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OKTAY BELLI.
Urartian irrigation canals in Eastern Anatolia.= Dogu Anadolu'da Urartu sulama kanallari.
Fine English Paperback. Pbo. Large 8vo. (24 x 17 cm). In English and Turkish. 64 p., ills. Urartian irrigation canals in Eastern Anatolia.= Dogu Anadolu'da Urartu sulama kanallari.
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AHMET UGUR.
Epigrafi ve paleografi (Osmanlica târihî metinler).
Fine English Paperback., Fine., Roy. 8vo. (24 x 16 cm), In Turkish. 227 p., facsimile, "Epigrafi ve paleografi (In Ottoman. târihî metinler).", Ahmet Ugur, Erciyes Üniversitesi Yayinlari, Kayseri, 1994. Ottoman epigraphy and paleography with sample texts.
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AHMET UGUR.
Idris-i Bitlisi ve Sükri-i Bitlisi.
Fine English Paperback., Fine., 20 x 13 cm., [vi], 65 p., b/w and color ills., "Idris-i Bitlisi ve Sükri-i Bitlisi.", Ahmet Ugur, Erciyes Üniversitesi Yayinlari, Kayseri, 1991. A bioraphical study on Idris-i Bitlisi and Sükri-i Bitlisi.
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AHMET HULUSI KÖKER.
Hekimbasi Kaysuni-zade Mehmed Efendi, (1512-1569), Ankarali sair Hekim Nidai (1502-1570), Türk hat sanati.
Fine English Paperback., Fine., 24 x 17 cm., [8], 100, [20] p., b/w ills., Facsimile in Ottoman Turkish., "Hekimbasi Kaysuni-zade Mehmed Efendi (1512-1569), Ankarali sair Hekim Nidai (1502-1570), Türk hat sanati.", Ahmet Hulusi Köker, Erciyes Üniversitesi Yayinlari, Kayseri, 1990. Two biographical study on traditional Ottoman doctors Hekimbasi Kaysuni-zade Mehmed Efendi and Hekim Nidai and Turkish calligraphic art.
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CINÂNÎ.
Cinânî Cilâü'l-Kulûb. (Giris - inceleme - metin - sözlük).
Fine English Paperback., Fine., 24 x 17 cm, [xi], [1], 430, [2] p. "Cinânî cilâü'l - Kulûb (Giris - Inceleme - Metin - Sözlük)", I.Ü. Basimevi ve Film Merkezi, Ist., 1990.
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NIMET ÖZGÜÇ.
Hatti efsanesi yilan Illuyanka'nin tasvir sanatinda yorumu.
Fine English Paperback., Cr. 8vo. (20 x 14 cm). 40 p., b/w ills., "Hatti efsanesi yilan Illuyanka'nin tasvir sanatinda yorumu.", Nimet Özgüç, Türkiye Bilimler Akademisi, Ank., 2003. 'Illuyanka', a legend of Hatti snake in painting art.
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MUHITTIN SERIN.
Türk hat üstadlari 1: Hattat Aziz Efendi.
New New English Original bdg. with original dust wrapper. 4to. (34 x 24 cm). In Turkish. 122 p., color ills. Türk hat üstadlari 1: Hattat Aziz Efendi. Turkish / Ottoman master calligraphers 1: Calligrapher Aziz Efendi, (1871-1934). He was born in Maçka in 1871. His family moved to Istanbul, the Ottoman capital during Russo-Turkish War (1877-78). Aziz Efendi completed his primary education in 1885 and started to learn calligraphy from Ahmed Arif Effendi of Plovdiv (known more commonly as "Bakkal" -the grocer-) and he also studied at Hat Mektebi (Calligraphy School). He graduated in 1894 and continued to practise under the supervision of Muhsinzade Abdullah Hamdi Efendi until 1896. In 1921, King Fuad of Egypt has invited him to Cairo, where he transcribed the Quran and gilded the result. After completing his mission, he remained in Egypt, where he worked as a teacher and contributed to the establishment of schools to improve Arabic fonts. He returned to Istanbul in 1932, where he died two years later. Two of his calligraphic panels are hanging in the Grand Mosque of Bursa, Turkey. He transcribed 11 copies of the Quran in his lifetime, a number of hilyas and other textual compilations. TURKISH AND ISLAMIC ARTS Traditional art Ottoman calligraphy Calligrapher Biography Calligraphic plates Collection History of art.
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KARL GRAF VON LANCKORONSKI.
Pamphylia ve Pisidia kentleri. Vol. 1: Pamphylia. Translated by Selma Bulgurlu Gün.
New New English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In Turkish. [xvi], 195 p., 31 plates. Pamphylia ve Pisidia kentleri. Vol. 1: Pamphylia. Translated by Selma Bulgurlu Gün. Stadte Pamphyliens und Pisidiens. Cities of Pamphylians and Pisidians.
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HÜLYA TEZCAN.
Tailors to the court: M. Palma - D. Lena - P. Parma.
New English Paperback. Pbo. 4to. (30 x 23 cm). In English. 199 p., color and b/w ills. Tailors to the Court: M. Palma - D. Lena - P. Parma. "The company belonged to M. Palma & Sons and records included the period between 1897 and 1902. The second ledger, however, covered the period between 1902-1923, when M. Parma was employed as the Director of, and eventually the proprietor of the company and finally wound up the business. Parma workshop's garments were made for the palace and the wealthy and the trousers, jackets, waistcoats, raincoats and suchlike civilian clothes reflected the late period European fashion. The exhibition included prime examples of this phenomenon in the form of various garments that belonged to Sultan Abdülhamid II., his sons; Prince Mehmed Abid and Prince Ahmed Nurettin. The uniforms that belonged to Tevfik Pasha, the latest Minister-in Chief, that were made by Parma workshop indicated that at the point of Sultan's appointing the ministers the fashion has changed in favour of wearing uniforms instead of the traditional ornamented Kaftans [Khil'at]. Some of the exhibited dark navy jackets with broad scarlet stripes, such as the ones that belonged to Mahmud Muhtar Pasha were completely in line with the latest fashion of the European Uniforms.". Contents: - The palace organizations responsible for preparing and preserving the garments of the sultans: The ehl-i hiref, tailors and members of the Has Oda, Hazine and Seferli corps - Westernization in the era of Mahnnid II and the Western tailors who worked for the palace - A levantine tailor's workshop: A brief history of the Parma atelier - A late 19th century tailor's workshop order book the first ledger (1897-1902): Maison M Palma & Fils, D Lena Successeur - The second ledger (1902-1923): Parma workshop Tailoring supplies from the workshop - The Parma atelier's work for the palace Conclusion - Appendix: Registers of tailors, Topkapi Palace Museum Archive D. 733 - Bibliography - Index.
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MELEK CELAL [LAMPE].
Seyh Hamdullah.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 15, [1] p., 3 folding plates, 26 b/w plts. Sheikh Hamdullah, (1436-1520), born in Amasya, Ottoman Empire, was a master of Islamic calligraphy. He devoted his whole life to the art of calligraphy, producing forty-seven Mushafs, book of Quran, and innumerable Enams, Evrads and Juz.
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SEYYÎD LOKMAN ÇELEBI.
Human physiognomy or the features of the Ottomans.= Kiyâfetü'l-insâniyye fî semâili'l-'Osmâniyye. Prep. by TTT.
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 23 cm). Texts in modern Turkish and English and facsimile manuscript in Ottoman Turkish. 287 p., color ills. The study of physiognomy, kiyafe(t) ilmi, which is as old as humanity itself, has been developed into a science by Islamic writers who have used in it support of other branches of learning such as medicine, administration, literature and theology. In Islamic thought, the human body is in a sense conceived as clothing or an attire that envelops and protects the soul. Works that dealt with the interpretation of this relationship between the inner qualities and the outer appearance were known under names such as 'kiyafet-nâme, vesiletü'n-'irfân, firâset-nâme and zübdetü'l-'irfân. The science of kiyafet was handed down by Muslim Arab thinkers to Persians and Turks as a cultural legacy and attained a significant place in Ottoman learning. The kiyafet-nâme of Seyyid Lokman Çelebi, who is one of the leading court eulogists, was written in the ornate literary style of 16th century which is difficult to comprehend today. In the introduction of the work he gave it the title of Kiyâfetü'l-insâniyye fî semâili'l-'Osmâniyye. The book is composed of two parts, Part I is concerned with a definition.
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Edited by TÜLAY DURAN.
The Ottoman Empire in miniatures and engravings.= Minyatür ve gravürlerle Osmanli Imparatorlugu.
Fine English Original imitation leather bdg. HC. 4to. (30 x 21 cm). In English and Turkish. 191 p., color and b/w ills. The Ottoman Empire in miniatures and engravings.= Minyatür ve gravürlerle Osmanli Imparatorlugu.
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Edited by NAZIM YILMAZ.
Samples from the treaties in the Ottoman archives.= Osmanli arsivinde bulunan muahedenamelerden örnekler.
Fine Fine English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In English and Turkish. 259 p., ills. Samples from the treaties in the Ottoman archives.= Osmanli arsivinde bulunan muahedenamelerden örnekler.
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Edited by EVANGELIA BALTA - MEHMET ÖLMEZ.
Between religion and language. Turkish-speaking Christians, Jews and Greek-speaking Muslims and Catholics in the Ottoman Empire.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 417 p. Between religion and language. Turkish-speaking Christians, Jews and Greek-speaking Muslims and Catholics in the Ottoman Empire.
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YASIN KAYIS.
Aydin Vilayeti salnamelerinde Torbali ve Sultan II. Abdülhamid'in hayir eserleri.
New English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. 182 p., color and b/w ills. Aydin Vilayeti salnamelerinde Torbali ve Sultan II. Abdülhamid'in hayir eserleri. The charity works of Adbulhamid in Torbali according to the Aydin Vilayet Salnamesi (Aydin Yearbook) printed in period of the Ottoman State.
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DOKTOR RIF'AT OSMAN TOSYAVIZÂDE.
Edirne Evkaf-i Islamiyye tarihi. Vol. I: (Camiler ve mescitler). Translator: Ülkü (Ayan) Özsoy.
Fine Very Good English Original bdg. with original dust wrapper. 178 p. In Turkish. Large Roy. 8vo. (25 x 18 cm). Color ills. Edirne Evkaf-i Islamiyye tarihi. Vol. I: (Camiler ve mescitler). Translator: Ülkü (Ayan) Özsoy.
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CENK ALPAK.
Eyup Sultan and his mausoleum.= Eyüp Sultan ve türbesi. Photos by Suat Eman.
Good English Paperback. Pbo. Roy. 8vo. (23.5 x 16 cm). Color and b/w ills. Last 2 pages contains abstract in English. Eyup Sultan and his mausoleum.= Eyüp Sultan ve türbesi. Photos by Suat Eman.
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MURAT KORALTÜRK, FATIH KAYA.
What hurts the purse, hurts the soul. Insurance in the Ottoman Empire with documents from the Collection of David M. Kohen.= Mal canin yongasidir. David M. Kohen Koleksiyonundan belgelerle Osmanli Imparatorlugu'nda sigortacilik.
Fine English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 177, [1] p., color ills. Exhibition catalog on history of insurance in the Ottoman Empire. What hurts the purse, hurts the soul. Insurance in the Ottoman Empire with documents from the Collection of David M. Kohen.= Mal canin yongasidir. David M. Kohen Koleksiyonundan belgelerle Osmanli Imparatorlugu'nda sigortacilik.
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AHMED HASSAN.
Islâm hukukunun dogusu ve gelisimi. =[The early development of Islamic jurisprudence]. Translated by Ali Hakan Çavusoglu, Hüseyin Esen.
Fine English Paperback., Fine., 20 x 14 cm., 248 p., "Islâm hukukunun dogusu ve gelisimi.=[The early development of Islamic jurisprudence].", Ahmed Hassan, Iz Yayincilik, Ist., 1999.
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PIERRE LOTI.
Isfahan seyahatnâmesi. Translated by Seyfettin Ünlü.
Fine English Paperback., Fine., 21 x 13 cm., 216 p., b/w ills., "Isfahan seyahatnamesi.", Pierre Loti, Timas Yayinlari, Ist., 1996. Loti's travel notes from voyage to Isfahan.
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NURAN GÜLSEN.
Kayseri ilinin Develi ilçesindeki Türk mimari eserleri.
As New English Paperback. Pbo. Oblong large Roy. 8vo. (22 x 22 cm). Mint. 272 p. In Turkish. Kayseri ilinin Develi ilçesindeki Türk mimari eserleri.
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AHMED RESMÎ EFENDI, (1700-1783).
Hamîletü'l-küberâ.
Fine English Paperback., Fine., 23 x 16 cm., 188 p., In Turkish and facsimile in Ottoman script., "Hamîletü'l- Küberâ.", Ahmed Resmî Efendi, Kitabevi, Ist., 2000.
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ISMAIL HIKMET ERTAYLAN.
Cem Sultan. Fatih Sultan Mehmet'in en küçük oglu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 440 p., 8 color plts. Cem Sultan. Fatih Sultan Mehmet'in en küçük oglu. A comprehensive study on Cem Sultan.
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M. NERMI HASKAN.
Istanbul hamamlari.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 312 p., b/w plts. and plans. A study on Turkish bath of Istanbul.
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REMZI OGUZ ARIK.
Türkiyede 1935 yilindaki arkeoloji isleri. Hafriyat, sondaj, gezi.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 35, [1] p., 40 b/w plts., 1 folding b/w map. Türkiyede 1935 yilindaki arkeoloji isleri. Hafriyat, sondaj, gezi. Signed and inscribed by Arik. First and Only Edition. Rare. Archaeological works in 1935 Turkey. Excavations, drills, travels.
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REMZI OGUZ ARIK.
Türkiyede 1936 yilindaki arkeoloji isleri.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [4], 40 p., xxii b/w plts., 1 b/w map, 6 folding b/w map. Türkiyede 1936 yilindaki arkeoloji isleri. First and Only Edition. Archaeological works in 1936 Turkey. Excavations, drills, travels.
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OKTAY SÖNMEZ.
Knidos. Mavide uyuyan güzel.
New English Paperback. Pbo. Cr. 8vo. (20 x 13 cm). In Turkish. [xii], 430 p., color and b/w plts. Knidos. Mavide uyuyan güzel. First Edition. A study on Knidos or Cnidus is an ancient settlement located in south-western Asia Minor, modern-day Turkey. It was an ancient Greek city of Caria, part of the Dorian Hexapolis. It was situated on the Datça peninsula, which forms the southern side of the Sinus Ceramicus, now known as Gulf of Gökova. By the 4th century BC, Knidos was located at the site of modern Tekir, opposite Triopion Island. But earlier, it was probably at the site of modern Datça (at the half-way point of the peninsula).
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M. RAIF OGAN.
Bütün gizli talimatlara göre Türkiye'deki masonluk. Iç yüzü ve sirlari. Gizli talimatlari, basili vesikalari ve bugün aramizda yasayan meshur masonlarin nutuklari ile açiga vurulmus hakikatlar.
Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 117, [3] p. Bütün gizli talimatlara göre Türkiye'deki masonluk. Iç yüzü ve sirlari. Gizli talimatlari, basili vesikalari ve bugün aramizda yasayan meshur masonlarin nutuklari ile açiga vurulmus hakikatlar. First Edition.
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AFETINAN.
Aperçu general sur l'histoire economique de l'Empire Turc-Ottoman.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. [x], [2], 114 p., Lxxvi b/w plts. Aperçu general sur l'histoire economique de l'Empire Turc-Ottoman. Second Edition. General overview of the economic history of Turkish-Ottoman Empire.
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ATINÇ EMNALAR.
Türk müziginde koro. Koro kavrami ve tarihçesi, Bati müziginde korolar, Türk halk ve Türk sanat müzigi korolarinin kurulus, hazirlik, yönetim, program, repertuvar ve teknikleri.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [8], 190 p., b/w ills. First and Only Edition. Türk müziginde koro. Koro kavrami ve tarihçesi, Bati müziginde korolar, Türk halk ve Türk sanat müzigi korolarinin kurulus, hazirlik, yönetim, program, repertuvar ve teknikleri. Choir in Turkish classical and folk music. A history of chorus, choir in western music, choir in Turkish classical and folk music, their setting up, management, program, repertoir and techniques.
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AIZANOI ARCHAEOLOGICAL GUIDE].
Aizanoi - Çavdarhisar. Guide.
Fine English Paperback. Pbo. Oblong large 8vo. (21 x 20 cm). In English. 24 p., color and b/w ills. Aizanoi - Çavdarhisar. Guide. Aizanoi settlement in the area is known from the Bronze Age. The city may have derived its name from Azan, one of three sons of Arcas and the nymph Erato, legendary ancestors of the Phrygians. During the Hellenistic period the city changed hands between the Kingdom of Pergamum and the Kingdom of Bithynia, before being bequeathed to Rome by the former in 133 BC. It continued to mint its own coins. Its monumental buildings date from the early Empire to the 3rd century.
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AIZANOI ARCHAEOLOGICAL GUIDE].
Aizanoi - Çavdarhisar. Rehber. [TURKISH EDITION].
Fine English Paperback. Pbo. Oblong large 8vo. (21 x 20 cm). In Turkish. 24 p., color and b/w ills. Aizanoi - Çavdarhisar. Guide. Aizanoi settlement in the area is known from the Bronze Age. The city may have derived its name from Azan, one of three sons of Arcas and the nymph Erato, legendary ancestors of the Phrygians. During the Hellenistic period the city changed hands between the Kingdom of Pergamum and the Kingdom of Bithynia, before being bequeathed to Rome by the former in 133 BC. It continued to mint its own coins. Its monumental buildings date from the early Empire to the 3rd century.
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ELIZABETH SIMPSON - KRYSIA SPIRYDOWICZ - VALERIE DORGE.
Gordion wooden furniture.= Gordion ahsap eserler. Preface by Engin Özgen.
Fine English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. [iv], 43 p., 24 numerous color and b/w plts. Gordion wooden furniture.= Gordion ahsap eserler. Preface by Engin Özgen.
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METIN SÖZEN.
The Palace as Imperial abode.= Devletin evi: Saray.
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish with English abstract. 286 p., color and b/w ills. The Palace as Imperial abode.= Devletin evi; Saray.
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ALAIN GROSRICHARD.
Sultan'in sarayi; Avrupalilarin Dogu fantezileri. =[The Sultan's Court]. Translated by Ali Çakiroglu.
Fine English Paperback., Fine., 21 x 14 cm., 253, [4] p., "Sultan'in sarayi; Avrupalilarin Dogu fantezileri.=[The Sultan's Court].", Alain Gorsrichard, Aykiri Yayinlari, Ist., 2004.
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ORHAN ÇEKER.
Arazi kanunnâmesi.
Fine English Paperback., Fine., 20 x 12 cm, 92, [4] p., "Arazi kanunnâmesi.", Orhan Çeker, Ebru Yayinlari, Ist.,1985.
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CHRISHOPH K. NEUMANN.
Araç tarih amaç Tanzimat; Tarih-i Cevdet'in siyasi anlami. Translated by Meltem Arun.
Fine English Paperback., Fine., 21 x 15 cm., [xi], 248, [2] p., "Araç tarih amaç tanzimat; Tarih-i Cevdet'in siyasi anlami.", Christoph K. Nuemann, Tarih Vakfi Yurt Yayinlari, Ist., 2000. Ahmed Cevdet Pasa Tanzimat döneminin en ünlü sahsiyetlerinden biridir. Yazdigi Tarih-i Cevdet de, son dönem In Ottoman. metinlerin en önemlilerinden biri olarak kabul edilir. Daha sade, daha ari bir edebiyat dilinin ilk ustalik örneklerinden olmasi kadar, 1774-1826 arasi Osmanli Imparatorlugu tarihinin standart anlatisi olmasi da bu degerlendirmede büyük rol oynar. Tarihçi Christoph K. Neumann'in hedefi, eserin, içinde yazildigi zamana getirdigi elestirel yaklasim göz önünde bulundurularak okunmasidir. Çalisma, üç ana konuyu ele aliyor: Ahmed Cevdet, genel olarak Osmanli tarihyaziciligi ve 19. yüzyil Ottoman history. Eserin kendi zamaninin siyasi düsüncesindeki önemi ise ön plandadir. Cevdet'in Ottoman history anlatisinin temelinde hangi önermeler, beklentiler ve bakis açilari vardi? Yazar hangi amaçlarla yaziyor ve nelere karsi tavir aliyordu? Getirdigi gerekçelerle 19. yüzyilin ikinci yarisindaki Ottoman history arasinda hangi baglantilar kurulabilir? Yazar gibi biz de bu kitabin Tarih-i Cevdet'i, tasvir ettigi çag için daha iyi kullanilabilir bir kaynak haline getirecegini umuyoruz.
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Derleyen; KEMÂL EDIB KÜRKÇÜOGLU.
Osman Sems Efendi Dîvâni'ndan seçmeler.
Fine English Paperback., Fine., 24 x 16 cm., 502, [4] p., "Osman Sems Efendi Dîvâni'ndan seçmeler.", Kemâl Edib Kürkçüoglu, Kubbealti Nesriyati, Ist., 1996.
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Edited by SEYIT ALI KAHRAMAN.
Evliya Çelebi. Hac yolu. Prep by Mustafa Aksoy.
New New English Original binding with dust wrapper. In special slip-case. 4to. (33 x 24 cm). 248 p. In Turkish. Color and b/w ills. Evliya Çelebi. Hac yolu. Prep by: Mustafa Aksoy.
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ALTAN ÇILINGIROGLU.
Urartu tarihi.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [4], 150 p., ills., 1 map. Urartu tarihi. History of Urartu.
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MEHMET GÜLTEKIN.
Toroslarda bilinmeyen bir ülke: Homonada. (Sedasa / Sedaseis - Marla / Marula).
New English Paperback. Pbo. Demy 8vo. (21 x 15 cm). In Turkish. 152 p., ills. Toroslarda bilinmeyen bir ülke: Homonada. (Sedasa / Sedaseis - Marla / Marula). Homonada land in Taurus Mt. An archaeological history.
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SABIHA TANSUG
The Turkish love of flowers and Sümbülname.= Türklerde çiçek sevgisi ve Sümbülname.
Fine English Original bdg., Very good., 31 x 24 cm, In English and Turkish, 72 p., b/w and color ills. "Türklerde çiçek sevgisi ve Sümbülname.= The Turkish love of flowers and Sümbülname, SABIHA TANSUG, Akbank, Istanbul, 1988"
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IBRAHIM MEDKUR et alli.
Ibn Arabi anisina makaleler. Translated by Tahir Uluç.
Fine English Paperback., Fine., 22 x 14 cm., 179, [4] p., "Ibn Arabi anisina makaleler. ", Ibrahim Medkur ve digerleri, Insan Yayinlari, Ist., 2002.
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TAHIR HAFIZOGLU.
Kirk vezir hikayeleri.
Fine English Paperback., Fine., 21 x 14 cm., 235 p., "Kirk vezir hikayeleri.", Tahir Hafizoglu, Selis Kitaplar, Ist., 2002.
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Edited by AMY SINGER, CHRISTOPH K. NEUMANN, NINA ERGIN.
Feeding people, feeding power: Imarets in the Ottoman Empire.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 312 p., b/w and color ills. Feeding people, feeding power: Imarets in the Ottoman Empire. Imarets have long been recognized as one signature institution of the Ottoman Empire. These public kitchens were typically located in mosque complexes or multi-structured complexes, which included some or all of the following buildings: mosque, medrese, mekteb, tomb, caravansaray, sufi tekke (or tekye) , hospital, bath, market, and other structures associated with the social, economic, and cultural life of the population, usually in an urban setting. Studying imarets is yet another way to explore the Ottoman vision of conquest, empire-building, and imperial rule. The imarets were part of the multiple Ottoman provisioning systems supporting the imperial palaces, military campaigns, cities, and the annual hajj caravan to Mecca and Medina. The public kitchens operated in a society where the state and beneficent institutions held a continual and considerable role in contributing to the daily subsistence of all kinds of individuals. Ultimately, the Ottoman sultan's preoccupation with food was in part an outgrowth of his political and military capacities, and his general responsibility to provide for his subjects. Although the precise dynamic of the emergence of imarets as a distinct institutional form is a process that remains to be traced, it was clearly a confluence of historical practices, together with the demands placed on the early Ottoman sultanate, that gave rise to the particular form of the imaret. Evliya Celebi remarked that in all his travels he saw "nothing like our enviable institution." At least one architectural historian claims that no earlier structures have been found that are analogous and certainly none are described in general books on Islamic architecture. The particular Ottoman origin of the imaret as a distinct architectural form is also attested by its presence throughout the Ottoman lands, Anatolia, the Balkans, and the Arab provinces, regions that did not necessarily share institutions in the pre-Ottoman period. Entirely unexplored remains the impact of Byzantine practices of charity on the Ottoman imarets. The daily distribution of cooked meals to large numbers of urban dwellers year-round from a special building designed for that purpose thus appears to have been an Ottoman innovation, at least outside the holy cities of Mecca and Medina, and of Hebron.
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Edited by AMY SINGER, CHRISTOPH K. NEUMANN, NINA ERGIN.
Feeding people, feeding power: Imarets in the Ottoman Empire.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 312 p., b/w and color ills. Feeding people, feeding power: Imarets in the Ottoman Empire. Imarets have long been recognized as one signature institution of the Ottoman Empire. These public kitchens were typically located in mosque complexes or multi-structured complexes, which included some or all of the following buildings: mosque, medrese, mekteb, tomb, caravansaray, sufi tekke (or tekye) , hospital, bath, market, and other structures associated with the social, economic, and cultural life of the population, usually in an urban setting. Studying imarets is yet another way to explore the Ottoman vision of conquest, empire-building, and imperial rule. The imarets were part of the multiple Ottoman provisioning systems supporting the imperial palaces, military campaigns, cities, and the annual hajj caravan to Mecca and Medina. The public kitchens operated in a society where the state and beneficent institutions held a continual and considerable role in contributing to the daily subsistence of all kinds of individuals. Ultimately, the Ottoman sultan's preoccupation with food was in part an outgrowth of his political and military capacities, and his general responsibility to provide for his subjects. Although the precise dynamic of the emergence of imarets as a distinct institutional form is a process that remains to be traced, it was clearly a confluence of historical practices, together with the demands placed on the early Ottoman sultanate, that gave rise to the particular form of the imaret. Evliya Celebi remarked that in all his travels he saw "nothing like our enviable institution." At least one architectural historian claims that no earlier structures have been found that are analogous and certainly none are described in general books on Islamic architecture. The particular Ottoman origin of the imaret as a distinct architectural form is also attested by its presence throughout the Ottoman lands, Anatolia, the Balkans, and the Arab provinces, regions that did not necessarily share institutions in the pre-Ottoman period. Entirely unexplored remains the impact of Byzantine practices of charity on the Ottoman imarets. The daily distribution of cooked meals to large numbers of urban dwellers year-round from a special building designed for that purpose thus appears to have been an Ottoman innovation, at least outside the holy cities of Mecca and Medina, and of Hebron.
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TURHAN BAYTOP.
Eczâhâne'den Eczane'ye. Türkiye'de eczaneler ve eczacilar, 1800-1923. Edited by Gökhan Akçura.
Very Good English Original bdg. HC. 4to. (31 x 25 cm). In Turkish. 133 p., b/w and color ills. Revised Second Edition. Eczâhâne'den Eczane'ye. Türkiye'de eczaneler ve eczacilar, 1800-1923. Edited by Gökhan Akçura. History of pharmacy and pharmacists in the Ottoman Empire and Turkey from beginning of 19th century to Republican Turkey.
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Edited by RIFAT GÜNALAN, SINAN SÜMBÜL.
Osmanli belgelerinde Beykoz.
New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 528 p., b/w ills. Osmanli belgelerinde Beykoz. Beykoz (Beicos) based on the Ottoman archival documents. A very heavy volume.
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Prep. by NIL SARI, JALE YAVUZ, GAYE ÖZEN.
Hanim sultanlarin ebedî nakislari.
New New English Paperback. Pbo. Dust wrapper. 4to. (33 x 24 cm). In Turkish. [ix], 141 p. Color ills. Hanim sultanlarin ebedî nakislari.
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Edited by M. SINAN GENIM.
From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [xx], [1], 145 p., b/w photos. Fifth Edition. From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue]. The exhibition showcased works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and Inan Kiraç Foundation Photograph Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Istanbul past. Istanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.
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