de pliure est présente sur la première page de garde, et la page de titre porte une très légère trace de gommage, sinon la bande dessinée est en très bon état.
