2 154 résultats
réf. 1332617263.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2015réf. x-0198737602Oxford Univ Pr 2015. Paperback. New. 10 edition. 475 pages. 9.50x6.50x1.00 inches. Oxford Univ Pr paperback
réf. 0199264031.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6142285592Oxford University Press OUP . Papeback. New. pp. 656 10th edition Oxford University Press OUP unknown
réf. 0831IO3QYP7Very Good. New York: Horace Liveright 1930. First American Edition First Printing no month stated In dark blue cloth stamped in gilt on front panel and spine; in no dustwrapper. 82 pages plus gorgeous frontis photograph of the Brooklyn Bridge by Walker Evans. Brief edgewear only. hardcover
1944réf. 326271Evansville IN: Employees' War Production Committee 1944. Spiral_bound. Unpaginated perhaps ninety pages b&w site photography throughout a much-thumbed copy with creasings to covers handling signs to free margins and a snag to plastic spine. Interior is cleanly and unmarked. A good copy; all photos without being masterpieces combine in sequence to compellingly record the site's transformation and the stages of shipbuilding in steel. Shipyard photos are credited to Jack Rusche and Don Followell and a group photograph of committee members 25 or so occupies the terminal page; other shots record their leisure activity in costume to music. Additional US Navy photos show the ships en route and at destinations such as Marianas Islands. We note that amongst the seven engineering firms engaged in this "joint venture" two are Bechtel-related with aforementioned Missouri Valley Bridge taking the lead. Titlepage text states that the item was "Produced. for the Men and Women of The Evansville Shipyard" implying limited distribution. Employees' War Production Committee unknown books
1920réf. 107691London: Ward, Lock & Co. (um 1920). Upwards of sixty illustrations [and various plans]. Kl. 8° (15-17,5 cm). Flexibler Orig.-Leinenband, [Hardcover / fest gebunden].
1935Sm. 8vo., Ninth Edition, with coloured map as frontispiece, plates, and maps and plans (a number folding); original series binding of red cloth, covers and backstrip printed in black, radial corners, a near fine copy. With front and rear endpaper trade advertisements. SCARCE IN THIS CONDITION.
2013réf. 1390174NASA. New. 2013. Soft Cover. Reprint Edition . NASA paperback
réf. 0260251445.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0851512984New. paperback. New. Satisfaction Guaranteed or your money back. paperback
2010réf. SONG1456813609Authorhouse 2010-12-21. paperback. Used: Good. 6.00x0.52x9.00. Buy with confidence. Excellent Customer Service & Return policy. Authorhouse paperback
réf. 1618031988.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2010réf. DADAX1169265197Kessinger Publishing 2010-09-10. hardcover. New. 7.00x0.38x10.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
réf. 1025712587.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978réf. G0374909849I5N01Octagon Books 1978. Unknown. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Octagon Books unknown
réf. 0267469322.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1922réf. 3433London: Jonathan Cape 1922. Paperback. Very Good. FIRST LIMITED EDITION 296/ 750 INSCRIBED BY CLEMENCE HOUSMAN. 8vo incl. six woodcut plates by Stephen Bone. Original green cloth white paper title label lettered in black with green decorations to spine. Leading and bottom edges untrimmed. Pushing to spine ends. Edges toned top edge spotted. Inscribed in black ink to ffep: "To Norah from C. H. Christmas 1923" later ex libris of Alex. Bridge to front endpaper with his name and date 24.2. 1958 below in blue ink faint bands of offsetting to feps. Occasional fox spots spine cracked at pp. 32-3 with binding firm else clean and bright esp. Bone's six fine woodcut plates. In the original buff dust jacket lettered in black and reproducing Bone's woodcut 'Road' to front panel: price-clipped toned and foxed creased and nicked spine ends chipped; Bridge's pencil notes to ffep re. the inscription. Very good/ very good A tantalising as yet! unsupported association copy of the attractive limited edition George Bourne's familial farming memoir illustrated with six sympathetic woodcuts by Stephen Bone with an inscription ascribed to fellow woodcut artist author and suffragette Clemence Housman supposedly gifting it to the prolific and prolifically censored Irish novelist Norah Hoult: "To Norah from C. H. Christmas 1923"; according to a PO note "Alan Hancox the Cheltenham-based antiquarian bookseller who sold this to me says the inscription on the endpaper is by Clemence Housman. to Norah Hoult". Credibly in Housman's hand in 1923 the year of inscription the retiring artist and author would have been 62 and living briefly in Hampshire with her brother Laurence en route to their final home in Street from London; while her own novels and work for the Suffrage Atelier was behind her Housman was still producing wood engraving of her brother's drawings to illustrate his books with 1922 seeing Jonathan Cape issue three volumes of fairy stories and Christian fantasies on which the siblings collaborated. The significantly younger Hoult 1898–1984 had recently moved to London and was writing for a range of publications including Time and Tide the Telegraph and Pearson's Magazine; her first book Poor Women wouldn't appear for another five years. It's possible that Housman and Hoult may have met through literary circles and it seems likely that they would have been sympathetic to each other. Hoult would go on to nurture a close cross-generational friendship with her neighbour in wartime Kensington the novelist and suffragist Violet Hunt on whom she based her protagonist Claire in her 1944 novel of memory loss There Were No Windows. Alex. Bridge was a Tragara Press collector and correspondent of its founder Alan Anderson. With thanks to Elizabeth Crawford. Jonathan Cape paperback
réf. 1024309568.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009réf. DADAX110400822XKessinger Publishing 2009-01-19. hardcover. New. 6.00x0.63x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
réf. 0332912434.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 114868Both the card and the photograph are in excellent condition. unknown
1822réf. 1205M004London: T. Cadell 1822. 3rd Edition . Hardback. Printed pages: 78. Good Plus. 5.5 x 8.5 inches 14 x 22 cm. Full calf leather binding. Rebacked in a poorly matched tan calf. Marking to boards wear to corners chipping to board edges. Foxing and marking to text light stain to most upper corners. A scarce early 19th century mathematics title. Overall condition is Good Plus. International postage will be less than the stated rate. Actual costs are Europe £15.00; USA £15.00; Oceania £16.00; Rest of World £18.00. A postage refund will be made after the order has been placed. Size: 5.5 x 8.5 inches 14 x 22 cm. T. Cadell hardcover
réf. 026780735X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1330469887.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback