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DUFRANE Louis
Gossec : sa vie, ses oeuvres.
Paris, Librairie Fischbacher/Bruxelles, Maurice Lamertin, 1917. 17 x 25, quelques illustrations hors texte en N/B, broché, bon état (couverture légèrement défraîchie).
Bookseller reference : 61512
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DUFOURCQ (Norbert).
Jean-Sébastien Bach, le maître de l'orgue.
Paris, Editions A. & J. Picard, 1973. Un fort vol. au format pt in-4 (238 x 188 mm) de 396 pp., broché.
Bookseller reference : 24172
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DUFETEL Nicolas (ed.)
La musique religiuse en France au XIXe siècle : Le sentiment religieux entre profane et sacré (1830-1914)
Turnhout, Brepols 2021 lvi + 436pp., avec qqs. illustrations en n/bl, dans la série "Speculum Musicae" volume 44, 27x21cm., reliure toile d'éditeur, jaquette illustrée, très bon état, poids: 1.4 kg., M116402
Bookseller reference : M116402
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Dufourcq, Norbert.
Petite histoire de la musique en Europe.
1942 1942 Paris, Larousse 1942 1 In 12 Broché 152[pp]
Bookseller reference : LCI-1713
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DUHME-HILDEBRAND Brigitta
Die französische Musikerin Germaine Tailleferre (1892-1983) Leben und Werk unter dem Aspekt des Vergnügens an der Musik
Köln, 1991 303pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Erziehungswissenschaftlichen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108856
Bookseller reference : M108856
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DUHME-HILDEBRAND Brigitta
Die französische Musikerin Germaine Tailleferre (1892-1983) Leben und Werk unter dem Aspekt des Vergnügens an der Musik
303pp., 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Erziehungswissenschaftlichen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M108856
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Dumesnil, René
Histoire Illustrée de la musique.
1934 1934 Paris, Plon 1934 1 In 8 carré Broché 271[pp]
Bookseller reference : LCI-1700
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DUMESNIL René
L'opéra et l'opéra-comique. Collection : Que sais-je ?, N° 278
Paris, Presses Universitaires de France (PUF), 1971. 12 x 18, 127 pp., broché, très bon état.
Bookseller reference : 96051
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Dumesnil, René.
La musique romantique française.
1944 1944 Paris, Aubier 1944 1 In 12 Broché 232[pp] Pages non coupées.
Bookseller reference : LCI-1655
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DUMESNIL René
Le rythme musical, essai historique et critique.
Paris, Mercure de France, 1921. 13 x 20, 256 pp., broché, bon état (papier légèrement jauni).
Bookseller reference : 81108
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DUMESNIL, René.
Le Rythme musical. Essai historique et critique.
Paris-Genève, Slatkine, 1979. in-8, 208 pp., 2 index, broché.
Bookseller reference : 78693
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DUMESNIL René
Mozart présent dans ses oeuvres lyriques.
Bruxelles, La Renaissance du Livre, 1965 14 x 20, 205 pp., non coupé, très bon état
Bookseller reference : 102.280
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DUMESNIL, René.
Portraits de musiciens français. Collection Les Maitres de l’Histoire.
Paris, Editions d’Histoire et d’Art, Librairie Plon 1938, 205x135mm, 248pages, broché. Petites déchirures sur le haut du dos, autrement bon état.
Bookseller reference : 82572
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DUMESNIL, René.
Le Rythme musical. Essai historique et critique.
in-8, 208 pp., 2 index, broché. Bel exemplaire. [TX-24]
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Dunn, Ginette
The Fellowship of Song: Popular Singing Traditions in East Suffolk. [SERIES]: Croom Helm Social History Series
CONTAINS B&W PLATES. 22.5x14.5cm. 254 pages. Gilt hardcover with dust jacket. In good condition.
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DUPRE, Henri.
Purcell. Les Maitres de la musique.
Paris, Librairie Féix Alcan 1927, 205x140mm, II - 244pages, reliure demi-basane. Plats papier fantaisie. Auteur, titre, fleuron et filets dorés au dos. Belle reliure, bel exemplaire.
Bookseller reference : 76027
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DUPONT Wilhelm
Geschichte der musikalischen Temperatur
139pp., with some music examples in text, 23cm., text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Friedrich-Alexander-Universität Erlangen), stamp at verso of title page, text is clean and bright, good condition, M109341
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DURAND, Jean.
Journal d’un amateur de musique, 1930 - 1940.
Lausanne, Librairie Payot 1941, 185x120mm, 254pages, broché. Nom du possesseur sur la page de garde supérieure.
Bookseller reference : 75066
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DURAND Emile
Réalisations des leçons du cours d'harmonie, N° 36/Traité d'accompagnement au piano, de la basse chiffrée, du chant donné et de la partition d'orchestre, N° 67. Bibliothèque Leduc.
Paris, Alphonse Leduc, 1948. 21 x 29, 2 livres, 187 + 291 pages, très nombreuses notations musicales, demi-reliure dos/coins percaline rouge, tranches mouchetées, couvertures conservées, très bon état.
Bookseller reference : 97161
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Durand Emile
Traité complet d'harmonie théorique et pratique (Volume 1)
Alphonse Leduc Bibliothèque-Leduc Relié In-4 (21,5 x 28,7 cm), reliure demi-peau à coins souple, dos à 4 nerfs orné de fers dorés, tome 1 seul, 521 pages, sans date ; frottements sur le cuir et au papier reliure aux plats, coupés usées, quelques rousseurs à l'intérieur, notes manuscrites au crayon à papier et à l'encre, principalement sur des pages vierges in fine, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Bookseller reference : rg1192
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Durante, Elio - Martellotti, Anna
?Amorosa fenice? La vita, le rime e la fortuna in musica di Girolamo Casone da Oderzo (c. 1528-1592)
cm 17 x 24, vi-482 pp. con 4 figg. n.t. Biblioteca dell'?Archivum Romanicum?. Serie I: Storia, Letteratura, Paleografia 433 Di Girolamo Casone, medico e professore di filosofia presso l?Universit? di Pavia, si presenta qui l?edizione delle rime, ripercorrendo anche la sua fortuna in campo musicale e seguendo le fila che lo legarono al mondo culturale della Milano spagnola. Emerge dunque una affollata galleria che raccoglie anche figure di spicco dell?ambiente politico, militare ed ecclesiastico. Attorno a queste si muove un mondo femminile che afferma la sua rilevanza culturale e sociale. Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physician and professor of philosophy at the University of Pavia, is the author of the collection of poems here published, along with an introduction that recollects his musical career and his ties with the cultural milieu of Spanish Milan. The essay, therefore, also brings light on the personality of important figures of the political, military, and religious world of the time, and on many women who succeeded in imposing their own cultural and social relevance.Girolamo Casone, physic
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Durante, Elio - Martellotti, Anna
?Giovinetta peregrina?. La vera storia di Laura Peperara e Torquato Tasso. Con CD contenente "Madrigali per Laura Peperara".
cm. 17 x 24, vi-352 pp. con 2 tavv. f.t. a colori e CD-ROM. Biblioteca dell'?Archivum Romanicum? - Serie I: Storia, Letteratura, Paleografia Ricerche d?archivio permettono di collocare nel 1563 la nascita della famosa cantatrice e arpista Laura Peperara, cancellando l?ipotesi di Solerti che in quel tempo ella sia stata la ?seconda fiamma? del Tasso, destinataria di un canzoniere amoroso; ? cos? possibile ricostruire sotto una diversa angolatura la vicenda artistica della Peperara, e riordinare un importante settore della produzione lirica tassiana. Archival research allows us to establish that Laura Peperara, famous singer and harp player, was born in 1563. This eliminates Solerti?s hypothesis that she was Tasso?s second love interest at the time, as well as the receiver of a book of love poems. Consequently, it is possible to reconstruct Peperara?s artistic path from a different angle and reorganize an important part of Tasso?s lyrical production. A CD entitled ?Madrigali per Laura Peperara? accompanies the volume. 692 gr. vi-352 p.
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DUWELL Klaus-Ulrich
Studien zur Kompositionstechnik der Mehrchörigkeit im 16. Jahrhundert. Dargestellt an Werken von Lasso, Palestrina, Victoria, Handl und Giovanni Gabrieli
183pp., with some music examples in text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophischen Fakultät der Universität zu Köln), stamp at verso of title page, text is clean and bright, good condition, M109001
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DYSON George
"Progrès de la musique; histoire de la musique en Europe depuis le Moyen Âge jusqu'à nos jours. Bibliothèque musicale."
Paris, Payot, 1933. 14 x 22, 204 pp., reliure pleine rexine rouge, très bon état (sauf dos insolé).
Bookseller reference : 97728
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Dyson George
Piccola storia della musica
ill., br. Questo libro, opera di un grande musicista e compositore inglese, è il riuscito tentativo di tratteggiare con aderente naturalezza le tappe del "progresso" musicale: dalla musica rituale dei popoli primitivi alla musica gregoriana, dalla sensuale polifonia pre-rinascimentale allo sviluppo della musica strumentale del Cinquecento, sino al virtuosismo orchestrale del tardo Romanticismo, senza tralasciare di approfondire il fenomeno della diffusione della radio e della musica incisa. Eliminando ogni aridità sistematica e manualistica, Dyson ha saputo centrare lo svolgimento delle diverse forme musicali nel particolare movimento culturale che le ha determinate, offrendo così non una fredda storia della musica, ma una serena valutazione di tutti i fenomeni, spirituali e pratici, che hanno concorso al suo "progresso".
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DÖBLIN Alfred
"Sur la musique; conversations avec Calypso. Petite Bibliothèque Rivages."
Paris, Editions Rivages, 1989. 12 x 17, 186 pp., broché, bon état (couverture insolée).
Bookseller reference : 95174
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E. Bozoky
Charmes et prieres apotropaiques
, Brepols - Harvey Miller, 2003 softcover 126 pages., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503514451.
Bookseller reference : 45020
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EBERT Alfred
Attilio Ariosti in Berlin (1697-1703) Ein Beitrag zur Geschichte der Musik am Hofe König Friedrichs I. von Preussen
Leipzig, Giesecke & Devrient 1905 103pp., 23cm., softcover, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn), stamp at verso of title page, text is clean and bright, M111116
Bookseller reference : M111116
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EBERT Friedrich
Die Liedweisen der kolmarer Handschrift und ihre Einordnung und Stellung in der Entwicklungsgeschichte der deutschen Liedweise im 14. - 16. Jahrhundert
Göttingen, 1933 115pp., with some music examples in text, 23cm., softcover (label at spine), text in German in Gotic script, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Georg-August-Universität zu Göttingen), stamp at verso of t.p., some annotations and underlinings in pencil (can easily be erased), M109366
Bookseller reference : M109366
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EBERT Alfred
Attilio Ariosti in Berlin (1697-1703) Ein Beitrag zur Geschichte der Musik am Hofe König Friedrichs I. von Preussen
103pp., 23cm., softcover, text in German, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der hohen Philosophischen Fakultät der Rheinischen Friedrich-Wilhelm-Universität zu Bonn), stamp at verso of title page, text is clean and bright, M111116
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EBERT Friedrich
Die Liedweisen der kolmarer Handschrift und ihre Einordnung und Stellung in der Entwicklungsgeschichte der deutschen Liedweise im 14. - 16. Jahrhundert
115pp., with some music examples in text, 23cm., softcover (label at spine), text in German in Gotic script, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Georg-August-Universität zu Göttingen), stamp at verso of t.p., some annotations and underlinings in pencil (can easily be erased), M109366
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Eckhardt, Ulrich [Ed.]
Claudio Abbado: Dirigent
Contains a CD and numerous photographs. 230x230 mm. 198 pages. Hardcover with dust jacket. Jacket edges wrinkled. Cover corners, edges and spine edges bumped. Few page corners slightly wrinkled. Pages yellowing. Else in good condition.
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Edited by Anna Maria Busse Berger and Massimiliano Rossi.
Memory and Invention. Medieval and Renaissance Literature, Art and Music. Acts of an International Conference (Florence, Villa I Tatti, May 11, 2006).
cm. 17 x 24, xx-174 pp. con es. mus., 37 figg. n.t. e 12 tavv. f.t. Rilegato (Hardcover). Villa i Tatti - The Harvard University Center for Italian Renaissance Studies In recent years it has become increasingly clear that the art of memory was closely related to compositional processes in literature, art, and music. These papers explore various aspects of how the relevant material was memorized-whether through division and classification, or through visual diagrams; how the memorized material was used to create new works; how the old texts and models were incorporated into new ones; what was left out and what was reinterpreted in new ways. Negli ultimi anni ? emerso sempre pi? chiaramente quanto l?arte della memoria sia strettamente legata ai processi compositivi nell?ambito letterario, artistico e musicale. Questi saggi indagano sul perch? e su quali materiali siano stati memorizzati o meno attraverso il frazionamento e la classificazione oppure tramite diagrammi visivi; inoltre su quali testi o modelli siano stati rielaborati in nuove opere oppure reinterpretati in nuovi modi. 676 gr. xx-174 p.
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Edited by Virgilio Bernardoni
Edizione Nationale delle Opere di Giacomo Puccini. II. Instrumental music 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2)
cm 25 x 32, 148 pp. Carus-Verlag GmbH - ISBN 9783899483130 The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. The organ is the instrument on which the young Giacomo Puccini began his career as a musician. Through the rediscovery of a considerable number of hand-written pieces, which he composed after 1870 as part of his duties as organist in the churches of Lucca, several primary sources are now available. These give an insight into the beginnings of his musical activities which have only been known about from anecdotes from his first biographers until now. Puccini?s organ repertoire includes works which were typical for liturgical organ music at that time: sonatas for the main sections of the mass, versets which were substituted for Gregorian chant, marches, which were played after the mass (exceptionally even waltzes), and even a pastorale for Christmas time. This music was written with the sound of instruments made in Tuscany in mind. These have just one manual, a 8 foot Principale register and a small pedalboard always coupled to the manual. In addition there were several solo stops divided into "bass" and "soprano".Puccini contributed with originality to the renewal of Italian organ practice, which began in his day to discard its operatic style in favor of a style more suited to the liturgy. Ed. Nat. OperePuccini 2.Instr. 2.1.Organ 782
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Edizione critica a cura di Graziella Seminara
Vincenzo Bellini Carteggi
cm 17 x 24, vi-622 pp. con 5 es. mus. e 1 figg. n.t. Rilegato in seta. Historiae Musicae Cultores 131 La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base di criteri scientificamente aggiornati, l?edizione fornisce informazioni preziose sulla rete di relazioni del compositore di Catania, sul suo percorso artistico e intellettuale e sul suo lavoro compositivo. La nuova edizione critica dei Carteggi di Vincenzo Bellini si propone a pi? di cinquant?anni di distanza da quella di Luisa Cambi e costituisce la prima ricostruzione integrale del corpus epistolare belliniano, poich? affianca alle lettere del musicista quelle dei suoi corrispondenti. Condotta sulla base d
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Edizione e commento a cura di Gabriella Biagi Ravenni.
Tosca. Di Victorien Sardou, Giuseppe Giacosa e Luigi Illica. Musica di Giacomo Puccini. Vol. I: facsimile della copia di lavoro del libretto. Vol. II: trascrizione e commento.
cm. 23 x 33, 2 tomi. I: 140 pp. di cui 134 di facsimile. II: xlii-140 pp. con 1 fig, 1 pieghevole ed es. mus. n.t. Centro studi Giacomo Puccini - Testi e documenti Il testo completo del libretto di Tosca, con aggiunte, correzioni, chiose, frammenti di bozze di stampa, schizzi musicali e di piantazioni sceniche. Attraverso gli interventi di Illica, Giacosa, Ricordi, ma soprattutto di Puccini, ? possibile ricostruire, con la massima approssimazione, l?appassionante dialogo che intercorse tra gli autori e l?editore. ? possibile insomma entrare nel vivo del laboratorio creativo e individuare le fasi cruciali della genesi di Tosca. The complete text of the libretto of Tosca, with additions, corrections, glosses, page proof fragments, musical sketches, and sketches of stage settings. Illica, Giacosa, Ricordi and Puccini worked together on Tosca and established an intense professional relationship, which is brilliantly reconstructed in this well-documented volume. A fascinating insight into the creative process and a detailed description of the genesis of Tosca. 1860 gr. xlii-280 p.
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EEKHOUD, Georges.
Peter Benoit. Sa vie, son esthétique et son enseignement, son oeuvre.
[publisher: Bruxelles, Veuve Monnom, 1897] in-8 de 68 pages - Portrait en frontispîce.- Mention au crayon au 1er plat "Exemplaire sur Hollande", sans justification.- RARE
Bookseller reference : 32995
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EEKHOUD, Georges.
Peter Benoit. Sa vie, son esthétique et son enseignement, son oeuvre.
in-8 de 68 pages - Portrait en frontispîce.- Mention au crayon au 1er plat "Exemplaire sur Hollande", sans justification.- RARE Exemplaire en partie débroché, plats défaits. [BU-11]
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EFFRAY Samuel
"Dans la tête d'un musicien; une nouvelle approche pour évoluer dans sa pratique musicale."
Editions Sey, 2018. 15 x 21, 154 pp, broché, très bon état.
Bookseller reference : 97008
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EICHELBAUM Edmundo
"Carlos Gardel; l'âge d'or du tango."
Paris, Denoël, 1984. 15 x 23, 223 pp., quelques illustrations en N/B, broché, très bon état.
Bookseller reference : 95943
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EICHINER Hans
Mittelfränkische Stadt- und Landmusikanten. Eine Untersuchung zum Brauchtum, Aufgabenbereich und Notenbestand der Musikanten im südlichen Mittelfranken im 19. und beginnenden 20. Jahrhundert
Eichstätt, 1987 viii + 495 + 228pp., 21cm., softcover, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Geschichts- und Gesellschaftswissenschaftlichen Fakultät der Katholischen Universität Eichstätt), stamp at verso of title page, text and interior are clean and bright, good condition (looks unread), weight: 1.1kg., M109027
Bookseller reference : M109027
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EICHINER Hans
Mittelfränkische Stadt- und Landmusikanten. Eine Untersuchung zum Brauchtum, Aufgabenbereich und Notenbestand der Musikanten im südlichen Mittelfranken im 19. und beginnenden 20. Jahrhundert
viii + 495 + 228pp., 21cm., softcover, Doctoral Dissertation (Inaugural-Dissertation zur Erlangung des Doktorsgrades der Geschichts- und Gesellschaftswissenschaftlichen Fakultät der Katholischen Universität Eichstätt), stamp at verso of title page, text and interior are clean and bright, good condition (looks unread), weight: 1.1kg., M109027
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Eisenberg Evan
L'angelo con il fonografo. Musica, dischi e cultura da Aristotele a Zappa
brossura
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Eitner, Robert
Biographisch-Bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten christlicher Zeitrechnung bis Mitte des neunzehnten Jahrhunderts. 9 Bände (von 11). Band I/II: Aa-Cochereau. Band V/VI: Hainglaise-Milleville. Band VII/VVIII: Milleville-Scheiffler. Band IX/X: Schein-Zyrler. Band XI: Nachträge, Miscellanea.
Graz, Akademische Druck- und Verlagsanstalt, 1959-1960. 4°. 25 cm. 480, 478, 482, 479, 482, 482, 480, 369, 448 Seiten. Original-Leinenbände.
Bookseller reference : 55811BB
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
Bilthoven, Creyghton 1968 228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's hardcover in cloth with gilt lettering, good condition, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M107680
Bookseller reference : M107680
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
Bilthoven, Creyghton 1968 228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's softcover, stamp at verso of title page, text is clean and bright, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M1111122
Bookseller reference : M111122
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ELDERS Willem
Symbolic Scores - Studies in the Music of the Renaissance
Leiden, Brill 1994 xii + 269pp., with some bl/w illustrations, 26cm., publisher's hardcover in blue cloth with gilt lettering, good condition, M107681
Bookseller reference : M107681
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's hardcover in cloth with gilt lettering, good condition, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M107680
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ELDERS Willem
Studien zur Symbolik in der Musik der alten Niederländer
228pp. + frontispiece in colour, illustrated with some music examples in, + 2pp. of theses, 26cm., publisher's softcover, stamp at verso of title page, text is clean and bright, [Academic doctoral dissertation at the 'Rijksuniversiteit te Utrecht', 1968], M1111122
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ELDERS Willem
Symbolic Scores - Studies in the Music of the Renaissance
xii + 269pp., with some bl/w illustrations, 26cm., publisher's hardcover in blue cloth with gilt lettering, good condition, M107681
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