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MARTIN Charles
The Country Girl (pl.51, La Gazette du Bon ton, 1921 n°7)
- Lucien Vogel éditeur, Paris 1921, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des pl
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MARTIN Charles
The Country Girl (pl.51, La Gazette du Bon ton, 1921 n°7)
- Lucien Vogel éditeur, Paris 1921, 18x24cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. [ENGLISH DESCRIPTION ON DEMAND]
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Martin, A(lexandre)
La Svizzera pittoresca e suoi dintorni. Quadro generale descrittivo, istorico e statistico dei 22 cantoni, della Savoja, d'una parte del Piemonte e del paese di Baden. Prima versione italiana.
Mendrisio, Tipografia della Minerva Ticinese, 1836. 2°. 296 S., (1) Bl. Mit 70 Tafeln in Stahlstich mit je 4, 3 oder 2 Abbildungen, gest. von Joliot, Schroeder, Aubert père, Sauvage et al. Orig. illustr. Pappbd. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
Referenz des Buchhändlers : 6257CB
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Martini, Antonio [Tr. & Ed.]
Vecchio Testamento: Secondo La Volgata - Volume I [VOLUME 1 ONLY]. Tradotto ed Annotato da Monsignore Antonio Martini.
VOLUME ONE ONLY. RARE annotated Italian translation of the Hebrew Bible by Antonio Martini (1720-1809) - an Italian Biblical scholar and Archbishop of Florence, whose translation of the Bible into Italian, formally approved by the papacy, was widely used in Italy for about two centuries. This volume contains the following books: Pentateuch (Genesis, Exodus, Leviticus, Numbers, Deuteronomy), Joshua, Judges, Samuel 1&2, Kings 1&2, Chronicles 1&2 (Books of Chronicles/Paralipomenon), Ezra, Tobias, Ruth, Judith, Esther, Books of the Maccabees 1&2, Job. Contains a color frontispiece and b&w full-page illustrations. 255x160mm. 1301 pages. Quarter-leather marbled board rebound Hardcover with gilt label on spine. Cover rubbed and scratched. Cover edges and corners bumped and peeling. Spine rubbed and dirty/stained. Spine edges bumped. Spine front hinge cracked, partly tattered and glued. Spine rear hinge wrinkled. Front whitepage creased. Front whitepage upper corner slightly torn. Pages lightly yellowing and partly age stained. Several p[ages bottom corner wrinkled. Few pages slightly age-stained. Page edges rough cut as published. Pages yellowing and slightly wavy. [SUMMARY]: This extremely rare edition of an influential and popular Italian translation of part of the Old Testament with commentaries, is otherwise in good condition. The beautiful prints are in good condition and ready for framing! PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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MARTINI, Sandro (Livorno, 1941),
Senza titolo
Acquaforte acquatinta a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare p.d.a.. cm 66x73 (Foglio 78,5x87). . . Molto buono (Very Good). Bordi sciupati e anneriti con piccoli strappetti (1 cm) al bordo inferiore e superiore. Tiratura XLV. .
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Martins, Aldemir / Farhat, Emil [Ed.]
Dez Desenhos de Aldemir Martins [10] [COPY #629 of 1000]
LIMITED EDITION of 1000 COPIES - COPY No.629. RARE collection of 10 graphic works on separate sheets by the eminent Brazilian artist Aldemir Martins (1922-2006), noted especially for his paintings, drawings, and illustrations which depicted the flora and fauna of his native state. 480x340mm. Unpaginated. 10 plates laid in Hardcover cardboard portfolio with lace and leather spine. Portfolio yellowing and dirty/slightly stained. Portfolio bottom flap partly torn. [SUMMARY]: This extremely rare collection of graphic works by an important Brazilian artist is in good condition.
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MARTY André-Edouard
Mon coeur soupire... Robe de parc (pl.62, La Gazette du Bon ton, 1914 n°7)
- Lucien Vogel éditeur, Paris Juillet 1914, 18x24cm, une feuille. - Double original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe double originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale ré
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Marx, Enid; Margaret Lambert
English Popular and Traditional Art (Britain in Pictures series)
Book shows light wear to covers. Binding is cracked but intact, text/interior is clean and free of marking of any kind. Dust jacket shows light shelf wear, edge and corner wear, no tears, wrapped in clear protective jacket. 48 pages with 8 plates in color, 30 illustrations in b&w. Illustrations such as toy theater sheets, 19th century christ cards, silvered vases, barge decoration, tenselled engravings, pedlar doll, etc. 48 pages.
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Marxer, Alfred; 1876 ? 1945
Schloss in Turbenthal.
ca. 1910. Lavierte Tuschzeichnung. Bildausschnitt: 11.5 x 16.5 cm. Bildgrösse mit Rahmen: 27,5 x 35 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Referenz des Buchhändlers : 763DG
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Mary & Elizabeth Kirby, illust w/36 engravings & with colored plates
Aunt Martha's Corner Cupboard or Stories about Tea Coffe Sugar Rice etc
Boston: DeWolfe Fiske. HB NO DJ spine & corners badly rubbed no date late 1800's former owners name VG- last blank pg taped & written on AS-IS NODJ. Hard Cover. Boston: DeWolfe, Fiske hardcover
Referenz des Buchhändlers : 2533
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Mary Durant
The American Heritage Guide to Antiques
New York NY: American Heritage Publishing 1970. Book in tight VG condition. Light soiling on outside edge of book else fine. American antiques from Colonial to Art Nouveau. With hundreds of hand-drawn illustrations. Softcover. Very Good/No Jacket. American Heritage Publishing Paperback
Referenz des Buchhändlers : 001387
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Mary Ellen Miller
The Art of Mesoamerica from Olmec to Aztec
New York NY: Thames And Hudson 1996. Revised edition. In VG condition no writing clean tight. 193 pages of illustrations and beautiful colour photography. This third edition of a noted pre-Columbian art history book will satisfy various types of readers including travelers armchair archaeologists museum goers and art history students. Inspired by new discoveries in archaeology and by major museum exhibitions Miller history of art Yale covers Mesoamerica"s broad range of cultures from Olmec to Aztec; geographic areas including Mexico Guatemala Honduras Belize and the Yucatan; and time periods from archaic to postclassic. . Softcover. Very Good /No Jacket. Thames And Hudson Paperback
Referenz des Buchhändlers : 004101 ISBN : 0500202907 9780500202906
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Mary Gilliatt
Mix & Match Decorating Book
New York NY: Pantheon Books 1984. An ingenious workbook with over 250000 combinations of wallcoverings fabrics and floorings . In fine condition. First American Edition. Hardcover. Fine/No Jacket. Pantheon Books Hardcover
Referenz des Buchhändlers : 001156 ISBN : 0394421280 9780394421285
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Mary Lafon Translated By Alfred Elwes With Gustave Dore Engravings
Jaufry The Knight And The Fair Brunissende A Tale Of The Times Of King Arthur. Translated From The French Version of Mary Lafon By Alfred Elwes.
<p>First American Edition Good Rare 1857 Hardcover Arthurian Medieval Romance of the South of France 8vo. pp. 158 2ads. Eight plates by Gustave Doré all though the name "Dore" does not appear for American copyright reasons.Embossed Gilt Knight on Horse on cover. Blind stamped cover desighn.Tissues intact over illus. Much foxing on pages. But not on pictures First green colored endpaper missing else Good. Covers and spine solid. NOT a library copy. Tight binding. This is a really great tale of Arthur's Round Table More fun in my opinion than Chretien. See our Three Geese In Flight Book Scans</p> Wiley and Halstead hardcover
Referenz des Buchhändlers : 900053043
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Mary Miller and Karl Taube
The Gods and Symbols of Ancient Mexico and the Maya
London England: Thames And Hudson 1993. An Illustrated Dictionary of Mesoamerican Religion a guide to the labyrinthine symbolic world. With nearly 300 entries from accession to yoke describe the main gods and symbols of the Olmecs Zapotecs Maya Teotihuacanos Mixtecs Toltecs and Aztec. Hardcover. Near Fine/Very Good . Thames And Hudson Hardcover
Referenz des Buchhändlers : 004181 ISBN : 0500050686 9780500050682
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mary pope osborne wood engravings by michael mccur
American Tall Tales
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referenz des Buchhändlers : 0590464833.G ISBN : 0590464833 9780590464833
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MASON
Jean Fautrier. Les Estampes
Genève Cabinet des Estampes 1986 In-4 carré Broché, couvertrure illustrée Edition originale
Referenz des Buchhändlers : 004478
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MASON (Rainer Michaël)
Jean Fautrier. Les Estampes. Nouvel essai de catalogue raisonné. Avec deux notes de Castor Seibel, Marcel-André Stalter.
genève Cabinet des estampes 1986 Un volume in-4°, 200 pp., couverture illustrée. Catalogue raisonné des estampes de Jean Fautrier. 286 reproductions en noir & blanc, 10 en couleurs et 14 originaux multiples décrits. Biographie et bibliographie in fine.
Referenz des Buchhändlers : 022662
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MASON, Rainer Michael.
Jean Fautrier. Les estampes. Nouvel essai de catalogue raisonné. Avec deux notes de Castor Seibel, Marcel-André Stalter.
Genève, Cabinet des Estampes 1986, 250x240mm, 200pages, broché. Très bel exemplaire.
Referenz des Buchhändlers : 116491
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MASON, Rainer Mickael ; FAUTRIER, Jean.
Jean Fautrier - Les estampes.
1986 Couverture souple Genève, Cabinet des estampes, 1986. Un volume in-8 carré (25x24cm), broché, couverture souple imprimée, pliure au premier plat, petit accroc au bas du dos. 197 pages, illustrées de 286 estampes décrites et reproduites, 12 interprétations et 14 originaux reproduits. Catalogue raisonné des estampes de Jean Fautrier, de 1923 à 1963, avec deux notes de Castor Stiebel et Marcel-André Stalter. Tirage à 2800 exemplaires, un des 1000 exemplaires pour le Cabinet des estampes. Biographie et bibliographie in fine. Bon exemplaire de cet ouvrage de référence.
Referenz des Buchhändlers : 1127
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MASSARD Jules
La Fenaison
D'après Léon Lhermitte. Épreuve avant la lettre, signée à la pointe-sèche. Cacher sec ATS En feuille Très bon Paris Charmenot 1887 23,5 x 28,5 cm
Referenz des Buchhändlers : 14359
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MASSON Alphonse
Le garde-chasse
D'après Decamps. Paru dans "L'artiste". Belle épreuve sur Chine contrecollé. Paris L'Artiste 19,2 x 13 cm.
Referenz des Buchhändlers : 8140
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MASSIP Catherine - Emmanuel Le Roy Ladurie (préface) - Avec la participation des Départements ds Cartes et Plans, des Estampes, des Livres imprimés, des Manuscrits occidentaux et orientaux, des Médailles, et de la Musique de la Bibliothèque Nationale
Le chant d'Euterpe, l'aventure de la musique
1991 Hervas, collection Banque Nationale de Paris - 1991 - In-4 couverture cartonnée noire décorée - 188 pages - nombreuses reproductions photographiques
Referenz des Buchhändlers : 98357
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MASSÉ F. N.
The bearers of the Holy Carpet
Épreuve sur chine contrecollé; D'après le tableau de frederick Arthur Bridgman. En feuille Très bon 1878 21 x 28 cm
Referenz des Buchhändlers : 14367
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MASBOU, Jean-Luc
Signierter Comic-Druck als Weihnachtsgabe von Heinzelmännchen's Bücherstube in Stuttgart. * Eigenhändig signiert und numeriert. Hier die Nummer 93 / 250.
Stuttgart 1998. Ein Blatt in orangerotem Umschlag "Frohe Weihnachten und ein gutes Neues Jahr". Neuwertig 21x15 cm
Referenz des Buchhändlers : 147101
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Masereel, Franz. (Wood Engravings) Edscmid, Kasimir. (Introduction)
Politische Zeichnungen.
Berlin: Erich Reiss Verlag. Very Good with no dust jacket. 1924. Reprint; Fourth Printing. Cloth. Viertes tausend edition. Very good copy in ochre-colored cloth. Previous owner's name inked on title page. Covers moderately shelf-soiled. Text in German. Franz Masereel wood engravings throughout. ; 5" x 6 1/2"; 111 pages . Erich Reiss Verlag. hardcover
Referenz des Buchhändlers : 3113677
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Masereel, Frans / Brod, Max [Intro.]
Geschichte Ohne Worte - 60 Holzschnitte / Mein Stunden Buch - 165 Holzschnitte [TWO VOLUME SET]
TWO VOLUME SET. 15.5x12 cm. Unpaginated. Hardcover. Spine hinges cracked. Pages slightly yellowing. Else in good condition.
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MASINI Romeo,
La Frana della Lima
(15 dicembre 1933) . 8vo. pp. 12. . Molto buono (Very Good). . . . Allegato un secondo opuscolo dell'Autore: Che cosa può dirci la luna? Nistri-Lischi, 1962, pp. 20
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Mason Fine Prints (Glen Head, NY).
Catalog No. 15: Fall 1976.
Glen Head NY: Mason Fine Prints 1976. 4to. 8 pp. Stapled Sheets Very Good. Illustrated. Chagall Bishop Zorach et al. Glen Head, NY: Mason Fine Prints, 1976. unknown
Referenz des Buchhändlers : 15-10806
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Mason Fine Prints (Glen Head, NY).
Catalog No. 16: Winter 1977.
Glen Head NY: Mason Fine Prints 1977. 4to. Folded Sheet Very Good. Illustrated. Prospectus for Print Reference Sources compiled by Lauris Mason present. Glen Head, NY: Mason Fine Prints, 1977. unknown
Referenz des Buchhändlers : 15-10805
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Mason Fine Prints (Glen Head, NY).
Catalog No. 8: Winter 1974.
Glen Head NY: Mason Fine Prints 1974. 4to. 8 pp. Loose Folded Sheets Very Good. Illustrated. Chagall Bishop Zorach et al. Glen Head, NY: Mason Fine Prints, 1974. unknown
Referenz des Buchhändlers : 15-10807
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Mason Fine Prints (Glen Head, NY).
Catalog No. 9: Spring 1974.
Glen Head NY: Mason Fine Prints 1974. 4to. 8 pp. Stapled Sheets Very Good. Illustrated. Bellows Albright Whistler et al. Glen Head, NY: Mason Fine Prints, 1974. unknown
Referenz des Buchhändlers : 15-10808
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Mason Fine Prints (Glen Head, NY).
Catalog No. 13: Fall 1975.
Glen Head NY: Mason Fine Prints 1975. 4to. 8 pp. Loose Sheets Very Good. Illustrated. Renoir Ibels Maurice Denis et al. Glen Head, NY: Mason Fine Prints, 1975. unknown
Referenz des Buchhändlers : 15-10866
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Mason Fine Prints (Glen Head, NY).
Catalog No. 12: Winter 1975.
Glen Head NY: Mason Fine Prints 1975. 4to. 8 pp. Loose Folded Sheets Very Good. Illustrated. Cadmus Benton Curry et al. Glen Head, NY: Mason Fine Prints, 1975. unknown
Referenz des Buchhändlers : 15-10811
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Mason Fine Prints (Glen Head, NY).
Catalog: February 1973.
Glen Head NY: Mason Fine Prints 1973. 4to. 8 pp. Loose Folded Sheets Very Good. Illustrated. Bellows Grant Wood Tissot et al. Glen Head, NY: Mason Fine Prints, 1973. unknown
Referenz des Buchhändlers : 15-10813
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Mason Fine Prints (Glen Head, NY).
Catalog: May 1973.
Glen Head NY: Mason Fine Prints 1973. 4to. 8 pp. Loose Folded Sheets Very Good. Illustrated. Gauguin Glotzius Kollwitz et al. Glen Head, NY: Mason Fine Prints, 1973. unknown
Referenz des Buchhändlers : 15-10814
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Mason Fine Prints (Glen Head, NY).
Catalog: September-October 1973.
Glen Head NY: Mason Fine Prints 1973. 4to. 8 pp. Loose Folded Sheets Very Good. Illustrated. Goya Hassam Hopper et al. Glen Head, NY: Mason Fine Prints, 1973. unknown
Referenz des Buchhändlers : 15-10812
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Mass ) University Prints (Winchester
Catalogue of the University Prints
Paperback / softback. New. paperback
Referenz des Buchhändlers : B9781014132154 ISBN : 1014132150 9781014132154
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Mass ) University Prints (Winchester
Catalogue of the University Prints
Hardback. New. hardcover
Referenz des Buchhändlers : B9781013436109 ISBN : 1013436105 9781013436109
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Mass ) University Prints (Winchester
Catalogue of the University Prints
Hardback. New. hardcover
Referenz des Buchhändlers : A9781013436109 ISBN : 1013436105 9781013436109
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Mass ) University Prints (Winchester
Catalogue of the University Prints
Paperback / softback. New. paperback
Referenz des Buchhändlers : A9781014132154 ISBN : 1014132150 9781014132154
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Mass ) University Prints (Boston
University Prints. Series A. Greek and Roman Sculpture; 500 Plates to Accompany A Handbook Edited by Edmund von Mach
Paperback / softback. New. paperback
Referenz des Buchhändlers : B9781021517623 ISBN : 1021517623 9781021517623
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Mass ) University Prints (Winchester
University Prints. Series G.: European Architecture
Paperback / softback. New. paperback
Referenz des Buchhändlers : B9781022805170 ISBN : 1022805177 9781022805170
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Mass ) University Prints (Winchester
University Prints. Series G.: European Architecture
Hardback. New. hardcover
Referenz des Buchhändlers : B9781020689406 ISBN : 1020689404 9781020689406
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Mass ) University Prints (Boston
University Prints. Series A. Greek and Roman Sculpture; 500 Plates to Accompany A Handbook Edited by Edmund von Mach
Hardback. New. hardcover
Referenz des Buchhändlers : B9781019966549 ISBN : 1019966548 9781019966549
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MASSON André
Le Titan - Lithographie originale signée sur BFK de Rives d'André Masson
- Aubier 1972, 65x50cm, une feuille. - Lithographie originale imprimée sur BFK de Rives. Mention "Epreuve d'artiste" rédigée au crayon en bas à gauche. Signature de l'artiste au crayon en bas à droite de la planche. Marges salies avec petites traçes de pliure. Paysage mystérieux à la végétation luxuriante, le feu au centre, représente le titan sur un fond de collines dans des tons verts et orangés. [ENGLISH DESCRIPTION ON DEMAND]
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MASSON, André (Balagny, 1896 - Parigi, 1987),
Omaggio a Michelangelo
Litografia a 7 colori. Opera appartenente al portfolio pubblicato in occasione del 500° anniversario della nascita di Michelangelo Firma e numerazione a matita. Stampata su carta Arches da 250 gr da Mourlot, Parigi. Esemplare 173/200. Cm 80x60. . . Perfetto (Mint). . Tiratura 200 + XX p.d.a.. .
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MASSON, André (Balagny, 1896 - Parigi, 1987),
Senza titolo
Acquaforte acquatinta originale tratta dal libro ''Méta.Morphoses'' di Arturo Schwarz stampato in 150 copie su carta Arches da Georges Fall, Parigi Firma a matita. Incisione stampata presso l'Atelier Crommelynck, Parigi. cm 21,5x14,8 (foglio 38x28,5). pp.. . . . . .
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Master Prints, Scripting
I Speak My World into Existence: I Speak My World into Existence Guided Journal to master Scripting and manifest all your Dreams 101 Lifetime Goals . tools necessary to manifest your dreams.
NEW. unknown
Referenz des Buchhändlers : BIB-NOV-14-2025-133355 ISBN : 9798672088219 9798672088
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MasterLetter Prints
Calligraphy and Hand Lettering Practice Journal: Lined Guide Sheets Workbook For Beginners and Experts
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referenz des Buchhändlers : 172862813X.G ISBN : 172862813X 9781728628134
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