‎Anacreon‎

‎ANACREON (& SAPPHO) - ANAKREONTOS.‎

‎Teiou mele Greek. Anacreontis Teii Odae. Ab Henrico Stephano luce & Latinitate nunc primùm donatae. - THE STARTING-POINT OF MODERN LITERATURE‎

‎Lutetiae i.e. Paris Guillaume Morel for Henri Estienne II 1554. 4to. Contemporary limp vellum with remains of ties to boards. Remains of contemporary paper labels to spine and traces of autor in ink in contemporary hand also to spine.A few smaller worm tracts to boards and a bit of spotting but overall very nice. A large spot to title-page presumably erased ink from the removal of an old owner's name. The spot is in the blank margin close to the printer's device but not touching it. Apert from that internally very nice with only light occasional damp staining or browning. Old ink note in Greek characters to front free end-paper and a small note referring also to "Lyra" on A1r. A very nice copy with large margins. Woodcut printer's device to title-page woodcut headpiece and opening initial. Magnificently printed in all three sizes of the famous "grecs du roi"-type. 8 110 pp. <br/><br/><em>Rare first edition of the groundbreaking Anacreon-volume by H. Estienne being the milestone publication that not only constitutes the first book by the brilliant Henri Estienne II but also the extremely influential editio princeps of the Anacreontea. Furthermore this groundbreaking publication contains Sappho’s now immortal Aphrodite-hymn being the very first of any of Sappho’s poems to appear in print here for the second time in print as well as the magnificent “Midnight poem†fragment 168B establishing for the first time since antiquity the gathering together of poems by Sappho: “A momentous point in her transmission. Yet it is ironic that the first collection of a fragmentary Greek poet known and admired beyond any other today should have appeared as a mere appendix to a book dedicated to another author entirely without even her name on the title-page.†Cambridge Companion to Sappho p. 251. The impact that Sappho - “mother of all women poets†- would eventually come to have upon modern poetry and society was not yet known to Estienne and his contemporaries for whom she was more or less unknown. Estienne however recognized the value of the poems of hers that he had encountered and with the publication of them in the present volume began a tradition that would eventually cause her to become arguably the most celebrated Greek poet of all time. “Estienne’s edition of Anacreon’s poetry was enthusiastically received by the Pléiade poets which considerably boosted Sappho’s influence on western European literatureâ€. van Dijk: I Have Heard about You p. 37. This beautifully printed slim volume constitutes an outright Renaissance sensation. “The “Anacreaonta†became the most influential “ancient†Greek poetic text during the Renaissance and Estienne’s “editio princeps†virtually caused a poetic revolution not only in France but also in Italy and Germany – where this influence culminated in the 18th century with the Anacreontic Poets “Die Anakreontikerâ€.†Schreiber 139. Henri Estienne II – “in many ways the greatest member of the Estienne dynasty and most certainly its most prolific scholar†Schreiber - had travelled extensively through Italy the Low Countries and England in search of Greek manuscripts. It is from one of these that he had printed possibly by Guillaume Morel his first book this editio princeps of the Anacreaontea which is thus also the first book to bear his imprint. Henri Estienne along with his contemporaries believed the work to contain the ancient Greek lyrics of the poet Anakreon 6th century BC whose poems are not extant except for some short fragments. In fact the poems contained in this volume constitute the Anacreontea which is a collection of Greek lyric poems written in the style and imitation of Anacreon at various dates. “Henri’s publication of these “ancient†Greek lyrics caused an immediate literary sensation in France and was celebrated and immortalized by Ronsard in an oft-quoted passage of his “Odesâ€.†Schreiber. Henri Estienne started out his publishing career with this magnificent publication that catapulted him into fame and he went on to become one of the most influential literary and scholarly figures of the second half of the 16th century in Europe; he dominated Renaissance scholarship with his magnificent publications and has arguably not been superseded by any publisher since. The young Henri Estienne had discovered the present poems in Louvain in a manuscript owned by an Englishman named John Clements who was a friend of Thomas More. Their publication “was a sensation of the first class and the starting-point for a new branch of modern literature†R. Pfeiffer: History of Classical Scholarship†p. 109. “This first edition was greeted with tremendous enthusiasm by the members of the Pléiade who like everyone else believed the poems genuine and each of whom immediately translated or imitated some of the “Anacreonteaâ€.†Schreiber. The poems may not have been “genuine†Anacreon-poems but the influence that the publication of them came to exercise was no less profound than had they been; the mark they have left of modern literature is difficult to compare to anything else. The printing of the original Greek text in all three sizes of the magnificent “grecs du roiâ€-type is followed by the first Latin translation of the poems done by Estienne himself and by Estienne’s own commentary. The text of this editio princeps has been followed by almost every subsequent editor and today the name Anacreon cannot be mentioned without thinking of Estienne. After the Anacreon-poems themselves are two leaves containing first poems by Alkaios and second the two famous poems by Sappho: The Ode to Aphrodite fragment 1 and the Midnight Poem fragment 168B also known as “The Moon Sets†constituting a momentous point in the Sappho-transmission namely the first time since antiquity that anyone had gathered together poems by her. Soon after more Sappho-collections would appear causing her to eventually become the most admired Greek poet. “In a recent article R. Aulotte… shows how Sappho’s influence on the poets dates from the time when Henri Estienne published the odes then known along with his famous edition of Anacreon. His first edition published in 1554 contained the “Ode to Aphrodite†and the fragment “The Moon has Setâ€.†Mary Morrison: Henri Estienne and Sappho in: Bibliothèque d’Humanisme et Renaissance T.24 N.2 1962 p. 388. "From time immemorial women poets have had only one norm one touchstone: Sappho the legendary woman poet who lived on the island of Lesbos in the Aegean sea in the 6th century BC. … The Sappho figure is the peg on which views of female poetic genious and female sexuality have been hung century after century.†Suzanne van Dijk: I Have Heard about You… p. 35 . Dibdin I: 258 “A beautiful and rare editionâ€; Schreiber: 139; Renouard: 115. </em> hardcover‎

Bookseller reference : 60114

‎ANACREON (& SAPPHO) - ANAKREONTOS.‎

‎Anacreontis teii antiquitissimi poëtae Lyrici Odae, ab Helia Andre Latinae factae. - [ANDRÉ'S SEMINAL LATIN TRANSLATION OF THE ANACREONTEA]‎

‎Lutetiae (i.e. Paris), Robert Stephanum (i.e. Robert Estienne) & Guillaume Morel, 1556. Small 8vo. Lovely newer full marbled paper binding with gilt leather title-label to spine (Jens E. Hansen, Aarhus). Light brownspotting to a few leaves and somne leaves towards the end with inkspotting at outer blank margin. Early neat handwritten marginal annotations throughout. A lovely copy. 54 pp.‎

‎Scarce second edition of Elie André’s seminal Latin translation of the Anacreontea – the first complete - which itself is a classic in the history of classical literature. It came to directly influence all later readings of Anacreon. In 1554, Henri Estienne II published the seminal editio princeps of Anacreon, which is no less than an outright Renaissance sensation, causing the “Anacreaonta” to become the most influential “ancient” Greek poetic text during the Renaissance, initiating a poetic revolution in Europe. Simultaneously with this editio princeps, Henri Estienne published his own Latin translation of it, which constitutes the first translation into Latin. Merely a year later, in 1555, Elie André extremely important translation of the Anacreaontea appeared, in 1555, printed by Thomas Richard. This translation included additional Odes not in the Estienne edition and was thus the first complete Latin translation of the “Anacreontia”. The following year, 1556, Robert Estienne II published his first work, namely a second edition of the original Greek Anacreontea that Henri Estienne had published in 1554. Silmultaneously, Robert Estienne republished Elie André’s Latin translation, which was published separately, but which is often found together with the 1556 second edition of the Greek Anacreontea. “The first full translation of CA was again in Latin. It was published by the humanist Elie André (1509-1587) from Bordeaux, who was friendly with the Parisian circle around the Pléiade. André’s translation appeared less than a year after Estienne’s edition and comprised the Latin translation only, without the Greek text. In a way, this can be taken as a signal that the Latin tradition was coming into its own. Accordingly, André makes some bolder choices in his translation, which already shows in his first lines (see Aiijr): Cantare nunc Atridas, Nunc expetesso Cadmum: Testudo vero nervis Solum refert Amorem (…). In classical Latin, the verb expetessere is used only by Plautus (and it is extremely rare in postclassical Latin). This brings a somewhat odd ring of comedy to the poem. Here, and in a number of other places, the translator wishes to strike his readers with an unusual turn of phrase or by some sort of amplification. He does not just imitate ‘Anacreon’, but also competes with him (as arguably with Estienne’s translation). André’s willingness to adapt the original text shows also in a certain moralistic tendency not otherwise seen in Latin translations. On the one hand, he openly and avowedly changes the text when it comes to unequivocal references to homosexuality: in CA 12 (10).8-10 (τ? µευ καλ?ν ?νε?ρων […] ?φ?ρπασας Β?θυλλον “Why from my sweet dreams […] have you snatched away Bathyllus?”), for instance, he replaces Bathyllus with a puella (Cur mane somnianti / Ista loquacitate / Mihi eripis puellam?),… in CA 29 (17).1-2 (Γρ?φε µοι Β?θυλλον ο?τω / τ?ν ?τα?ρον ?ς διδ?σκω, “Paint for me thus Bathyllus, my lover, just as I instruct you”) he simply suppresses the word ?τα?ρον, “lover” (Mihi pinge sic Bathyllum / ... Estienne’s translation is: Meos Bathyllum amores, / Ut te docebo pinge). Here, André proceeds in a way similar to the original Neo-Latin Anacreontics, in which homosexual love simply does not occur. On the other hand, André makes generous use of a metatextual element which is less conspicuous than his changes, but is even more extensive and significant. He includes a considerable number of passages in quotation marks and thus identifies them as sort of sententiae. In CA 4 (32), for instance, lines 1-6 describe how the poet wishes to lie down on myrtles, drink, and have Eros as his wine steward. This description of a specific setting is followed by some more general lines about the brevity of life, which André includes in quotation marks (lines 7- 10): “Cita nanque currit aetas, / Rota ceu voluta currus. / Sed et ossibus solutis / Iaceam cinis necesse est” (“For hurried life runs along just like a rolling wheel, but I shall soon lie, a bit of dust from crumbling bones”). The focus of this quotation technique is on lines concerned with the transitory nature of life, the uncertainness of tomorrow, and the futility of riches. By marking out such lines as sententiae, André distinguishes Anacreon the philosopher from Anacreon the drinker and lover and contributes to a larger discourse about the morality of the poet and his poems. While opinions in antiquity were often critical of Anacreon’s morals, ‘Anacreon’s’ large flock of modern imitators was united to defend their hero’s virtue. From Estienne’s preface onwards they usually referred to Plato’s Phaedrus 235c, where Socrates calls Anacreon “wise” (σοφ?ς) in matters concerned with Eros. In the 18th century, Anacreon, the philosopher, could even turn into a key-image of enligthened discourses. André’s identification of sententiae in ‘Anacreon’ prepared for this development and could have had a direct influence on it since his translation was widely read until well into the 18th century. The Latin translations of Estienne and André soon became classics in themselves and were the most successful ones in the early modern period.” (Tilg: Neo-Latin Anacreontic Poetry. Its Shape(s) and Its Significance, 214. Pp. 177-78). Brunet: I:250 Renouard: I:(161).‎

Bookseller reference : 62303

‎ANACREON (THYLIENNE Léon-Marie)‎

‎Odes d'Anacréon (odes érotiques).‎

‎Liège, Société Belge d'Editions, 1909. 14 x 19, 38 pp., broché, bon état (couverture défraîchie).‎

Bookseller reference : 88020

‎ANACREON - SAPHO - BION DE PHLOSSA‎

‎Anacréon Sapho Bion et Moschus traduction nouvelle en Prose suivie De la veillée des fêtes de Vénus et d'un choix de pièces de différents auteurs. Par M. M C‎

‎à Paphos & se trouve à Paris: Chez Le Boucher 1773. Fine. Chez Le Boucher à Paphos • & se trouve à Paris 1773 14 x 22.20 cm relié First edition of this translation by Moutonnet de Clairfonds and first issue of the illustration which comprises a frontispiece 12 headpieces and 13 tailpieces by Eisen engraved by Massard and Duclos. Title page in red and black. Full red morocco binding late 19th century signed Pickering. Jansenist spine with raised bands. Wide inner decorative border. Edges gilt. Small brown stains on upper cover. Despite the minor defects noted a very fine copy. Cohen rightly cites this work as ""one of the most elegantly illustrated books of the 18th century""; Eisen's contribution is indeed delicate and inspired and the headpiece engravings are superbly executed. Chez Le Boucher hardcover‎

Bookseller reference : 38330

‎ANACREON -- FIRMIN-DIDOT, Ambroise (17901876) -- GIRODET-TRIOSON, Anne-Louis (17671824).‎

‎Odaria Anakreontos = Odes d’Anacreon‎

‎Paris: Ambroise Firmin-Didot 1864. Hardcover. Near Fine. 24mo 140 x 85mm. Pagination: iii-xlvii 158pp. including table. Signatures: a6 b-44 1-204 including final blank. Title printed with engraved border of muses and signed by engravers “H. Catenacci” - Hercules Louis Catenacci 1816–1884 and “A. F. Lemaitre” - Augustin Francois Lemaitre 1797–1870. 54 photolithograph plates of Girodet’s compositions illustrating the odes with fine classical figures and settings. Greek text with French prose translation for 64 odes by Ambrose Firmin-Didot. Text printed within red ruled borders with headings printed in red. Finely bound in a French 19th-century crimson morocco covers gilt with central ornament spine with five raised bands lettered in gilt: ODES D’ANACREON / F. DIDOT 1864 inner gilt dentelles marbled endpapers edges gilt custom cloth case; only slightest wave to a few leaves otherwise a very good and attractive copy. Front pastedown with the typographic bookplate of Robert Percy Alden an American Gilded Age lawyer and collector hailing from Pennsylvania who died in 1909. <br/><br/>Fine French edition of the Odes of Anacreon edited and produced by Ambroise Firmin-Didot 1790–1876 reusing the illustrations in a reduced scale by the French artist “Girodet” Anne-Louis Girodet de Roussy-Trioson 1767–1824. Girodet’s graceful neoclassic designs were executed in the revived “Second Empire” style and engraved by his pupil Henri-Guillaume Chatillon 1780–1856. J. B. de Saint-Victor originally commissioned the Girodet illustrations in 1808 but only two complete designs were published with his translation in 1810. Girodet continued to work on the illustrations privately as well as his own translation of the ancient Greek Odes until his death in 1824. Ambroise Firmin-Didot was an accomplished classicist editor and man of letters within the established line of Didot printers in Paris. This production is an outstanding example of one of the finely printed classics issuing from the renowned Didot press. It maintains the distinctive Didot typographic layout and refined use of red and black inks. The introductory text of a later English edition of the Odes 1869 by Thomas Moore notes that the Firmin-Didot edition was sold at the almost “prohibitive price” of two pounds. Wonderful copy most likely bound for Robert Percy Alden’s American villa-library in the late 19th century. Alden spent several of his Yale post-graduate years in Europe and was married in Paris in 1878 when he likely procured this book. Ambroise Firmin-Didot hardcover‎

Bookseller reference : WB16253

‎ANACREON - SAPHO‎

‎- Les Poésies d'Anacréon et de Sapho, traduites de grec en fraiçois avec des Remarques par Madame Dacier. Nouvelle édition augmentée des notes latines de Mr Le Fevre.- Traduction nouvelle des Odes d'Anacréon, avec des remarques par M. de La Fosse, sur la 2nde éd. faite à Paris en 1706.‎

‎1716 reliure hollandaise, dorure passée. in-12, 3 gravures, XIV-300pp., (2ff.), et XXIV-104pp. (1f.), Amsterdam Vve Paul Marret 1716,‎

‎Hennebert : Hist. des trad. fr. d'ouvrages grecs et latins. "Convaincu des difficultés presque invicibles que rencontre la traduction fidèle dans les exigences de la rime et de la mesure, elle proclamait cet axiome téméraire pour le fonds, paradoxal pour la forme - les poètes traduits en vers cessent d'être poëtes-". La traduction en vers de La Fosse en est la parfaite illustration !Texte grec en regard.‎

Bookseller reference : 7196

‎ANACREON - SAPHO - AVRIL P.‎

‎Poésies de ANACREON et SAPHO.‎

‎A. Quantin, Imprimeur-Editeur - Collection "Petits Chefs-d'Œuvre Antiques" Paris 1882 In-16 ( 145 X 100 mm ) de 111 pages, plein chagrin poli vert sapin, dos à nerfs janséniste avec date dorée en queue, tête dorée, triple filet doré d'encadrement sur les plats, coupes et coiffes filetées d'or, dentelle intérieure dorée. ( Reliure de l'époque ). Texte encadré d'un joli motif "à l'antique". Charmantes gravures dans le texte de Paul AVRIL. Très bel exemplaire, très pur dans une reliure non signée mais d'exécution parfaite.‎

Bookseller reference : 560191

‎Anacreon / Abraham Cowley (Trans.) / Stephen Gooden (Illust.)‎

‎Anacreon : Done into English out of the original Greek by Abraham Cowley and S.B. 1683. Newly embellished with copperplate engravings by Stephen Gooden‎

‎London: The Nonesuch Press 1923. 1st Edition . Near Fine/Good. 5.5 x 9.5 inches 14 x 24 cm. Dust jacket: Gold paper jacket with wear and loss to edges. Rubbing to front cover. Overall jacket condition is Good. Book: Limited edition number 637 of 725 copies. Quarter parchment with gold paper covered boards. Page edges untrimmed. Very slight tanning to edges of pastedown endpapers. A few spots of foxing to page edges otherwise in excellent condition throughout. Engraved title page headpiece tailpiece and four plates all with tissue guards. One tissue guard has been bound in at an angle. An outstanding example. Overall book condition is Near Fine. Size: 5.5 x 9.5 inches 14 x 24 cm. Hardback. Printed pages: 52 The Nonesuch Press hardcover‎

Bookseller reference : 1235E076

‎Anacreon / Thomas Moore (Trans.) / Girodet de Roussy (Illust.) [Ann-Louis Girodet de Roussy-Trioson]‎

‎The Odes of Anacreon‎

‎New York: G.P. Putnam's Sons / The Knickerbocker Press 1903. 1st Edition Thus . Very Good Minus. 4.75 x 7.5 inches 11.5 x 19 cm. Quarter leather binding with paper-covered boards gilt emblem to front board. Top page edge gilt other edges untrimmed. Fading and rubbing to spine. Wear to ends of spine and lower corners of boards. Light marking to boards. A couple of spots of foxing to endpapers. Good solid binding. Very clean text throughout. Previous owner's inscription to front free endpaper. A fine production from the Knickerbocker Press. Scarce. Overall condition is Very Good Minus. Size: 4.75 x 7.5 inches 11.5 x 19 cm. Hardback. Printed pages: x 166 G.P. Putnam's Sons / The Knickerbocker Press hardcover‎

Bookseller reference : 1196P082

‎ANACREON / SAPHO / VEISSIER DES COMBES‎

‎ODES D'ANACREON ET POESIES DE SAPHO traduites en vers français par VEISSIER DES COMBES.‎

‎Paris, Benjamin Duprat, 1839, grand in-8 reliure cartonnage papier marbré, pièce de titre maroquin, XVI + 316 pp, couverture conservée. Petits frottements et légers manques au dos, sinon couverture en bon état, intérieur en bon état (rousseurs éparses).‎

Bookseller reference : 43637

‎ANACREON ; DECARIS, Albert ; BELLEAU, Rémy‎

‎Odes d'Anacréon. Traduites en Français par Remy Belleau & Illustrées par Albert Decaris [ Avec un lavis original signé par Decaris ]‎

‎Un des 25 exemplaires hors commerce numérotés en chiffres romains, réservés aux collaborateurs et signés de l'éditeur (n° H.C. X), avec en frontispice un lavis original et une dédicace de Decaris, Traduites en Français par Remy Belleau & Illustrées par Albert Decaris, 1 vol. in-folio reliure plein cuir mauve, dos à 4 nerfs, Les Editions Henri Javal, 1950, 212 pp. et 4 ff. avec un lavis original signé, un frontispice et 20 planches hors texte‎

‎Belle édition, proposant le texte français, suivi du texte grec, dans un exemplaire du tirage hors commerce enrichi d'une aquarelle originale, signée par Decaris. Etat satisfaisant (petite mouill. ayant décoloré le dos, notice contrecollée en seconde garde, très bon état par ailleurs). Prix en l'état.‎

Bookseller reference : 59077

‎ANACREON ; MOLLEVAULT, Charles-Louis ; MONREGARD, Alexis‎

‎Anacréon, traduction en vers par Charles-Louis Mollevaut, Membre de l'Institut Royal de France [ Suivi de : ] Odes d'Anacréon, traduites en vers par M. Alexis Monregard‎

‎Anacréon, traduction en vers par Charles-Louis Mollevaut, Membre de l'Institut Royal de France, De l'Imprimerie de Didot le Jeune, Paris, 1825, xii-216 pp.[ Suivi de : ] Odes d'Anacréon, traduites en vers par M. Alexis Monregard, dédiées à M. Guizot, Bureau Central d'Imprimerie et de Librairie, Paris, 1836, 170 pp. et 2 ff. n. ch.‎

‎La première traduction constitue le 20e volumes des oeuvres complètes de Charles-Louis Mollevault. Texte grec et traduction française en regard dans le premier titre. Bon état (coiffes très lég. frottés)‎

Bookseller reference : 67130

‎ANACREON ; SAPHO ; VEISSIER DES COMBES‎

‎Odes d'Anacréon et Poésies de Sapho. Traduites en vers français par Veissier des Combes.‎

‎Suivies de plusieurs piéces anacréontiques de Bion, Théocrite, etc. et des imitations qui en ont été faites par les poètes français les plus célèbres, Nouvelle édition, 1 vol. in-8 reliure demi-chagrin marron, dos à 5 nerfs orné, Benjamin Duprat, Paris, 1839, XVI-316 pp.‎

‎Etat satisfaisant (rel. frottée avec petits accrocs, anc. restauration discrète en page de titre, second feuillet un peu sali, plusieurs annotations anciennes) pour cette jolie édition des odes, avec le texte grec original et la traduction française en regard.‎

Bookseller reference : 33951

‎Anacreon [Thomas Stanley's Translation] [Illustrated by JE. Weguelin] J. E.‎

‎Anacreon‎

‎NY: Merrill & Baker 1899. Gray cloth paper spine label top edges gilt others untrimmed. Circular waterstain in bottom margins of about 1/2 the pages spine ends and cover edges rubbed covers lightly soiled: Good to VG-/no dj. 8vo. Frontispiece illustration by J.E. Weguelin. #191 of 500 copies. Merrill & Baker hardcover‎

Bookseller reference : 13102607

‎Anacreon [misattribution]; Moore, Thomas, 1779-1852 [translator]‎

‎ODES OF ANACREON : TRANSLATED INTO ENGLISH VERSE WITH NOTES‎

‎Philadelphia: Hugh Maxwell 1804. Hardcover. Octavo; Fair; Hardcover; Spine brown leather with gold print; Boards are three-quarter bound with brown leather to spine and corners marbled paper to boards mild scuffing and wear to leather with slight surface tears at front hinge and corners slight staining to front top edge slight shelfwear to paper; Text block has red-speckled edges cracked font hinge stains to front endpapers and title page top portion of dedication page torn away foxing throughout initialed in ink on verso of title page; Poetry incorrectly attributed to Anacreon; xvi 301 pages frontispieces ports. 1331115. FP New Rockville Stock. Hugh Maxwell hardcover‎

Bookseller reference : 1331115

‎Anacreon [Anakreon]‎

‎Some copies of verses translated paraphrastically out of Anacreon.‎

‎Anacreon translated into English verse by Abraham Cowley." Love -- Drinking --Beauty --The duel --Age --The account -- Gold -- The epicure -- Another -- The grasshopper --The swallow. 16 unnumbered pages. Colophon " "Anacreon...consists of only 2000 copies on Ragston Collotype Parchment white vellum paper" Book‎

‎Anacreon Anacreon‎

‎Anacreontis Teii Quae Vocantur Symposiaka Hemiambia: Ex Anthologiae Palatinae Volumine Altero Nunc Parisiensi Post Henricum Stephanum Et Josephum Spalletti Classic Reprint Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 0282183442.G ISBN : 0282183442 9780282183448

‎Anacreon Anacreon‎

‎Anacreontis Carminum Reliquias Classic Reprint Latin Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 0428129455.G ISBN : 0428129455 9780428129453

‎Anacreon Anacreon‎

‎Anacréon Et les Poèmes Anacréontiques: Texte Grec Avec les Traductions Et Imitations des Poètes du Xvie Siècle Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 0282820515.G ISBN : 0282820515 9780282820510

‎Anacreon Anacreontics‎

‎Breviary Treasures Odes of Anacreon Anacreontics and other selections from the Greek Anthology‎

‎Boston: Nathan Haskell Dole 1903. Hardcover. Very Good. 24 x 16.5 cm. Octavo. 214 pages. White parchment spine and brown boards. Doric Edition of the Breviary Treasures. Consists of 550 copies printed on French hand-made paper of which this copy is 218. Extensively illustrated. Previous owner's bookplate and date stamp on front fixed endpaper. Toning to the spine. Nathan Haskell Dole hardcover‎

Bookseller reference : 56997

‎Anacreon and Sapho.‎

‎Les Oeuvres D’Anacreon et de Sapho – Contenant leurs poesies & les galanteries de l’ancienne Greece‎

‎Chez Charles Clouzier Paris. 1692. Translated from the Greek into French by de Longepierre with notes. Hardback. Good. Black and White frontis. One of the earliest European collections to include most of Sapho's works which have since eclipsed Anacreon's. Bound in leather. Good only: Text block generally clean and tight but front cover detached and leather worn. Chez Charles Clouzier, Paris. 1692. Translated from the Greek into French by de Longepierre, with notes. hardcover‎

Bookseller reference : 22365

‎Anacreon Anacreon‎

‎Odes d''Anacréon Et Autres Poésies Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 0282069410.G ISBN : 0282069410 9780282069414

‎Anacreon and translated by Thomas Moore‎

‎Odes of Anacreon : Translated into English Verse with Notes by Thomas Moore. Two volumes in one‎

‎London: Printed for Carpenter and Son 1815. 12mo. Two volumes in one. 175 148 pp. Contemporary half dark brown calf over marbled boards. Gilt & blind-stamped decoration to spine with gilt lettering. Gilt bright. Boards clean. Bookplate of Trelissick Library in Cornwall to front pastedown. Cornish binder's ticket of 'J. Gill Binder Penryn'. Frontis portrait to each volume. Internally clean. A nice copy. . Near Fine. Half Calf. 1815. Printed for Carpenter and Son 1815 unknown‎

Bookseller reference : 63216

‎Anacreon Anacreon‎

‎The Lyric Songs of the Greeks; the Extant Fragments of Sappho Alcaeus Anacreon and the Minor Greek Monodists;‎

‎new. unknown‎

Bookseller reference : 46387005-n ISBN : 1021406066 9781021406064

‎Anacreon Anacreon‎

‎The Lyric Songs of the Greeks; the Extant Fragments of Sappho Alcaeus Anacreon and the Minor Greek Monodists;‎

‎Hardback. New. hardcover‎

Bookseller reference : B9781019577561 ISBN : 1019577568 9781019577561