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[La Bigorre] - Paul GUTH - [Ossun 1910 - Ville-d'Avray 1997] - Ecrivain français
Manuscrit Autographe Signé (en tête) intitulé : "La Bigorre" -
4 pages in4 - râtures et corrections - trés bon état -
书商的参考编号 : 33450
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[LA MARTELIERE PAROISSE DU LOROUX-BOTTEREAU]
ACTE NOTARIE SUR PARCHEMIN : VENTE DE BIEN A ROUXEAU A LA MARTELIERE PAROISSE DU LOROUX-BOTTEREAU - 1548 -
LE LOROUX-BOTTEREAU 1548 Un acte notarié : sur parchemin, format : 30,5 x 23,5 cm de 1 feuillet (2 pages), manuscrit à l'encre brune , daté de 1548 avec une très belle lettrine calligraphiée, des signatures calligraphiées et un cachet rouge aux armes, texte en latin, fait au LOROUX-BOTTEREAU - Loire-Atlantique - signatures illisibles...
书商的参考编号 : 16543
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[La Republique de 1879].
La Republique de 1879. [France, c. 1880].
Oblong 4to. French ms. on paper. 46 pen-and-ink drawings on plates (numbered 1-48; wants 2, 17, and 18); 2 mounted photo prints. Contemp. half calf with giltstamped cover title "Album". Interesting album containing political caricatures of a high quality, levelled at the state and society of the Third Republic under President Grévy (1879-87). During his term, France underwent strong social and political changes which are immediately reflected in the drawings. Obviously the work of a professional caricaturist, they were probably intended for publication in newspapers and magazines (or may even have been published). Some pictures poke fun at everyday events, others provide a comment on the developments of several months. - Several drawings tipped in; also includes two revised photographs of drawings (a third one is lacking).
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[LA ROCHELLE - NÉGRIERS] PIERRE ISAAC RASTEAU NÉGOCIANT - ALLARD-ÉLIE BELIN NÉGOCIANT-ARMATEUR, DIRECTEUR DE LA CHAMBRE DE COMMERCE ET MARGUERITE RASTEAU SON ÉPOUSE - JACQUES CARAYON AINÉ NÉGOCIANT-ARMATEUR, DIRECTEUR DE LA CHAMBRE DE COMMERCE ET MARIE ANNE RASTEAU SON ÉPOUSE - NICOLAS SUIDRE NÉGOCIANT, SYNDIC DE LA CHAMBRE DE COMMERCE ET MARIE RASTEAU SON ÉPOUSE - JEAN MANIÉ NÉGOCIANT DE LA ROCHELLE PUIS DE SAINT-DOMINGUE ET ESTER RASTEAU SON ÉPOUSE - BENJAMIN SEIGNETTE NÉGOCIANT-ARMATEUR DE LA ROCHELLE PUIS DE SAINT-DOMINGUE, SYNDIC DE LA CHAMBRE DE COMMERCE ET HENRIETTE RASTEAU SON ÉPOUSE DEMEURANT TOUS A LA ROCHELLE (ET TOUS NÉGRIERS)
RENONCIATION DE LA SUCCESSION DE JACQUES RASTEAU L'AINÉ PAR LA FAMILLE RASTEAU AU COMPLET AU PROFIT DES DIVERS CRÉANCIERS (DONT PIERRE MOUSNIER ET DAVID BION NEGOCIANTS PROTESTANTS A AMSTERDAM) DEVANT LE LIEUTENANT GÉNÉRAL DE LA SÉNÉCHAUSSÉE DE LA ROCHELLE, FAIT A LA ROCHELLE, LE 17 MAI 1769, COPIE DE LA RENONCIATION EXPEDIÉE EN JUILLET 1769,
Saint-André (des Eaux) 1730 une renonciation de succession, de 12 pages manuscrites à l'encre brune sur papier vergé ligné et filigrané, format : 33 cm de haut par 22 cm de large, 1 cachet fiscal en haut de 1ère page, en noir : "generalité de LA ROCHELLE" trois sols , RENONCIATION DE LA SUCCESSION DE JACQUES RASTEAU L'AINÉ PAR LA FAMILLE RASTEAU AU PROFIT DES DIVERS CRÉANCIERS DEVANT LE LIEUTENANT GÉNÉRAL DE LA SÉNÉCHAUSSÉE DE LA ROCHELLE, FAIT A LA ROCHELLE LE 17 MAI 1769, COPIE DE LA RENONCIATION EXPÉDIÉE EN JUILLET 1769,
书商的参考编号 : 28563
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[LAFFERIÈRE (Édouard)], GILL
LE SCIEUR LAFERIÈRE (du Rappel) PAR GILL, Journal L’Éclipse du 4 septembre 1869 (2e année, n° 85)
1869, (fané, marque du pli, froissé), couleurs encore vives, [ce journal provient de la bibliothèque personnelle de Bernard Pacteau].
书商的参考编号 : 4222
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[LALIGUE DU PARCHEMIN] - WILAMS (Tad) -
Le roi de l'orage.
Paris, Pocket, 1997 ; in-12, 478 pp., br. N°5651.
书商的参考编号 : 202000763
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[LAMANNA (Paolo) ?]
Introduzione allo studio della Psicologia. Laboratoria di Psicologia Sperimentale del R. Istituto di Studi Superiori pratici i di perfezionamente in Firenze. Anno scolastica 1919-1920
Florence : 1919-1920. COURS DU PREMIER LABORATOIRE DE PSYCHOLOGIE EXPÉRIMENTALE EN ITALIE
书商的参考编号 : 995
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[Lamartine] Dorchain (Auguste ; 1857-1930) :
Discours sur Lamartine prononcé à Bergues le 21 septembre 1913 au nom de la Société des Gens de Lettres.
Paris, Alphonse Lemerre (Chartres, imprimerie Ed. Garnier), 1913 ; in-12, maroquin grenat, dos à nerfs, titre et date en queue dorés, armes sur les plats, double filet doré sur les coupes, tête dorée, large dentelle d’intérieur, couverture jaune imprimée en rouge et noir conservée (Yseux sr de Simier Thierry) ; 14 pp., [1]f. imprimeur.
书商的参考编号 : 21711
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[LANUSSE (Anné Jean)].
UN MARIAGE.
Manuscrit sur vélin vers 1881 ; in-folio (53 x 41 cm). 2ff. papier et 1f. vélin blancs-189pp. (f. 173 en double), plein maroquin bordeaux, dos à nerfs orné, plats ornés aux angles de ferrures découpées de palmettes, gravées, et rehaussées de cabochons garnis de perles de verre ou d'émaux. Plaque centrale en métal découpée et gravée au centre du titre : "Un mariage". Coins légèrement choqués, légers frottements sur les plats, manques plusieurs perles colorées. Intérieur très frais.
书商的参考编号 : 9109
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[LARGELY UNPUBLISHED JAPANESE EDO MANUSCRIPTS RELATING TO THE OPENING OF JAPAN].
開国関係文書 Kaikoku kankei monjo Documents Relating to the Opening of Japan.
3 manuscript volumes neatly written in black and red ink. Original wrappers with later string ties. Wrappers damaged with a little loss in places. Some worming. Still overall very good. 19 x 13.5cm. These three volumes are a collection of manuscripts written in the late Edo period probably the 1860s. Most of the original documents on which the manuscripts were based were written shortly after the arrival of the American delegation led by Commodore Matthew Perry in July 8 1853 June 3 in Japanese calendar. These documents written in the face of this national crisis were mostly driven by the patriotic fervour of the authors. They show a variety of thoughts about the threat from the foreign powers. None of these were published at the time and only Watanabe Kazan’s Shinki-ron was published in modern times. <br> <br>Kazan wrote his treatise inspired not by the arrival of Perry but by the Edo government’s hostile treatment of the American merchant ship Morrison in 1837. <br> <br>Titles and short synopses of these works follow: <br> <br>Volume 1: Chiyoda mondō Questions and Answers in Chiyoda 千代田問答 1853; Momijiyama shinrei-ki紅葉山神靈記 Message from the Holy Spirit in Momijiyama <br> <br>The author of Chiyoda mondō is unknown. The word "Chiyoda" in Chiyoda mondō is the name of the area where the Edo Castle sat and refers to the god in the Tōshōgū Shrine in Momijiyama next to the western part of the Edo Castle. This document is difficult to read but it appears to explain how a group of mysterious people or possibly divine spirits tell stories related to Japan's national affairs in 1853 discussing the country's national defence against foreigners and the situation regarding Christianity. <br> <br>In Momijiyama shinrei-ki the anonymous author who was an attendant to the group of the high government officials visiting the Tōshōgū Shrine in Momijiyama fell asleep and in his dream a Holy Spirit appeared and told him the necessity of enhancing the coastal defence in the face of the American expansion. <br> <br>Volume 2: Daimyō shoka kengi 大名諸家建議 Proposals from War Lords and Various People <br> <br>This manuscript is a collection of proposals and opinions expressed by Daimyō war lords and the retainers of the Edo government on the subject of Japan's foreign policy after the arrival of the American delegation led by Commodore Perry which requested trade with Japan. The Daimyō discuss how to deal with the crisis in terms of such issues as trade and coastal defence. Some even proposed possible war with the American fleet. The daimyo some of whom were high-rank officials of the Edo government included Shimadu Nariakira島津斉彬 1809-58 Maeda Nariyasu 前田斉泰 1811-84 Matsudaira Shungaku 松平春嶽 1928-90 Tokugawa Yoshinobu 徳川慶喜 1837-1913 Ii Naosuke 井伊直弼 1815-60 Nabeshima Naomasa 鍋島直正 1815-71 and the retainers included Inoue Saburōemon 井上三郎右衛門 - and Katsu Rinsuke 勝麟助 1823-99. Katsu became a capable mediator when the Edo castle was surrendered peacefully to the new Meiji government in 1868. <br> <br>Volume 3: 海防備言 Kaibō bigen Words on Coastal Defence. Habu Kumagorō 土生熊五郎- Rifujutsui 嫠不恤緯 Widow Does Not Worry the Shortage of Weft the latter a Chinese expression referring to strong patriotism; Watanabe Kazan 渡辺崋山 1793-1841 Shinki-ron愼機論 Essay on Attention to an Opportunity 1838; Hakura Morochika羽倉用九 1790-1862 Gakaisho 畫灰書 Drawing in Ash and Gasuisho畫水書 Drawing in Water 1854; Fujimori Kōan 藤森弘庵 1799-1862 Kaibō biron 海防 備論Treatise on Coastal Defence 1853 <br> <br>Habu Kumagorō was a Confucian scholar in Wakayama. He proposed the developing the land of Ezo 蝦夷 Hokkaido. Rifujutsui discusses such topics as the advance of the Russians to Siberia and the necessity of developing Hokkaido as well as the art of war. <br> <br>Watanabe Kazan was a chief retainer of the Tahara Domain eastern part of present Aichi Prefecture Confucian scholar and also famous as a painter. Shinki-ron criticises the xenophobic foreign policy of the Edo government. <br> <br>Hakura Morochika was a Confucian scholar in Osaka. After the arrival of Perry he discussed the measures against foreign enemies. In Gakaisho a collection of historical essays Hakura objected to trade with America in the form of an answer to the sovereign message from America seeking trade with Japan. He also wrote an answer to the sovereign message from Russia but he was more sympathetic to the Russians because they sought trade through the official channel in Nagasaki while the American delegate in the military fleet came to Uraga in a threatening manner. In Gasuisho also Hakura mentions the harmful effects of Christianity. <br> <br>Fujimori Kōan was a Confucian scholar of the Ono Domain in present Ono City Hyogo Prefecture. In his later life he opened a private school in Edo and wrote the comprehensive treatise on Japanese coastal defence Kaibō biron after the arrival of Perry. . unknown
书商的参考编号 : 157339
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[Latreille (Pierre-André ; 1762-1833)]
Recueil de planches d’histoire naturelle, dont la description se trouve dans les dictionnaires ou autres ouvrages qui ont rapport à cette science ; précédé d’une classification méthodique, et suivi d’une Table alphabétique ; Exemplaire unique. Singes par Latreille (manuscrit).
Lyon, 1824 ; in-8, maroquin rouge à long grain, dos lisse à décor de grands losanges de filets pointillés, fleurons, semé de fleurettes, palette en queue, pièces vert-empire, large dentelle d’encadrement des plats, roulettes sur les coupes et d’intérieur, tranches dorées (reliure de l’époque) ; [2] ff. Faux-titre et titre sur papier vert clair, [8] ff. bl, LXXIX planches gravées, protégées par des serpentes, gravées par Voysard, Perée, Berthault, Bigant, Duhamel, Voyez, Jourdan, Miger, Mlle Levé, Cugnet, J. B. Racine, Hubert, Mme Vilain, Delignon, Philipau, d’après Barraband.
书商的参考编号 : 21251
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[LE MANS] LOUIS RICHEFEUX FILS MARCHAND DE BOIS AU MANS - ANTOINE CRUCY [CRUCY FRÈRES - COMMERCE DU BOIS - CONSTRUCTION NAVALE NANTES]
RELEVÉ DE 5 FACTURES DE SOLLIVEAUX ET PLANCONNAUX LIVRÉS SUR LE PORT D'AVOISE (SARTHE), SABLÉ (SARTHE), LA POINTE (POINTE SUR LE LOIR A CHAHAIGNES - SARTHE) ET BASSE-INDRE PAR MONSIEUR RICHEFEUX FILS MARCHAND DE BOIS DU MANS A MONSIEUR ANTOINE CRUCY (NANTES) ET CHARGÉE PAR MONSIEUR CHARLES - FLOTTEUR, FACTURE ACQUITÉE LE 9 DÉCEMBRE 1810
Le Mans 1810 1 document ORIGINAL de 4 pages manuscrites à l'encre brune, format : 24 x 19,5 cm (une grande feuille pliée en deux), sur papier velin crème, ligné et filigrané : JOHANNOT et "un Aigle couronné"dans un grand cercle et "Napoleon empereur, Roi des Français et Roi d'Italie" dans un autre grand cercle , RELEVÉ DE 5 FACTURES DE SOLLIVEAUX ET PLANCONNAUX LIVRÉS SUR LE PORT D'AVOISE (SARTHE), SABLÉ (SARTHE), LA POINTE (BOUCHEMAINE) ET BASSE-INDRE PAR MONSIEUR RICHEFEUX FILS MARCHAND DE BOIS DU MANS A MONSIEUR ANTOINE CRUCY (NANTES) ET CHARGÉE PAR MONSIEUR CHARLES - FLOTTEUR, FACTURE ACQUITÉE LE 9 DÉCEMBRE 1810, acquit avec signature manuscrite par LOUIS RICHEFEUX,
书商的参考编号 : 26290
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[LE QUIEN DE LA NEUFVILLE (Jacques)]
[Histoire générale de Portugal de 1521 à 1683]
S.l. (Lisbonne) : s. d. (entre 1713 et 1728). SUITE ET FIN INÉDITE DE LA PREMIÈRE HISTOIRE FRANÇAISE DU PORTUGAL
书商的参考编号 : 458
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[Le Rire], MALTESTE (Louis)
Caricature de L. Malteste reproduite dans le magasine Le Rire [Journal humoristique paraissant le samedi] avec la légende suivante : « – Réfléchissez, messieurs les jurés ! Quel besoin avions-nous de tuer cette femme ? Sa mort n’était-elle pas imminente ? Monsieur l’avocat général l’a reconnu lui-même : elle prenait tous les jours le tramways électrique !… », n° 317 (7e année), 1er décembre 1900
première page du Journal imprimée au dos, impression en couleur, (papier jauni, signature en marge de la légende coupée lors du massicotage du journal), bon état
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[LEE (Dr. John)]
Oriental Manuscripts Purchased in Turkey.
First edition, 4to, [2],22pp., loosely inserted on a scrap of paper is Dr. Lee's presentation inscription, Sir Thomas has added in ink at the head of the title page "Sir Thomas Phillipps 1831, presented to him by Dr. John Lee, Professor of Arabic at Cambridge", caption title, imprint and date taken from colophon, orig. paper wrappers, upper wrapper having the title added in manuscript by Sir Thomas. A catalogue of 116 Oriental manuscripts from the collection of John Lee of Hartwell House, 1783-1866. "The principal part of the books described in this catalogue was purchased at Aleppo and Damascus, in the years 1811 and 1812, many of them by the assistance and recommendation of the late Mr. J. L. Burckhardt. The rest was procured at Cairo or Constantinople."?Introduction.
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[LEE (Dr. John)]
Oriental Manuscripts Purchased in Turkey.
Second edition, 4to, 71[1, errata]pp., presentation inscription "Presented to Sir Thomas Phillipps, Bart. with Dr. Lee's respects, June 11, 1850", caption title, imprint and taken from colophon, Sir Thomas has added in pencil on inner front board "MSS Orientales of Dr Lee, 1850", orig. pink boards, faded, spine chipped. The catalogue has extended to 205 manuscripts for this second edition. "The collection has... enlarged by purchases in London, as will be seen from the references added at the foot of each title."?Introduction. Loosely inserted is a single sheet printed on one side only (265 x 215mm), n.p., c. 1850, lightly foxed, entitled "A Classified Table of the Contents of Dr. Lee's Catalogue of Oriental Manuscripts?", showing in graph form are the subjects of the manuscripts, each language, pages, etc.
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[LEONARD Nicolas Germain] HENRIOT Emile
Manuscrit autographe signé - "Leonard - Idylles et poèmes champétres - choisis et précédés d'une introduction par Emile Henriot" - 106 pages in8 -
Manuscrit autographe de son ouvrage paru chez Sansot en 1909 comprenant la page de titre - 22 pages de notice - 2 pages de bibliographie - 77 pages de poèmes choisis et 2 pages de tables des matières - On y joint des fragments d'épreuves corrigées, de nombreuses notes diverses et 2 lettres autographes signées de l'éditeur E. Sansot -
书商的参考编号 : GF23633
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[Les Manuscrit du CEDRE]
Le Royaume-Uni de Grande Bretagne et Irlande du Nord.
C.E.D.R.E., 1989-1990. 3 vol. in-4 br., 190-198-234 pp.
书商的参考编号 : 578891
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[Les Manuscrits du CEDRE]
La Principauté de Liechtenstein. Vol. I et II. Dictionnaire historique et généalogique.
C.E.D.R.E., 1988. 2 vol. in-4 br., couverture impr., 200 et 216 pp., qq. illustr. dans le texte.
书商的参考编号 : 595489
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[Les Manuscrits du CEDRE]
LE ROYAUME D'ESPAGNE, Vol. I, II, III ET IV. Dictionnaire historique et généalogique.
C.E.D.R.E., 1995-1997. 4 vol. in-4 br., couverture impr., qq. illustr. dans le texte.
书商的参考编号 : 602134
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[Letter-writing manual - Gellert, Christian Fürchtegott].
Briefe, und Abhandlung vom guten Geschmacke in Briefen. Probably Germany, ca. 1810.
8vo (125 x 187 mm). German manuscript in brown ink on paper. (1 blank leaf), title-leaf (lower two-thirds repaired), 210 (but: 208) numbered pp. (omitting pp. 124-125), 3 final blank pp. Very attractive contemporary half calf with red and green spine label. Coloured paper pastedowns. Silk ribbon. Very pretty and meticulously penned, privately compiled guide to the art of letter writing, partly based on C. F. Gellert's classic "Briefe, nebst einer praktischen Abhandlung von dem guten Geschmacke in Briefen" (first published in 1751), excerpted and paraphrased by the scribe and supplied with his extensive additional examples and discussions. - The manuscript begins with a restatement of Gellert's famous definition of a letter: "The first thing we think of regarding a letter is this, that it takes the place of a conversation. Yet it is not a conversation proper". The text tends to follow the printed book, paraphrasing, abridging, expanding, or quoting verbatim; but on p. 86 begins a chapter "On the external arrangement of letters" not found in Gellert, treating the formal constitution of a letter: the various types of paper, the positioning of salutation and closing on the page, improper salutations, use of envelopes, seals and sealing wax, etc. The examples provided here are not found in Gellert, either, and would appear to be the compiler's own invention: "To a Lady Friend" (signed "Forget-Me-Not"), "A Son's Letter to his Father", "A Brother's Answer to his Sister who has Written that They Have Won the Lottery Together" ("Me and you, winners in the lottery? And ten ducats at that? Well shiver my timbers! What lovely medicine for a foot-sore student"), "A Lady's Congratulations on the Birth of a Child", "Letter of Rejection" ("I still love freedom too dearly, am yet too young"), "To the priest L. (from Carlsbad)": "I have enjoyed the honour of speaking with our German Voltaire, the privy counsellor Goethe. He much favours the French nation, and especially Napoleon. How else could it be, as Napoleon himself invited him to sup with him in Weimar [...] To my pleasure, a travelling musician played several songs by Schiller on his guitar" (p. 136f.), "Thanks for Kind Sentiments", "Thanks for the Offer of Friendship", "To a Noble Friend for his Confidence", "A Young Lady Thanking her Aunt for a Gift", etc. - Later, the writer again draws from Gellert's printed work, inserting the final letter from the book: "To Baron Gr., From the Country", before adding a letter of congratulation, an account of travel adventures, a reminder "To a Late Payer", a letter demanding reimbursement for a loan to a nobleman, as well as an "Appendix" discussing the importance of legible handwriting and providing recipes for "good and well-flowing ink", how to cut quills, and how to make a leather writing case. - Prettily bound, with insignificant staining to covers. The green spine label bears the initials "A.B.", possibly denoting the unidentified compiler. Later autograph ownership of the Czech painter Josef Ferdinand Hettes (1864-1927) to flyleaf. Lower two-thirds of the title-page removed and rebacked, otherwise a clean, well-preserved and often amusing document of German epistolary culture in the late 18th and early 19th century.
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[LETTRES MANUSCRITS] - PIEGON (Christel), LHERITIER (Gerard) -
Ces papier tachés d'encre-Fleurons des lettres et manuscrits.
Paris, Gallimrd - Musée des lettres et manuscrits, 2014 ; in-8 oblong, broché, couverture illustr.
书商的参考编号 : 202000701
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[Librairie l'Oeil de Mercure]
DES LIVRES A PEINTURES... AUX LIVRES DE PEINTRES
Un catalogue de 130 pages, format 305 x 215 mm, illustré, relié toile, sans date
书商的参考编号 : LFA00b3f
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[LIBRARIAN OF YILDIZ PALACE LIBRARY].
[HAFIZ-I KÜTÜB: OTTOMAN LIBRARIANSHIP - PALACE LIBRARY] Ottoman manuscript document including notes on types of rare books, photograph albums and their languages, "Library of HM, Yildiz Palace" letterhead.
Very Good Turkish, Ottoman (1500-1928) Original manuscript document including notes the types and numbers of the rare books, photo albums and their languages, probably taken by the royal librarian of the Ottoman Yildiz Palace in the period. 21,5x13,5 cm. In Ottoman script (Old Turkish with Arabic letters). 1 p. No signature. Letterhead of "Yildiz Sarayi Alîsi Kütübhâne-i Hümâyûn-i Cenâb-i Mülûkâne" [i.e. Library of HM, Yildiz Palace].
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[Linossier (Claudius ; Lyon 1893-1953)] Guérin (Maurice de ; 1810-1839) :
Le Centaure.
Lyon, (Aux dépens du Cercle Gryphe, Marius Audin imprimeur), 1929. In-quarto, demi-basane à coins fauve, dos décoré de 20 nerfs épais, titre doré à la japonaise, couverture illustrée du logo du Cercle Gryphe gravé sur bois par Philippe Burnot et tiré en rouge (Missol relieur-Lyon) ; [38] ff., le premier blanc; illustré de 73 compositions géométriques de Claudius Linossier gravées sur bois par Philippe Burnot et tirées en rouge, noir, gris, beige et argent (palladium).
书商的参考编号 : 21587
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[Liturgy - Divine Offices].
Ordine da osservarsi nell'oratorio di Santa Maria di Passione, circa gli Essercicii Spirituali delle feste cavato dalla Regola maggiore. [Compagnia di Santa Maria della Passione, Milan, 18th century].
Folio (27,5 x 18,5 cm). (1 blank), (1), 66 pp. With 5 full-page and 2 half-page hand-painted religious illustrations and 9 hand-painted initials on a blue background, heightened with gold and silver. 18th c. gold- and blind-tooled vellum, each board with a blind ornamental centrepiece in a blind-tooled frame, within a larger frame of gold fillets, with a gilt floral design in each of the 6 spine compartments. A manuscript service book for the divine offices of the confraternity of Santa Maria di Passione (Santa Maria della Passione), remarkably illustrated and penned on vellum in a very fine and legible hand, largely imitating roman printing types. It contains seven illustrations, the five full-page examples showing the Virgin Mary: the Pietà, the Annunciation, Mary as the Woman of the Apocalypse, a Madonna and child, and the Assumption of Mary. The two approximately half-page tailpieces serve a more decorative function, representing of six putti on a garland with grape vines and a tree or shrub (laurel?) growing out of a gold vase (the fragments of red and black text on the vase are in mirror image and must have stuck to the paint). All illustrations are hand-painted with gouaches in striking colours. - A divine office, or liturgy of the hours, contains the official set of prayers for the eight canonical hours of the day: matins, lauds, prime, terce, sext, nones, vespers and compline. The day began with the matins at approximately 2 a.m. and ended at 7 p.m. with compline. Each of the offices in this manuscript begins with a hand-painted initial in gold on blue ground with silver foliage; the text of the matins contains an extra initial, bringing the total to nine. Apart from a detailed description and instruction for the offices, the manuscript also contains other instructions and rules to be observed by members of the confraternity, such as the rites for welcoming novices and pilgrims. - The first known mention of the confraternity of Santa Maria di Passione was in 1455; a set of rules ("Ordini riformati della compagniadi santa maria della passione al campanile dei reverendi canonici") has survived from 1565. The confraternity was located in Milan, in a building right next to - or even attached to - the basilica of Sant'Ambrogio called the Oratorio di Santa Maria di Passione. The basilica was built by St Ambrose in the 4th century, and during its long history it has hosted multiple religious communities, some simultaneously. Even after the damage done during the bombing of Milan by Allied forces in 1943, the building still shows this history in the many different chapels and the existence of two towers, one built for the canons located on the north side and one built for the monks on the south side of the basilica. The confraternity was disbanded near the end of the 18th century and the oratory, until then an autonomous building, was bought by the management of the basilica. The oratory was decorated with several frescos, which were auctioned off at the end of the 19th century, including three bought by the South Kensington Museum (now the Victoria and Albert Museum) in London. - Binding slightly soiled. With an owner's label "Sub tutela matris" (under protection of the [holy] mother) and an inscription in Dutch on the front pastedown: "Handschrift met geschilderde prenten. Italiaansch werk op perkament" ("manuscript with painted illustrations. Italian work on vellum"). The vellum leaves vary in colour from white to slightly toned. Illustrations, initials and text leaves generally in good condition except for the initials on pp. 7 and 31; illustration on p. 33 shows some minor soiling. A tear in p. 9 repaired with tape (but text remains legible), lower corners of the leaves show minor signs of wear, otherwise in good condition. Illustrated manuscript written in a very fine, legible hand. An attractive Italian manuscript that provides an insight into the day-to-day religious life of the members of the confraternity of Santa Maria di Passione in Milan and is supplemented with eye-catching, hand-painted illustrations and initials. Cf. A. Rovetta, "Oratorio di Santa Maria della Passione - Cenni storici", in: Oratorio della Passione in Sant'Ambrogio a Milano: Risanamento degli intonaci e restauro degli affreschi (Milan, 2004), pp. 10-17.
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[LIVRE, MANUSCRIT, ENLUMINURES] - DESROUILLES (Francois dupuigrenet) -
Trésors de la bibliotheque nationale.
Paris, Pml ediitons, 1986 ; in-4, 221 pp., cartonnage de l'éditeur. Avec jaquette.
书商的参考编号 : 201613585
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[LIVRE, MANUSCRIT, ENLUMINURES] - DESROUILLES (Francois dupuigrenet) -
Trésors de la bibliotheque nationale.
Paris, Pml ediitons, 1986 ; in-4, 221 pp., cartonnage de l'éditeur. Avec jaquette.
书商的参考编号 : 201310731
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[Lobel-Riche] Wilde (Oscar) :
Salomé. Vingt eaux-fortes originales gravées par Lobel-Riche.
Paris, Devambez, 1930 ; in-4, en ff., couverture crème rempliée, chemise demi-percaline bleue, titre doré au dos, étui avec couvercle plein chagrin brique, dos rond à nerfs, titre doré (reliure de l'éditeur) ; (4), 77, [78], (4) pp., (2) ff. bl., 20 eaux-fortes dont 17 hors-texte.
书商的参考编号 : 15457
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[LOIRET] [SAINT-JEAN DE BRAYE]
André Lebrung et Toussaint Thiercelin, vignerons à Saint-Jean de Braye vendent des biens contre rentes. Orléans, 1626.
1626 Pièce ms sur parch., in-4, 16 pp.
书商的参考编号 : 577356
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[LORRAINE]
Pièce manuscrite in-4 (18x24 cm) sur parch., 4 pp.
Nicolas MILICE, négociant sur le Banc de Rousseux et Claude ROYER, marchand de Neufchateau, sont autorisés d’anticiper l’appel interjetté par la dame Pelegrin, d’une sentence. Nancy, 7 avril 1785. Beau document.
书商的参考编号 : 576284
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[LOUIS XVII] OSMOND. [pseudonyme de l'Abbé Auguste Berton].
FLEUR DE LYS.
Nantes A. Dugas 1905 -in-8 broché un volume, broché (paperback) marron-clair in-octavo Editeur, dos muet, 1ère de couverture imprimée en noir illustrée d'une fleur de lys dorée, toutes tranches non-rognées(edges no smooth), lettre originale manuscrite de Mr le comte de CORNULIER LUCINIERE à l'Ecrivain Joseph SÉNOT de LA LONDE à propos de ce livre + 4 coupures de journaux parlant de Louis XVII collés en début sur les gardes, orné de 9 planches photographiques hors-texte en noir sur papier glacé + un tableau hors-texte en noir, léger trou de ver en marge basse n'atteignant à aucun moment le texte, 202 + XLVI pages, 1905 Nantes : impr. A. Dugas et Bordeaux : aux bureaux de la "Légitimité" Editeur,
书商的参考编号 : 23351
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[Louise-Anne de BOURBON-CONDE] - Donatien Alphonse François de SADE - Jean-Baptiste-François-Joseph, comte de SADE
Testament
Paris dimanche 2 avril 1758 | 13.40 x 19.20 cm | 2 feuillets
书商的参考编号 : 59468
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[Lustspiel des Biedermeiers].
"Die Heiratlustigen. Lustspiel in 4 Aufzügen". Manuskript (Fragment). O. O., 1839.
Zusammen 28 Bll. Folio. Vorliegend die drei ersten Aufzüge. - An den Rändern stärker lappig, mit kleinen Läsuren und angestaubt.
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[LYONNAIS] [FONTAINES]
[GRAND PARCHEMIN DU XVIe].
1550 Acte [en français] passé en la chambre abbatiale du monastère de Saint-Pierre-des Nonnains par devant Pierre Dechalles. Lyon, 17 janvier 1550. Grande pièce manuscrite, 51 cm x 66cm, sur parchemin.
书商的参考编号 : 576495
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[Léon Gruel] - Georges CLAUDE - [1854 - 1921] - Peintre et graveur français
4 Lettres autographes signées à Léon Gruel - Paris - 1901 -
8 pages in8 - une enveloppe - trés bon état -
书商的参考编号 : 35554
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[made by hand, manuscripts, craft]
Willa Helwig's handmade portfolio of crafts and leadership notes for her training to be a Guardian in the Camp Fire Girls with her certificate
<p>Hardcover album 8.75 x 11 inches. In hand-printed paper-covered boards bound with a braided cord. 39 recto-only leaves 2 blank. Bound in patterned paper with instructions for making the pattern within the content. Edgwear including short closed tears at the top and bottom of the cover joints Very Good overall. With Certificate of Completion for the Guardians' Training Course awarded to the maker Willa Helwig in 1933.</p><p>Two pages of mounted knots including a few hitches using twigs. Print making with stencils and leaves a collection of "Common Indian Symbols" and mounted beadwork. One page titled "blocks for printing…" appears to have lost said specimens; however a sample of beading multiple samples of nature printing stencil work and other crafts are present throughout the book alongside original drawings.</p><p>A delightful exhibit of proficiency in craft as well as engaging content about leadership and group dynamics plucked from modern psychology. One page enumerates the differences between "Girl and Boy Gangs" complete with flowcharts. Another section titled "why we have crafts" cites empowering women to "earn her own money and get cooperation of banks."</p> [made by hand] hardcover
书商的参考编号 : Q2087
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[Magistrat]
COSTUMES DE MAGISTRATS DE L’ANCIEN RÉGIME (président de Parlement / Conseiller au Parlement), projet de costumes de théatre
épreuves rehaussées à la gouache sur papier Canson épais, (bord très légèrement jauni), bon état
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[Magistrat]
COSTUMES DE MAGISTRATS DE L’ANCIEN RÉGIME (président de Parlement / Conseiller au Parlement), projet de costumes de théatre
[circa 1950], 36,90 X 27,50 cm., épreuves rehaussées à la gouache sur papier Canson épais, (bord très légèrement jauni), bon état.
书商的参考编号 : 3508
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[MANUEL MANUSCRIT D'UN PARC FRUITIER ET D'ACCLIMATATION/[MANUSCRIPT MANUAL OF A FRUIT PARK AND ACCLIMATIZATION].
I. Etat général des arbres des jardins, vergers clos & d'Arreux et des pépinières. II. Pepiniere. III Catalogue des poires, suivant l'ordre approchés de leur maturité.
Arreux, 1782-1796. 1782 1 vol in-8° (190 x 125 mm) manuscrit à l'encre brune et au crayon de: 396 pp, dont 12 plans de jardins à pleine ou double page avec les arbres pointés à l'aquarelle, une vingtaine de ff vierges, nombreuses corrections, ajouts et feuillets insérés ou modifications contre-collées. Ex-libris gravé armorié "Montcourcel" au dos du 1er plat (salissures, taches et défauts d'usage). Demi-vélin postérieure, dos lisse titré à l'encre noire, plats recouverts de papier marbré, corps d'ouvrage préservé dans son état d'origine non rogné.
书商的参考编号 : 6372
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[MANUSCRIPTS - MATHEMATICS] ARTHEMOND [DE] REGNY].
FRENCH MATHEMATICAL MANUSCRIPTS: Cours de Mathematiques. THREE VOLUME SET
Paris ca 1795. Hardcover. Near Fine. An exceptional French Mathematics Manuscript in 3 volumes. Contemporary French mottled calf gilt floral panels separate black morocco labeling covers with border line tooling marbling on text block edging. Collation: Géometrie &2- 193 pp. 60 blank leaves; Algèbra & 2 -166 pp. 46 blank leaves; Planches & 2pp. 182 figures on 76 plates 48 blank leaves. All plates are on stiff blue laid paper. This course was taken by noted French economist Arthémond de Régny 1777-1841 probably during his university training in the latter part of the 18 century. Each volume has been prepared well with very legible and precise script and geometric figures. The organization of the Geometry volume starts with Euclid with numerical reference to geometric drawings in the Plate volume. A number of Problems Solutions and Corollaries are next. The remainder of this volume deals with 50 theorems for plane and sold geometry. Each theorem is stated first followed by demonstration then corollaries with further demonstration construction remark and ends with one or more problems along with solutions and reference where appropriate to figures in Plate volume. The volume on Algebra starts with basic addition subtraction multiplication and division. Next is a discussion of algebraic fractions their reduction with same denominator multiplication division and equations. Numerous examples of equations and computations occupy the remainder of the manuscript. Included are problems for solving equations with one two or three unknowns occasionally presenting a solution with a second method. The end of the manuscript has problems for 2 unknowns of znd degree division of irrationals and extracting the square root of a binomial. <br/><br/>Provenance: Arthémond de Régny bookplate on front pastedown of each volume. Régny was a noted French economist who was invited around 1830 by Greek leader Capodistrias to assist Greece with their economic problems. Although Capodistrias was assassinated before he arrived Régny stayed in Greece during the period of Regency 1833-1835. He went on to found and assist in organizing the State Audit Council according to French ideals and became its first chairman. He also assisted in the Foundation of the National Bank of Greece in 1841. Arthémond de Régny got married in 1798 to the Genoese woman Catherine Castellini who was the daughter of Balthasar and granddaughter of Domenico Castellini who conquered the Algerians in 1763. Balthasar Castellini was consul to Naples and subsequently in Cartagena Spain Marseille and Genoa. He was in charge of important missions by the royal court of Naples and also held an outstanding position in the trade. The family Régny was originally from the province of Dombes. At the beginning of the eighteenth century Francois Régny established his family in Genoa where he was in charge of the "Direction of the Diplomats for the King. hardcover
书商的参考编号 : WB18618
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[Manuscripts]
Scriptorium. Revue Internationale Des Etudes Relatives Aux Manuscrits. International Review of Manuscript Studies Tome XIX
Amsterdam: Standaard-Boekhandel S.A. 1965. Softcover. very good. 198pp. Quarto. Original decorative wrappers. Covers slightly rubbed with slight wear to extremites. very good 1965 Standaard-Boekhandel S.A. paperback
书商的参考编号 : 119568
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[Manuscript - Calligraphy - French].
[Illustrated French calligraphic manuscript]. [Probably France, ca. 1640-1645 / after 1643?].
Oblong 8vo (ca. 215 x 175 mm). (11), (8 blank) ff. Calligraphic exercises in French, written in a French civilité with some first lines in a French cursive or gothic hand. With 9 larger decorated initials, containing extensive ink-drawn illustrations in contemporary hand colour, showing an armoured knight on horseback, birds, dragons and other fabulous beasts, a pierced heart, etc. Some letters with extensive flourishes in the margins, many of them showing ink-drawn human faces. Contemporary limp vellum, loosely stored in a modern marbled paperboard folder within a matching marbled slipcase. French calligraphic manuscript, containing 11 unnumbered leaves of calligraphic exercises. Most of them are small verses (often six lines), but the collection also contains a letter to a friend and complete alphabets. The manuscript is visually very appealing, and calligraphic manuscripts with decoration like the present one are rare: it comprises vividly decorated initials and numerous flourishes in the margins, which also contain small drawings of faces. - The manuscript was very likely manufactured in the 1640s, a period in which France took over the lead from the Dutch in the publication of writing books. Calligraphy flourished in the 17th century, as it continued to evolve. Flourishing became more important, including calligraphic drawings of human and mythical figures, animals, birds, monsters etc. The present manuscript, with its elaborate decorative alphabets, embellishing and initials, is a beautiful example of this development in calligraphy. - Some dates appear in the manuscript, one on the first page reading "1634", another one "1636", while the letter itself is dated 5 June 1643. Therefore we can assume that the manuscript as a whole was made ca. 1640-1645, with at least the last leaves written after 1643. It is possible that the other leaves were also written after 1643, but it could also be around this year, as the ink and style of the hand appears to be slightly thinner there. - Altogether a beautiful example of a calligraphic exercise book, here in manuscript, which is not only visually appealing, but which also beautifully reflects the popularity of calligraphy manuals and copybooks in the 17th century and the strong focus on flourishing and decoration which were more frequently added to letters or words. - Slipcase only slightly worn around the edges, marbled paper on the spine of the folder cracked. Limp vellum detached from the leaves and worn, first three leaves and 11th leaf loose, paper edges frayed, some foxing throughout (especially to the blanks), a few stains barely affecting the text, first blank at the end almost gone and last blank half gone, but overall in fine condition.
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[Manuscript prayerbook].
Form zu betten unser liebe[n] frawen mantel, Gebet. [Incipit:] Cegrüest seiestu o süesse aller heiligste junckfraw maria [...]. [Ravensburg?, ca. 1670].
Small 16mo in 8s (85 x 100 mm; leaf size 75 x 90 mm). [423], [3 blank] pp. plus 3 endleaves at the front and 5 at the back. German manuscript in red and black ink on paper, written in an upright, semi-cursive gothic hand, with Lombardic initials in red (a few 2-line and hundreds of 1-line initials), rubricated throughout. 11 lines per page, written space 55 x 70 mm. Contemporary blind-tooled pigskin over bevelled wooden (beechwood?) boards, sewn on 3 double supports, each board bearing a double rectangular border of multiple rules, inner frame with an oval centrepiece stamp (22 x 32 mm, the front with a female figure [the Virgin Mary or a saint?] within decorative borders; back divided by 2 diagonal double rules and 4 diagonal double arcs into 4 inner and 8 outer compartments, each filled with arabesque decoration; outer compartments coloured, inner compartments thus forming a lighter lozenge with concave sides). An arabesque stamp inside each corner of the inner border and a decorative border between the inner and outer frame composed of at least 2 straight branches with leaves and at least 4 rosettes (5, 6 and 7 petalled); spine and turn-ins rules. In total more than 100 impressions of about 9 stamps. Further with 2 strap fastenings with brass clasps (each with an owner’s [?] stamp: 1.5 mm Roman capital initials "LH" above a 3 mm head in profile, facing right), catchplates and anchor plates, plain headbands, blue edges. With 27 mm Roman capital initials "BR" in brown ink on the lower edge. A charming, pocket-sized Catholic manuscript prayerbook in German, written in red and black, bound in contemporary blind-tooled pigskin, both manuscript and binding probably the work of a monastery in Ravensburg or the surrounding region. - The manuscript begins with prayers to the Virgin Mary on 19 leaves (a1-c3) and continues with three series of rosary prayers on 47 leaves (c3-i1), further prayers to the Virgin Mary on 28 leaves (i1-m4), prayers for various days from Palm Sunday to Easter on 18 leaves (m4-o5), prayers for the 24 hours on 56 leaves (o5-x4), further rosary prayers in five parts on 21 leaves (x4-z8), the litany of all saints on 20 leaves (z8-2c3), and the litany of specific saints, including St Augustine, on 10 leaves (2c3-2d4). - The manuscript is very regular in its structure, only a few blank leaves have been removed: the final quire used for the prayerbook text itself ends with a blank leaf, followed by stubs of 3 leaves that have been torn out. The quires that contain the text of the prayerbook collate: [a]-[2c]8 [2d]8 (- 2d6, 7, 8) = [212], [1 blank] ff. The 17th century binder trimmed most of the quire signatures (quire a probably had none), but on the first leaf of a few quires one can see the top of the letter that was shaved (confirming the collation): i, k, r, s. The top of some letter or mark, also shaved, can be seen in the same position on c3, f2 and 2d1-4, but it is not clear what they are. The endpapers appear to have been a quire of four leaves at the front and a quire of six leaves at the back, probably each with its first leaf removed and the outermost remaining leaf pasted down. - The paper is almost certainly of foolscap size, nearly all watermarked with the Ravensburg coat of arms (a castle represented as a gate between two towers, standing upon a corbel). The gate in the present watermarks probably has a door under a peaked roof, rather than a portcullis, but this and the initial(s) or other sign in the corbel are difficult to make out because each watermark is divided between four leaves with the central parts lost in trimming. The crenellated battlement of each tower is rounded, has three merlons, and sits directly on a rounded slab, the battlement having no narrower neck leading to the slab. Each tower has one window, connected to the wall on the gate side by (in most cases) two diagonal wires that form a triangle with the wall as its base and the point touching the window. We have not found an example in the literature with this triangular link, but otherwise the present watermarks resemble many from the period 1655 to 1675 (Piccard III, group IX, 171-186 & 253-259, plus many scattered throughout group VIII). Those in quires a, f and probably b and g have two initials (probably "HL") flanking the corbel; the literature shows no initials in that position before 1666. This suggests that the manuscript was probably produced in the period ca. 1665 to ca. 1675. One Ravensburg castle mark in WZIS has an HL monogram in the corbel, but not the initials flanking it, and the style of the castle is completely different: it is not clear whether it dates from 1666 or between 1686 and 1700. Not surprisingly, Ravensburg castle watermarks appear most frequently in Ravensburg (in Upper Swabia, just north of Lake Constance), but also in the vicinity (Konstanz, Weingarten, Salem, Überlingen); they are rare elsewhere. - The endpapers were probably made from one of the paper stocks used for the manuscript itself (one leaf shows one side of the foot of the Ravensburg castle watermark, with no initials flanking the corbel), suggesting that the production of the manuscript and its binding were closely tied, perhaps at a monastery in the region. Three bifolia show parts of a different watermark: two bifolia in quire c show a crown, perhaps from a coat of arms or an Imperial double-headed eagle, while one in quire l shows what may be the foot of a coat of arms or possibly the tip of the tail of an eagle, with scroll decorations. - In a 16mo in 8s, one expects each quire to represent a half-sheet, and each sheet would provide one half sheet with a watermark and one without. Here, eight quires show parts of a watermark in four of the eight leaves, and six show no watermark. But even these quires were not consistently made from regularly folded half sheets: some were assembled from separate bifolia, so that some of the watermarks appear at the foot of the fore-edge rather than its head. Most of the quires a-l and a few others show parts of watermarks in 1, 2 or 3 leaves, demonstrating that they contain bifolia from different half-sheets. In quire e, three leaves show one of the two towers from a Ravensburg castle watermark, proving that they come from parts of two different sheets (c and l, which include parts of a different kind of watermark, also mix bifolia from different sheets). - One or more early owners of the present manuscript have written six pages of further prayers on the endpapers (2 at the front and 4 at the back), mostly in a single contemporary hand, including "ein gebeid der Reponsori deß H. Bonaventura"; "So du nun mirackel suchst der Godt"; "Wo man alle nacht mit Jesu schlaffe soll"; "Fünff vögelen singen, daß es in den Rainen" (five songs, numbered 1 to 5). There is also a two-line inscription on the back pastedown. Parts of the front pastedown, which probably contained an owner's inscription, have been removed or obliterated, but bits of an early inscription remain visible. - Some minor and mostly marginal foxing, a hole in l6 and 7, a small marginal tear in l8 and insignificant ones in a few other leaves, but still in good condition. The binding has a hole in the pigskin covering the spine, along one of the supports, is slightly soiled and most of the blue colouring of the edges of the leaves is lost. The centrepiece on the front board does not appear to be worn, but its image (probably the Virgin Mary or a female saint) is nevertheless difficult to make out: perhaps the binder did not impress it strongly. The binding also remains in good condition.
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[Manuscrit].
Important manuscrit titrÂŽ : Vie de NapolÂŽon Empereur des FranÂais et Roi d'Italie depuis sa naissance jusqu'au jour de son dÂŽcÂs.
1836. Manuscrit datÂŽ in fine de 1836. Un vol. au format in-folio 450 x 302 mm de 99 ff. Reliure de l'ÂŽpoque de demi-vÂŽlin ivoire ˆ coins piÂce de titre manuscrite contrecollÂŽe au premier plat dos lisse. Important manuscrit ; comportant in fine la date de 1836. La rÂŽdaction en est pourtant lÂŽgÂrement antÂŽrieure. Une deuxiÂme partie est intitulÂŽe Batailles combats et victoires des armÂŽes franÂaises ˆ laquelle un certain nombre de feuillets font dÂŽfaut. Une derniÂre partie est relative ˆ la mort de l'Empereur ; renfermant poÂmes et Eloges. Cet important travail est dÂŽdiÂŽ au Ministre de la Guerre du temps. Il se compose de 98 ff. narrant la vie de NapolÂŽon rÂŽdigÂŽs ˆ l'encre brune ; le dernier renseigne sur les fonctions et qualitÂŽs du scripteur et est revÂtu de la signature autographe de BarthÂŽlÂŽmy Germain ; auprÂs duquel il servit. Angles et coupes ÂŽlimÂŽs. Manques ÂŽpars affectant le papier marbrÂŽ des plats ainsi que la piÂce de titre. Quelques t‰ches dans le texte. Coulure sans entrave pour la lecture affectant deux feuillets. LÂŽgÂre cerne en marge infÂŽrieure des feuillets pouvant rendre parfois la lecture plus dÂŽlicate. Encre un peu passÂŽe sur quelques feuillets. b42961 unknown
书商的参考编号 : 26477
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[Manuscrit - Afrique, Africana] Marius Perret (1851-1900),
En Colonne au Sénégal.
[Manuscrit - Afrique] Marius Perret (1851-1900), En Colonne au Sénégal. [ca.1891], in-8, 78-3p. Exceptionnel journal de Marius Perret lors de l'expédition du colonel Dodds (colonne du Fouta). Ce manuscrit semble entièrement inédit bien qu'il fût clairement destiné à être publié, probablement dans Le Tour du Monde, journal auquel il collaborait. Certaines parties ont été supprimées, notamment celle sur les espions. Peut-être y a-t-il eu un véto militaire ou politique à cette publication ? Il s'agit d'une version remise au propre puis corrigée à de nombreuses reprises (plusieurs encres différentes). On remarquera qu'il y a deux versions pour la fin du manuscrit - les 3 pages supplémentaires. La première version a été réécrite quelques mois après la première, probablement pour tenir compte de la mort d'Abdoul Boubakar, tué par des maures quelques mois après l'expédition. Cela permet de dater le manuscrit de 1891. Notons que Perret n'était pas militaire. Il est en fait le premier peintre français à aller au Sénégal et il suivit l'expédition comme médecin. En effet, le médecin militaire était indisposé et Perret l'a donc remplacé (il était médecin de formation). Reliure moderne, plein buffle noir, dos lisse, corps de l'ouvrage composé de pochettes en plastique de conservation dans lesquelles sont glissés les feuillets.
书商的参考编号 : 008047
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[MANUSCRIT - ALBUM AMICORUM / MANUSCRIPT - ALBUM AMICORUM].
[Circa 1850]. 1850 1 vol. in-8° manuscrit (230 x 170 mm) de : [62] pp. ; 2 illustrations ; 1 planche intercalée. Étiquette de libraire : Nicholls et Plincke, magasin anglais à St. Petersbourg. Plein chagrin marron d'époque, double filet doré encadrant les plats et motifs floraux. (Dos habilement restauré).
书商的参考编号 : 5883
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[MANUSCRIT - AMIRAL DE FRANCE]
Observations. [Avec :] Projet de proposition de loi
S.l.n.d. (1814) 2 opuscules in-folio, [4] ff. n. ch. ; [8] ff. n. ch., en feuilles. Bords salis.
书商的参考编号 : 223420
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[MANUSCRIT - ARMÉE DE SAMBRE-ET-MEUSE]
[Journal].
S.l., s.d. (1796) in-folio, [468] pp. n. ch., couvertes d'une écriture moyenne, régulière, assez lisible (environ 40/45 lignes par page), vélin souple, dos lisse muet, tranches marbrées (reliure moderne). Gardes refaites.
书商的参考编号 : 222998
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[MANUSCRIT - ARQUEBUSIERS]
Projet d'établissement de LX. Compagnies de chevaliers de l'Arquebuze. en titre d'office militaire dans le royaume. Etat major, grands officiers commandeurs, grands officiers non commandeurs
S.l.n.d. (vers 1780) grand placard in-folio, 94 x 63 cm, en feuille, repliée. Coin inférieur droit présentant de petites déchirures, dont l'une réparée postérieurement.
书商的参考编号 : 151044
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