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Embellished With Numerous Engravings
The American Magazine of Useful and Entertaining Knowledge 1837 Vol. 3
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 0243057237.G ISBN : 0243057237 9780243057238
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Embellished With Engravings; Part I
The Beauties of England and Wales or Original Delineations Topographical Historical and Descriptive of Each County Vol. 12
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1334400016.G ISBN : 1334400016 9781334400018
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Embellished With Engravings
The Beauties of England and Wales or Delineations Topographical Historical and Descriptive of Each County Vol. 6
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1527924068.G ISBN : 1527924068 9781527924062
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Embellished With Engravings
The Beauties of England and Wales or Original Delineations Topographical Historical and Descriptive of Each County Vol. 9
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 0282268669.G ISBN : 0282268669 9780282268664
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Embellished With Several Hundred Engravings
The Family Magazine or General Abstract of Useful Knowledge 1843 Vol. 3
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1334917884.G ISBN : 1334917884 9781334917882
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Embellished With Engravings on Copper and Wood, Fr
The History of England From the Invasion of Julius Caesar to the Revolution in 1688 Vol. 8
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1334710597.G ISBN : 1334710597 9781334710599
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Embellished With Elegant Engravings, and a Highly-
The Odd-Fellows' Offering for 1850
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 1527659984.G ISBN : 1527659984 9781527659988
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Embellished With Fine Wood Engravings
Winter; Or the Comforts of a Fire-Side
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Riferimento per il libraio : 133228728X.G ISBN : 133228728X 9781332287284
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EMBLEMATIC ENGRAVINGS - DREXEL, H
Opera Omnia. In duos Tomos nunc distributa.Illustrata Indicibus Moralibus.Congestis et Compositis.sed.Studio ac labore R.P. Petri de Vos.2 Parts. Moguntiæ Mainz Godofr. Schonwetter apud Nicolaum Heistilium 1651.
4to. Cont. marbled boards somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 of 54 allegorical and symbolical engravings numbered 1-54 nos. 172932 a. 41 lacks. Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone. hardcover
Riferimento per il libraio : 19361
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EMBLEMATIC ENGRAVINGS - DREXEL, H.
Opera Omnia. In duos Tomos nunc distributa...Illustrata, Indicibus, Moralibus...Congestis et Compositis...sed...Studio ac labore R.P. Petri de Vos...2 Parts. Moguntiæ (Mainz), Godofr. Schonwetter apud Nicolaum Heistilium, 1651.
4to. Cont. marbled boards, somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 (of 54) allegorical and symbolical engravings, numbered 1-54 (nos. 17,29,32 a. 41 lacks). Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone.
Riferimento per il libraio : 19361
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Emile Compard
André Gide. Lithographie originale sur vélin Johannot, signée, numérotée 22/25. Mention manuscrite (non identifiée) au crayon rouge "Cadeau de Léautaud. Il n'aimait pas ce genre de dessin".
Paris, circa 1950, 325x240 mm.,
Riferimento per il libraio : 72097
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Emile FRIANT
L' OASIS . lithographie originale sur chine collé
1893 Les peintres-lithographes : album trimestriel de lithographies originales et inédites 1893 - belle epreuve Impression . claires rousseurs en marge. toutes marges dimension feuille : 320 x 460mm.. timbre de la Société des Peintres-Lithographes, tirage à 80 ex.
Riferimento per il libraio : 27872
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Emmer, Felice, writer and artist (dates unknown).
Eine Blumengeschichte. [Probably Vienna, 1948].
Small 4to (131 x 150 mm). 16 unnumbered pp. on 8 ff. with numerous pen-and-ink drawings in original hand colour. Original boards with coloured cover illustration. Meticulously drawn and coloured pen illustrations of a "story of flowers and bug people" (as the title-page states), written by the artist herself. - Includes ten printed, illustrated leaves of poetry (one a duplicate) and three printed bookmarks issued by the Viennese publisher Waldheim-Eberle, who published several of Emmer's books, including this one.
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EMPRUNT.
Crédit National. Réparation des dommages causées par la guerre.
P., Imprimerie Devambez. . 40X30 cm.
Riferimento per il libraio : 16344
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EMPRUNT.
La hausse certaine de l'emprunt national de 1918.
Rouen, Imprimerie Lucien Wolf. 50X32 cm.
Riferimento per il libraio : 16345
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Engelbrecht Martin
Saccharum Coffe et Tabacum
Estampe bien dans le goût de cet artiste montrant une scène de buveurs de caffé, de fumeurs et de joueurs de billard en plein-air. Coloris ancien. Rousseurs surtout en marges, menus accidents. En feuille Bon XVIIIè 21,5 x 31 cm
Riferimento per il libraio : 10815
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Engelhardt, Christian Moritz
Das Monte-Rosa- und Matterhorn- (Mont Cervin) Gebirg, aus der Inseite seines Erhebungsbogens gen Nord, seine Ausläufer und Umgrenzung, besonders der Saasgrat mit dem Mischabeldom über dem Gletscherkrater von Fee. mit einer ganz neuen, pittoresken und geologischen, chromolithographirten Panoramakarte, einer Ansicht der Ostseite des Saasgrats ... ferner des schwarzen Sees bei Zermatt.
Paris und Strassburg, in Commission, bei Treuttel und Würtz, 1852. XXVIII, 247 S. Mit 2 lithogr. Tafel (davon eine mehrfach gef.). Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 31384AB|31384AB_2|31384AB_3 [3 Warenabbildungen]
Riferimento per il libraio : 31384AB
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ENGELS Robert
Le passant
Belle épreuve parue dans le numéro 11 (mars 1898) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. Cadre et passe-partout Très bon Paris L’Estampe Moderne. 1898 35 x 24
Riferimento per il libraio : 6127
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Engen, Rodney K
Pre-raphaelite prints. The graphic art of Millais, Holman Hunt, Rossetti and their followers
London, Lund Humphries, 1995. original cased binding?with original dust wrapper, 4?, 128 pages, with numerous illustrations and photographs, a very good copy
Riferimento per il libraio : GD9-982
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ENGLISH L. S.
An Introduction to the Collecting and History of Whitby Prints. 210 COPIES WERE PRINTED
2 vols., folio, First and Sole Edition, with 277 reproductions of engravings and 25 head- and tail-pieces; original white buckram, covers mildly age-soiled else a very good, clean copy. EDITION LIMITED TO 210 COPIES.
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT THE PRINCE OF LOO CHOO JAPAN
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with very faint modest soiling near the exterior edge of the margin and shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18654
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT SCENE AFTER PRINCE OF LOO CHOO'S FEAST JAPAN
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with faint soiling and shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18653
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT LOO CHOO CHIEF & HIS TWO SONS JAPAN
London: John Murray. Very Good. 1818. PRIN. This original 1818 aquatint is toned with very fain modest thumbing in margins and faint shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18656
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT GENTLEMAN OF LOO CHOO JAPAN IN HIS CLOAK
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with with modest soiling in lower left margin and shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18652
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT NAPAKIANG LOO CHOO ISLAND JAPAN
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with very faint modest thumbing in margins and faint shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18657
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT COREAN CHIEF AND HIS SECRETARY JAPAN
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with very faint modest thumbing in margins and faint shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18658
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Engraver: Robert Havell & Son; Drawn by William Havell
ORIGINAL 1818 AQUATINT PRINT PRIEST AND GENTLEMAN OF LOO CHOO JAPAN
London: John Murray. Very Good. 1818. Print. This original 1818 aquatint is toned with faint shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25" . John Murray unknown
Riferimento per il libraio : 18655
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engravings
6 plates from Vorlufiger Bericht ber geologische Forschungen auf Java. Erster Teil by K. Martin 1911depicting lanscapes
unknown
Riferimento per il libraio : 74105
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engravings
Chart showing the 1853 - 1854 track of the flagship U.S. Steam Frigate Mississippi of Commodore Perry's Expedition to Japan and the ports of call on the journey. Original < lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Ackerman. Size Image: 16 3/8" x 10 1/4
unknown
Riferimento per il libraio : 58562
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engravings
Crossing the Oho-E-Ga-Wa Province Suraga Original color lithograph taken from Perry Expedtion to Japan Tucker printing 1856. Lithogr. by Sinclair. Page Size: 29x43cm printing size cm 376 x H- 192. Reproduction of a Japanese color wood block print of a river crossing
unknown
Riferimento per il libraio : 58553
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Engravings By J Matheus And I Briot
Eight Engravings From "Les Métamorphoses D'ovide Traduites En Prose Françoise
Paris: Augustin Courbe 1651. 1st Edition . No Binding. Very Good. Eight Engravings From The Text Trimmed To Margins And Mounted On Two Large Sheets. Small Loss At Lower Left Corner Of "Philemon Baucis" Plate. <br/> <br/> Augustin Courbe unknown
Riferimento per il libraio : 038533
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engravings
Fac-simile Japanese painting boat. Original color lithograph taken from Perry Expedtion to Japan Tucker printing 1856 . Lithogr. by Sinclair. Page Size: 29x43cm printing size cm 35.2 x H-21.9 Reproduction of a Japanese color wood block print of a boat
unknown
Riferimento per il libraio : 58552
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Engravings
FUN VOL.XXV
Hardcover. Good. FIRST EDITION London T. Moffitt 1877. Tall hardcover in gilt-decorated embossed cloth boards. Vol XXV: Jan. 3 1877 - Jun 27 1877; 258 pages illustrated throughout with b/w wood engravings including some double-page of political and other current interest. Rare title in good overall condition with light soiling wear to boards owner name on front paste-down. NOT EX-LIBRARY frnc hardcover
Riferimento per il libraio : 8O-HZD1-EK9Q
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engravings
Reeve L. 1845. Monograph of the Genus Helix. Conchologia Iconica Volume 7. 146 on 210 original spare plates some with original text. Ask for details. An enterely facsimile version of this monograph complete printed on acid free paper matched to the quality and color of the originals text is printed on two sides exactly like the original with black buckram binding is available at 850 euro.
unknown
Riferimento per il libraio : 69582
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Engravings by Cooke and text by Humphreys
Rome and Its Surrounding Scenery Illustrated with Engravings By W. B. Cooke from Drawings by Eminent Artists Accompanied By Literary Sketches by H. Noel Humphreys
Charles Tilt 1840. Hardcover. Good. original orange binding with gold design 3o engraved views by Cooke Charles Tilt hardcover
Riferimento per il libraio : lib55342BC5
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Engravings
Scrapbook containing 18th- and 19th-century engraved plates removed from books including portraits sporting scenes buildings botanicals birds &c. Mostly English but some continental
No place 1790. 34 leaves containing about 225 plates one hand-colored. 1 vols. Folio. Quarter calf over flowered paper covered boards. Worn but most of the plates are still in very good condition within some trimming only occasionally affecting any text under the plate. In all an interesting collection of engravings. 34 leaves containing about 225 plates one hand-colored. 1 vols. Folio. unknown books
Riferimento per il libraio : 236120
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Engravings, Numerous
Seventeen Hundred And Seventy-Six Or The War Of Independence
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Riferimento per il libraio : 1010061046.G ISBN : 1010061046 9781010061045
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Engravings By Vizetelly Throughout
The Boy's Own Book. A Complete Encyclopaedia Of Sports And Pastimes; Athletic Scientific And Recreative. A New Edition Thoroughly Revised And Considerably Enlarged With Section On "American Base Ball" Ie. Baseball In New Appendix 1877.
London: Crosby Lockwood & Co 1877. First Revised and Enlarged Edition . Blue Cloth Gilt. Fine. 6 5/8" Tall. Viii 724 Iv Ads. Modern Blue Cloth Gilt. Considerably Enlarged With New Appendices On Several Games Including A Six Page Article On American Baseball Not Present In The Earlier Edition. Contents Fine Including The Double-Page Illustrated Frontispiece/Title And The Second Printed Title Page Illustrated Section Titles With Gilt Lettering Rebound In Sturdy Blue Cloth Head And Tail Pieces Gilt Lettering And Design On Spine With Binder's Gilt Stamp On Rear Pastedown. A Scarce Edition Bound Extremely Well For Decades/Centuries Of Future Use. No Names Or Marks No Soiling No Wear To Pages. Scarce With Only One Copy Listed In Worldwide Institutional Holdings Indexed In Worldcat. <br/> <br/> Crosby , Lockwood & Co hardcover
Riferimento per il libraio : 025520
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Engravings by Matthew Dubourg; Aquatints by John Heaviside Clark
Whale Fishery from Foreign Field Sports Fisheries Sporting Anecdotes Etc.
E-160. Very Good. Hardcover. Hardcover. 4to. Edwd. Orme London UK. 1813. 12 pgs. Illustrated with a set of four whaling prints originally found in Williamson's "Foreign Field Sports." Bound by Zaehnsdorf in 3/4 leather and matching cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. A complete set of four fine colour aquatints depicting whaling in the early 19th century. Fine original colour. The titles of each plate : 'Whale Fishery Plate 1 A Ship's Boat Attacking a Whale' 'Whale Fishery Plate 2 Boats Approaching a Whale' ''Whale Fishery Plate 3 A Whale Brought Along-Side a Ship' 'Whale Fishery Plate 4 Shooting the Harpoon at a Whale'. EB; 8vo 8" - 9" tall . hardcover
Riferimento per il libraio : 66656
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Engravings Skelton Christopher Editor Eric Gill
Eric Gill - The Engravings
Boston: David R. Godine 1990. First American edition. Cloth. Near Fine/near fine. Large clothbound quarto in dustwrapper. 478 pp. This volume compiled by Gill's nephew contains Gill's complete oeuvre - from his religious subjects to his erotic fantasies. With hundreds of illustrations of the artist's engravings. Ever so slight shelfwear else a fine copy in patterned green cloth covers in a near fine unclipped dustwrapper. Terrific book on Gill. Stated first U.S. edition. A very large and heavy book. David R. Godine unknown books
Riferimento per il libraio : 26366
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Engravings by E. Landells
The Book of Science ; a Familiar Introduction to the Principles of Natural Philosophy Adapted to the Comprehension of Young People
London: Chapman and Hall 1833. Cloth. Very Good. 2 xviii 2 1-464 1-ad pages frontis. Publisher's cloth blindstamped and gold stamped decorations. Rebacked with original spine laid down. All edges gilt. 4 3/8 x 5 1/2 inches. Generally bright and clean internally noting a '139' on the front flyleaf perhaps from a lending library. Wear at the extremities now a sound working copy. Cloth. Covers various topics targetted at youth including mechanics hydraulics hydrostatics pneumatics acoustics pyronomics optics electricity galvanism and magnetism. Engravings by E. Landells. Chapman and Hall unknown books
Riferimento per il libraio : 20466
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Engravings of Arabia Aden
Collection of 3 Antique Engravings of Arabia Printed 1847
Collection of three original steel engravings of the Castle of the Sultan of Aden at Lahadj 2 Arabian men shaking hands and a camel on a voyage titled: "Chateau Du Saltan d'Aden a Lahadj" "Salut des Arabes" & "Chameau scelle pour le Voyage" from Picturesque Universe published by Firmin Didot in 1847. Size: 5" x 8.2." The first engraving shows a beautiful and picturesque view of the Sultan of Aden's Castle and surrounding countryside with depictions of palm trees and mountians. The second depicts a greeting between two Arab men who are seen shaking hands. And the final engraving depicts a camel in the desert. Some age related toning pin holes in the top margin and remenants of a sticker in the top right corner of first image.Third engraving with past staple marks and a 4cm paper loss along top edge not affecting image. Overall the engravings in very good condition. unknown books
Riferimento per il libraio : 14685
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Erasmus (Desiderius) :
Epitome Adagiorum ex novissima D. Erasmi Rot. recognitione, per Eberhardum Tappium ad numerum Chiliadum aucta ; et, quod diligers lector facile videbit, multis in locis iam, quàm anté diligentiùs emendata.
Cologne, Mart. Gymnicus, 1549 ; in-8 ; plein vélin estampé sur ais de bois, dos à trois gros nerfs, fermoirs de cuivre (reliure de l'époque) ; (16) y compris le titre, 632, [634], (76) pp. index, (1) f. blanc (*, AZ, Aa-Xx - 8, Yy - 4).
Riferimento per il libraio : 9472
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des pl
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ERICKSON Carl
"Combien de morceaux de sucre?" Robe d'après-midi garnie de dentelle "à la maréchale" (pl.2, La Gazette du Bon ton, 1922 n°1)
- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. [ENGLISH DESCRIPTION ON DEMAND]
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Ermakov, (Dmitri Ivanovich).
[One of the first Marxist groups in the Caucasus]. Tbilisi (Tiflis), Georgia, 1880s.
Albumen print, titled and numbered "13385" in the lower edge of the negative. 213 x 165 mm. A fine image showing yard and street cleaners at study. - The Russian photographer Ermakov trained as a military topographer and took part in the Russo-Turkish War before setting up his photographic business in Tbilisi. He travelled extensively as far as Iran and took part in several archaeological expeditions in the Caucasus, leaving a series of unique photographs.
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ERNST Max
"Masque" - Aquatinte originale signée de Max Ernst
- 1950, 31,5x50cm, une feuille. - «Masque» - Original aquatint signed by Max Ernst 1950, 31.5 x 50 cm, single sheet Original aquatint by Max Ernst signed in pencil on bottom right by the artist. Autograph pencil note to bottom left: "BAT (avec fond)". A handsome proof on vergé d'Arches paper of this original aquatint engraved by Max Ernst in 1950 and only printed 20 years later in the workshop of Georges Visat in 100 numbered copies and signed [Spies/Leppien, 38]. This copy is the contract proof of the engraving. Two small pinholes to top left and bottom right of subject, as on all the plates in the printing. [FRENCH VERSION FOLLOWS] Aquatinte originale de Max Ernst signée en bas à droite au crayon par l'artiste. En bas à gauche, mention autographe au crayon : "BAT (avec fond)". Belle épreuve sur vergé d'Arches de cette aquatinte originale gravée par Max Ernst en 1950 et tirée seulement 20 ans plus tard dans l'atelier de Georges Visat à 100 exemplaires numérotés et signés [Spies/Leppien, 38]. Notre exemplaire est le bon à tirer de la gravure. Deux petits trous d'épingles en haut à gauche et bas à droite du sujet, comme sur toutes les planches du tirage.
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ERNST Max:
Le musée de l'homme suivi de La pêche au soleil levant.
Paris, Galerie Alexandre Iolas, [1965]. In-8 broché de [56] pages, couverture rempliée sur vélin pur fil blanc, illustrée au premier plat d'un dessin de Dorothea Tanning, sous chemise et étui de toile vieux rose.
Riferimento per il libraio : 17696
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ERRO' ,Gudmundur (Olafsvik, Islanda 1932),
Senza titolo
Litografia originale a colori dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare XXV/XXV. cm 56,5x45. . . . . Tiratura 125 + XXV. .
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Erró, [Gudmundur], Icelandic artist (b. 1932).
Karl Marx. No place, 1975.
Collage on paper, signed and dated. 425 x 330 mm. Framed and glazed. Erró (born Guðmundur Guðmundsson), the "Roy Lichtenstein of Iceland", is a visual artist and painter best known for his painted pop-art collages of images from comic books and advertisements.
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