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[AUTOGRAPHES COLLECTION ALFRED BOVET]
Lettres autographes composant la collection de M. Alfred Bovet, dcrits par Etienne Charavay. Ouvrage imprim sous la direction de Fernand Calmettes.
Paris Librairie Les Neuf M 1982 Fort volume in-4, bradel toile violine (cartonnage de l'diteur).Prcieuse rimpression du catalogue de la vente aux enchres de l'exceptionnelle collection d'autographes runis par Alfred Bovet, qui fut disperse l'occasion de trois ventes (18-19 fvrier 1884, 19-21 juin 1884, 23-25 juin 1885). L'ensemble comportait 2.137 documents qui ont t dcrits avec minutie par Etienne Charavay et classs selon 10 sections: Les Chefs de gouvernement - Les Personnages politiques et les hommes d'Etat - La Rvolution franaise Les Hommes de guerre Les Savants et explorateurs Les Potes et prosateurs - Les Artistes dramatiques Les Peintres et sculpteurs, graveurs et architectes Les Huguenots illustres - Les Femmes clbres. Les descriptifs des autographes sont gnralement accompagns de la reproduction en fac-simil de l'criture et de la signature. La partie consacre aux peintres, sculpteurs, graveurs et architectes est abondamment illustre de reproductions de dessins et croquis. Les autographes sont surtout franais, mais on trouve des lettres de six prsidents amricains, d'hommes d'tat britanniques, de figures littraires allemandes, etc. Cet ouvrage comporte une passionnante prface d'Etienne Charavay prsentant l'ensemble de cette collection et abordant trs en dtail la recherche d'autographes, l'authenticit des documents et leurs prix, les collections publiques, les divers genres de collections, et les diffrents classements possibles. Une table des chapitres, une table analytique, la liste des prix d'adjudication terminent cet outil indispensable tous les amateurs d'autographes pour permettre d'authentifier certains documents.
Bookseller reference : 48388
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[AUTOGRAPHE MANUSCRIT] François Achille BAZAINE
LETTRE DE PROMOTION DU SERGENT ANCELOT AU GRADE DE SOUS LIEUTENANT DANS LE 32EME DE LIGNE
1826 un document Original Authentique de 4 pages (une grande pliée en deux), préimprimée [à l'en-tête de l'Armée du Rhin et les emblèmes de l'Empire Français (à l'aigle) gravés en noir] et manuscrite à l'encre brune sur papier crème, format : 34 centimètres de HAUT par 22 centimètres de LARGE, fait au Ban Saint Martin, le 13 Septembre 1870, signature autographe de BAZAINE (Maréchal de France, Commandant en Chef de l'Armée du Rhin), petites fentes de papier en marge et léger manque de papier en marge (moins de 1 cm2) sinon Bel Exemplaire....
Bookseller reference : 22305
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[AUTOGRAPHE] LOUIS XIV - ROI DE FRANCE -
LETTRE AVEC SIGNATURE AUTOGRAPHE MANUSCRITE DU ROI LOUIS XIV, CONTRESIGNEE PAR MICHEL LE TELLIER, MARQUIS DE BARBEZIEUX, SEIGNEUR DE CHAVILLE, D'ETANG ET DE VIROFLAY (SECRETAIRE DE LA GUERRE DU ROI) : LETTRE DE NOMINATION DE MONSIEUR DU LAS COMME MARECHAL DE CAMP DU COMTE D'ESTRADES COMMANDANT EN CHEF EN MA PROVINCE DE GUYENNE, REIMS LE 12 JUIN 1654
saint germain en laye 1654 une lettre, d'une page, sur papier vélin ligné, manuscrite à l'encre brune, format : 34,4 x 24 cm, lettre autographe manuscrite, Lettre signée '' Louis '' de la main du Roi LOUIS XIV (Agé alors de 16 Ans) + signature de MICHEL LE TELLIER,[ MARQUIS DE BARBEZIEUX, SEIGNEUR DE CHAVILLE, D'ETANG ET DE VIROFLAY (SECRETAIRE DE LA GUERRE DU ROI)], fait à REIMS LE 12 JUIN 1654,
Bookseller reference : 22518
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[Autographe] [Anonyme]
Quinze documents historiques curieux et rares
Maurice Devriès, éditeur, éditions M. D. 1943 In-4. En feuillets, relié par cordon, couverture carton imitation parchemin, vignette titre contrecollée sur le premier plat, 14 ff., 15 autographes contrecollés, avec le texte imprimé au-dessous. Coupes frottées. Bon exemplaire.
Bookseller reference : 76150
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[Auerbach, Berthold]. - Auerbach, Nina (geb. Landesmann, seine Gattin).
Eigenh. Brief mit U. Schandau, 2. VIII. 1856 [?].
4 SS. auf Doppelblatt. Gr.-8vo. Mit 5zeiliger Nachschrift und U. Berthold Auerbachs. An eine Frau Meyer: "[...] Nun zur Erledigung des Hauptgegenstandes. Als ich gestern Frl. Clara die factische Kündigung mittheilte, hat sie mir unter Thränen ihr heftiges Benehmen abgebeten, und ich ließ mich hierdurch wie durch das Versprechen sich meinen Wünschen zu fügen und auch durch die Anhänglichkeit meiner Kinder nach einem langen Gespräche mit ihr zur Wiederaufnahme bewegen [...]". - Nachdem Auerbachs erste Gattin Auguste im März 1848 an Kindbettfieber verstorben war, ehelichte der Dichter im Jahr darauf die Schwester des Schriftstellers Heinrich Landesmann, mit der er drei Kinder - Ottilie, Eugen und Rudolf - haben sollte. - Auf Briefpapier mit gepr. Briefkopf. - Die Recto-Seite von Bl. 1 mit einem kl. Registraturetikett und der hs. Numerierung "114".
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[Aurevilly, Jules Barbey d', writer (1808-1889)].
Stamped signature card. No place or date.
Oblong 12mo. 1 page. With enclosure (see below). Signature stamped in green ink. - Enclosed is a hand-copied letter by d'Aurevilly to the poetess Harriet Mary Carey (1824-66). The year in which the letter was written also saw Carey's translation of a poem by d'Aurevilly ("Laocoon. A Forgotten Rhyme").
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[Aurolzmünster - Innviertel].
Sammlung von zwei Militär-Entlassungs-Tabellen und einem Zahlungsbogen für die Urbarial- und Zehentsteuer. Aurolzmünster, 1822-1823.
2 Faltbögen und ein vorgedr. Formular (Halbbogen). Folio. Entlassungstabellen für Mathias Wimmer aus Eitzing (7. VII. 1823) und Franz Pointner aus Albertstedt (12. VIII. 1823), beide vom kaiserlichen Infanterieregiment Nr. 14, ausgestellt vom Gräfl. Taufkirchenschen Patrimonialgericht Aurolzmünster. Beiliegend Zahlungs-Bogen für das Militärjahr 1822 über die Abführung der Urbarial- und Zehentsteuer (Sept.-Nov. 1822) durch die Pfarrkirche und Stiftsadministration Aurolzmünster.
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[AUTOGRAPHS] [LARDNER, Ring; MARQUIS, Don, MASTERS, Edgar Lee; ADE, George; HERFORD, Oliverl HUGHES, Rupert; HUSTON, Walter] T
Autograph Album of the niece of member W. S. Wright assembled in the 1930s. Autographs some with drawings of 86 actors artists and writers including Ring Lardner Don Marquis Edgar Lee Masters George Ade Oliver Herford Rupert Hughes and Walter Huston.
New York: ca. 1930s. purchased illustrated autograph album in printed wrappers. Wrappers quite worn and front wrapper detached. 12mo. Designed by Elisa E. Edwards. Herbert Hoover was present in the form of a clipped signature which is absent. Also pasted in is a beverage check from the Players bar signed by W. Spencer Wright "the first autograph after the Great Volsteadian Drought" unknown
Bookseller reference : 78314
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[AUTOGRAPHS] HOOPER, Mrs. Newlin. LATIMORE, Sarah B.
Autograph Album of Mrs. Newlin Hooper of New York City including musical and other quotations original drawings and letters and cards. Later the property of Sarah B. Latimore who made several additions.
New York and Paris 1902-1950. original elegant full inlaid and onlaid gilt morocco; a.e.g.; green moire silk doublures. Fine. 4to. Among the drawings are a small cartoon by Tony Sarg of a dog chasing a rat; a full page drawing by Edmond Anam-Jean of a lady; a watercolor of a small dog by Maud Earl; and a drawing of penguins by Leland Curtis of the U.S. Antacttic Expedition 1939-40. Many of the musical artists have added brief scores to their autograph sentiments. Contributors include: Marcella Sembrich 1858-1935; coloratura soprano; Edouard de Reszke 1853-1917; Polish bass; Edmond Anam-Jean 1858-1936; French symbolist painter; Clyde Fitch 1865-1909; playwright; Walter Damrosch 1862-1950; German-American conductor and composer; Lillian Nordica 1857-1914; dramatic soprano; T. J. Cobden-Sanderson fine printer; actress Sarah Cowell Lemoyne; William John Locke 1864-1930 British novelist; Olive Fremstad 1871-1951 Swedish-American opera diva; novelist Ian Hay; Kte Douglas Wiggin; Maud Alice Earl; Tony Sarg; Julia Arthur Cheney; Theodore Roosevely; Don Blanding and others. unknown
Bookseller reference : 68100
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[AUTOGRAPHS]. SAUNDERS, Marshall
Autograph Portrait Card of Saunders Signed
Private Post Card. 9x 14cm Photograph by G.H. Saunders. These cards maybe obtained from G.H. Saunders 62 Glengowan Road Toronto. Mar. 28 1933 1933. 11 manuscript lines initialed and signed on the verso under the portrait fine condtion. N12. - Margaret Marshall Saunders 1861-1947 born at Milton Nova Scotia. She became a successful author of fiction mostly stories for children about animals. These differed from the animal stories of Seton and Roberts in that they were about tame rather than wild animals. She published about twenty-five books the most famous was Beautiful Joe an autobiography of a dog a classic ran into many editions and was translated in several languages. Beautiful Joe & Black Beauty lead the way for a more human treatment of domestic animals. Private Post Card. 9x 14cm, Photograph by G.H. Saunders. (These cards maybe obtained from G.H. Saunders, 62 Glengowan Road, Toro unknown
Bookseller reference : 25103
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[Autographs], [Women in Rock], [Sixties], [Archives]
British Invasion Rock and Roll Autograph Collection
1964. Ephemera. Autographed ephemera obtained in person by a British teenager circa 1964 at various concerts and personal appearances. This collection contains many now obscure groups that at the time were important influences on the Liverpool London and British music scene in general. Over eighty signatures many full signatures some first name only. Some highlights include: Chuck Berry The Hollies The Kinks Memphis Slim Keith Richards Ian Stewart and Carl Wilson. In addition the following pioneering women of 1960s rock & roll are represented in this massive collection: Honey Lantree Lulu Julie Grant Kiki Dee Millie Small Tammy St. John and American blues singer Mae Mercer.<br /> <br /> An archive which includes the following:<br /> <br /> Signed Loose Album Leaves generally 4 x 6":<br /> <br /> Applejacks. Signed by four Applejacks. A minor British Invasion group. The reverse is signed by several members of Tommy Quickly and the Remo 4.<br /> <br /> The Barron Knights with Duke D'Mond. Pop parodists. Signed by Barron Anthony Duke D'Mond Butch Baker David Ballinger and "P'nut Salted". Signed on the reverse by Michael Haslam. Haslam had the same manager as The Beatles Brian Epstein. He toured with the Beatles in 1964 at the height of Beatlemania. Eventually Epstein let Haslam go extinguishing his moment in the spotlight.<br /> <br /> Beat Merchants. Signatures of 4 group members. On the verso is Johnny Kidd & the Pirates with 3 signatures.<br /> <br /> Cliff Bennett & Rebel Rousers. Signatures of 7 group members on 2 leaves. Bennett and Rebel Rousers was an Epstein group. 3 of the group Zephyrs have signed on the verso of one sheet.<br /> <br /> Russ Conway. English popular music pianist and composer. He was often on the charts in the late '50s and early '60s.<br /> <br /> The Crescendoes. From Dorset. With signatures of 3 group members. Daryl Quist has signed the reverse.<br /> <br /> The Cresters. The Cresters were active all the way up to the 80s. Two leaves with 6 signatures in full. On the verso of one leaf is 3 signatures one in full of Kevin Scott & the Kinsmen.<br /> <br /> The Daly's. Signed by John and Paddy.<br /> <br /> Dominoes. Signature of Bobby Thomson on a piece of paper that was once mounted to a leaf tape stained at edges. He later joined Cliff Bennett and the Rebel Rousers.<br /> <br /> Downliner's Sect. British R & B group from West London. Frontman Don Craine who has signed here wore a deerstalker cap to mock the aristocracy. Signed by 4 group members. The reverse is inscribed "To John Best wishes Jimmy Powell." From Five Dimensions. Signature of one other member of Downliner's Sect included on a separate sheet.<br /> <br /> Eric Easton. The first manager of the Rolling Stones.<br /> <br /> Echoes. Signatures of all 6. Signatures of 2 members of Four Pennies on verso. Four Pennies hit with "Juliet" in April 1964.<br /> <br /> John Ferris. Inscribed "To My Good Friend John Sincerely John Ferris."<br /> <br /> Honey Lantree. A woman and the drummer of the Honeycombs. This was rare for a 1960s beat group and Honey strongly disliked being dismissed as a "gimmick" according to her obituary in The Guardian. The Honeycombs had the number 1 hit "Have I the Right" in 1964.<br /> <br /> Lulu. One of the most well known Scottish singers. She rose to prominence with her cover of 'Shout' in 1964. H. J. Hinten Manager of Nick Troy has signed the reverse.<br /> <br /> Kenny Lynch. One of the few people of Caribbean origin popular in the British world of pop. Cliff Bennett has signed the reverse.<br /> <br /> Kiki Dee Pauline Matthews. She was the first female singer from the UK to sign with Motown's Tamla Records. In addition she is known for her 1976 duet with Elton John "Don't Go Breaking My Heart" which was Elton John's first UK number one single. She is also an actress. She had a role in "The Lion King" 1994. On the reverse is the signature of American songwriter Glen Campbell.<br /> <br /> Cathy McGowan & Michael Aldred. McGowan is a British broadcaster and journalist most known as presenter of the 1960s pop music television show "Ready Steady Go!" Aldred was a co-presenter on the same show. Signatures of both in full. 6 members of Ken Colyer's Jazzmen have signed the reverse.<br /> <br /> Tony Marsh /Tony Hall. British DJs. Signatures of both on opposite sides of the leaf. Tony Hall very visible in the London scene was viewed as a mentor for a number of the emerging industry figures of the 1960s including the Rolling Stones co-mananger Andrew Loog Oldham. Tony Hall Enterprises later went on to promote acts such as Jimi Hendrix and Black Sabbath.<br /> <br /> Art School / Brit Garage / Freak Beat musicians Meddy-Evils from Southampton signed by Roy Roberts John Roberts Tony Benson Roger Salomons and Martin "Cuddles" Smith the drummer.<br /> <br /> Memphis Slim. In the early 1960s Memphis Slim was one of the first artists to sign on when German promoters along with Willie Dixon proposed the European blues concert that would eventually become known as the American Folk Blues Festival. This festival was highly influential to the young musicians who would soon after make up the British Invasion. Dave Berry has signed the reverse.<br /> <br /> Mae Mercer & Keith Smith Band. Signed by Mercer and the group. Keith Smith included on separate sheet. Mae Mercer was an American blues singer and actress who spent much of the 1960s performing at the Blues Bar in Paris. She also performed and recorded in the UK. By 1965 Mae Mercer was such a prominent figure in Europe that she was profiled in "Ebony" magazine. On verso is signature of Adrienne Posta.<br /> <br /> Matt Monro. Band leader often compared to Frank Sinatra. He was chosen to sing Britain's entry in the 1964 Eurovision Song Contest. He came in second which heightened his career.<br /> <br /> The Monsters with Rory Blackwell. 4 members Rory Blackwell included have signed in full. Rory Blackwell was listed in the Guinness Book of Records as the fastest drummer in the world. One member of Rebel Rousers has signed on the verso.<br /> <br /> Don Moss. UK Radio personality. Associated with "Pick Of The Pops".<br /> <br /> Nashville Teens. Legendary "Tobacco Road" group. 3 signatures on paper. Tape stains at edges.<br /> <br /> Andrew Loog Oldham. Manager of the Rolling Stones from 1963 to 1967. He was 19 years old when he signed the band to a management deal. He is known for producing such hits as "Paint It Black" "Get Off My Cloud" and "Can't Get No Satisfaction." Eric Easton has also initialed this leaf. Oldham and Easton catapulted the Rolling Stones to fame.<br /> <br /> The Other Two.<br /> <br /> Jimmy Powell and the 5 Dimensions signed by Jimmy Powell Louis Cennamo Pete Hogman Martin Shaw Brian "Chick" Kattenhorn and Kenny Vandell.<br /> The verso of this slip is signed by Millie Small of "My Boy Lollipop" fame as "Millie". "My Boy Lollipop" was one of the biggest-selling ska songs of all time.<br /> <br /> The Pretty Things. A British R & B band. Viewed almost like rivals to the Rolling Stones. Two members have signed in full. The AllMusic website states: "Their cult was drawn to either their vicious early records where they sometimes seemed like a meaner version of The Rolling Stones or to their 1968 psychedelic touchstone S.F. Sorrow. Taking their name from a Bo Diddley song the Pretty Things were intentionally ugly: their sound was brutish their hair longer than any of their contemporaries their look unkempt."<br /> <br /> Keith Richards. Signed in full. Four group members of Gerry and the Pacemakers have signed on the reverse. Like the Beatles they hailed from Liverpool and were managed by Brian Epstein.<br /> <br /> The Roulettes. 4 signatures.<br /> <br /> Jimmy Savile. The once highly revered DJ television Jim'll Fix It and radio personality who has since become highly controversial as well as the subject of a documentary. Hundreds of allegations of sexual abuse spanning six decades were made against him. A "DeeDee" has signed the reverse.<br /> <br /> Bobby Shafto. He was associated with the groups The Moontrekkers and The Playboys.<br /> <br /> Millie Small. Inscribed by Millie Small first name. Millie Small was a Jamaican singer and songwriter who was best known for her 1964 hit "My Boy Lollipop." This song reached number two on both the U.S. and U.K. charts and went on to become one of the top-selling ska hits of all time. She also garnered some attention for her single "Enoch Power" a song which strongly criticized the anti-immigration stance of British right-wing politician Enoch Powell. AllMusic.com refers to her as "one of the very few female singers in the early ska era in Clarendon Jamaica."<br /> <br /> The Soul Agents. From Southampton. With 5 signatures. 6 signatures from Muleskinners on the verso. Muleskinners were classified as Freakbeat / Psychedelic / Garage.<br /> <br /> Ian Stewart. Stewart was a Scottish keyboardist and the cofounder of The Rolling Stones. Stones' manager Andrew Loog Oldham didn't think that he had the right look for the band so he asked him to stop performing with the band but kept him on as the road manager. Despite this Stewart played on many of the albums that the Rolling Stones released without being an actual member. Four signatures from The Worrying Kind are on the verso. <br /> <br /> Ian Stewart. Millie Small has signed with her first name on the reverse.<br /> <br /> Nick Troy and the Trojans. With signatures of 5 group members including female vocalist Esme Duval. Three members of The Transatlantics have signed the reverse.<br /> <br /> The Undertakers. A leading group in the Merseybeat music scene. The Beatles were fond of them. Soulful British singer Jackie Lomax was in this group. Unfortunately they sunk into oblivion in 1966. 6 signatures.<br /> <br /> Don Wardell. DJ. Chief announcer at Radio Luxembourg in the mid-60s. Inscribed.<br /> <br /> Mark Wynter. His most famous hit was "Venus in Blue Jeans."<br /> <br /> Muriel Young. British broadcaster.<br /> <br /> <br /> <br /> Signed Publicity Photos:<br /> <br /> The Applejacks. Signed by all 6 group members. Lightly creased.<br /> <br /> The Barron Knights featuring Duke D'Mond. Signed by all.<br /> <br /> Dave Berry.<br /> <br /> The Crescendoes featuring Joe E. Martin. Signed by all 5.<br /> <br /> Dave Davani and the D-Men. Organ-dominated soul jazz. Signed by 5 of the 6 group members.<br /> <br /> J' Boes. Signed by all 5.<br /> <br /> Julie Grant. Inscribed and signed on the front. Julie Grant whose real name was Vivien Foreman was discovered at the age of 15. She recorded for Pye Records from 1962 to 1965. In 1967 she joined The Zaras a Spanish-based lounge act that toured Europe and the United States.<br /> <br /> The Federals. Signed by 4 of 6 members.<br /> <br /> Freddie and the Dreamers. A beat band most popular between 1963 to 1965. They also appeared in four British films. Signed by Derek Quinn Roy Crewdson Pete Birrell and Bernie Dwyer<br /> <br /> Mae Mercer.<br /> <br /> The Migil 5. Bluebeat/ska/jazz. The members were already in their late twenties at this point. Signed by all 5. 3 unidentified signatures on verso.<br /> <br /> The Naturals. A short-lived beat group out of Harlow Essex. All 6 members have signed.<br /> <br /> Tommy Quickly.<br /> <br /> The Remo 4. Signed by all 4 members.<br /> <br /> The Rustiks. Signed by Dave Gummer.<br /> <br /> Millie Small. <br /> <br /> The Soul Agents. Signed by all 5.<br /> <br /> Tammy St. John. Inscribed. From AllMusic.com- "Tammy St. John is one of those odd cult figures who has risen out of the obscurity that plagued her career in the 1960s." St. John characterized by her soulful and bluesy voice was a mere 14 years old when she was signed to Pye Records in 1964.<br /> <br /> Don Wardell. DJ of Radio Luxembourg.<br /> <br /> The Zephyrs. Signed by all 4.<br /> <br /> <br /> <br /> Other:<br /> <br /> The Beat Merchants. Magazine photo signed by all five. "The Beat Merchants were a talented British band of the early '60s who were equally adept at generating mainstream British pop/rock in the manner of the Roulettes and the Searchers or hard-driving bluesy rock & roll in the manner of the Rolling Stones and the Small faces." - Allmusic.com<br /> <br /> Chuck Berry. This legendary performer has signed a small slip of paper. Although American Chuck Berry's popularity was influenced by the British Invasion. After Berry was released from prison in 1963 his return to recording and performing was facilitated by British Invasion bands- particularly The Beatles and The Rolling Stones- who had sustained interest in his music by releasing cover versions of his songs.<br /> <br /> Chick Grahame and the Coasters. Signed by 5 group members on lined paper.<br /> <br /> The Hollies. Graham Nash Tony Hicks and Don Rathbone have signed the reproduced photo of the band on the verso of the magazine cover of "Pop Weekly." <br /> <br /> The Kinks. Signed by Ray and Dave Davies and Mick Avory. Signed early on in their career. They are viewed as one of the most influential bands of the '60s.<br /> <br /> The Mojos. Signatures of 3 on piece of paper with humorously odd typewritten message on verso. The Mojos from Liverpool had a hit with "Everything's Alright." Unsigned publicity photo with note from their fan club included.<br /> <br /> Paramounts. Unsigned publicity photo. 3 1/2 x 6". Some creasing. A period in the mid-sixties when British rock artists dominated the U.S. music charts.<br /> <br /> This truly large assemblage of autographs was collected by John Atherton of Southampton. A time capsule of famous British bands just prior to the Psychedelic Era. Almost more notable for the obscurity. The signatures were acquired when these artists were either just beginning or at the height of their careers.<br /> <br /> An archive which includes signatures from a handful of trailblazing women in 1960s rock & roll including England's best-known female drummer of the 1960s rock & roll scene Honey Lantree one of the few female drummers to come out of the British Invasion Lulu who performed the theme tune in the James Bond film "The Man with the Golden Gun" the deep-voiced blues singer Mae Mercer and Millie Small of "My Boy Lollipop" fame. unknown
Bookseller reference : 63535
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[AUTOGRAPHS] – Charles B. NORTON
Catalogue of the Largest and Most Valuable Collection of Autographs ever Offered for Sale in the United States Comprising Letters from Washington Lafayette Jefferson Goethe Wordsworth Coleridge etc. etc. with Prices Affixed
New York: Barker & Godwin 1857. From the Bart Auerbach Collection. Slight split at ends of spine a few small stains on front cover. 8vo. 16 pages. Original buff printed wrappers. An early and rare autograph catalogue. Includes items from the collection of Aaron Burr relating to the Revolutionary War principally by officer and others encamped on the Hudson. Barker & Godwin unknown
Bookseller reference : 409672
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[AUTOGRAPHS & MANUSCRIPTS] [RADICAL AUTHORS] EASTMAN, Max
Typed Letter signed. 1pp to "Mr. Simon" dated November 15 1941
Croton-on-Hudson 1941. Brief 1-pp TLS on Eastman's personal Croton-On-Hudson letterhead addressed to a "Mr. Simon" dated November 14 1941. Single holograph correction in Eastman's hand. Mailing folds; slightly toned at margins; Very Good. Regarding the recipient's letter to the Reader's Digest of September 24 Eastman had been hired as an editor for the conservative publication earlier in the same year. The subject appears to be the institution of the death penalty in the Soviet Union: ".Nobody questions the fact that the death penalty was decreed for theft of 'socialist property' and the extension of all penalties to children twelve years old automatically extends that one. I am sorry to say I can not tell you offhand when the previous decree was issued but I think it was the Spring of 1934. unknown
Bookseller reference : 28255
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[AUTOGRAPHS & MANUSCRIPTS] [RADICAL AUTHORS] EASTMAN, Max
Typed Note signed. 1pp to "Miss Mendham" dated March 30 1938
Croton-on-Hudson 1941. Brief 1-pp TNS on Eastman's personal Croton-On-Hudson notepaper addressed to a "Miss Mendham" dated March 30 1938. Old folds; holograph additions in Eastman's hand; Very Good. "I shall be delighted to have you use some of my poems in your Verse Speaking Festival.perhaps the poem called "Battle Fields" in my volume "Kinds of Love" would be appropriate." Adds three further suggestions in holograph beneath signature: "The Sing Sing Alarm" "Isadora Duncan" "To Live in Summer" unknown
Bookseller reference : 28256
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[AUTOGRAPHS & MANUSCRIPTS] [RADICAL AUTHORS] EASTMAN, Max
Typed Note signed to "Joesphine" Herbst dated November 25 1945
New York 1945. Brief TNS on Eastman's personal W. 13th St. letterhead addressed to "Josephine" dated November 25 1945. Old folds else Fine with bright clear autograph: "Dear Josephine: Thanks so much for the news -- sad as it all was -- in your letter. It was nice to hear from you. I hope the autobiography may live up to your expectations." The recipient is likely the American proletarian novelist and essayist Josephine Herbst 1892-1969; the "sad news" to which Eastman refers may well have been Herbst's ongoing battles with her former husband and fellow novelist John Herrmann. unknown
Bookseller reference : 28254
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[Autograph album].
Autograph album of Alice Wagner (1914-1982). Vienna, 1925-1934.
4to (196 x 244 mm). 40 ff. (some blank) containing ca. 90 entries by writers, musicians, and actors, as well as by family members, teachers, and classmates. Original navy leather with gilt cover borders. All edges gilt. A fine document of a young autograph collector's passion for the world of the stage, and of the Viennese "World of Yesterday" described by Stefan Zweig, remarkable for its surprising number of eminent contributors. - Alice Wagner, born in Zadar, Croatia (then under Austrian rule) eight days before the assassination of Archduke Franz Ferdinand in Sarajevo, was the daughter of the mechanical engineer Rudolf Wagner and his wife Anna; she spent her childhood in Vienna's middle-class 9th district. The earliest contributors to her album - apparently a gift for her 11th birthday - are her teachers, school friends, and relatives, and after gathering a dozen of such entries between 1925 and 1929, her interest in her collection appears to have waned. Yet after a hiatus of a year, now aged nearly seventeen, Alice finds a new use for the navy-blue volume: clearly a devotee of the theatre and opera, she turns to pursuing the signatures of the great performers and writers of the stage. In 1931 she obtains the signatures of singers Käthe Dorsch and Hans-Heinz Bollmann, as well as of playwrights Anton Wildgans and of Christa Winsloe, who recommends to her young admirer the movie version of her play, "Mädchen in Uniform" (ignoring the age restriction passed on the then-notorious film). - In the year 1932 alone Alice gathers no fewer than 37 dated contributions, which include internationally prominent writers such as Thomas Mann, Ernst Toller, Erich Kästner, and Jakob Wassermann, but also Viennese celebrities such as Stefan Zweig, Felix Braun, Felix Salten, Richard Beer-Hofmann, Max Mell, Franz Theodor Csokor, Ernst Lothar, Franz Lehár, Robert Stolz, Hans Moser, Otto Tressler, and even the physician Julius Wagner-Jauregg. The most peculiar entry is that by the satirist Alexander Roda Roda, who - long a happily married man, first by common-law and then legally - signs himself as the 18-year-old Alice's "fiancé" on August 4th, at 7:27 p.m. precisely. Underneath this tongue-in-cheek inscription the cabaret artist Fritz Grünbaum adds his own name on 28 April 1933, whimsically appointing himself "best man"; and underneath his entry, the actor Paul Morgan adds his own name on 10 October 1933. Further contributors of the years 1933/34 include Max Brod, Arnold Zweig, Attila Hörbiger, Tilla Durieux, Oskar Maria Graf, and Paula Wessely; undated entries include Ernst Deutsch and Max Pallenberg, Bruno Walter, Karl Schönherr, and Ferdinand Bruckner. - Contributions dry up after 1934, possibly reflecting as much the now 21-year-old Alice's changing interests as the increasing political constraints on Viennese culture, first under Austro-fascism and then following the National Socialist "Anschluss". On 9 March 1939 the Wagners, who were Jewish, were evicted from their home in the well-to-do Ayrenhoffgasse and were forced to move into a "Jew house" in the third district, where Jewish tenants were concentrated before deportation. At their address at Untere Weißgerberstrasse 5, apartment 7, the Austrian Holocaust victims' database records six known victims aged between 7 and 71 years, all deported to Minsk in November 1941 and to Auschwitz in November 1942. Alice Wagner escaped the fate of her housemates (which was also that of several of the contributors to her album, such as her "best men" Fritz Grünbaum and Paul Morgan): in July 1941 she married a 40-year-old Romanian, left Vienna, and in March 1942 gave birth to a daughter. It is not known how the family survived the remaining war years, but they returned to Vienna in early 1947 and moved into a house in Berggasse, not far from Sigmund Freud's old office. Her parents, too, survived the Holocaust. Her album gives poignant evidence of the last flaring up of the old Viennese and German cultural scene before its collapse. - A detailed list of contributors is available upon request.
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[Autographen - Geibel, Carl u. Carl Herz von Hertenreid]. - Boerner, C. G
Autographensammlungen Dr. Carl Geibel, Leipzig [und] Carl Herz v. Hertenried, Wien. 2 Teile in einem Band.
Leipzig, C. G. Boerner, 1911. 4°. Mit 2 mont. farb. Titelbildern. 1 Bl., 216 S.; 1 Bl., 226 S., Lwd. d. Zt. m. goldgepr. Rückentitel.
Bookseller reference : 48174
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[Autographen-Verzeichnis].
Hs. Verzeichnis einer Autographensammlung. O. O., 1847 ff.
39 SS. Eintragungen auf 32 Bll. Kl.-4to. Die am 12. Oktober 1847 begonnene Sammlung (so auf der Titelrückseite vermerkt) umfaßt rund 230 Namen von Louis Agassiz bis Philipp Christoph Zeller; daneben finden sich in ihr Autographen von Bernhard Bolzano, Kaiser Ferdinand II., dem Fabrikanten und Autographensammler Eduard Fischer von Röslerstamm, Ludwig August Frankl, Alexander von Humboldt, Joseph von Hammer-Purgstall, C. G. D. Nees von Esenbeck, Betty Paoli, Kaiser Rudolph II und Heinrich Zschokke. - Etwas angestaubt, gebräunt und fleckig.
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[Autographenalbum].
Autographen- und Autogrammalbum der Mimerl Gamsjäger mit einliegenden Portraitkarten. Wien, Köln, Den Haag u. a. O., 1909-1928.
110 SS. mit 15 Einträgen sowie 8 Portraitpostkarten und Portraitphotographien. Dunkelblauer Samteinband mit Metallschließe. (Qu.-)8vo. Mit Einträgen bzw. Portraitpostkarten von Schriftstellern (2 von Max Brod, Georg Strnadt), Komponisten (Wilhelm Kienzl), Opernsängern (Mattia Battistini, Alfred Jerger, Josef Kalenberg, 2 von Jan Kiepura, Richard Tauber) und Schauspielern (Leopold Straßmayer). Max Brod notiert auf einer Portraitpostkarte: "Hier haben Sie mich in meiner ganzen Schönheit - mehr hab ich nicht. Herzliche Grüße [...]" (20. II. 1919). Von Jan Kiepura: "Zur freundlichen Erinnerung an Turandot [...]" (31. X. 1926). Der Komponist Wilhelm Kienzl verewigt sich mit dem Wort "Sanctissimum [...]" (11. II. 1925). - DasVorsatzblatt mit Besitzvermerk. Einige Blätter mit Einschnitten zur Montage von Postkarten und davon wenige mit Bildunterschriften der zugehörigen Oper. Einträge teilweise montiert, Bindung teilweise lose und vorderes Innengelenk gebrochen.
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[Autographenalbum].
Autographenalbum der Hedwig Beyer(-Hané) mit 91 größtenteils einmontierten Briefen, Karten und Albumblättern von u. a. Joseph Joachim, Johann Caspar Lavater, C. F. Meyer, Anton Rubinstein, Pablo de Sarasate, Richard Strauss und Cosima Wagner. Verschiedene Orte, ca. 1843 bis 1905.
63 Bll. (Bl. 54 entfernt). Lederband der Zeit mit goldgepr. Deckel- und Rückentitel ("Album" bzw. "H. Hané"). Kl.-4to. Das vorliegende Stammbuch versammelt über mehrere Jahrzehnte hinweg zahlreiche Autographen von mehrheitlich Instrumentalisten und Sängern, daneben finden sich aber auch einige Schriftsteller, Maler und gekrönte Häupter. Musikgeschichtlich interessant sind vor allem jene Beiträge, die von Auftritten stammen; so traten etwa Marthe Remmert und Marianne Brandt am 16. Oktober 1883 in St. Gallen auf und Helene Geisler und Teresina Tua am 6. August 1886 im Hotel Axelmannstein in Bad Reichenhall. - Die mehrfach in den Widmungen direkt angesprochene Hedwig Beyer(-Hané) dürfte die Halterin des Buches gewesen sein; fortgesetzt wurde die kleine Autographensammlung vermutlich von ihrem Sohn Hermann, der von 1908 bis 1910 den Berliner Philharmonikern als Solocellist angehört hatte. - Die Beiträger sind namentlich: Lawrence Alma-Tadema, Ludwig Barnay, Hugo Becker (2), Franz Behr, Bianca Bianchi, Fritz Blumer, Marianne Brandt (geb. Marie Bischoff), Jenny Broch, Luise Büchner, Hans von Bülow (2), Teresa Carreño (2), Ernesto Consolo, Bernhard Cossmann, Eugen d'Albert, Karl Dawidow, Maurice Dengremont, Paul Eckhoff, Flora Friedenthal, Anton Fuchs, Anna Führing (2), Helene Geisler, Dagobert von Gerhardt, Rudolf Gottschall, Gustav Graben-Hoffmann, Friedrich Haase, Friedrich Wilhelm IV., Therese Halir, Otto Henne am Rhyn, Ferdinand Hiller, Adolf Hinrichsen, Hans von Huber, Joseph Joachim (2), Robert Kaufmann, Max Klinger, Gustav Kogel, Georg Heinrich Krüger (Missionar in China), Johann Caspar Lavater, Adolph von Menzel, Johannes Messchaert, Emma Mettler, Conrad Ferdinand Meyer, Lina Morgenstern, Moritz Moszkowski, Julie Müller-Bächi, Jean Louis Nicodé, Franz Xaver Ondrícek, Rosa Paumgartner-Papier, Francis Planté, Oscar Pletsch, Laura Rappoldi-Kahrer, Carl Reinecke, Martha Remmert, Eleonore Fürstin Reuß, Emil Rittershaus, Bertrand Roth, Anton Rubinstein, Elsa Ruegger, Leopold von Sacher-Masoch, Moriz Saphir, Pablo de Sarasate, Emile Sauret, Johannes Scherr, Marie Schmidtlein, F. H. Schneider, Franz Xaver Schnyder von Wartensee (2), Paul von Schönthan, Franz Xaver Seidl, Marie Soldat, Karl Sondershausen, Josef Staudigl, Richard Strauss, Heinrich Szadrowsky, Friedrich von Tschudi, Teresina Tua, Carl Vogt, Cosima Wagner, Ernestine Wegner, August Wilhelmj, Julius Wolff, Heinrich Zschokke und Hermann Zschokke-Bodmer. - Neben Faksimiles von Adelbert von Chamisso, Friedrich von Schiller und Emil Sauer sowie vier nicht identifizierten Beiträgen finden sich auf zwei Postkarten auch ca. 25 Unterschriften von Mitgliedern der Meininger Hofkapelle, die von ihrem Abschiedscommers Wünsche sendet. - Von kleinen Gebrauchsspuren abgesehen sehr gut erhalten.
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[Autographenalbum].
Autographenalbum mit Eintragungen von Wiener Musikern, Schriftstellern und Gelehrten. Wien, ca. 1930 bis 1935.
17 Bll. mit 14 Unterschriften, überwiegend auf montierten Karten mit Portraitphotographien aus Zeitschriften, einige mit eigenh. Notenzeilen. Marmorierter Pappband der Zeit mit Kordelbindung. 4to (220:180 mm). Schöne Sammlung von Autographen der folgenden Persönlichkeiten: Konstantin Danhelovsky, Theaterforscher und Kunstsammler (1857-1939); Franz Ippisch, Cellist und Komponist (1883-1958); Viktor Keldorfer, Chordirigent und Komponist (1873-1959); Karl Magnus Klier, Volksmusikforscher (1892-1966); Josef Leb, Beamter und Theologe (1874-1946); Franz Ledwinka, Komponist, Pianist und Musikpädagoge (1883-1972); Karl Lugmayer, Philosoph und Politiker (1892-1972); Carl Luze, Chordirigent (1864-1949); Josef Reiter, Komponist (1862-1939); Anselm Salzer, Literaturhistoriker (1856-1938); Ferdinand Scherber, Komponist und Schriftsteller (1874-1944); Heinrich Schoof, Komponist und Musikredakteur (1865-1939); Edmund Skurawy, Schriftsteller, Journalist und Volkssänger (1869-1933); und Max Springer, Organist, Komponist und Musikpädagoge (1877-1954). - Der Bezug mit kleinen Fehlstellen; papierbedingt etwas fleckig.
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[Avec la signature et un autographe de Mounier] MOUNIER (Jean-Joseph)
Adolphe, ou principes élémentaires de politique. et résultats de la plus cruelle des expériences
Londres, s. d. (1795) in-8, VIII-172 pp., demi-basane brune mouchetée, dos à nerfs orné (reliure moderne).
Bookseller reference : 241003
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[Aviron] DUHAMEL René et MONNEREAU Bernard
Photographie signée de chacun: "Duhamel - Monnereau, CNA Rouen - Champions du Monde - Lucerne 1962 -"
Photographie 11 x 13,5 cm - Duhamel et Monnereau obtinrent le premier titre mondial pour la France en deux de couple en 1962 -
Bookseller reference : GF21625
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[BARRAULT Jean-Louis et Madeleine RENAUD] BERTIN Pierre.
1) CARNET DE VOYAGE. Brésil, Uruguay, Argentine, Chili.- 2) AUX EMPIRES DU SOLEIL. Relation de la tournée Renaud-Barrault, accomplie d'avril à juillet 1956 : Mexique, Pérou, Equateur, Colombie, Venezuela, la Guadeloupe, la Martinique, Haïti. Deuxième carnet de voyage.
1) CARNET DE VOYAGE. Brésil, Uruguay, Argentine, Chili.- 2) AUX EMPIRES DU SOLEIL. Relation de la tournée Renaud-Barrault, accomplie d'avril à juillet 1956 : Mexique, Pérou, Équateur, Colombie, Venezuela, la Guadeloupe, la Martinique, Haïti. Deuxième carnet de voyage.
Bookseller reference : 8340
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[Battle of the Little Bighorn, Bataille de Little Bighorn, Felice Orsini, Attentat contre Napoléon III en 1858, Charles Camillo De Rudio], Recueil de 9 autographes des 4 protagonistes dont Charles DeRudio qui devint officier lors de la fameuse bataille de Little Bighorn le 25 juin 1860, y survécut et dont le témoignage fut publié dès le 30 juin 1860.
[Battle of the Little Bighorn, Bataille de Little Bighorn, Felice Orsini, Attentat contre Napoléon III en 1858, Charles Camillo De Rudio], Recueil de 9 autographes des 4 protagonistes dont Charles DeRudio qui devint officier lors de la fameuse bataille de Little Bighorn le 25 juin 1860, y survécut et dont le témoignage fut publié dès le 30 juin 1860.
[Battle of the Little Bighorn, Bataille de Little Bighorn, Felice Orsini, Attentat contre Napoléon III en 1858, Charles Camillo De Rudio], Recueil de 9 autographes des 4 protagonistes dont Charles DeRudio qui devint officier lors de la fameuse bataille de Little Bighorn le 25 juin 1860, y survécut et dont le témoignage fut publié dès le 30 juin 1860. Reliés dans un volume in-8 avec une brochure du docteur Rougean, L'Attentat d'Orsini - étude de psychi-pathologie historique (Paris, Le François, 1934). L'attentat eut lieu le 14 janvier 1858. Felice Orsini (1819-1858), G Pieri (1808-1858), Charles de Rudio (1832-1910) & Antoine (Antonio) Gomez (né en 1825). Les trois premiers furent condamnés à mort le 26 février 1858 et Gomez aux travaux forcés à perpétuité. La peine de Rudio fut commuée en travaux forcés elle-aussi et il s'évada peu après alors qu'Orsini et Pieri furent exécutés le 13 mars 1858. Si on perd la trace de Gomez (probablement mort au bagne), Rudio arriva à Londres puis émigra à New-York. Il s'engagea dans l'armée et fait partie des survivants de la fameuse bataille de Little Bighorn (25 juin 1860). Son témoignage a été publié dès le 30 juin dans New York Herald. On compte ainsi : -2 autographes d'Orsini : une feuille de comptes et une L.A.S. à « M. Leveille, directeur de la conciergerie », en réalité Jean-François Lebel, datée du 2 mars 1858. -3 autographes de Pieri : une L.A.S., probablement jamais arrivée, au procureur général pour solliciter un rendez-vous, datée du 22 février 1858, et 2 reçus A.S. datés des 12 et 13 février 1858. -2 autographes de Gomez : 2 reçus A.S. datés des 9 février et 1er mars 1858. -2 autographes de Rudio : 2 reçus A.S. datés des 12 et 13 février 1858. Reliure demi-chagrin. Exceptionnel ensemble, extraordinaire même par la réunion des 4 protagonistes de l'attentat et par la présence même d'autographe d'un des protagonistes de Little Bighorn, évènement d'une importance capitale dans l'histoire des USA.
Bookseller reference : 010941
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[Bartok] Werner Fuchss:
Béla Bartok en Suisse.
Lausanne, Payot, collection Les musiciens, 1976. In-8 broché, couverture à rabats. Nombreux documents et photographies en noir.
Bookseller reference : 5877
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[Baudelaire] François Porché:
La vie douloureuse de Charles Baudelaire.
Plon, coll. Le roman des grandes existences, 1929. In-12 broché de 304-[2] pages, couverture décorée en deux tons. Dos un peu gauchi, traces de plis au coin inférieur du premier plat.
Bookseller reference : 24900
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[BATAILLE (Georges)]. TRENTE (Louis)
Le Petit
Paris [Georges Hugnet] 1934 In-12 Broché
Bookseller reference : 013804
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[Baron François GERARD - Peintre] - Giovani ROSINI - [1776 - 1855] - Ecrivain et critique d'art italien, auteur d'une histoire de la peinture italienne
Lettre autographe signée à "Mr le Baron Gérard, al celebre Gérard" [Baron Gérard] - Pise le 8 aout 1817 -
1 page grand in8 - Adresse au dos - très bon état -
Bookseller reference : GF32602
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[Baron François GERARD - Peintre] - Giovani ROSINI - [1776 - 1855] - Ecrivain et critique d'art italien, auteur d'une histoire de la peinture italienne
Lettre autographe signée à "Mr le Baron Gérard, al celebre Gérard" [Baron Gérard] - Pise le 20 novembre 1830 -
1 page grand in8 - Adresse au dos - très bon état -
Bookseller reference : GF32603
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[Baron François GERARD - Peintre] - Giovani ROSINI - [1776 - 1855] - Ecrivain et critique d'art italien, auteur d'une histoire de la peinture italienne
Lettre autographe signée à "Mio Caro, amabile e incomparabile Gérard" [Baron Gérard] - Pise le 20 décembre 1813 -
3 pages grand in8 - Adresse au dos - petite déchirure sans gravité - bon état -
Bookseller reference : GF32618
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[Bakounine] - Boris SOUVARINE - [Boris Lifschitz dit] - [Kiev 1895 - Paris 1984] - Historien, journaliste et essayiste français
Lettre autographe signé "BS" à "cher ami" - Paris le 6 décembre 1973 -
4 pages in8 - bon état -
Bookseller reference : 34339
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[Balande] Tharaud (Jérôme et Jean) :
Maitresse (La) servante.
Paris, Lapina, 1924 ; 2 tomes in-4 (le second contient les suites), broché, couverture crème rempliée, chemise-étui bleu (moderne) ; 76 eaux-fortes de Gaston Balande dont 12 hors-texte.
Bookseller reference : 14699
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[Bach, Johann Sebastian]. - Doles, Johann Friedrich, composer and Cantor at St. Thomas (1715-1797).
"Johann Sebastian Bachs vierstimmige Choral-Gesänge gesammlet von Carl Philipp Emanuel Bach 1765." Contemporary manuscript copy of chorales by Bach and others. [Probably Leipzig, 1765-1775].
Oblong folio (340 x 202 mm). 272 written pages with a total of 252 numbered chorales (and 4 pages of empty pen-staves). Contemporary half calf over mottled boards with manuscript title label to upper cover. All edges sprinkled in red. Highly interesting collection of Bach chorales, very likely assembled from 1765 onwards at St. Thomas School, Leipzig under the direction of Johann Friedrich Doles, the student of and successor to Johann Sebastian Bach, who sought to make his master's works more widely known. According to an expert opinion included with the volume (ca. 1940), the late head of the Peters Music Library, Kurt Taut (1888-1939), had surmised that the book was "written in Doles's own hand". This assumption is sustained by the apparently autograph entry "di Doles" at the beginning of the Doles chorales which entirely resembles the writing of the remainder of the manuscript. - The volume comprises a total of 252 chorales in a clean, contemporary copy by a single hand, numbered in red ink and (by a later editor) in pencil. Numbers 1 through 200 broadly agree with the two-part printed edition of Bach's chorales issued by Carl Philipp Emanuel Bach (Berlin/Leipzig 1765 & 1769), while numbers 231-251 represent the melodies for Gellert's "Geistliche Oden und Lieder" which Doles published in 1758, but in a revised order. As far as they could be identified, the final piece as well as the thirty pieces between the (real or ascribed) Bach music and Doles's settings consist of works by various composers of the 16th through 18th centuries, including Doles. - Provenance: In 1882 the book was in the library of the Leipzig-based cultural anthropologist and Bach collector Albrecht Kurzwelly (1868-1917), as shown by his label on the pastedown and his ownership on the flyleaf. After his death, it passed into the possession of the Zwenkau music publisher and collector Walter Höckner (cf. his stamp and the end). - Extremeties slightly bumped; a few spine defects have been professionally repaired. Signed expertise (1878) by the Leipzig choirmaster and Bach scholar Wilhelm Rust (1822-92); another opinion (1918) by Rust's successor Bernhard Friedrich Richter (1850-1931) is pasted between the upper cover and the flyleaf.
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[Baillet de La Tour].
Pergamenturkunde für Jean Baptiste Baillet de la Tour. Metz, 9. VII. 1693.
3 SS. auf Doppelblatt. 4to. Etwas angestaubt und knittrig und mit kleinen Randläsuren.
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[Baking and Bread].
Fascicle of archival law documents from Santervás de Campos near Valladolid. Valladolid, 1505 and 1697.
Folio (218 x 306 mm). 13 pp. on 8 ff. 16th and 17th c. Spanish chancery (brown ink on paper). Sewn within contemp. wrapper with list of contents, numbered "No. 52". The first document (8 pp.) concerns a sales contract between the seller Doña María Cabeza de Vaca and the buyer Don Rodrigo de Verdesoto: on 13 March 1505, Doña María of Santervás de Campos (near Valladolid in Spain) sold Don Rodrigo ten medium-sized batches of bread for 60,000 Maravedís. Numerous ms. marginalia and notes of later centuries. - Attached to this is a document (3 ½ pp.), according to which descendants of the buyer, Alfonso and Francisco Verdesoto, tried to lodge claims in the same matter nearly two centuries later; these claims were rejected by the city council in 1697. - Slight tears and waterstains to corners In den Ecken geringfügig wasserrandig; altogether well-preserved.
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[Ballets Russes de Monte-Carlo].
11 autograph letters signed and 1 telegram. Paris, Le Mans, Barcelona, Vaison-la-Romaine, Kolbsheim, and no place, 1933-1934.
In French and Russian. Various formats. Altogether 14 pp. Together with an autograph letter by Jean Françaix's father Alfred, 1 typed draft for a letter to Aleksandr Shervashidze, the carbon copies of 11 typed letters and 1 telegram, and a copy of the first page of a contract between Leonide Messine and Wassily de Basil. Correspondence of five artists with Wassily de Basil, director of the famous ballet company and his office: André Derain (1 letter), Jean Françaix (2 letters), André Masson (1 letter), Nicolas Nabokoff (2 letters, one of which incomplete), and Pedro Pruna (5 letters). Carbon copies of answers and requests addressed to the artists complete the collection. - André Derain confirms the receipt of a cheque for his stage designs for the ballet "La Concurrence" (Competition) and photographs from the production as announced in an undated letter from the office (Paris, 26 July 1933). "La Concurrence" had successfully premiered on 12 April 1932. - In January 1933 Jean Françaix sold his ballet "Scuola di Ballo" with music based on themes by Luigi Boccherini to the company and later had a disagreement concerning an outstanding payment. A letter from the office was sent with the contract, asking for the signature of Jean’s father Alfred Françaix, as the young composer was not yet of age, prohibiting ballet productions with other companies until the premiere. Jean Françaix responded within a week: "You will find the contract signed by my father, as you requested, attached to this letter. Concerning the letter that you sent me, my father has reminded me that it is important to set the latest possible date for the premiere of our ballet in Paris. This date should be 1 July 1933. Before that date I naturally commit not to have another ballet performed. I would be willing to give you an option for the commission of a new ballet under the condition that I receive the binding commission no later than 1 January 1934 and that the terms of the new contract are established by mutual agreement [...]“ (Le Mans, 17 January 1933). Apparently, Françaix's offer led to the commission of the musical "Beach" mentioned in the telegram from 16 June 1933: "Urgent tell me date first performance Beach". The more successful premiere of "Scuola di Ballo" was on 9 June 1933 at the Théâtre du Châtelet. - In February 1933, André Masson received two letters from the office ahead of the premiere of "Les Présages" on 13 April 1933 at the Théâtre de Monte Carlo, concerning a meeting with Wassily de Basil and a stay in Monte Carlo for the execution of stage designs. "Les Présages" was a plotless ballet choreographed by Léonide Massine based on symphonic music from Tchaikovsky’s Symphony No. 5 with costumes and stage designs by Masson. On 10 June 1933 Masson sent a pneumatic post to de Basil, underlining the absolute necessity to repair a damaged frieze: "It is necessary to repair the second frieze that was damaged. I absolutely want to. Please give me notice so that I can go where it needs to be done. Yesterday’s soiree was completely to the honour of the Ballets de Monte-Carlo. Decidedly, it is what is really good that ultimately triumphs over snobism and free advertisement". This intervention probably occurred during the production of "Les Présages" in Paris. - Both letters from Nicolas Nabokov are in Russian. The complete letter from 20 March 1934 concerns his ballet "Union Pacific, composed for the Ballets Russes de Monte Carlo that premiered in Philadelphia and New York with resounding success. - The correspondence with the Spanish painter and Picasso student Pedro Pruna concerns stage and costume designs for the revival of "Les Matelots" (The Seamen) in Monte Carlo, which had originally premiered in Paris on 17 June 1925. In a letter to de Basil from 15 February 1933, Pruna accepts the commission: "I agree to redo the sets for the Ballet 'the Matelots' under the conditions indicated in your kind letter from the 12th February inst. In three days I will have the documents that will serve me for this reconstruction, and I will start immediately. Please be so kind and tell me until when you will be in Paris, as well as the dimensions in which I need to do the designs. Is it 12 by 18 meters? I forget [...]". Pruna's set designs were to be complemented by decorations by the scenographer and painter Prince Aleksandr Shervashidze. In a letter from 27 March 1933 an impatient Wassily de Basil asked Pruna for two additional costume designs for the premiere on 11 April. In later letters Pruna asks for the final payment and confirms sending his sets to Shervashdize after the production, as the company needed them for an exhibition in New York: "I have asked you several times please to return to us Pruna's designs in your possession. Mr Pruna himself confirmed to us by letter and verbally that these designs will be sent us by you. As we cannot wait any longer, being obliged to send them to New York for the exhibition, I ask you to have them sent to me as soon as you receive this letter [...]. Do you have the model for your design for Swan Lake? If you want it to be shown in New York, please provide us also with the same [...]" (draft for a letter to Shervashdize). - All but one of the letters and all carbon copies with filing holes occasionally touching the text. Some rust stains and small holes from paper-clips and staples. Minor browning and tears to some of the letters; carbon copies with creases, tears and brownstains but no loss to text.
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[Balloon mail].
Autograph letter signed ("Marguerite") by a Paris citizen to her mother, now fled to Saint-Marcellin. Paris, 29 Nov. [1870].
Large 8vo. 3 pp. Fine wove paper. With stamped address and note, "par ballon monté". Postmarked Paris 29 November (departure), Saint-Marcellin 5 December (arrival). Balloons provided the first airmail service in history, starting with Blanchard's 1785 flight across the Channel. Decades later, balloons were used to transport mail from Paris during the Franco-Prussian War of 1870-72. Sixty-five unguided mail balloons were released in besieged Paris to communicate with the world beyond the besieging forces, of which only two went missing. The term "ballon monté" means the balloon was manned (while unmanned balloons were referred to as "ballon non-monté"). - The present letter provides a vivid account of the situation in the starving city after ten weeks of siege: "[...] nous touchons je crois à une crise décisive, est-ce la victoire? est-ce la défaite [...] ce qui est certain c'est que notre sort se joue en ce momen. toute la nuit le canon a grondé depuis 5 h. c'était un tonnerre et du haut de la maison les éclairs des obus sillonaient le Ciel, c'est un spectacle terrible. c'était une sortie du Géneral Ducro; à midi on n'entendait plus rien, on dit que nous sommes victorieux c'est à dire que nous avons repris Choisy-le-Roi. est-ce vrai, il faut attendre les proclamations de ce soir, un premier succès aurait pour nous une bien grande importance. On dit, mais on dit tant de choses, qu'on a entendu en étant aux avants-postes - le bruit du canon loin loin du côté d'Etampes, les armées de secours approcheraient - elles donc? enfin tout prend fin sur terre, esperons que le malheur est pour nous à son terme et que bientôt, étant débloqués, nous pourrons nous rejoindre [...] J'ai été tentée tout à l'heure de faire l'emplette d'un bifsteck d'ours [...] je regrette aussi d'avoir manqué le kangourou [...] la conversation culinaire est la seule à la mode en ce moment [...] J'espère que l'univers aura horreur de la guerre. Vous au moins êtes loin de tout [...] mais les traces que vous en retrouverez vous suffiront - tout, autour de nous, detruit, brûlé [...]." - Traces of folds; insignificant damage from opening, otherwise fine.
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[Barbarigo, Agostino, Doge von Venedig (um 1420-1501)].
Urkunde. Venedig, 1488.
1 S. Qu.-4to. Auf Pergament.
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[Bartlett, Hall, Inscription] Lewis, Oscar
The Children of Sanchez The Autobiography of a Mexican Family
New York: Modern Library. Very Good with no dust jacket. 1969. First Thus. Hardcover. First Modern Library Edition September 1969 stated. SIGNED full page inscription on front end page by film maker Hall Bartlett and dated February 25th 1972. Inscription states "Dear Diane and Mike. This is my next film the one with Tony Quinn" that it took three years of fighting to get the movie rights and asking Diane and Mike for collaboration on the film. The film was released in 1978 staring Anthony Quinn and titled the same as the book. The movie was nominated for both a Golden Globe and at the Moscow International Film Festival in 1979 IMDB and Golden Globes. The late Hall Bartlett 1912-1993 started his film production company in 1952 and made other movies with actors Bob Hope The Paleface - 1948 Robert Stack Joan Crawford The Caretakers - 1963 and Sidney Poitier All the Young Men -1960. Oscar Lewis 1914-1970 was an American anthropologist who studied "the culture of poverty" who was professor of anthropology at Washington University in St. Louis 1946-48 later at the University Of Illinois. Lewis also worked for Human Relations Area Files Interamerican Indian Institute and the U. S. Department of Agriculture Columbia Encyclopedia. The book was once banned in Mexico for political reasons. Very light top spine end and cover corner bumping. Very slight smudge mark front page ends. Clean and unmarked text. Very small sticker remnant on front edge of front paste-down. No DJ. ; 8vo 8" - 9" tall; 499 pages; Signed by Notable Personage Unrelated . Modern Library hardcover
Bookseller reference : 4998
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[Bauer, Leopold, Architekt (1872-1938)].
Ausführung der Zwischendecken mit 60 cm Konstruktionshöhe. Plan No. 1, Variante 1. Wien, 2. VII. 1929.
Handkolorierte Lichtpause. 1 Bl. Qu.-Folio (498 x 320 mm). Plan zur Neuerrichtung des Warenhauses Gerngroß in der Wiener Mariahilferstraße. - Vereinzelte kl. Rostfleckchen; mit Stempelung und Unterschrift des Baudirektors der Wiener Baugesellschaft.
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[Bauhaus].
Collective letter with the signatures of 68 teachers and students of the Bauhaus in Weimar. [Weimar, 1923].
Large folio (ca. 46,3 x 20,4 cm). Blue ink (text) and pencil (signatures) on paper. 4 pp. To the ballet dancers and choreographers Albert Burger and Elsa Hötzel in Stuttgart, who had, together with Oskar Schlemmer, conceived the famous "Triadisches Ballett" (Triadic Ballet), cordially inviting them to perform the piece on the occasion of the 1923 Bauhaus Week in Weimar: "Wir Bauhäusler möchten Sie so von ganzem Herzen bitten kommen Sie doch mit Ihrem Ballett zur Bauhauswoche hierher. Sie wissen garnicht, was für eine grosse Freude Sie uns allen damit bereiten würden auch sind wir überzeugt, das Ihr Auftreten in diesen Tagen sehr viel zum Gelingen der Festwoche verhelfen könnte". - The charming letter is signed by no fewer than 68 "Bauhäuslers", including some of the art school's most prominent members: among the teachers who signed the letter are, in order of appearance, Gunta Stölzl, Paul Klee, Wassily Kandinsky, Georg Muche, Lothar Schreyer, and Josef Hartwig. The students include Kurt Schmidt, Dörte Helm, Ida Kerkovius, Erich Consemüller, Marcel Breuer, Andreas Feininger, Felix Klee, Lily Klee, Kurt Schwerdtfeger, and Farkas Molnár. Both Paul Klee and Wassily added brief notes for the recipients. Klee wrote: "Nachdem ich soviel Schönes über Ihre Leistung gehört habe, würde ich mich sehr freuen, wenn Weimar zum Genuss Ihrer Kunst käme". - Burger and Hötzel followed the invitation of the Bauhaus and enjoyed a successful performance of their ballet on 16 August 1923 in the theatre in Weimar. - Stamped with the "Sternenmännchen" logo of the Bauhaus, designed by Karl Peter Röhl. Traces of folds. Formerly separated into two parts, affecting two of the signatures, but professionally repaired. Some yellowing and very minor stains. Contemporary punched holes.
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[Bayreuther Festspiele].
Erinnerungsalbum eines Opernliebhabers mit Einträgen von Roald Amundsen, Enrico Caruso, Eleonora Duse, Mischa Elman, Wilhelm Furtwängler, Gerhart Hauptmann, Herbert von Karajan ,Fritz Kreisler, Jan Kubelik, Lilli Lehmann, Arthur Nikisch, Max Reger, Richard Strauss, Erika Wedekind und Felix Weingartner. Wiesbaden und Bayreuth, überwiegend 1908 bis 1912, einige 1932 bis 1978.
Mit 1 Feder- und 1 Bleistiftzeichnung. 94 Bll. mit ca. 130 Eintragungen. Grüner feingenarbter Lederband der Zeit mit etwas Jugendstil-Goldprägung und Goldschnitt. 8vo. Bemerkenswertes und ungemein reichhaltiges Autographenalbum eines Opernliebhabers mit Einträgen von zahlreichen Größen der Opern-, Musik- und Theaterwelt aus dem Umfeld der Wiesbadener Oper und der Bayreuther Festspiele. Darunter: Aino Ackté (Sopranistin, 1876-1944; 32), Bela Alten (Sopranistin, 1877-1962; 55), Roald Amundsen (Polarforscher, 1872-1928; 93), Friedrich Simon Archenhold (Naturwissenschaftler und Astronom, 1861-1939; 6), Hermann Bahr (Schriftsteller, 1863-1934; 44) und Anna Bahr-Mildenburg (Sopranistin, 1872-1947; 44), Michael Balling (Bratschist und Dirigent, 1866-1925; 43), Felix Berber (Violinist, 1871-1930; 64), Carl Braun (Tenor, 1885-1960; 31, mit Notenzeile), Gustav Brecher (Dirigent und Komponist, 1879-1940; 8, mit Notenzeile), Carel Burrian (Tenor, 1870-1924; 65), Fritz Busch (Dirigent, 1890-1951; 80, mit Notenzeile) Mme Charles Cahier (Altistin, 1870-1951; 68), Teresa Carreño (Pianistin, 1853-1917; 84)., Enrico Caruso (Tenor, 1873-1921; 20, mit eh. Selbstportrait in Feder), Houston Stewart Chamberlain (Schriftsteller, 1855-1927; 42), Susanne Dessoir (Sopranistin, 1869-1953; 81) Ilona Durigo (Altistin, 1881-1943), Eleonora Duse (24), Mischa Elman (Violinvirtuose, 1891-1967; 83), Otto Ernst (Schriftsteller, 1862-1926; 26 und 83), Karl Ettlinger (Schriftsteller, 1882-1939; 83), John Forsell (Bariton, 1868-1941; 68) Max Friedlaender (Musikwissenschaftler, 1852-1934; 35), Vally (Valerie)Friedrich-Höttges (Sängerin, 1887-1958; 82) Wilhelm Furtwängler (90), Ludwig Ganghofer (73), Jeannette Grumbacher de Jong (Sopranistin, 1872-nach 1932; 86), Ellen Gulbranson (Sopranistin, 1863-1947; 29), Lilly Hafgren (Sopranistin, 1884-1965; 46), Karl Halir (Violinist und Konzertmeister, 1859-1909; 21), Gerhart Hauptmann (60), Sven Hedin (56), Hugo Heermann (Violinist, 1844-1935; 78), Frieda Hempel (Sopranistin, 1884-1955; 27), Heinrich Hensel (Tenor, 1874-1935; 77) Gudrun Hildebrandt (Schauspielerin, D. n. b.; 11), Josef Kainz (Schauspieler, 1858-1910; 61), Herbert von Karajan (Eintrag von 1972; 57), Tilly Koenen (Mezzosopranistin, 1873-1941; 79), Thomas Koschat (Komponist, 1845-1914; 38, mit Notenzeile), Felix von Kraus (Bassist, 1870-1937; 51 und 82), Fritz Kreisler (71), Jan Kubelik (Violinvirtuose und Komponist, 1880-1940; 70) Léon Laffitte (Tenor, 1875-1938; 81), Arno Landmann (Orgelvirtuose und Komponist, 1887-1966; 83), Martha Leffler-Burckhard (Sopranistin, 1865-1954; 71), Lilli Lehmann (Sopranistin, 1848-1929; 34), Paul Lincke (Operettenkomponist, Kapellmeister, 1866-1946; 12, mit kl. Notenbeispiel "Luna-Walzer"), Flore Luithlen-Kalbeck (Sopranistin, gest. 1948; 86), Ottilie Metzger-Lattermann (Altistin, 1878-1943; 3), Alexander Moissi (Schauspieler, 1879-1935; 85), Karl Muck (Dirigent, 1859-1940; 30, mit Notenzeile), Elly Ney (22, mit Notenzeile), Arthur Nikisch (Dirigent, 1855-1922; 58), Siegfried Ochs (Dirigent und Komponist, 1858-1929; 35), Elisabeth Ohlhoff (Sopranistin, 1884-1954; 82), Fritz von Ostini (Schriftsteller; 1861-1927; 72), Carl Julius Pappenheim (Zeitungsverleger, 1850-1927; 18), Ernst von Possart (Schauspieler und Bühnenleiter, 184-1921; 7 und 64), Margarete Preuße-Matzenauer (Kammersängerin, geb. 1881; 1), Paul Prill (Kapellmeister, 1860-1930; 78), Max Reger (82), Wolfgang Reimann (Organist und Chorleiter, 1887-1971; 51, mit Notenzeile), Anton van Rooy (Baß-Bariton, 1870-1932; 63), Moritz Rosenthal (Pianist, 1862-1946; 69) Kurt Rotter (Musikschriftsteller und Volksliedsammler, 1881-1945; 43), Marcell Salzer (Rezitator und Schauspieler, 1873-1930; 62), Adele Sandrock (59), Vasily Safonov (Pianist und Dirigent, 1852-1918; 69), Max von Schillings (Komponist, 1868-1933; 64, mit Notenzitat) Paul Schmedes (Tenor, 1860-1930; 74), Rolf Schroeder (Pianist und Konzertbegleiter, geb. 1898; 89, mit ganzseitiger Handzeichnung), Elisabeth Schwarzkopf (Sopranistin, 1915-2006; 91), Marcella Sembrich (Koloratursopranistin, 1858-1935; 72), Alfred Sittard (Organist, Komponist, Michelkantor, 1878-1942; 73), Leo Slezak (Tenor, 1873-1946; 61), Walter Soomer (Baß-Baritonist, 1878-1955; 93), Agnes Sorma (Schauspielerin, 1862-1927; 33), Frieda Stahl-Spiess (Pianistin, D. n. e.; 72 und 92) Bernhard Stavenhagen (Pianist, 1862-1914; 49), Fritz Steinbach (Kapellmeister und Komponist, 1855-1916; 87, mit Notenzeile), Richard und Pauline Strauss (21) Joseph Szigeti (Violionist, 1892-1973, 76, mit Notenbeispiel), Henry Thode (Kunsthistoriker, 1857-1920; 40), Siegfried Wagner (Sohn von Richard W., Dirigent und Festspieldirektor in Bayreuth, 1869-1930; 42), Harry Walden (Schauspieler, 1875-1921; 25) Wolfram Waldschmidt (Musikschriftsteller, 1874-1935; 81), Edyth Walker (Sängerin, 1867-1950; 9, mit Notenzeile), Erika Wedekind (Sopranistin, Schwester von Frank W., 1868-1944; 10), Felix Weingartner (Dirigent, Komponist, 1863-1942; 69), Clarence Whitehill (Baß-Bariton, 1871-1932; 37), Ernst Frh. von Wolzogen (Schriftsteller, 1855-1934; 28) und Konrad von Zawilowski (Baritonist, 1880-1952; 82). - Einband etwas berieben, Ecken und Kapitale etwas beschabt.
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[Bayreuther Festspiele]. Feustel, Friedrich, Bankier und Förderer der Bayreuther Festspiele (1824-1891).
Eigenh. Brief mit U. Bayreuth, 20. XI. 1875.
1 S. auf Doppelblatt. 4to. An den Möbelfabrikaten J. A. Eysser über eine offene Rechnung Richard Wagners: "Im Auftrage und für Rechnung des Herrn Richard Wagner hier übermache ich Ihnen anbei: fl 292.47 baar / fl 10.000,- in 4 Accepten des Herrn R. Wager zuzügl. 5% Zins [...] Die Wechsel sind auf Termine basiert, an denen Herr Wagner sichere Einnahmen zu gewärtigen hat, die eventuell auch nach seinem Tode anfallen würden [...]". - Mit kleinen Randläsuren. Beiliegend 2 Photoreproduktionen und ms. Transkription mit einer Bleistiftkorrektur der Unterschrift. In der Transkription irrig 1873 datiert.
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[BETTENCOURT Pierre]. - ETELAN (Maurice d').
La Bête à bon dieu. Dialogues à bâtons rompus sur le luxe et l'homme.
Normandie (St Maurice d'Etelan), L'Auteur, 1944. In-8, couverture gauffrée illustrée d'un damier bleu et blanc et d'une coccinelle en relief.
Bookseller reference : 28457
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[BEAUDOUIN] Waldemar George. Ambroise Vollard, Claude Aveline, Stein, Jacques Jaujard, Maurice Druon, Curzio Malaparte, Jean Cocteau, Jean Tardieu, André Cornu, Lise Deharme, Albert Sarrau, René Barotte, Clérini, Pierre du Colombier, Ménie Grégoire, Claude Faÿe, Robet Rey, Guillaume Balz, M. Seurière, Daniel Badani, A. de Saussure, G.A. Masson, Yvonne Brunhammer, Damase, J.G. Gros, M.T. Maugis, Guillaume Gillet, Pierre Imbourg, Jeanne Ramel-Cals, G.CH Recio, Claudin Chonez.
LES MARMORÉES DE JOSEPHINE BEAUDOUIN.
Paris, F. de Nobele, 1965. In-8 à l'italienne, reliure toilée, reproductions, jaquette.
Bookseller reference : 7732
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[BEAUMONT (M.-A. Bonnin de la Bonninière, comte de)]
P.S. du Conseil de révision de la Division Lombarde.
Milan, 12 floreal an 6, 1798 in-folio, 4 pp. double feuillets, en-tête du Conseil de révision, "Division Française de la ci-devant Lombardie", gravure.
Bookseller reference : 162148
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[Beck-Rzikowsky, Friedrich Gf. von, Militär (1830-1920)]. - Anna Beck.
Eigenh. Brief mit U. Wien, 19. IV. 1894.
2½ SS. auf Doppelblatt. 8vo. An die Frau von Alfred Rt. von Lindheim (1836-1913) in Vertretung ihres nach Bosnien verreisten Gatten: "H[au]pt[mann] Kraus [?] war der Erste in seinem Jahrgange in der Kriegsschule u. hat sich immer im Generalstabs Dienste vorzüglich verwenden lassen [...]“. - Friedrich Gf. von Beck-Rzikowsky, verdienstvoll in den Feldzügen in Ungarn und Italien 1848/49, gehörte als Mitglied der Generaladjutantur seit 1863 der unmittelbaren Umgebung des Kaisers Franz Joseph an. 1867 zum Vorstand der kaiserlichen Militärkanzlei ernannt, sicherte ihm das Amt maßgeblichen Einfluß auf die Personalpolitik der Armee. 1870 setzte er sich für die Neutralität im Deutsch-Französischen Krieg ein und wurde 1875 Generaladjutant des Kaisers, 1881 auch Chef des Generalstabs. Auf Drängen Franz Ferdinands übergab er 1906 sein Amt an Conrad von Hötzendorf.
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[BECKETT S]. - CROUSSY Guy.
Beckett.
Paris, Hachette, 1971. In-8, broché. Envoi autographe de l'auteur.
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[Beecke, Notger Ignaz Franz von, Komponist (1733-1803)].
Vollmacht. Wallerstein, 12. VII. 1805.
2 SS. auf Doppelblatt. Folio (ca. 205:330 mm). Über die Erbschaft des kinderlos verstorbenen Ignaz Beecke, die ordnungsgemäß zu akquirieren und zu verteilen seine Erben den Ratsherrn Guillaume de Saint George bevollmächtigen: "Nous les Présidents, Conseillers intimes, Directeur, Conseillers auliques et Assesseurs de la Régence de Son Altesse Serenissime Madame la Princesse douairière et Tutrice d'Oetting et de Wallerstein, Baldern et Soetern, née Duchesse de Wirtemberg et Teck [d.i. Wilhelmine Friederike von Oettingen-Wallerstein, 1764-1817] Certifions par les présentes, que de feu le major Ignace Becké, décédé ici à Wallerstein le 2. Janvier de l'an 1803 sans laisser ni Veuve ni enfans, ni disposition, sa Succession a été devolue et effectivement rendue à ses plus proches parens collatereaux [...] Aux noms desquels [...] nous donnons plein pouvoir au Sieur Guilleaume de Saint George, Conseiller d'ici, pour soigner la rentrée des fonds qui leurs sont dûs de la Succession de feu le Major Ignace Becké, faire recouvrement et toutes poursuites contraintes et diligences à ce réquis et nécessaire [...]". - Mit rotem Lacksiegel sowie den Unterschriften der Beamten Straubenmiller und von Ellenrieder. Kleine Papierdurchbrüche und Randläsuren.
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