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‎Robert Altman director screenwriter; Etienne George Anne Marie Fox still photographers; Barbara Shulgasser screenwriter; Marce‎

‎Ready to Wear Pret-a-porter Original color photograph from the set of the 1994 film‎

‎N.p.: N.p. 1994. Vintage borderless double weight color reference photograph of director Robert Altman with Julia Roberts and Lyle Lovett on location at Roissy Airport Charles de Gaulle Airport for the 1994 film. French and English printed "Sipa Press" snipe and "Pica Pressfoto" label on verso. <br/><br/>Altman's lightly sardonic take on Paris Fashion Week featuring an enormous and star-studded ensemble cast of international actors models and designers.<br/><br/>Set in and shot on location in Paris France . <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books‎

Bookseller reference : 150134

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‎Robert Altman director; Gillian Freeman screenwriter; Peter Miles novel; Sandy Dennis Michael Burns starring‎

‎That Cold Day in the Park Collection of 4 original photographs from the 1969 film‎

‎Chicago: Olive Films 1969. Collection of 4 vintage black-and-white still photographs from the 1969 film. Based on the novel by Peter Miles. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Olive Films unknown books‎

Bookseller reference : 135464

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‎Robert Altman director; Gillian Freeman screenwriter; Peter Miles novel; Sandy Dennis Michael Burns starring‎

‎That Cold Day in the Park Original color photograph from the 1969 film‎

‎Los Angeles: Commonwealth United Entertainment 1969. Vintage color studio still photograph from the 1969 film. Based on the novel by Peter Miles. <br/><br/>The feature film that brought Robert Altman to the attention of the film world giving him the break he needed to make "MASH" in the year that followed. A gothic psychological thriller that explores a spinster's depth of loneliness and sexual longing. She happens upon a young mute man in the park who she invites to live in her house. The film was not a box office success and has received a relatively negative reception mostly due to its unclarified theme. <br/><br/>Shot on location in Vancouver Canada. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/> <br/><br/>Olive 540. Commonwealth United Entertainment unknown books‎

Bookseller reference : 139768

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‎Robert Altman director; Joan Tewkesbury screenwriter; Ned Beatty Karen Black Keith Carradine Shelley Duvall Jeff Goldblum L‎

‎Nashville Original press kit for the 1974 film‎

‎Hollywood: Paramount Pictures 1974. Vintage press kit for the 1974 film. Includes 29 vintage black-and-white studio still photographs each with the Paramount two-color folding snipe a facsimile cover of Newsweek drawn from the film's content a dense program that includes essays on the making of the film and several stapled information sheets. <br/><br/>Folder 9 x 11.5 inches. Contents 8 x 10 inches. Contents Fine housed in a Very Good studio folder. Paramount Pictures unknown books‎

Bookseller reference : 135912

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‎Robert Altman director; Marsha Norman screenwriter; Carol Burnett Amy Madigan Michael Wright starring‎

‎The Laundromat Original photograph from the 1985 television film‎

‎Paris: Gamma 1985. Vintage borderless reference photograph of director Robert Altman and actor Carol Burnett on the set of the 1985 television film which originally aired on HBO on April 1. With a printed mimeo snipe on the verso along with the stamps of Gamma Film.<br/><br/>Two women meet at a laundromat and reveal secrets about their lives. The third and final film collaboration between Altman and Burnett following "A Wedding" 1978 and "HealtH" 1980. <br/><br/>Shot on location in Paris.<br/><br/>10.25 x 7 inches. Fine. Gamma unknown books‎

Bookseller reference : 149641

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‎Robert Altman director; Ring Lardner Jr. screenwriter; Richard Hooker novel; Robert Duvall Donald Sutherland Elliot Gould Tom‎

‎MASH Collection of 5 original oversize photographs from the 1970 film‎

‎Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. <br/><br/>Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. <br/><br/>12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. <br/><br/>National Film Registry. Twentieth Century-Fox unknown books‎

Bookseller reference : 143169

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‎Robert Asher director; Jack Davies Henry Blyth Norman Widsom screenwriter; Norman Widsom Ian Hunter David Lodge starring‎

‎The Bulldog Breed Original photograph from the 1960 film‎

‎London: National Film Archives / Rank Organisation 1960. Vintage black-and-white still photograph from the 1960 UK film. Cropping annotations on both sides of the still <br/><br/>When a grocery boy has his heart broken he decides to join the Navy where he is to man the first British rocket. Both Michael Caine and Oliver Reed make brief cameos. <br/><br/>6.25 x 8 inches. Very Good plus with light a shallow crease. National Film Archives / Rank Organisation unknown books‎

Bookseller reference : 132597

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‎Robert Avard Miller screenwriter‎

‎Lazarus Original screenplay for an unproduced film‎

‎Burbank CA: Martin Ransohoff Productions 1980. Draft script for an unproduced film. <br/><br/>Western featuring Lazarus a fugitive cowboy who cant keep out of trouble. <br/><br/>Red titled wrappers. Title page present with credits for screenwriter Robert Avard Miller composer George Leonard and producer A. Ronald Lubin. 111 leaves with last page of text numbered 109. Xerographically reproduced. Pages Fine wrapper Near Fine bound internally with three gold brads. Martin Ransohoff Productions unknown books‎

Bookseller reference : 143986

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‎Robert B. Parker screenwriter; Avery Brooks Yusef Bulos William Fichtner Joseph C. Phillips starring; Virgil Vogel director‎

‎A Man Called Hawk: Poison White Poison Original screenplay for the 1989 television episode‎

‎Burbank CA: Warner Brothers / American Broadcasting Company ABC 1989. First Draft script for the season one episode eight of the 1989 television show originally broadcast March 25 1989 on ABC here under the working title "White Poison." Virgil Vogel credited here as Director but Harry Falk would receive final credit as Director of the episode. <br/><br/>"Hawk" was based on a character from the crime drama series "Spencer: For Hire" 1985-1988. Avery Brooks an African American actor reprising his role from the former series starred as the sharp-dressed streetwise sunglasses-wearing elongated Colt revolver-toting vigilante with a deep sense of being. <br/><br/>In this episode Hawk is tracking the source of heroin laced with strychnine but his task is constantly interrupted by a nosy reporter. <br/><br/>Orange titled wrappers noted as FIRST DRAFT on the front wrapper dated January 27 1989. Title page present dated January 27 1989 noted as FIRST DRAFT with credits for screenwriters Parker and director Vogel as well as credits for executive producers producers associate producer and unit production manager. 62 leaves with last page of text numbered 58. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Warner Brothers / American Broadcasting Company [ABC] unknown books‎

Bookseller reference : 129406

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‎Robert Benchley starring; Roy Rowland director; Jack Chertok screenwriter; Marie Blake starring‎

‎How to Sub-Let Original screenplay for the 1939 film short‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Temporary Complete script for the 1939 short film one of several classic shorts featuring the great Algonquin Round Table humorist Robert Benchley. <br/><br/>A stereotypically clueless husband is left in charge to show his apartment to a prospective subletting couple while his wife is at church and manages to botch the job in all the expectedly silly ways. "How to Sub-let" is the second-to-last of beloved Algonquin Round Table humorist Robert Benchley's "How to" shorts which included the 1935 Academy Award winning "How to Sleep" with his signature and untrue affinity for being lazy throughout the script. Set in an apartment in an unknown city. <br/><br/>Blue titled wrappers noted as TEMPORARY COMPLETE on the front wrapper rubber-stamped copy No. 946 and production No. 89665 dated 11/1/38 with credits for comedian Robert Benchley. Title page integral with the second page of the text with credits for comedian Robert Benchley as issued. 13 leaves with last page of text numbered 12. Mimeograph duplication. Pages Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 140177

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‎Robert Blees creator; Eugenie Ross Leming screenwriter starring; Brad Buckner screenwriters; Shelley Fabares Stephen McHattie‎

‎Highcliffe Manor Three original scripts for two episodes of the 1979 television series‎

‎Los Angeles: T.A.T Communications Company 1978. Three original scripts for two episodes from the short-lived gothic horror sitcom which aired on NBC in 1979. First Draft and a Second Draft scripts for the pilot episode "The Blacke Death" which aired on April 12 1979 and a First Draft script for the third episode "The Evil from Within" here under its working title "Death Walks" which aired on April 26 1979. Annotations in holograph ink on several pages of both First Draft scripts.<br/><br/>A widow inherits her husband's castle which is also a "think tank" filled with crazy scientists and eccentric characters determined to get rid of her. Featuring voice-over narration by Peter Lawford.<br/><br/>"The Blacke Death" First Draft:<br/>Green titled self-wrappers integral with title page noted as First Draft on the front wrapper dated July 28 1977 with credits for screenwriters Brad Buckner and Eugenie Ross-Leming. 31 leaves with last page of text numbered 29. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>"The Blacke Death" Second Draft:<br/>Pink titled self-wrappers integral with title page noted as Second Draft on the front wrapper dated August 3 1978 with credits for screenwriters Eugenie Ross-Leming and Brad Buckner. 50 leaves with last page of text numbered 49. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>"Death Walks" First Draft:<br/>Green titled self-wrappers integral with title page noted as First Draft on the front wrapper dated August 4 1977 with credits for screenwriters Eugenie Ross-Leming. 33 leaves with last page of text numbered 31. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. T.A.T Communications Company unknown books‎

Bookseller reference : 152232

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‎Robert Bloch screenwriter; Peter Duffell director; Christopher Lee Peter Cushing Nyree Dawn Porter Denholm Elliott starring‎

‎The House that Dripped Blood Original screenplay for the 1971 film signed by Robert Bloch‎

‎London: Amicus Productions 1970. Draft script for the 1971 film. SIGNED by screenwriter Robert Bloch on the title page in 1982. Brief annotations throughout in holograph ink and pencil. <br/><br/>An anthology horror film featuring four different stories including vampires witchcraft wax ladies and eerie stranglers. In one story a writer is haunted by the psychopathic central character of his latest novel; in another two friends are haunted by a wax figure that eerily resembles a woman they once knew; in the third story a widower is neglectful and abusive to his daughter; and in the final story an actor starring in a vampire film buys a cloak from a mysterious shopkeeper and finds that the cloak gives him vampiric powers. Ingrid Pitt has a supporting role as do Joss Ackland Jonathan Lynn and Joanna Lumley. <br/><br/>Bloch wrote for several Amicus Productions film including "The Skull" 1965 "The Psychopath" 1966 "The Deadly Bees" 1966 and "Asylum" 1972. <br/><br/>Shot on location in England. <br/><br/>Blue titled wrappers. Title page present undated with a credit for screenwriter Bloch. 128 leaves with last page of text numbered 127. Mimeograph duplication. Pages and wrapper Near Fine bound internally with a silver prong brad. <br/><br/>Muir 1970s. Amicus Productions unknown books‎

Bookseller reference : 137241

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‎Robert Bloch screenwriter; Roger Kay director; Glynis Johns Dan O'Herlihy Richard Davalos starring‎

‎The Cabinet of Caligari Collection of nine original photographs from the 1962 film‎

‎Los Angeles: Twentieth Century-Fox 1962. Collection of nine vintage studio still photographs two borderless from the 1962 film. <br/><br/>Jane Lindstom's Glynis Johns car breaks down and she seeks assistance at the home of a man named Caligari Dan O'Herlihy where she soon finds herself prisoner and none of the other residents seem willing to help. Not a remake of the classic 1920 Robert Wiene film "The Cabinet of Dr. Caligari" despite the similarity of the title though it does contain a similar plot twist. <br/><br/>7 - 8 x 10 inches 2 - 9.25 x 7 . Near Fine some faint creasing in margins and light edgewear. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books‎

Bookseller reference : 147773

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‎Robert Bob Willoughby photographer; Bernard Girard director screenwriter; Andrew Lytle novel; Robert Culp Samantha Eggar starr‎

‎A Name for Evil Original double weight photograph from the 1973 film‎

‎Boca Raton FL: Penthouse 1973. Vintage oversize double weight borderless still photograph from the 1973 film based on the 1947 novel by Andrew Lytle. Shot struck and mounted by the film's still photographer Bob Willoughby with a holograph notation in his hand on the verso. Full provenance available. <br/><br/>Culp and Eggar romp in a bed that is the middle of the woods for some reason while the haunted house that will exert a corrupting influence on the couple looms in the background. An image that does not appear in the so-bad-its-nearly-avant garde film but one that nevertheless captures its aura of surreal eroticism quite well. <br/><br/>Set in the countryside of Southern California shot on location in British Columbia Indian Arm and Vancouver. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.25 x 9 inches. Fine. <br/><br/>Thrower Nightmare USA. Penthouse unknown books‎

Bookseller reference : 139507

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‎Robert Bob Willoughby photographer; Blake Edwards director screenwriter; Evelyn Anthony novel; Julie Andrews Omar Sharif starr‎

‎The Tamarind Seed Original double weight photograph from the 1974 film‎

‎Los Angeles: Embassy Pictures 1974. Vintage oversize double weight borderless still photograph from the 1974 film based on the 1971 novel by Evelyn Anthony. Shot struck and mounted by the film's still photographer Bob Willoughby with holograph notation on the verso in his hand. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 14 inchescm. Near Fine. Embassy Pictures unknown books‎

Bookseller reference : 139505

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‎Robert Bob Willoughby photographer; Bruce Malmuth director; David Shaber screenwriter; Sylvester Stallone Billy Dee Williams L‎

‎Nighthawks Original double weight photograph from the 1981 film‎

‎Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.25 x 9.25 inches. Near Fine. Universal Pictures unknown books‎

Bookseller reference : 139508

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‎Robert Bob Willoughby photographer; Clive Donner director; Eliot Baker screenwriter; Murray Schisgal play; Jack Lemmon Peter Fa‎

‎Luv Original oversize double weight color photograph of Jack Lemmon Elaine May and Peter Falk from the 1967 film‎

‎Culver City CA: Columbia Pictures 1967. Vintage oversize double weight color still photograph from the 1967 film based on the 1964 play by Murray Schisgal. Although not indicated shot and struck by the film's still photographer Bob Willoughby with an agency stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13 x 19.25 inches mounted on board. About Near Fine with some soiling near the top edge and light edgewear overall. Columbia Pictures unknown books‎

Bookseller reference : 139540

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‎Robert Bob Willoughby photographer; David Lean director; Robert Bolt screenwriter; Robert Mitchum John Mills Christopher Jones‎

‎Ryan's Daughter Original double weight photograph for the set of the 1970 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 139510

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‎Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st‎

‎Raintree County Original photograph from the 1956 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine with black holograph ink annotations to the verso and hole punches to the margin. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 141567

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‎Robert Bob Willoughby photographer; Edward Dmytryk director; Millard Kaufman screenwriter; Elizabeth Taylor Montgomery Clift st‎

‎Raintree County Original photograph from the 1956 film‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1956. Vintage film still photograph from the 1956 film nominated for four Academy Awards and based on the 1948 novel by Ross Lockridge Jr. Paper snipe affixed to the verso. <br/><br/>A graduating poetry teacher played with aplomb by Clift falls in love with a Southern woman Taylor but the woman's past and the Civil War begin to cause problems. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books‎

Bookseller reference : 141247

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‎Robert Bob Willoughby photographer; Henry Koster director; Joseph Fields screenwriter play; Oscar Hammerstein II play; CY. Lee‎

‎Flower Drum Song Original double weight photograph from the 1961 film‎

‎Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. <br/><br/>Hirschhorn p. 373. Universal Pictures unknown books‎

Bookseller reference : 139506

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‎Robert Bob Willoughby photographer; J. Lee Thompson director; John D. MacDonald novel; James R. Webb screenwriter; Sy Bartlett p‎

‎Cape Fear Original double weight photograph on the set of the 1961 film‎

‎N.p.: N.p. 1961. Vintage oversize double weight candid photograph of Gregory Peck and producer Sy Bartlett conferring on the set of "Cape Fear" in 1961 during the final scene in which Peck's character Sam Bowden fights in swamp water with Max Cady Robert Mitchum. Shot struck and mounted by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph ink: "Greg on set listens to producer Sy Bartlett." With Willoughby's ASMP rubber stamp with his Pacific Palisades address and a separate stamp with the address of the Lee Gross Agency in New York. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 9 inches. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Silver Classic Noir. Selby US. Spicer US. N.p. unknown books‎

Bookseller reference : 133200

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‎Robert Bob Willoughby photographer; Jack Lemmon director; John Paxton screenwriter; Katharine Topkins novel; Walter Matthau Deb‎

‎Kotch Original double weight photograph from the 1971 film‎

‎Burbank CA: American Broadcasting Company ABC 1971. Vintage oversize double weight borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards including a Best Actor nod for Matthau starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated shot struck and mounted by the film's still photographer Bob Willoughby. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>9.25 x 13.5. Fine. American Broadcasting Company [ABC] unknown books‎

Bookseller reference : 139538

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‎Robert Bob Willoughby photographer; Mike Nichols director; Joseph Heller novel; Buck Henry screenwriter; Alan Arkin Art Garfunk‎

‎Alan Arkin Art Garfunkel and Martin Sheen on the set of "Catch-22" 1969‎

‎N.p.: N.p. 1969. Vintage oversize double weight candid photograph of Alan Arkin Art Garfunkel and Martin Sheen on the set of Mike Nichols' "Catch-22" in 1969. Shot and struck by the film's still photographer Bob Willoughby. The photographer has written at the top of the verso in holograph pencil: "Candid during rehearsal / The boys break up in briefing room scene / Art Garfunkel Alan Arkin Martin Sheen." Also with Willoughby's ASMP rubber stamp for both his New York and Ireland addresses. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 13.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. N.p. unknown books‎

Bookseller reference : 133199

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‎Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Sagan novel Deborah Kerr‎

‎Bonjour Tristesse Original oversize double weight photograph from the set of the 1958 film‎

‎Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily holograph description of the scene on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books‎

Bookseller reference : 139533

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‎Robert Bob Willoughby photographer; Otto Preminger director; Arthur Laurents screenwriter; Francoise Saga novel; Deborah Kerr D‎

‎Bonjour Tristesse Original photograph from the set of the 1957 film‎

‎Culver City CA: Columbia Pictures 1957. Vintage oversize double weight photograph of Jean Seberg Otto Preminger David Niven and the stand-ins for Seberg and Niven on the set of "Bonjour Tristesse" in the late summer of of 1957 in Cote d'Azur France. Shot struck and mounted by the film's still photographer Bob Willoughby. Willoughby's annotations regarding same present on the verso along with Willoughby's stamps and a stamp for the Sygma Agency in Paris. Full provenance available. <br/><br/>In a subtle homage to early cinema Preminger took the uncommon approach of interspersing black-and-white sequences in what was primarily a color film and pitted the seasoned stalwart David Niven against young and unconventional Jean Seberg the latter fresh from her internationally acclaimed performance in Godard's "Breathless."<br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 13.75 inches. Near Fine. Columbia Pictures unknown books‎

Bookseller reference : 133206

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‎Robert Bob Willoughby photographer; William Wyler director; John Michael Hayes screenwriter; Lillian Hellman play; Audrey Hepbur‎

‎The Children's Hour Original double weight photograph for the 1961 film‎

‎Beverly Hills CA: United Artists 1961. Vintage oversize double weight borderless still photograph from the 1961 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. <br/><br/>Based on Lillian Hellman's 1934 play about two teachers at an all-girls boarding school accused of being in a lesbian relationship by one of the students ruining the careers and personal lives of both. The play was previously adapted by William Wyler in 1936 as "These Three" though the Production Code forced Hellman to change the substance of the rumor from homosexuality to infidelity. The 1961 version restores the content of the child's lie and is overall incredibly faithful to the stage play. Nominated for five Academy Awards including a Best Supporting Actress nomination for Fay Bainter. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>13.5 x 9.25 inches. Near Fine. United Artists unknown books‎

Bookseller reference : 139518

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‎Robert Boris director screenwriter; Elliott Kastner producer; Rob Lowe Ally Sheedy starring‎

‎Oxford Blues Original screenplay for the 1984 film with notations throughout‎

‎Beverly Hills CA: Metro-Goldwyn-Mayer MGM / United Artists 1983. First Draft script for the 1984 film. Numerous annotations possibly belonging to Rob Lowe in holograph ink and in pencil on the front wrapper and throughout the script noting his character's emotions style and motivations. <br/><br/>An American hustler targets a wealthy English woman and follows her to England. His only chance of engaging her is by joining the rowing team at Oxford University. One of the first "Brat Pack" films and a remake of the 1938 Jack Conway film "A Yank at Oxford." <br/><br/>Self wrappers. Title page integral with front wrapper dated October 13 1983 noted as FIRST DRAFT with credits for screenwriter Boris and producer Kastner. 125 leaves photocopied. Pages about Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] / United Artists unknown books‎

Bookseller reference : 131330

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‎Robert Bresson director screenwriter; Andre Devigny memoir; Francois Leterrier starring‎

‎A Man Escaped Un condamne a mort s'est echappe ou Le vent souffle ou il veut Original photograph from the set of the 1957 film‎

‎Neuilly-sur-Seine France: Gaumont 1956. Vintage borderless photograph from the set of the 1956 film showing director Robert Bresson demonstrating a small action to the film's lead actor Francois Leterrier. With holograph annotations on the verso. <br/><br/>Based on the 1956 memoir "A Man Condemned to Death has Escaped" by Andre Devigny about a French Resistance member's escape from the Nazi controlled prison of Montluc. Like Devigny Bresson himself was a French POW during the war. Nominated for the Palme d'Or at Cannes. <br/><br/>6.5 x 9 inches. Very Good plus with shallow diagonal creasing to the corners. <br/><br/>Criterion Collection 650. Ebert IV. Rosenbaum 1000. Selby France. Gaumont unknown books‎

Bookseller reference : 143336

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‎Robert Bresson director screenwriter; Anne Wiazemsky Walter Green Francois Lafarge starring‎

‎Au Hasard Balthazar Balthazar Collection of four original photographs from the 1966 French film‎

‎London: Gala Film Distributors 1966. Collection of four vintage reference photographs from the 1966 French film. With printed mimeo snipes specific to the film's UK release affixed to the verso. <br/><br/>A donkey named Balthazar is followed through his life in rural France as he is passed from owner to owner most treating him cruelly. Revered as one of the masterpieces of French cinema. <br/><br/>Set in and shot on location in Yvelines France. <br/><br/>10 x 8 inches. Very Good plus several with faint soil on the edges. Gala Film Distributors unknown books‎

Bookseller reference : 151335

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‎Robert Bresson director screenwriter; Antoine Monnier Tina Itissari Henri de Maublanc Laetitia Carcano Nicolas Deguy starri‎

‎The Devil Probably Collection of eight original photographs from the 1977 film‎

‎Paris: Sunchild Productions 1977. Collection of eight vintage photographs from the 1977 film. <br/><br/>In a fine outing from a director who basically made no missteps protagonist Charles drifts Bressonially through politics religion and psychoanalysis rejecting them all. Once he realizes the depth of his disgust with the moral and physical decline of the world he lives in he decides that suicide is the only option. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Godard Histoires du cinema. Olive Films 322. Rosenbaum 1000. Sunchild Productions unknown books‎

Bookseller reference : 145745

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‎Robert Bresson director screenwriter; Martin LaSalle Marika Green starring‎

‎Pickpocket Original photograph from the set of the set of the 1959 film‎

‎France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and holograph pencil annotations regarding layout and identifying the image on the verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>5 x 7.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books‎

Bookseller reference : 140945

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‎Robert Bresson director screenwriter; Martin LaSalle Marika Green Jean Pelegri starring‎

‎Pickpocket Two original photographs from the 1959 film‎

‎N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. <br/><br/>Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be."<br/><br/>7.25 x 5.25 inches. Near Fine. <br/><br/>Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books‎

Bookseller reference : 148847

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‎Robert Butler director; Jonathan Brett screenwriter; Ray Liotta Lauren Holly starring‎

‎Turbulence Original screenplay for the 1997 film‎

‎Los Angeles: Turbulence Productions 1996. Revised Fourth Draft script for the 1997 film.<br/><br/>After both pilots and the navigator are killed mid-flight by two prisoners on board a brave flight attendant must direct the plane to safety.<br/><br/>Blue titled wrappers. Title page present dated May 6 1996 noted as Revised Fourth Draft with credits for screenwriter Jonathan Brett and revisions by Steven E. de Souza and John Herzfeld. 146 leaves with last page of text numbered 119. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between February 8 1996 and May 6 1996. Pages Near Fine wrapper Near Fine bound with two gold brads. Turbulence Productions unknown books‎

Bookseller reference : 146034

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‎Robert Butler director; Michael Kozoll Steven Bochco screenwriter; Daniel J. Travanti Michael Conrad Michael Warren Bruce We‎

‎Hill Street Blues: Politics as Usual Original teleplay script for the 1981 television episode‎

‎Los Angeles: Twentieth Century-Fox 1980. First Draft script for Episode 3 from Season 1 of the 1981 television series. The debut season of the show received eight Emmy Awards and a total of 98 Emmy nominations during its seven season run. <br/><br/>A police drama with the appearance of a documentary feel. In the last episode a presidential visit is scheduled for the Hill Street Station. In this episode negotiations about the visit continue while old partners split up and some cops take bribes. <br/><br/>Set on Hill Street. <br/><br/>Red untitled wrappers. Title page present dated October 20 1980 noted as Script #2 with credits for screenwriter Michael Kozoll and Steven Bochco. 63 leaves with last page of text numbered 60. Mechanical duplication with revision pages throughout dated variously between June 28 1980 and October 20 1980. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books‎

Bookseller reference : 140786

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‎Robert Clouse director; Gregory Teifer screenwriter; Robert Mitchum Richard Egan Leslie Nielsen Bradford Dillman starring‎

‎The Amsterdam Kill Original photograph from the 1977 film‎

‎London: National Screen Service / EMI Films Limited 1978. Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. <br/><br/>Robert Mitchum stars as ex-DEA agent Quinlan hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. <br/><br/>8 x 10 inches. Very Good plus with a diagonal crease and slight waviness to the top edge. National Screen Service / EMI Films Limited unknown books‎

Bookseller reference : 132909

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‎Robert Collins director screenwriter; William Sullivan William Brown book; Treat Williams Joe Regalbuto starring‎

‎J. Edgar Hoover Hoover Original screenplay for the 1987 film‎

‎Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987.<br/><br/>A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI."<br/><br/>Set in Washington DC<br/><br/>Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown books‎

Bookseller reference : 146118

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‎Robert D. Webb director; WR. Burnett story; Harold Medford screenwriter; Vincent Price Diana Ivarson Robert Gunner starring W.‎

‎The Jackals Original color photograph from the 1967 film‎

‎Los Angeles: Twentieth Century-Fox 1967. Vintage color studio still photograph from the 1967 film. <br/><br/>A South African DeLuxe Color remake of William A. Wellman's 1948 film "Yellow Sky" based on W.R. Burnett's unpublished novel which was loosely based on William Shakespeare's "The Tempest."<br/><br/>Prospector Oupa Decker Vincent Price and his granddaughter Diana Ivarson are targeted by bandits led by 'Stretch' Hawkins Robert Gunner.<br/><br/>Set in South Africa shot on location in Australia and South Africa. <br/><br/>8 x 10 inches. Near Fine. Twentieth Century-Fox unknown books‎

Bookseller reference : 147882

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‎Robert Daley novel; Sidney Lumet director screenwriter; Robert Daley novel; Jay Presson Allen screenwriter; Treat Williams Jer‎

‎Prince of the City Original photograph from the set of 1981 film‎

‎Beverly Hills CA: Orion Pictures 1981. Vintage studio still photograph of Sidney Lumet and Treat Williams on the set of the 1981 film. French mimeo snipe on the verso. <br/><br/>Based on Robert Daley's 1978 nonfiction book of the same name. New York detective Daniel Ciello Treat Williams joins the Department of Justice to help put an end to police corruption. Along the way he uncovers a conspiracy and finds himself getting closer to the heart of the corruption than he anticipated. <br/><br/>Shot on location in New York City. <br/><br/>10.25 x 8 inches. Near fine some edgewear. <br/><br/>Spicer US Neo-Noir. Orion Pictures unknown books‎

Bookseller reference : 146142

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‎Robert Day director; Edgar Rice Burroughs character; Lewis Reed story; Bob Barbash story screenwriter; Mike Henry Jan Murray‎

‎Tarzan and the Great River Three original photographs from the 1967 film‎

‎Los Angeles: Paramount Pictures 1967. Three vintage photographs from the 1967 film one studio still and two on the set photographs. <br/><br/>The second of three Tarzan films to star Mike Henry.<br/><br/>Tarzan is called to Brazil by his old friend The Professor Paulo Gracindo to help stop the evil Barcuma Rafer Johnson and the Jaguar Cult from destroying villages and enslaving natives. <br/><br/>Set in and shot on location in Brazil. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books‎

Bookseller reference : 147886

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‎Robert Day director; Stein Michael Eric screenwriter; John Denver Meg Wittner David Renan Brandon Marsh starring‎

‎Higher Ground Original teleplay script for the 1988 television film‎

‎Los Angeles: Columbia Broadcasting System CBS 1988. Third Draft script for the 1988 television film originally broadcast on CBS. Copy belonging to actor Brandon Marsh who portrayed Tommy with annotations in holograph ink related to his role. <br/><br/>Country musician John Denver stars as John Clayton a disillusioned CIA agent who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger Clayton works to solve the crime and clear his name. <br/><br/>Set in Alaska shot on location in British Columbia CA. <br/><br/>White titled wrappers. Title page present dated Februay 5 1988 noted as THIRD DRAFT with credits for screenwriter Michael Eric Stein. 117 leaves with last page of text numbered 115. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books‎

Bookseller reference : 142395

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‎Robert Dhery director; Alfred Adam Robert Dhery Pierre Tchernia screenwriter; Alfred Adam Colette Brosset Robert Burnier sta‎

‎La Belle Americaine Original photograph from the 1961 film‎

‎N.p.: Continental Distributing 1961. Vintage studio still photograph from the US release of the 1961 French film. <br/><br/>An unlucky man's life is made worse by the sudden acquisition of an expensive vehicle. <br/><br/>Shot on location in Paris and Haut-de-Seine France. <br/><br/>10 x 8 inches. Near Fine with light red fingerprints to the verso. <br/><br/>Complete collation details available on request. Continental Distributing unknown books‎

Bookseller reference : 139747

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‎Robert Dornhelm director; Michael Ventura screenwriter; Tom Hulce Susan Dey Cheech Marin Michael Bowen starring‎

‎Echo Park Original screenplay for the 1986 film‎

‎Beverly Hills CA: Walter Shenson-Robert Dornhelm 1984. Second Draft script for the 1986 film. With a single holograph ink annotation to the front wrapper and a few copied holograph annotations to page 59 and 60 noting grammatical revisions. <br/><br/>A young pizza delivery worker falls for his new roommate a single mother who wants to be an actress but can only find work as a telegram-singing stripper. Meanwhile their next door neighbor an Austrian bodybuilder idolizes Arnold Schwarzenegger and dreams of true love.<br/><br/>Set and shot on location in Echo Park Los Angeles and Vienna Austria.<br/><br/>Blue untitled wrappers. Title page present dated May 1 1984 noted as Second Draft with credits for screenwriter Michael Ventura. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walter Shenson-Robert Dornhelm unknown books‎

Bookseller reference : 147136

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‎Robert Dozier screenwriter‎

‎The Sentries Original screenplay for an unproduced film‎

‎Burbank CA: Warner Brothers 1965. Estimating script for an unproduced film. <br/><br/>The story of a small contingent of militant mercenaries who attempt to stir up a conflict between Cuba and the United States by piloting a hostile decoy Navy ship into enemy waters off Key West only to be thwarted by the actual Navy and a few well-meaning American citizens taken hostage. No doubt mirroring some of the public's concerns at the time given the tenuous peace established by the Cuban Missile Crisis the film remained unproduced perhaps considered too sensationalist or close to home. Screenwriter Dozier would go on to write largely for television including episodes of "Batman" and "Harry O."<br/><br/>Tan titled wrappers noted as ESTIMATING on the front wrapper rubber-stamped copy No. 23 dated April 2 1965. Distribution page present with receipt intact. Title page present dated 4/1/65 with credits for screenwriter Dozier. 136 leaves mimeograph on yellow stock. Pages about Fine wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books‎

Bookseller reference : 132145

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‎Robert Duvall starring; Gerd Oswald director; Robert Towne screenwriter; Lou Morheim Joseph Stefano story‎

‎The Outer Limits: The Chameleon Original screenplay for the 1964 TV episode‎

‎Burbank CA: American Broadcasting Company ABC 1964. Revised Final script for Season 1 Episode 31 of the 1964-1966 television show "The Outer Limits" originally aired April 27 1964 on ABC. <br/><br/>Robert Duvall plays a disaffected CIA agent sent to infiltrate an alien flying saucer that has crash landed. He finds that the genetic material used to alter his appearance has overridden his human nature and he ultimately chooses to return to the home planet of the benevolent aliens and leave humanity and its violence behind. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 52 and production No. SF# 30 dated March 3 1964 with credits for screenwriter Robert Towne. Title page present with credits for screenwriter Towne. 49 leaves with last page of text numbered 48. Mimeograph duplication rectos only. Pages Fine wrapper Fine bound with two gold brads. American Broadcasting Company [ABC] unknown books‎

Bookseller reference : 145375

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‎Robert Ellis Miller director; Carson McCullers novel; Thomas C. Ryan screenwriter; Alan Arkin Sondra Locke Laurinda Barrett S‎

‎The Heart is a Lonely Hunter Original screenplay for the 1968 film‎

‎N.p.: The Landau Company 1963. Draft script for the 1968 film. <br/><br/>As early as 1950 there was talk of adapting Carson McCullers' 1940 debut novel "The Heart is a Lonely Hunter" for the screen. In 1963 producer David Susskind took over Jose Quintero's attempt at adapting the novel which began two years earlier with a script from British screenwriter Gavin Lambert. Susskind passed on Lambert's script opting for a script from Thomas C. Ryan.<br/><br/>Susskind planned to shoot the film in New York City with director Sidney Lumet but the project ended up being held up indefinitely. Four years later Marc Merson's Brownstone Productions had taken over the film rights with Thomas C. Ryan's original 1963 script and with Ryan co-producing. During filming Ryan and director Robert Ellis Miller would make extensive re-writes as they went.<br/><br/>One of the great film adaptations of any American novel starring Sondra Locke in her debut film opposite Alan Arkin. Although much of the political aspect of McCullers' novel was removed from the film the themes present in the author's work are readily apparent: race loneliness impoverishment and anger. Arkin and Locke were nominated for Best Actor and Best Supporting Actress Oscars. <br/><br/>Set in in a small Southern town shot on location in Selma Alabama.<br/><br/>Red titled vinyl Hart Stenographic Bureau wrappers. Title page present dated 8/26/63 with credits for novelist Carson McCullers and screenwriter Thomas C. Ryan. 130 leaves with last page of text numbered 127. Mimeographed rectos only with pink revision pages throughout dated 8/26/63. Pages Very Good plus wrapper Very Good plus bound with two metal screw brads. The Landau Company unknown books‎

Bookseller reference : 146288

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‎Robert Ellis Miller director; Herman Raucher play screenwriter; Sandy Dennis Anthony Newley Theodore Bikel starring‎

‎Sweet November Two original screenplays for the 1968 film‎

‎Los Angeles: Gershwin-Kastner Productions 1967. First Draft script and a Revised Estimating script for the 1968 film. The First Draft script is early written well over two years before the film's release. The Revised Estimating script is on all yellow stock except for distribution page white and pink "This Script Is Not Final and Is Given to You for Advance Information Only" page. Written a year prior the film's release the Revised Estimating script is only 79 pages ending with "PART II TO FOLLOW." <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>A workaholic manufacturer meets a carefree young woman who takes lovers for a period of one month in order to help them get over their problems though complications ensue when he agrees to be her "November." Remade in 2001 directed by Pat O'Connor and starring Keanu Reeves and Charlize Theron.<br/><br/>Set in and shot on location in Manhattan and Brooklyn New York. <br/><br/>First draft script:<br/><br/>Blue titled wrappers dated July 9 1965. Title page present dated 7/9/65 noted as First Draft with credits for screenwriter Herman Raucher. 135 leaves with last page of text numbered 134. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three silver brads.<br/><br/>Rev. Estimating script:<br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 65 dated February 1. 1967. Distribution page present with receipt intact. Title page present dated 2/1/67. 83 leaves with last page of text numbered 79. Offset duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Gershwin-Kastner Productions unknown books‎

Bookseller reference : 147239

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‎Robert Ellis Miller director; Herman Raucher play; Herman Raucher screenwriter; Sandy Dennis Anthony Newley and Theodore Bikel‎

‎Sweet November Original photograph from the 1968 film‎

‎Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured are actors Anthony Newley and Sandy Dennis as well as cinematographer Daniel L. Fapp. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>9 x 7 inches. Near Fine with two yellow tape stains to the verso. Warner Brothers / Seven Arts unknown books‎

Bookseller reference : 139776

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‎Robert Ellis Miller director; Herman Raucher play; Daniel L. Fapp cinematographer; Herman Raucher screenwriter; Sandy Dennis An‎

‎Sweet November Original photograph from the 1968 film‎

‎Burbank CA: Warner Brothers / Seven Arts 1968. Vintage borderless black-and-white on the set photograph from the US release of the 1968 film. <br/><br/>On the set of "Sweet November" pictured from left to right: cinematographer Daniel L. Fapp and actors Anthony Newley and Sandy Dennis. The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with a blue holograph notation to the verso. Warner Brothers / Seven Arts unknown books‎

Bookseller reference : 139469

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‎Robert Ellis Miller director; Herman Raucher play; Herman Raucher screenwriter; Sandy Dennis Anthony Newley and Theodore Bikel‎

‎Sweet November Three original photograph from the 1968 film‎

‎Burbank CA: Warner Brothers / Seven Arts 1968. Collection of three vintage black-and-white still photographs from the 1968 film. <br/><br/>The film follows the story of a troubled young woman who seeks out emotionally crippled men and invites them to live with her for a month in an attempt to "cure" them. However she and Mr. November become quite attached and when he tries to continue the relationship past its prescribed termination he uncovers Sara's Sandy Dennis tragic secret. <br/><br/>Set in New York City shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine with film details affixed to the verso of image 508-27. <br/><br/>Complete collation details available on request. Warner Brothers / Seven Arts unknown books‎

Bookseller reference : 139778

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