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Published by NURETTIN SAZI [KÖSEMIHAL].
Müzik ve sanat hareketleri. Ayda bir defa çikar mecmuadir. Eylül 1934 - Ikinci tesrin 1935. 11 issues set.
Fine English In modern aesthetic full leather bdg. 4to. (32 x 24 cm). In Turkish. 11 issues set. Many b/w ills. Müzik ve sanat hareketleri. Ayda bir defa çikar mecmuadir. Eylül 1934 - Ikinci tesrin 1935. 11 issues set.
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Published by AHMET MUHTAR [ATAMAN].
Musiki. Aylik resimli mecmua. 1 Mart 1931 - 15 Tesrinisani 1931. 7 issues set.
Fine English In modern aesthetic full leather bdg. 4to. (36 x 25 cm). In Turkish. 7 issues set. Musiki. Aylik resimli mecmua. 1 Mart 1931 - 15 Tesrinisani 1931. 7 issues set.
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METIN AND.
Drama at the crossroads: Turkish performing arts link past and presents, East and West.
Very Good English Paperback. Pbo. 4to. (29 x 21 cm). In English. [vi], 191 p. B/w and color ills. Drama at the crossroads: Turkish performing arts link past and presents, East and West.
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Edited by SUNA ALTAN.
Hayalciler birligi: BKM, 1995-2015.
New English Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 195 p., b/w and color ills. Hayalciler birligi: BKM, 1995-2015.
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ANDRE BOLL.
Tarihte halk tiyatrosu, temasasi ve eglenceleri. Türk tiyatrosu tarihi hakkinda bir önsöz ekliyerek çevirin: Ali Süha Delilbasi.
Very Good Turkish In modern cloth made as saved original cover on cloth's face. Roy. 8vo. (24 x 17 cm). In Turkish. [ix], 107 p. Tarihte halk tiyatrosu, temasasi ve eglenceleri. Türk tiyatrosu tarihi hakkinda bir önsöz ekliyerek çevirin: Ali Süha Delilbasi. First Edition.
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Prep. by Yrd. Doç. Dr. ALI BERAT ALPTEKIN.
Prof. Dr. Saim Sakaoglu'na 55. yil armagani.
Fine Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. [C], 332 p., color and b/w ills. Prof. Dr. Saim Sakaoglu'na 55.yil armagani.
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YURDAER ALTINTAS.
Yurdaer, relentlessly. Portrait of a graphic designer through his theater / cinema posters and illustrations.= Inadina Yurdaer. Grafik tasarimcinin tiyatro / sinema afisleri ve resimlemeleri üstünden bir portresi. [Exhibition catalogue]. Edited by Mine Haydaroglu.
New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In English and Turkish. 140, [4] p., color ills. Yurdaer, relentlessly. Portrait of a graphic designer through his theater / cinema posters and illustrations.= Inadina Yurdaer. Grafik tasarimcinin tiyatro / sinema afisleri ve resimlemeleri üstünden bir portresi. [Exhibition catalogue]. Edited by Mine Haydaroglu.
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FAIRFAX DOWNEY.
Kanuni Sultan Süleyman. [= Soliman le Magnifique]. Çeviri: Enis Behiç Koryürek. Translated by Enis Behiç Koryürek.
Fine Turkish Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 250 p. Kanuni Sultan Süleyman. [= Soliman le Magnifique]. Çeviri: Enis Behiç Koryürek. Translated by Enis Behiç Koryürek.
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FIRAT GÜLLÜ.
System crisis and theater in the Ottoman Empire: Representation of the late Ottoman system crisis in theatrical plays.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 160 p. In this work, the term "artistic truth" is a starting point for studying the past through two works of literature; two theater plays written in late nineteenth century in order to get a multifaceted picture of the time. In this analytical reading, the Habermasian perspective of "system crisis" provides a useful basis from which to give meaning to world presented in these plays. The author analyzes Semsettin Sami's Gave (1877) to put forth his political vision and advice to save the empire from a systemic crisis, and Hagop Baronian's The Honorable Beggars (1881) disclosing the playwright's view about the destructive effects of the Ottoman system crisis on the Armenian community living in Istanbul.
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S. KERIMOVE, I. ZAATOV, A. VELIEV.
Kirimtatar milli teatri. Tarih saifeleri.= Krimskotatarskiy nasionalniy teatr. Storinki istorii.
Fine Tatar Original bdg. HC. 4to. (27 x 21 cm). In Crimean-Tatar (Cyrillic) and Russian. 263, [1] p., color and b/w ills. Kirimtatar milli teatri. Tarih saifeleri.= Krimskotatarskiy nasionalniy teatr. Storinki istorii. National theater of Crimean-Tatars.
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ONUR SAHIN.
Nartlar ülkesi. Müzikal mitolojik tiyatro. 4 perde melodram.
New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 65 p. Nartlar ülkesi. Müzikal mitolojik tiyatro. 4 perde melodram.
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NECIP FAZIL KISAKÜREK, (1904-1983).
Bir adam yaratmak. Piyes, 3 perde.
Very Good Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 102 p. Bir adam yaratmak. Piyes, 3 perde. First Edition. Extremely rare.
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NECIP FAZIL KISAKÜREK, (1904-1983).
Bir adam yaratmak. Piyes, 3 perde.
Very Good Turkish Modern cloth. Demy 8vo. (21 x 14 cm). In Turkish. 102 p. Bir adam yaratmak. Piyes, 3 perde. First Edition. Extremely rare.
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VEPAYII.
Rovnakil - Islam.
Fine Turkmen Paperback. Cr. 8vo. (20 x 14 cm). In Turkmen (Cyrillic script). 78 p. Rovnakil - Islam.
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ABDÜLHAK HÂMID [TARHAN], (1852-1937).
Mektublar. 2 volumes set.
Very Good Turkish, Ottoman (1500-1928) In modern cloth bdg. Cr. 8vo. (19 x 13 cm). In Ottoman script. 2 volumes set: (331, [6] p.; 338, [6] p.). Hegira: 1334-1335 = Gregorian: 1918-1919. Özege 12971. Lettrers of Abdülhak Hamid Tarhan.
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KASIM EGIT.
Friedrich Dürrenmatt: Aufbau und Erzâhlstrukturen seines Prosawerks.
New German Paperback. Roy. 8vo. (23 x 16 cm). In German. 133 p. Friedrich Dürrenmatt: Aufbau und Erzâhlstrukturen seines Prosawerks.
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Edited by DIDEM ERMIS.
1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz.
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 371, [17] p., color and b/w ills. 1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz. Istanbu Theater Festival from 1989 to present-day.
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DINÇER SÜMER.
Old photographs. A play in 2 parts. [= Eski fotograflar.] Translated by Talât S. Halman. (Collection of Dramatic Literature 27).
Fine English Paperback. Cr. 8vo. (20 x 14 cm). In English. [6], 72 p. Old photographs. A play in 2 parts. [= Eski fotograflar.] Translated by Talât S. Halman. (Collection of Dramatic Literature 27).
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SELAHATTIN GÜNDOGDU, ÜNVER ORAL, BEIR BÜYUKARKIN, CAHIT ATAY.
Ortaoyunu (Oyun metinleri): Karagöz, kukla, ortaoyunu, oyun metni yarismasi.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [vi], 312 p. Ortaoyunu (Oyun metinleri): Karagöz, kukla, ortaoyunu, oyun metni yarismasi. First Edition.
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YAVUZ DALOGLU.
Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 176 p. Türk Devrimi'nin] Tiyatro ve Opera Komitesi raporu. Report on theater and opera in the early Republican years.
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SABAHATTIN KUDRET AKSAL, (1920-1993).
Kahvede senlik var. Güldürü, 2 bölüm.
Very Good Turkish Paperback. 12mo. (17 x 12 cm). In Turkish. 70, [1] p. Kahvede senlik var. Güldürü, 2 bölüm. First Edition.
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GÜNGÖR DILMEN KALYONCU.
The ears of Midas. A verse play. [= Midas'in kulaklari]. Translated into English from Turkish by Carolyn Graham.
Very Good English Paperback. Cr. 8vo. (19 x 12 cm). In English. 89 p. The ears of Midas. A verse play. [= Midas'in kulaklari]. Translated into English from Turkish by Carolyn Graham.
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HASAN ERKEK.
Vive la paix. Piece pour les enfants. Traduite du turc par Jean-Louis Mattei.
Fine French Paperback. Cr. 8vo. (20 x 14 cm). In French. 80 p. Vive la paix. Piece pour les enfants. Traduite du turc par Jean-Louis Mattei.
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HASAN ERKEK.
Vive la paix. Piece pour les enfants. Traduite du turc par Jean-Louis Mattei.
New French Paperback. Cr. 8vo. (20 x 14 cm). In French. 80 p. Vive la paix. Piece pour les enfants. Traduite du turc par Jean-Louis Mattei.
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LÂMIA KERMAN.
Le valet de comédie: Un personnage du thêatre classique. Evolution du type du valet antique au valet de Molière.
Very Good French Paperback. Roy. 8vo. (24 x 17 cm). In French. 190 p. Le valet de comédie: Un personnage du thêatre classique. Evolution du type du valet antique au valet de Molière. OCLC: 901278468. First and Only Edition.
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FERHAN SENSOY.
Düsbükü.
Fine Turkish Paperback. Cr. 8vo. (20 x 12 cm). In Turkish. 128 p. Düsbükü.
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NAMIK KEMAL, (1840-1888).
Vatan yahut silistre. Dört fasil tiyatro. Prep. by Mustafa Nihat Özön.
Very Good Turkish Paperback. 12mo. (18 x 12 cm). In Turkish. 96 p. Vatan yahut silistre. Dört fasil tiyatro. Prep. by Mustafa Nihat Özön. Kemal's playwright 'Homeland or silistra'. One of early modern Turkish editions. First Edition 1872 in Ottoman Turkish.
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PETER WEISS.
Saloz'un mavali. Translated by Can Yücel.
Very Good Turkish Paperback. Cr. 8vo. (20 x 12 cm). In Turkish. 103 p. Saloz'un mavali. Translated by Can Yücel. Salagar dönemi Portekiz'inden söz eden Saloz'un mavali Can usta'nin çevirisiyle.
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MEVLÜT ÖZHAN.
Puppetry and shadow play.= Kukla ve gölge tiyatrosu.
New English Original bdg. HC. 4to. (30 x 21 cm). In English and Turkish. 158 p., color and b/w ills. Puppetry and shadow play.= Kukla ve gölge tiyatrosu.
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MEVLÜT ÖZHAN.
Puppetry and shadow play.= Kukla ve gölge tiyatrosu.
As New English Original bdg. HC. Mint. 4to. (30 x 21 cm). In English and Turkish. 158 p., color and b/w ills. Puppetry and shadow play.= Kukla ve gölge tiyatrosu.
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AZIZ NESIN.
Bütün oyunlari. 3 volumes set.
New English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 3 volumes set: (367 p.; 429 p.; 413 p.), Bütün oyunlari. TURKISH LITERATURE Theater Play Humor.
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Director: ÜNVER ORAL - Owner: YA¿AR ARISAN.
Halk tiyatrosu dergisi. Kukla, köy tiyatrosu, ortaoyunu. Meddah, Karagöz, tulûat tiyatrosu. Ocak 1995 - Aralik 1995. 12 issues set.
Fine English Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 12 issues set. Halk tiyatrosu dergisi. Kukla, köy tiyatrosu, ortaoyunu. Meddah, Karagöz, tulûat tiyatrosu. Ocak 1995 - Aralik 1995. 12 issues set. Extremely rare. Each issue has different Karagoz characters on the last pages.
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EFDAL SEVINÇLI
Izmir'de tiyatro.
Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 120 p., b/w ills. Izmir'de tiyatro. History of theater art in Izmir (Smyrna) City.
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IBRAHIM SINÂSÎ, (1826-1871).
The wedding of a poet: A one-act comedy (1859). (The first modern Turkish play). Translated from Turkish by Edward Allworth. Cover design by Joan Attura.
Very Good English Paperback. Demy 8vo. (21 x 14 cm) In English. 32 p., 3 b/w photos (full paged) and musical scores. From the collection of Metin And, (1927-2008). The wedding of a poet: A one-act comedy (1859). (The first modern Turkish play). Translated from Turkish by Edward Allworth. Cover design by Joan Attura. First English Edition of 'Sâir evlenmesi' in 1859. Rare. Sinasi was a pioneering Ottoman intellectual, author, journalist, translator, playwright, and newspaper editor. He was the innovator of several fields: he wrote one of the earliest examples of an Ottoman play, he encouraged the trend of translating poetry from French into Turkish, he simplified the script used for writing the Ottoman Turkish language, and he was one of the first of the Ottoman writers to write specifically for the broader public. Sinasi used his newspapers, Tercüman-i Ahvâl and Tasvir-i Efkâr, to promote the proliferation of European Enlightenment ideals during the Tanzimat period, and he made the education of the literate Ottoman public his personal vocation. Though many of Sinasi's projects were incomplete at the time of his death, "he was at the forefront of a number of fields and put his stamp on the development of each field so long as it contained unsolved problems.". Sinasi was an early proponent of a constitution for the Empire. Along with his colleague and friend Namik Kemal, Sinasi was one of the foremost leaders of the Young Ottomans, a secret society of Ottoman Turkish intellectuals pushing for further reform in the Ottoman Empire after Tanzimat in order to modernize and revitalize it by bringing it into line with the rest of Europe. Although Sinasi died before their goals for reform came to fruition, the Young Ottomans' efforts directly led to the first attempt at constitutional monarchy in the Empire in 1876, when the short-lived First Constitutional Era ushered in the writing of an Ottoman constitution and the creation of a bicameral parliament. Through his work as a political activist and one of the foremost literary figures of his time, Sinasi laid the groundwork in the minds of the public for contemporary and later reforms in the Ottoman Empire and, later, the modern Republic of Turkey. Sinasi's major contributions to reform and to Ottoman and Turkish culture were the result of his use of language. Prior to Sinasi, Namik Kemal, and Ziya Pasha, Ottoman writing was largely split into elite literature and folk literature. The writing of the elites was almost exclusively poetry (divan siiri) of a strict form, meter, and rhyme. It was written strictly in the Ottoman Turkish language, which incorporated vocabulary words from Arabic and Persian that were beyond the understanding of the common people (who spoke "vulgar Turkish" (kaba Türkçe), which more resembled Modern Turkish); it emphasized artistic excellence over communication. The elites wrote for each other, rather than for the general public. Both elite and folk literature incorporated elements of the Islamic tradition, but popular writing drew heavily on the Central Asian roots of the Ottomans. It employed both verse and prose, but members of the elite did not take it seriously. Sinasi altered the paradigm of writing within the Ottoman Empire by simplifying the language, intentionally engaging directly with an increasingly literate public, and introducing new, more European, genres to the masses. He attempted to forge a pure Turkish (öz Türkçe), through the elimination of words borrowed from other languages in order to make the content and style of his work more appealing and easier to comprehend. At the time of his death, Sinasi was working on a large-scale Turkish dictionary in order to help formalize the language. He also simplified the Arabic-based Ottoman Turkish script, combining the nashk and kufi calligraphy, but he "only succeeded in reducing the more than five hundred signs used since Muteferrika first cut his type to 112.". In addition to his work as a journalist
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SÜKRÜ ELÇIN, (1912-2008).
Yirmidört.
Very Good Turkish Paperback. Foolscap 8vo. (18 x 12 cm). In Turkish. 32 p. Yirmidört. First Edition.
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Edited by ABDÜLKADIR EMEKSIZ.
Orta oyunu kitabi.
Very Good Turkish Paperback. Demy 8vo. (21 x 14 cm) In Turkish. [xii], 334, [6] p., b/w plates. Orta oyunu kitabi. Book of Orta Oiunu which is a traditional Turkish theater.
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AVA GARDNER, (1922-1990); ZSA ZSA GABOR, (1917-2016); GLEN FORD, (1916-2006), ORHAN BORAN, (1928-2012)...
[Photograph of Hollywood and Turkish stars in Tarabya Hotel, Istanbul].
Very Good Turkish Original b/w photograph. (12 x 19 cm). Ava Gardner, Zsa Zsa Gabor, Glen Ford and others with Orhan Boran in Tarabya Hotel. Taken by one of the earliest paparazzi and photographer of high society, Foto Rüstü Özlen. Dated 06.23.1955. Orhan Boran was a Turkish radio and TV host and actor. He was also widely known for his laudable usage of the Turkish language.
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CEMAL REFIK DELIBAS, (1904-1959), (Turkish journalist and author).
[Photograph of Cemal Refik Delibas].
Very Good Turkish Original b/w photograph. (14 x 9 cm). [Photograph of Cemal Refik Delibas].
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NURETTIN AYNUKSA, (1906-1985), (Turkish politician and governor).
[Photographs of Nureddin Aynuksa].
Very Good Turkish Original 2 b/w photographs. (14 x 9 cm). In Turkish descriptive hand-written texts on verso of photos. Photographs shows Nurettin Aynnuksa and his wife in a crowded farewell gathering to Balikesir city. Photos should be taken when Aynuksa was a Balikesir governor. In those 2 photos, a social life, fashion of its period, and cars can be seen.
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M. Y. ÇAPRASDJIAN EFFENDY.
Karnaval kokozlari. Vodvil; 2 perde.
Very Good Turkish, Ottoman (1500-1928) Paperback. Fully marbled cover. 12mo. (16 x 12 cm). In Ottoman script. 60 p. Karnaval kokozlari. Vodvil 2 perde. First Edition. Hegira: 1301 = Gregorian: 1884. A comedy by Çaprasciyan Efendi. In catalogue, it's printed second time in 1890, Turkish with Armenian letters. Özege 10286.; TBTK 7795.; 10 copies in OCLC: 30581245. One copy in Sermet Erkin Collection.
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TURGUT ÖZAKMAN.
Fehim Pasha's mansion. Translated by Refik Erduran.
New English Paperback. Pbo. Mint. Cr. 8vo. (20 x 14 cm). In English. [vii], 129 p. Fehim Pasha's mansion. Translated by Refik Erduran.
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GÜNGÖR DILMEN KALYONCU, (1930-2012).
Four plays: The ears of King Midas / Live Monkey Restaurant / The White Gods (Moctezuma) / Hasan Sabbah (The assassins).
Very Good English Paperback. Cr. 8vo. (20 x 14 cm). In English. 519 p. Four plays: The ears of King Midas / Live Monkey Restaurant / The White Gods (Moctezuma) / Hasan Sabbah (The assassins). Only 300 copies were printed. Limited Edition. Güngor Dilmen was born in Tekirdag in 1930. In 1959, he won a first award with his play "Midas'in Kulaklari" in a competition which was organized by Cinema-Theatre Magazine. In 1960, he graduated from the Department of Classic Philology in the Faculty of Letter at Istanbul University. He received a fellowship and went to the USA to study lighting effects on stages and theater plays at Yale University and Washington University between 1961and 1964. He also went to the Habimak Theatre in Tel Aviv and the National Theatre in Athens to research theaters. In 1964, Dilmen worked at the Lighting Department of the Istanbul Municipality Theatre. In 1966, he then started working at Istanbul Radio as a dramatist. Dilmen taught at Durham University (1971) and Anadolu University (1982-1983). Between 1976 and 1980, he was a chair both in the Dramaturgy Department and the Research and Analysis Department at the Istanbul Municipality Theatre. Dilmen served as a chief in the Theater Department of the TRT Istanbul Radio. As of today, he teaches at the State Conservatory in the Theater Department of Istanbul University.
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ALPHONSE DAUDET, (1840-1897).
Izmirli kiz, 5 perde. [= L'Arlesienne]. Prep. by Kemal Emin [Bara], (1876-1957). Yeni Sahne Külliyati: 1.
Very Good Turkish, Ottoman (1500-1928) A fine modern cloth bdg. Ex-library copy. 12mo. (16,5 x 12,5 cm). In Ottoman script. [1], 107 p. Roumi: 1336 = Gregorian: 1920. Izmirli kiz. 5 perde. [L'Arlesienne]. Prep. by Kemal Emin [Bara], (1876-1957). Yeni Sahne Külliyati: 1. L'Arlésienne is a short story, written by Alphonse Daudet and first published in his collection Letters From My Windmill (Lettres de mon moulin) in 1869. On a commission from Léon Carvalho, the author transformed the story in 1872 into a play in three acts and five tableaux with music and chorus. Georges Bizet wrote incidental music for the play's first production on 1 October 1872, at the Vaudeville Theatre (now the Gaumont). The play was not successful and closed after only 21 performances. The music score was later used for two suites of the same name, the first established by Bizet himself in November 1872, the second after Bizet's 1875 death, by Ernest Guiraud. Another play was originally scheduled for the night of 1 October 1872, but it was withdrawn by the censors at the last minute and L'Arlésienne was substituted. Many of the patrons were less than happy with this change. Daudet's play formed the basis of the Italian opera L'arlesiana (1897), text by Leopoldo Marenco, music by Francesco Cilea. (Source: Wikipedia). This is an adaptation by Kemal Emin Bara was an officer, theater actor, poet, writer, sculptor, painter, otherwise he was a versatile artist. He had learned French, Arabic and Persian. He translated plays from French into Turkish, wrote scripts, played in theaters and films himself. He had worked for Istanbul City Theaters (Istanbul Sehir Tiyatrolari). He was the son of Mehmet Emin Pasha, a naval secretary. Özege 9711.; TBTK 8170.; OCLC 657006992. Poyraz & Tugrul 118 (Tiyatro bibliyografyasi, 1859-1928 - Vol. 1). First and Only Edition. Extremely rare.
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B. AYÇA ÜLKER ERKAN.
Subversive female voices in the plays of Timberlake Wertenbaker and pam gems.
New English Paperback. Demy 8vo. (22 x 14 cm). In English. 248 p. The main target audience of this book is scholars, researchers, critics, students who study in the field of contemporary British feminist theatre and anyone who is interested in women's studies and drama. This book depicts marginalized women's voices through the medium of feminist theatre by analysing subversive women characters in the plays of Timberlake Wertenbaker and Pam Gems. This book depicts how historic/mythic characters subvert traditional gender roles to set a feminine identity of their own that does not accord with the patriarchal order. In the discussion of the marginalized characters, Ülker Erkan analysed Wertenbaker's plays namely New Anatomies, Our Country's Good, and The Love of the Nightingale and Pam Gems's plays Dusa, Fish, Stas and Vi, Piaf, and Queen Christina through several feminist criticisms. Feminist theatre as discussed in the subject-matter plays may prevent oppression and develop perspectives, which are egalitarian, fair, optimistic, hopeful, liberated from any oppressive systems, and full of future expectations.
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Edited by SABRI KOZ.
Torn is the curtain, shattered is the screen, the stage all in ruins: Yapi Kredi Karagoz Collection.= Yiktin perdeyi eyledin viran: Yapi Kredi Karagöz Koleksiyonu. [Exhibition catalogue].
New English Paperback. Folio. (33 x 23 cm). In English and Turkish. 368 p., color ills. Torn is the curtain, shattered is the screen, the stage all in ruins: Yapi Kredi Karagoz Collection.= Yiktin perdeyi eyledin viran: Yapi Kredi Karagöz Koleksiyonu. [Exhibition catalogue]. Contents: Enis Batur - Illusory images. / Metin And - An important cultural heritage: Karagöz. / Ilyaz Bingül - A revolution in Ottoman Turkish literature: Karagöz. / Turgut Çeviker - Caricature and Karagöz. / Cemal Ünlü - Karagöz on old gramophone records. / Metin And - Not on Karagöz figures. / Metin And - Collecting Karagöz figures. / Talat Parman - The dual function of the screen in the Karagöz shadow play. / Cemal Ünlü - The role, importance and function of music in Karagöz play. / Metin And - Karagöz, Hellmut Ritter and Andreas Tietze. / Cevat Çapan - Ragip Bey's figures. / Nail Tan - Interview with Karagoz player Ragip Tugtekin. / Ugur Göktas - Karagöz dictionary. / M. Sabri Koz - Selected bibliography on Karagöz. / The muddleheaded night watchman / Catalogue. Catalog of an exhibition of the Yapi Kredi Karagöz collection held Apr. 9-Aug. 15, 2004 at the Yapi Kredi Vedat Nedim Tör Museum in Istanbul, Turkey.
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MAHMUD YESARI, (1895-1945).
Salon temsilleri III. Sancagin serefi. Piyes, 1 perde.
Very Good English Salon temsilleri III. Sancagin serefi. Piyes, 1 perde., Mahmud Yesari, Ikbal kitabhanesi, Sirket-i murettibiye matbaasi, Ist., 1927. Ozege: 17528. Paperback. Pbo. Fine. In Ottoman script. Large 8vo. (23 x 15 cm). 24 p.
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GÜNGÖR DILMEN KALYONCU, (1930-2012).
Les orteils: Piece en un acte. [LIMITED EDITION]. Translated by Tahsin Saraç.
Very Good French Paperback. Cr. 8vo. (20 x 14 cm). In French. 39 p. Les orteils: Pie`ce en un acte. Translated by Tahsin Saraç. Güngor Dilmen was born in Tekirdag in 1930. In 1959, he won a first award with his play "Midas'in Kulaklari" in a competition which was organized by Cinema-Theatre Magazine. In 1960, he graduated from the Department of Classic Philology in the Faculty of Letter at Istanbul University. He received a fellowship and went to the USA to study lighting effects on stages and theater plays at Yale University and Washington University between 1961and 1964. He also went to the Habimak Theatre in Tel Aviv and the National Theatre in Athens to research theaters. In 1964, Dilmen worked at the Lighting Department of the Istanbul Municipality Theatre. In 1966, he then started working at Istanbul Radio as a dramatist. Dilmen taught at Durham University (1971) and Anadolu University (1982-1983). Between 1976 and 1980, he was a chair both in the Dramaturgy Department and the Research and Analysis Department at the Istanbul Municipality Theatre. Dilmen served as a chief in the Theater Department of the TRT Istanbul Radio. As of today, he teaches at the State Conservatory in the Theater Department of Istanbul University.
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IHAP HULUSI [GÖREY], (1898-1986).
Müsellesten üçgene: Ihap Hulusi [Görey]. Text: Turgut Yasalar. Edited by Ender Merter.
New New English Original bdg. Dust wrapper. In special slip-case. 4to. (31 x 24 cm). In Turkish. 173, [2] p., color ills. Müsellesten ücgene: Ihap Hulusi [Görey]. Text: Turgut Yasalar. Edited by Ender Merter. Ihap Hulusi Görey was the first Turkish graphic artist best known for his illustrations on posters and labels of several Turkish brands in the Republican era. Ihap Hulusi's father was a well-known architect in Cairo and he wanted his son become a successful diplomat. For this Ihap Hulusi was sent to English schools in Cairo. However, his primary interest was in painting. In the meantime, he took lessons in painting by mail from Germany. In 1920, after graduating from the high school, Ihap Hulusi went to Munich, Germany, and studied painting for five years specializing in illustrations. Following his return, Ihap Hulusi's father enrolled him to the Ministry of Foreign Affairs in Istanbul against his will. So Ihap Hulusi dropped off after a while and devoted himself to commercial graphic art. Ihap Hulusi's first work was the illustration for a toothpaste advertisement poster. In 1929 he established his first workshop in Istanbul and designed 1930 the famous bottle label for the Turkish liquor Raki brand "Kulüp Rakisi". This artwork on the bottle label is still in use today. With the Latin alphabet reform in 1928, Atatürk commissioned him in 1934 to make illustrations in order to promote the adoption of the new Turkish alphabet. The graphic artwork showed Atatürk teaching the new Turkish alphabet to a little girl, Atatürk's adoptive daughter Ülkü. His first private exhibition was held in 1935 in Istanbul. Several exhibitions followed at home and abroad. Ihap Hulusi Görey got famous and performed illustrations for state and private companies until 1977. He worked uninterruptedly 45 years for the tickets of the Turkish State lottery, which come out three times a month. He designed the bottle labels of various products of the Turkish State Monopoly 35 years long. He illustrated also posters for the famous brands like the British whisky John Haig, Italian Cinzano and Fernet Branca. Görey designed also logos for some companies, which helped them get easily recognized and well known. In his late life he was much involved in performing calligraphy. He was called the "man who illustrated the Republic" or the "king of the graphic art". Ihap Hulusi Görey died on March 27, 1986 in Istanbul. He was succeeded by his fourth wife... (Wikipedia). Printed to 1000 copies.
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RUHI SEL, (Trabzon Ilkögretmen Okulu beden egitimi ögretmeni).
Yeni oyunlar ve ögretimi.
Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 143, [1] p., b/w ills. Yeni oyunlar ve ögretimi. Partly uncut and untrimmed. This rare book includes a compilation "new" games for kids and students which can be played all together and socially. The book has an introduction related to being an educator and some thoughts on pedagogy as well as a long section about categorization of the games for kids, children, teens and students. First and Only Edition. Signed and inscribed by Sel as '30. VIII. 1957, Trabzon. Muhterem üstadimiz C. Tutant'a hürmetlerimle.'. Celal Tutant, (1910-), is a Turkish painter. Not in OCLC.
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[AHMET] MESRUR IZZET DURUM, (Turkish artist, sculptor, modeler of coins and paper moneys, and sculptor of 'Turkish medal of liberty' [i.e. Istiklal madalyasi]), (1873-1952).
Original hand drawing watercolor Turkish medal design on paper signed by Mesrur Izzet Durum.
Very Good Turkish Original watercolor Turkish medal design signed by Mesrur Izzet Durum. 15x12 cm (mounted on an exhibition cartoon, size: 20,5x17 cm). In Turkish. 1 p. Color ills. Ahmet Mesrur Izzet Durum was a Turkish artist, sculptor, modeler of coins and paper money, and sculptor of 'Turkish medal of liberty' [i.e. Istiklal madalyasi]), (1873-1952). He is one of the earliest Turkish sculptors. He was born in Bosnia. After a while, he left the School of Medicine, where he studied and went to the Department of "Sanayi-i Nefise" [i.e. Fine Arts] Sculpture department. He was one of the first students of the department.
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