‎Music‎

‎LAURENCIN GENEVIEVE.‎

‎MUSIQUE.‎

‎ISBN : 2070504484. GALLIMARD.. 1996. In-12 Carré. Cartonnage d'éditeurs. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 35 pages environ. Non paginé. Nombreuses iillustrations en couleurs dans le texte par CLAUDE ET DENISE MILLET.‎

‎Laurencin Geneviève,‎

‎Musique !‎

‎Gallimard Jeunesse / Découverte Benjamin. 1988. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. environ 50 pages augmentées de nombreuses illustrations couleurs dans et hors texte. Annotation au stylo sur 1er contre-plat.. . . . Classification Dewey : 780-Musique‎

‎Illustrations de Claude et Denise Millet. Classification Dewey : 780-Musique‎

Bookseller reference : RO30314034 ISBN : 2070397262

‎Laurens van Houten ,Govert de Roos, Anton Corbijn, Patricia Steur, Kees Tabak, Bart Chabot, Mechteld Beks, Karin Beks‎

‎Golden Earring.‎

‎LUXE UITGAVE MET GOUD OPSNEE gebonden in linnen , Tekst Nederlands, 384 pagina's, Rijk geïllustreerd, Formaat 300 x 300 mm, prachtig boek !!!. ISBN 9789073187467. De rock 'n' roll-verbintenis tussen de leden van Golden Earring is duurzamer gebleken dan vele huwelijken. Welke andere rockband komt al 35 jaar uit met dezelfde bezetting? En heeft daarbij zo'n perfecte innerlijke balans? Golden Earring heeft nooit de neiging vertoond om langzaamaan te veranderen in de Barry Band, de George groep, de Rinus Rockers of de Cesar Slagwerkers. Een scheiding a la Lennon/McCartney of a la Mick en Keith heeft binnen hun gelederen nooit plaatsgevonden. Elke musicus vult de andere drie aan op een unieke manier. Die synthese is het resultaat van wederzijds inzicht dat heeft geleid tot groeiende achting inplaats van groeiende verachting-in de op persoonlijke roem gerichte rockwereld een inderdaad ongebruikelijk on-egocentrisch verschijnsel. Misschien heeft dit ook te maken met het feit dat Golden Earring haar Hollandse wortels steeds trouw is gebleven en haar reputatie dus heeft opgebouwd in een maatschappij die , relatief gesproken, niet echt serieus neigt tot heldenverering. Desondanks lukte het de band in 1973 om een mijlpaal in het Hollandse culturele landschap te worden en te blijven dankzij de bestorming van de internationale hitparades met de single Radar Love. Sindsdien is er stug volhard in het produceren van onomwonden, eerlijke rock 'n' roll. De groep werd nooit 'soft'verzaakte nooit haar gemeenschappelijke muzikale visie. Op het toneel gaan de vier bandleden nog steeds tekeer als beesten; elk - elektrisch maar ook akoestisch - concert bewijst dit opnieuw.‎

‎Laurent (Claire)‎

‎Les plus beaux chants traditionnels‎

‎Archives & Cultures 2003 In-4 broché, 191 pp, avec nombreuses illustrations en noir.‎

‎Très bon état d’occasion‎

Bookseller reference : 13635

‎Laurent Aubert‎

‎Pianeta Musicale Museo di Etnografia di Ginevra. Strumenti musicali dei cinque continenti‎

‎Illustrato con fotografie di Attilio Bocazzi-Varotto, testo bilingue italiano / inglese, rilegato, cartonato, custodia cartonata, formato 24x35, pag.146, ottime condizioni - 29‎

‎Laurent Claire.‎

‎LES PLUS BEAUX CHANTS TRADITIONNELS.‎

‎(Codice CZ/0221) In 4° (29,5x21 cm) 191 pp. Illustrations, planches. Broché, très bon état. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA‎

‎Laurent et Pascal Verdeaux‎

‎Nouvelle histoire du jazz, suivi d'une anthologie‎

‎Editions Hermés 1968, grand in/8 broché, couverture en couleurs, 302 pages. Photographies en noir. Les origines, La naissance, Chicago, Louis Armstrong, New York, Le Duke et les Ellingtoniens,...‎

‎LAURENT Guy.‎

‎Flûte à bec. Pour une autre approche de la musique.‎

‎JM Fuzeau, 1983. In-8, cartonné.‎

‎[13161]‎

Bookseller reference : 13161

‎Laurent lavigne‎

‎En avant la musique - jeux et tests: 300 questions pour decouvrir toutes les musiques - n° 639‎

‎J'AI LU / LIBRIO MUSIQUE INEDIT. 2004. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 88 Pages. . . . Classification Dewey : 780-Musique‎

‎Classification Dewey : 780-Musique‎

Bookseller reference : RO20253593

‎LAURENT, Léo‎

‎Méthode de batterie-jazz‎

‎sd Editions Salabert - Sans date - In-8, broché, couverture illustrée - 25 p.‎

‎Bon état - Menus plis et frottements sur la couverture - Tampon sur la 1ère de couverture‎

Bookseller reference : 113385

‎Laurents Arthur book and Stephen Sondheim music and lyrics‎

‎Anyone Can Whistle: A Musical Fable‎

‎New York: Random House. Near Fine in Very Good dj. c.1965. First Edition. Hardcover. minimal shelfwear minor staining to ffep the only significant blemish; jacket spine has a few tiny puncture tears and some minor scuffing and there are a couple of itty-bitty nicks along the top of the front panel; a review copy with the original publisher's slip laid in. B&W photographs The book and lyrics no music of the Sondheim-Laurents "musical fable." Although roundly trounced by critics at the time of its Broadway opening in 1964 and consequently closing after just nine performances this work's reputation has endured and improved in recent years; it is now staged and/or revived with some regularity and is generally regarded as an influential modern classic. The original cast featured Angela Lansbury her first role in a stage musical James Frawley and Lee Remick. A so-called "Collectors' Edition" reprint was issued in 1976 and can be easily procured; but this the true first edition is quite scarce. . Random House hardcover books‎

Bookseller reference : 23946

‎Laurents Arthur book by. Sondheim Stephen lyircs by. Styne Jule Music By‎

‎GYPSY‎

‎NY: Random House 1959. 1st Edition. Hardcover. Very Good /Very Good -. Inscribed on the ffe by the plays' lyricist Stephen Sondheim "For Jane and Bob/ Best wishes from/ Stephen Sondheim/ 12/21/82 " Jane and Bob Emerson managed the Drama Book Shop in Manhattan for many years the go-to bookshop for Broadway stage professionals and aficionados. . Price clipped dustjacket rear panel is moderately soiled and the spine moderately faded with minor loss at tips. Uncommon with Sondheim's signature. Random House hardcover books‎

Bookseller reference : 011532

‎Laurents Arthur; Music by Leonard Bernstein; Lyrics by Stephen Sondheim; Choreographed by Jerome Robbins‎

‎West Side Story: Musical.‎

‎New York: Random House 1958. First edition of this classic musical. Octavo original half cloth. Signed by Arthur Laurents Leonard Bernstein and inscribed by Stephen Sondheim on the half-title page. Fine in a very good dust jacket. Rare and desirable signed by these three contributors. This is the first example we have seen. Rare and desirable. In 1947 Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan during the Easter-Passover season. The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" a name that made its way into the script as a reference. Eager to write his first musical Laurents immediately agreed. Bernstein wanted to present the material in operatic form but Robbins and Laurents resisted the suggestion. They described the project as "lyric theater" and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose. When he opted to drop out the three men went their separate ways and the piece was shelved for almost five years. In 1955 theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade about an opera singer who comes to the realization he is homosexual and he invited Laurents to write the book. Laurents accepted and suggested Bernstein and Robbins join the creative team. Robbins felt if the three were going to join forces they should return to East Side Story and Bernstein agreed. Laurents however was committed to Gabel who introduced him to the young composer/lyricist Stephen Sondheim. Sondheim auditioned by playing the score for Saturday Night his musical that was scheduled to open in the fall. Laurents liked the lyrics but was not impressed with the music. Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved. Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner. While in Hollywood he contacted Bernstein who was in town conducting at the Hollywood Bowl. The two met at The Beverly Hills Hotel and the conversation turned to juvenile delinquent gangs a fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war. Bernstein suggested they rework East Side Story and set it in Los Angeles but Laurents felt he was more familiar with Puerto Rican immigrants and Harlem than he was with Mexican Americans and Olvera Street. The two contacted Robbins who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and I and he and Laurents began developing the musical while working on their respective projects keeping in touch with Bernstein who had returned to New York. When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind he backed out of the film freeing him to devote all his time to the stage musical. West Side Story is set in the Upper West Side neighborhood in New York City in the mid 1950s an ethnic blue-collar neighborhood in the early 1960s much of the neighborhood was cleared in an urban renewal project for the Lincoln Center which changed the neighborhood's character. The musical explores the rivalry between the Jets and the Sharks two teenage street gangs of different ethnic backgrounds. The members of the Sharks from Puerto Rico are taunted by the Jets a white gang. The young protagonist Tony a former member of the Jets and best friend of the gang's leader Riff falls in love with Maria the sister of Bernardo the leader of the Sharks. The dark theme sophisticated music extended dance scenes and focus on social problems marked a turning point in American musical theatre. Bernstein's score for the musical includes "Something's Coming" "Maria" "America" "Somewhere" "Tonight" "Jet Song" "I Feel Pretty" "A Boy Like That" "One Hand One Heart" "Gee Officer Krupke" and "Cool". The original 1957 Broadway production directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1957 but the award for Best Musical went to Meredith Willson's The Music Man. Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production a number of revivals and international productions. A 1961 musical film of the same name directed by Robert Wise and Robbins starred Natalie Wood Richard Beymer Rita Moreno George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten including George Chakiris for Supporting Actor Rita Moreno for Supporting Actress and Best Picture. Random House hardcover books‎

Bookseller reference : 71012

‎Laurents, Arthur (book), and Stephen Sondheim (music and lyrics)‎

‎Anyone Can Whistle: A Musical Fable‎

‎New York: Random House. Near Fine in Very Good dj. c.1965. First Edition. Hardcover. minimal shelfwear minor staining to ffep the only significant blemish; jacket spine has a few tiny puncture tears and some minor scuffing and there are a couple of itty-bitty nicks along the top of the front panel; a review copy with the original publisher's slip laid in. B&W photographs The book and lyrics no music of the Sondheim-Laurents "musical fable." Although roundly trounced by critics at the time of its Broadway opening in 1964 and consequently closing after just nine performances this work's reputation has endured and improved in recent years; it is now staged and/or revived with some regularity and is generally regarded as an influential modern classic. The original cast featured Angela Lansbury her first role in a stage musical James Frawley and Lee Remick. A so-called "Collectors' Edition" reprint was issued in 1976 and can be easily procured; but this the true first edition is quite scarce. . Random House hardcover‎

Bookseller reference : 23946

‎Laurents, Arthur; Music by Leonard Bernstein; Lyrics by Stephen Sondheim; Choreographed by Jerome Robbins‎

‎West Side Story: A Musical.‎

‎New York: Random House 1958. First edition of this classic musical. Octavo original half cloth. Boldly signed by Arthur Laurents Leonard Bernstein on the half-title page and inscribed by Stephen Sondheim on the front free endpaper. Review copy with the slip laid in fine in a very good dust jacket. Housed in a custom half morocco clamshell box by the Harcourt Bindery. Rare and desirable signed by these three contributors. In 1947 Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan during the Easter–Passover season. The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" a name that made its way into the script as a reference. Eager to write his first musical Laurents immediately agreed. Bernstein wanted to present the material in operatic form but Robbins and Laurents resisted the suggestion. They described the project as "lyric theater" and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose. When he opted to drop out the three men went their separate ways and the piece was shelved for almost five years. In 1955 theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade about an opera singer who comes to the realization he is homosexual and he invited Laurents to write the book. Laurents accepted and suggested Bernstein and Robbins join the creative team. Robbins felt if the three were going to join forces they should return to East Side Story and Bernstein agreed. Laurents however was committed to Gabel who introduced him to the young composer/lyricist Stephen Sondheim. Sondheim auditioned by playing the score for Saturday Night his musical that was scheduled to open in the fall. Laurents liked the lyrics but was not impressed with the music. Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved. Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner. While in Hollywood he contacted Bernstein who was in town conducting at the Hollywood Bowl. The two met at The Beverly Hills Hotel and the conversation turned to juvenile delinquent gangs a fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war. Bernstein suggested they rework East Side Story and set it in Los Angeles but Laurents felt he was more familiar with Puerto Rican immigrants and Harlem than he was with Mexican Americans and Olvera Street. The two contacted Robbins who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and I and he and Laurents began developing the musical while working on their respective projects keeping in touch with Bernstein who had returned to New York. When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind he backed out of the film freeing him to devote all his time to the stage musical. West Side Story is set in the Upper West Side neighborhood in New York City in the mid 1950s an ethnic blue-collar neighborhood in the early 1960s much of the neighborhood was cleared in an urban renewal project for the Lincoln Center which changed the neighborhood's character. The musical explores the rivalry between the Jets and the Sharks two teenage street gangs of different ethnic backgrounds. The members of the Sharks from Puerto Rico are taunted by the Jets a white gang. The young protagonist Tony a former member of the Jets and best friend of the gang's leader Riff falls in love with Maria the sister of Bernardo the leader of the Sharks. The dark theme sophisticated music extended dance scenes and focus on social problems marked a turning point in American musical theatre. Bernstein's score for the musical includes "Something's Coming" "Maria" "America" "Somewhere" "Tonight" "Jet Song" "I Feel Pretty" "A Boy Like That" "One Hand One Heart" "Gee Officer Krupke" and "Cool". The original 1957 Broadway production directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1957 but the award for Best Musical went to Meredith Willson's The Music Man. Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production a number of revivals and international productions. A 1961 musical film of the same name directed by Robert Wise and Robbins starred Natalie Wood Richard Beymer Rita Moreno George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten including George Chakiris for Supporting Actor Rita Moreno for Supporting Actress and Best Picture. Random House hardcover‎

Bookseller reference : 148050

‎LAURENTS, Arthur, book, Music by Leonard Bernstein and Lyrics by Stephen Sondheim‎

‎West Side Story‎

‎New York: Random House 1958. Hardcover. Near Fine/Very Good. First edition. Slight toning spotting and a bump on the top board edge else near fine in a very good spine-faded dust jacket with some creasing and tiny tears. Sondheim's first Broadway musical a breathtaking update of Shakespeare's Romeo and Juliet to contemporary New York street-gangs. That the achievement could further be translated so successfully to film winning ten Academy Awards is without precedent. It is also the only film for which two directors received Oscars Jerome Robbins and Robert Wise. Random House hardcover‎

Bookseller reference : 556592

‎LAURENZI Filiberto LAURENZI‎

‎Arie a una voce per cantarsi nel clavicembalo ò tiorba [composte per] "La Finta Savia" drama di Giulio Strozzi (Venezia 1643) e Concerti et Arie a una, due, e tre voci con Una serenata à 5. e doi Violini, e Chitarrone (Venezia 1641)‎

‎brossura; coll."Archivum Musicum. Musica Drammatica" vol.VI; copia anastatica; Venezia 1641 e 1643; introd. di Alessandro Magini; esemplare in condizioni molto buone‎

‎LAUREt Benito.‎

‎CURRO VARGAS.‎

‎Lauri-Volpi Giacomo‎

‎L'equivoco‎

‎Volume autobiografico. In brossura. Pp. 263. Ottime condizioni.‎

‎LAURIE, JS, editor Thomas MURBY, music J S‎

‎Murby's Kindergarten Songs. The Merry-Go-Round: A Collection of Rhymes Jingles and Songs for the Amusement of the Little Ones. Eighth Edition with Additions and Improvements‎

‎London: Thomas Murby 3 Ludgate Circus Buildings 1880. Cloth. Very good. Butler & Tanner The Selwood Printing Works Frome and London.<br /> Cover title: The Merry-Go-Round or Rhymes Jingles & Songs Thomas Murby.<br /> <br /> 24mo oblong 5 ½" x 7 ¼"; 62pp; gilt-stamped lettering on green cloth over board blind-stamped decorative borders; pale yellow endpapers; musical scores; rubbing to boards paper over hinges splitting but binding holding tight lightly shaken; very good minus. Only 2 located in OCLC the Sixth edition and Eighth edition both at the British Library Reference Collections. Sixty songs musical scores with words were selected for early childhood instruction for the ages of 3-7 years. Many of the included songs are nursery rhymes familiar to this age group even in the 21st century. In the preface the author argues that children "cannot attain to any healthy moral development if they are fed upon facts alone" and teaching children nursery rhymes encourages imagination. Thomas Murby, 3, Ludgate Circus Buildings unknown‎

Bookseller reference : 1556

‎Laurini Elisabetta; Lombardo Massimo‎

‎Zoltar. Periodico trimestrale di informazione culturale. Ediz. bilingue. Vol. 2‎

‎brossura‎

‎Lauro Achille‎

‎16 marzo. L'ultima notte‎

‎br. Che cosa accade in noi quando un amore ci trasforma, ci violenta, ci intossica a poco a poco come un veleno? «L'amore malato si cura con più amore.» In un trascinante racconto poetico Achille Lauro scorre lungo le 24 ore del 16 marzo aprendo la porta del suo onirismo notturno per poi approdare all'alba e recitare la parte da uomo di successo. Le parole  affollano la mente in una ridda senza respiro, i ricordi di una vita trascorsa in squallidi casermoni si sovrappongono a quelli attuali di stivaletti lucidi firmati e riunioni ai piani alti. Ma tutto ciò è solo uno scenario che appare sullo sfondo, distaccato dalla voce dell'anima. Voce potentissima che grida l'amore, grida all'amore. Grida come tanti già gridarono, piangendo e maledicendo, da Saffo a Prévert. Amore, splendida illusione. Poesia scritta male su un foglio stropicciato. Amore come un despota. O una roulette russa. Eppure «il Purgatorio è amare e non accorgersene, / l'essere vuoti, / il non provare più nulla: / il "non essere"». L'amore è Inferno e Paradiso. Ci tormenta e ci uccide. Ma è il solo a poterci rigenerare, riportare in salvo. E ad aprirci orizzonti di arte e poesia. Con lo stesso titolo "16 marzo" del singolo uscito ad aprile 2020, questo libro non è un semplice compendio alla canzone ma un viaggio inedito alle radici della creatività e dell'ispirazione dell'artista.‎

‎Lauro, Gustavo.‎

‎Teorie delle oscillazioni ed acustica tecnica.‎

‎<p><span>25 cm, brossura editoriale con titolo al piatto e dorso, p. 206. Con 90 figure e tabelle e 6 tavole a colori. Minimi segni del tempo alla copertina. Complessivamente ben conservato.</span></p>‎

‎Lautenspieler. -‎

‎Der Musicant.‎

‎17. Jh. Kupferstich. Bildformat: 8,5 x 8 cm. Blattformat: 23 x 15 cm.‎

‎Leicht gebräunt.‎

Bookseller reference : 1540AG

‎Laux, K‎

‎Die Musik in Russland u. in d. Sowjetunion.‎

‎Berlin, Henschel, 1958. M. 98 Abb. u. 165 Notenbeisp. 463 S. OLwd. Rücken m. kl. Einriß. St. a. Tit.‎

Bookseller reference : 132967