|
[GRAVURE] - ESTAMPE JAPONAISE
Un homme à l'éventail et un femme.
S.l., s.e., s.d. (vers 1880); 255/185 mm, 1 pp., une feuille. Belle estampe japonaise. Bon état.
|
|
|
[GRAVURE] - ESTAMPE JAPONAISE
Un homme à l'éventail et un femme.
S.l., s.e., s.d. (vers 1880) ; 255/185 mm, 1 pp., une feuille. Belle estampe japonaise. Bon état.
Riferimento per il libraio : A137
|
|
|
[GRAVURE] - HOLLANDE
Nieuwe kaart der oostentij-kesche nederlanden, met een gedeelte van vrankrijk den elsas & en verdere gewesten aan der rhijn.
Amsterdam, Langeveld, 1792; 380/540 mm, 1 pp., une feuille. Gravure hollandaise ancienne. Bon état.
|
|
|
[GRAVURE] - HOLLANDE
Nieuwe kaart der oostentij-kesche nederlanden, met een gedeelte van vrankrijk den elsas & en verdere gewesten aan der rhijn.
Amsterdam, Langeveld, 1792 ; 380/540 mm, 1 pp., une feuille. Gravure hollandaise ancienne. Bon état.
Riferimento per il libraio : A66
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
Honneur au courage malheureux.
Épinal, Georgin, s.d. (vers 1900); 375/530 mm, 1 pp., encadrée. Image d'Épinal. Napoléon saluant l'armée autrichienne qui se retire. Bon état.
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
Honneur au courage malheureux.
Épinal, Georgin, s.d. (vers 1900) ; 375/530 mm, 1 pp., encadrée. Image d'Épinal. Napoléon saluant l'armée autrichienne qui se retire. Bon état.
Riferimento per il libraio : A1881
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
La Bataille de Rivoli.
Épinal, s.e., s.d. (vers 1900); 364/535 mm, 1 pp., encadrée. Image d'Épinal, épopée napoléonienne. Bon état.
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
La Bataille de Rivoli.
Épinal, s.e., s.d. (vers 1900) ; 364/535 mm, 1 pp., encadrée. Image d'Épinal, épopée napoléonienne. Bon état.
Riferimento per il libraio : A1886
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
La bataille des pyramides.
Épinal, Géorgin, s.d. (vers 1900); 370/530 mm, 1 pp., encadrée. Image d'Épinal, épopée napoléonienne. Bon état.
|
|
|
[GRAVURE] - IMAGE D'ÉPINAL
La bataille des pyramides.
Épinal, Géorgin, s.d. (vers 1900) ; 370/530 mm, 1 pp., encadrée. Image d'Épinal, épopée napoléonienne. Bon état.
Riferimento per il libraio : A1882
|
|
|
[GRAVURE] - JACQUEMIN (André)
Le petit Gustave.
S.l., s.e., s.d. (vers 1940); 500/655 mm, 1 pp., une feuille. Signé et numéroté à la main, tire à 50 exemplaires. Portrait d'un garçon, avec un chapeau entouré d'étoiles. Bon état.
|
|
|
[GRAVURE] - JACQUEMIN (André)
Le petit Gustave.
S.l., s.e., s.d. (vers 1940) ; 500/655 mm, 1 pp., une feuille. Signé et numéroté à la main, tire à 50 exemplaires. Portrait d'un garçon, avec un chapeau entouré d'étoiles. Bon état.
Riferimento per il libraio : A1828
|
|
|
[GRAVURE] - JALOT
Cuirassiers.
S.l., s.e., s.d. (vers 1950); 325/250 mm, 1 pp., une feuille. Gravure de costume militaire. Bon état.
|
|
|
[GRAVURE] - JALOT
Cuirassiers.
S.l., s.e., s.d. (vers 1950) ; 325/250 mm, 1 pp., une feuille. Gravure de costume militaire. Bon état.
Riferimento per il libraio : A67
|
|
|
[GRAVURE] - JALOT
Sergent d'infanterie de ligne.
S.l., s.e., s.d. (vers 1950); 315/230 mm, 1 pp., une feuille. Gravure de costume militaire. Bon état.
|
|
|
[GRAVURE] - JALOT
Sergent d'infanterie de ligne.
S.l., s.e., s.d. (vers 1950) ; 315/230 mm, 1 pp., une feuille. Gravure de costume militaire. Bon état.
Riferimento per il libraio : A68
|
|
|
[GRAVURE] - MEISSONIER
Cavalier-1879.
Paris, Imp. Eudes, Heliog. Dujardin, s.d. (vers 1900) ; 450/317 mm, 1 pp., une feuille. Bon état.
Riferimento per il libraio : A110
|
|
|
[GRAVURE] - MEISSONIER
Cavalier - 1879.
Paris, Imp. Eudes, Heliog. Dujardin, s.d. (vers 1900); 450/317 mm, 1 pp., une feuille. Bon état.
|
|
|
[GRAVURE] - SAMBIN (Hugues)
Oeuvre de la diver des termes. Terme N° 3.
Lyon, s.e., 1572; 290/170 mm, 1 pp., une feuille. Gravure provenant d'un livre du seizième siècle. Bon état.
|
|
|
[GRAVURE] - SAMBIN (Hugues)
Oeuvre de la diver des termes. Terme N° 3.
Lyon, s.e., 1572 ; 290/170 mm, 1 pp., une feuille. Gravure provenant d'un livre du seizième siècle. Bon état.
Riferimento per il libraio : A72
|
|
|
[GRAVURE] - WOHLFAHRT
Femme au masque.
Strasbourg, s.e., 1982; 185/230 mm, 1 pp., encadrée. Artiste strasbourgeois. Eau-forte, signée à la main, 2/3. Bon état.
|
|
|
[GRAVURE] - WOHLFAHRT
Femme au masque.
Strasbourg, s.e., 1982 ; 185/230 mm, 1 pp., encadrée. Artiste strasbourgeois. Eau-forte, signée à la main, 2/3. Bon état.
Riferimento per il libraio : A74
|
|
|
[GRAVURE] - WOHLFAHRT
Femme suppliciée.
Strasbourg, s.e., 1982; 250/185 mm, 1 pp., encadrée. Artiste strasbourgeois. Eau-forte, signée à la main, 2/35. Bon état.
|
|
|
[GRAVURE] - WOHLFAHRT
Femme suppliciée.
Strasbourg, s.e., 1982 ; 250/185 mm, 1 pp., encadrée. Artiste strasbourgeois. Eau-forte, signée à la main, 2/35. Bon état.
Riferimento per il libraio : A75
|
|
|
[Grétry, André-Ernest-Modeste].
Portrait. [Paris, Geille, frühes 19. Jahrhundert].
280 x 195 mm. Kolorierter Kupferstich von Amadée Geille nach Jean-Baptiste Isabey (1767-1855). Der französische Komponist Grétry (1741-1813) wird an seinem Schreibtisch sitzend und schreibend abgebildet.
|
|
|
[GUANGZHOU- ANTIQUE PRINTS]
Canton River: the Red Fort and European Quarters and General view of Canton. caption title
London.: Illustrated London News. January 101857. Two half-page engravings 14.5 x 23 cms incomplete descriptive text on a single newspaper leaf marginal spotting and edge-wear but in very good condition. Tranquil views of Canton Guangzhou months prior to the attack on and four year occupation of the city by allied British and French troops during the time of the Second Opium War. <br> <br>From the Estate of the late collector and scholar Arthur Hacker with his pencilled catalogue note lower right. . Illustrated London News unknown
Riferimento per il libraio : 179688
|
|
|
[Guns; Prints]
Gunnery Gun Powder and Gun Smithing. Extract 1797 Encyclopedia Britannica complete with plates
Edinburgh: A. Bell and C. Macfarquhar 1797. Third Edtion. Fine condition. Unopened extract from the original 1797 volume of the renowned encyclopedia consisting of 54 pages pp195-248 on guns and gun making with two copper engraved plates. The wonderful engraved images of cannon includes a row of cannon ranging in size from a 33 pounder down to a 12 powder with a cut away view of the interior.<br /> <br /> The gunnery text includes 3 sections on the history of gunnery the theory of gunnery and the practice includes tables of comparative velocity and ranges; lengths and weights of Iron ship guns. The gunpowder section includes information on making gunpowder of different kinds; the gunsmithing section describes the forging methods utilized in different weapons. Text printed in 2 columns the extract very bright and fresh. A. Bell and C. Macfarquhar unknown
Riferimento per il libraio : 23396
|
|
|
[Hammer Creek Press] Fass, John | engravings by John DePol
The Hammer Creek Press has Engulfed the Hell-Box Press
New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. <br /> <br /> Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
Riferimento per il libraio : 9699
|
|
|
[Hammer Creek Press] Fass, John S | engravings by John DePol, Valenti Angelo, and Burton Carnes
The Work of the Hammer Creek Press 1950-1956
New York: Hammer Creek Press 1956. Original Wrappers. Near Fine binding. 12mo. 24 4 blank1 pp. illus. Limited edition to approximately 100 copies. As issued in marbled paper wrappers of stiff covers with printed paper title label on the front cover. Quite a nice copy with little in the way of shelf-rubbing to the cover; Reynolds Stone-designed bookplate of noted collector Norman Sondheim inside the front cover. <br /> <br /> Short introduction by Fass about the history and aim of the press. Includes 43 described books announcements and ephemera from the press. As this present work is the 43rd item in Fass's list and only 35th in Cohen's checklist there are apparently inclusions here not noted in Cohen. Several examples of pressmarks by DePol Angelo and Carnes. Two by Valenti Angelo are done in multiple colors with gilding. <br /> <br /> The Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small Hughes & Kimber cast iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed including this present book. Opening this work is an engraving by John DePol of the storied press with a page of "Data" by Fass. One of the mores substantial works issued by the Press as well as one of the more uncommon titles despite the larger-than-usual limitation. As more than 30 institutions are reporting ownership according to OCLC it means this is increasingly rare in commerce. A lovely example of Fass's work. Cohen 35. Hammer Creek Press unknown
Riferimento per il libraio : 9700
|
|
|
[Hammer Creek Press] Fass, John S | engravings by John DePol
Three Wood Engravings by John DePol for the Hammer Creek Press
New York: Hammer Creek Press 1953. Unbound. Near Fine binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio. Only light rubbing to the portfolio; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
Riferimento per il libraio : 9695
|
|
|
[Hammer Creek Press] Fass, John S | engravings by John DePol
Three Wood Engravings by John DePol for the Hammer Creek Press
New York: Hammer Creek Press 1953. Unbound. Very Good binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio with printed paper label on the cover. Light rubbing to the portfolio including some separation starting at the spine; leaves are fine. <br /> <br /> Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. As is frequently the case with Fass's small print runs frequently there are difference with an edition; in this instance the portfolio differs from others we've seen and what Cohen describes this with a printed label using DePol's pressmark we have seen others that are stamped in gold using a turtle pressmark designed for the Press by Burton Carnes. Additionally the title leaf is set in upper and lower case italics and is within a border and without a date we have see it set in all capitals without border and is dated 1952—though Cohen suggest the date is actually 1953. This is a very good example of the experimental nature of Fass's work at the Hammer Creek Press. A wonderful issue from the Press. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
Riferimento per il libraio : 9703
|
|
|
[Handzeichnungen].
Detailansichten einer Kathedrale. O. O., [ca. 1832].
3 Bleistiftzeichnungen (230 x 285 - 235 x 365 mm), 1 Ölzeichnung (190 x 200 mm) und 1 Druckgraphik (225 x 305 mm). Wasserzeichen teils "J. Whatman 1832". Unter 3 Passepartouts. Hübsche, sehr sorgfältig ausgeführte Studien einiger Grabplatten in einer nicht ermittelten gotischen Kathedrale, darunter die eines Bischofs sowie eines wohl adeligen Ehepaars (letztere datiert 1639). Wohl Vorzeichnungen zu einer Malerei, dazu ein handschriftlicher Kommentar: "Der Stein sehr warm und die Wappen kalte Glanzlichter". Die Druckgraphik zeigt den Kirchenraum mit einem von einer Säule teilweise verdeckten Epitaph und zwei Rosettenfenstern. - Wohlerhalten.
|
|
|
[HISTOIRE] - BOUCHOT (Henri)
Le cabinet des estampes de la bibliothèque nationale. Guide du lecteur et du visiteur. Catalogue général et raisonné des collections qui y sont conservées.
Paris, Dentu, s.d. (vers 1900); in-8, 392 pp., broché. État moyen.
|
|
|
[HISTOIRE] - BOUCHOT (Henri)
Le cabinet des estampes de la bibliothèque nationale. Guide du lecteur et du visiteur. Catalogue général et raisonné des collections qui y sont conservées.
Paris, Dentu, s.d. (vers 1900) ; in-8, 392 pp., broché. État moyen.
Riferimento per il libraio : C3197
|
|
|
[HISTORICAL PRINTS - CIVIL WAR]
Lieut. Gen. Winfield Scott. General in Chief of the U.S. Army
New York: Currier & Ives N.d. ca 1862. Original hand-colored lithograph. Small folio; sheet size 14-3/4" x 11-1/4"; printed area approximately 13" x 9". Background slightly darkened; more heavily toned at margins with old stains at extremities; image itself remains clean with coloring bright - about Very Good.<br /> <br /> A three-quarter length portrait of Winfield Scott at the very end of his career. Scott retired from his position as Commanding General of the Army in 1861. PETERS 19972. Currier & Ives unknown
Riferimento per il libraio : 88917
|
|
|
[HISTORICAL PRINTS] JACKSON, Andrew [subject]; John W Dodge [portrait]; M[osley] I[saac] Danforth, engr
The Last Likeness Taken of Andrew Jackson. Painted on Ivory by John W. Dodge. Proof
New York: Burton 1843. First Edition. Original steel engraving on heavy art paper; 13-1/2" x 11-1/4" plate; ca. 20" x 15" sheet. Marked "Proof" in type below title. Margins of sheet once folded for framing now unfolded; some soil mended tears and foxing to extremities much fainter within plate marks; printed area remains clean and unfaded; Very Good. A finely engraved bust portrait of Jackson; a portion of the image was later re-used for the famous "Black Jack" 2-cent postage stamp of 1863. Burton unknown
Riferimento per il libraio : 88170
|
|
|
[Hl. Hyacinth.] Baron, Marcin.
Sanctus Iacinctus Polonus. De familia comitum Odrouos, S. Dominici socius et discipulus, et Ordinis Praedicatorum primus in septentrione fundator. In Sanctorum catalogo adscriptus à S.mo D. N. Clemente VIII. Pont. Max. die 17 mensis Aprilis, anno dni. 1594. Köln, Peter Overradt, 1605.
Kupferstich, ca. 210 x 308 mm. Alt auf Trägerpapier aufgezogen. Seltener Stich mit Szenen aus dem Leben des Hl. Hyacinth (Jacek Odrowaz), Begründer des Dominikanerordens in Polen und Patron Litauens. Seine Missionsreise führte Hyazinth auch nach Friesach (Kärnten), wo er 1221 das erste Dominikanerkloster im deutschen Sprachraum gründete. - Der polnische Maler Martin Baron aus dem galizischen Jaroslaw war wahrscheinlich in Deutschland tätig. "Er malte Heiligenbilder, nach welchen Peter Overadt in Köln zwei 1605 und 1606 gestochen hat, den hl. Stanislaus Kostka und den hl. Hyacinth darstellend. Weitere Nachrichten über ihn fehlen gänzlich" (Thieme/B.). - Gleichmäßig stärker gebräunt; Spuren alter Faltung; einige Wurmspuren, teils auch das Bild betreffend. Residuum der Sammlung Sir Thomas Phillipps (1792-1872). Thieme/Becker II, 516.
|
|
|
[Hohenzollern].
Vier Idealportraits der frühen Grafen von Zollern. O. O., Ende des 16. Jhs.
Jeweils ca. 215 x 336 mm. Aquarell bzw. Gouache mit Goldhöhung auf Papier. Auf Fälzen unter Passepartout montiert. Vier wohl noch dem 16. Jahrhundert angehörende Idealbildnisse aus einer Porträtserie der frühen Grafen von Zollern, wie sie um 1560 Basilius Herold im Auftrag von Karl I. von Hohenzollern prägte und die Frühneuzeit hindurch weitgehend akzeptiert blieb. "Da die Grafen von Zollern erst 1061 mit Burchard ins Licht treten und erst [... Friedrich III.] die Würde eines Burggrafen von Nürnberg erwarb, handelt es sich um ein Produkt späthumanistischer Geschichtsklitterung. Der Zollerschen Hauschronik zufolge war die entsprechende historische Forschung ein Gemeinschaftswerk Graf Karls I. aus der schwäbischen Linie (1516-76) und des Historikers Johann Basilius Herold. Damals müssen auch die Idealbildnisse der ersten Grafen geschaffen worden sein, die sich formal mit rekonstruierten Ahnenreihen, etwa der Wittelsbacher, aus dieser Zeit vergleichen lassen" (Haus der bayerischen Geschichte, online). - Es liegen vor: Danko (840), der angebliche Sohn des fingierten Stammherrn Tassilo, Rudolf (892), Friedrich I. (980) und Eitel Friedrich II. (1273). Die Grafen werden jeweils in Prachtrüstung unter einem Säulenbogen dargestellt; an den Säulen prangen in hübscher Gouache das Hauswappen der Zollern sowie das der jeweiligen Ehegemahlin (von Cilli, von Rieneck, von Hohenberg und von Schlüsselberg). In einer Kartusche unter dem Portrait jeweils eine mehrzeilige handschriftliche Beschreibung des Abgebildeten nebst Nennung der Ehegemahlin. - Hübsche, wohlerhaltene Folge.
|
|
|
[HOKUSAI] - BOLLER (Willy)
Hokusa•, un maitre de l'estampe japonaise.
In-4, 22p. Edition originale. Adaptation française de Gustave Roud. Avec 86 reproductions, dont une vingtaine en couleurs. Bel album. En parfaite condition.
|
|
|
[Hugo, Victor]. - Walery (i. e. Comte Stanislaw Julian Ostrorog), Lithuanian-born photographer (1830-1890).
Woodburytype print on paper. N. p., c. 1880.
234:174 mm (size of plate), mounted on cardboard (330:250 mm).
|
|
|
[India - Mission]. Müller, Johann Sebastian (John Miller).
Herr Aaron National Land-Prediger unter den Heidnischen Malabaren in Ost-Indien. Nuremberg, bei J. Trautner, ca. 1740.
Engraving in original hand-colour. 16 x 13 cm (sheet dimensions: 30 x 21 cm). Matted. A rare engraving showing the Indian priest Aaron, the first converted native preacher of Malabar, dressed in white cloth and presenting to the viewer two pages from the Acts of the Apostles in Tamil. The Tamil Bible translation was famously published in 1713 by the Saxon missionary Bartholomaeus Ziegenbalg, who had been posted to the Danish colony of East India (Malabar) in the early 18th century. A nearly half-page letterpress text below the engraving elaborates on the conversion and life of Aaron, who was born ca. 1699, baptised in 1718, and ordained in 1733. - The engraver and botanist J. S. Müller (1715 - ca. 1792), known as John Miller in Britain, was born in Nuremberg, where he trained under Johann Christoph Weigel. He came to England in 1744 with his brother Tobias - an engraver of architecture - and remained there the rest of his life, producing several important botanical works and apparently also forging several oil paintings for London's appreciative art market. - Traces of folds; insignificant duststains to margins.
|
|
|
[India]. - Delhi: Jama Masjid.
"Jumma Musjid Delhi". Watercolour on cardboard. No place, [ca 1920].
Signed "A. Alintor" (?). 205 x 460 mm. An imaginative rendering of the Masjid-i Jahan-Numa (World-reflecting Mosque) in Delhi, shown here in the midst of a desert, with camels and bedouins in the foreground. - Mounted on cardboard; two small tears to lower edge.
|
|
|
[INDOCHINE] - ESTAMPES (Louis d').-
Sur les bords du fleuve rouge. 2e édition.
Tours, Mame, 1885, in 8° broché, 240 pages ; couverture illustrée fanée avec petit manque angulaire).
Riferimento per il libraio : 57476
|
|
|
[INDOCHINE] - ESTAMPES (Louis d').-
Sur les bords du fleuve Rouge. 4e édition.
Tours, Mame, 1892, in 8° relié demi-basane brune, dos lisse orné de filets dorés, 240 pages.
Riferimento per il libraio : 70147
|
|
|
[Innenarchitektur] - Machatschek, Adolf.
Sammlung von 20 Entwurfszeichnungen für Ausstellungs- und Geschäftsmöblierungen. Wien, um 1870.
Federzeichnungen, tw. aquarelliert und mit Goldfarbe gehöht, auf 10 originale Untersatzkartons montiert. Handsigniert und mit Namensstempel. Folio. Die Entwürfe des "k. k. Professors und Architekt Dr. Adolf Machatschek" zeigen Ausstellungsmöblierungen diverser Wiener Firmen für deren Produktpräsentationen auf Welt- und Gewerbeausstellungen zwischen 1867 und 1872, darunter Portale für "die Ausstellung in Paris 1867", für Lehrmittel, die "Gypsbrüche Schottwien", für Hardtmuth in Budweis, für einen Tabak-Pavillon, Vitrine für Friseurarbeiten etc.
|
|
|
[Italian Artist Engravings]
A SERIES OF SIX LARGE 19TH CENTURY ENGRAVINGS REPRODUCING RELIGIOUS ARTWORK OF THE ITALIAN RENAISSANCE by Titian Bellini Michael Angelo Fra Bartolommeo Bonazza and Ribera
Stuttgart: J Engelhorn Circa 1888. Presumed from the unlettered series of plates celebrating German engravers. Very fine large engravings reproducing Italian paintings by the engravers Ludwig Kuhn Peter Halm Karl von Siegl Jakob Groh Wilhelm Krauskopf and Doris Raab. 43.3 x 30.4 cm plates heavy wove paper with wide margins each plate with a tissue guard captioned in red. Six folio plates. In very good condition some of the plates and tissues have a little edgewear or minor light soiling in no case effecting the printed images. A VERY HANDSOME COLLECTION OF GERMAN ENGRAVINGS BASED ON ITALIAN RELIGIOUS ART OF THE SIXTEENTH AND SEVENTEENTH CENTURIES. The six plates included are:<br><br>1. Doris Raab 1851-1899—a fascinating female German engraver. The Christ with the Four Evangelists†aka “The Resurrection of Our Lord†after the painting in the collection of the Galleria Palatina Palazzo Pitti Florence executed in 1516 by Fra Bartolommeo.<br><br>2. Peter Halm 1854-1923. Madonna Enthroned aka Madonna and Child after a circa 1505 painting by Giovanni Bellini.<br><br>3. Ludwig Kuhn 1859-1936 Madonna of the Pesaro Family after the painting in the church of Santa Maria Gloriosa dei Frari in Venice executed by Titian circa 1519.<br><br>4. Jakob Groh 1855-1917 Madonna and Child aka "Pitti Tondo" by Michael Angelo Buonarroti reproduced from the marble bas-relief at the Museo Nazionale del Bargello in Florence executed sometime around 1504.<br><br>5. Wilhelm Krauskopf 1847-1921 Descent From the Cross "Espagnolet" reproduced from the original in the Museo Nazionale di San Martino in Naples by Jusepe de Ribera in circa 1588<br><br>6. Karl von Siegl 1842-1900 Adoration of the Three Kings Magi after the bas-relief by Venetian Baroque sculptor Giovanni Bonazza 1654–1736 located in the Chiesa dei Santi Giovanni e Paolo Venice. [J Engelhorn] unknown
Riferimento per il libraio : 34259
|
|
|
[Italie]:
Album souvenir d’Italie. Pradier Officier des Zouaves à sa soeur.
[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
Riferimento per il libraio : 4550
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Very Fine Example of a XVIth Century Wheel-Lock Pistol." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Pair of Brescian Wheel-Lock Pistols, Chiselled Mounts, and Pair of Brescian Wheel-Lock Pistols, Pierced and Chiselled Mounts." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
|
[Jackson, Herbert J.].
[European Hand Firearms of the Sixteenth, Seventeenth & Eighteenth Century:] "Wheel-Lock Gun, Stock Overlaid with Ivory." [ORIGINAL COLLOTYPE PRINT].
Original single-sheet collotype print of fine quality. Overall size ca. 30 x 24 cm. Very good. First, limited edition, printed on heavy paper with very wide margins. Collotype is one of the most accurate and attractive methods of photomechanical tonal printing processes. Highly skilled and expensive process, it cannot produce more than a limited number of impressions. It has been used for single-sheet prints and luxury portfolios, and since the 1950s has been abandoned by all except a few small specialist firms. Preserved in pH-balanced, acid-free archival paper.
|
|
Ricevere i risultati per e-mail
Scaricare i risultati in PDF
RSS feed
Link
