SOLLERS, PhilippeBiblio.com
43.871 resultados
ref. 2702204783.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2009ref. 170591New York: Monacelli Press 2009. First Edition. Hardcover. First Edition. With over 500 black-and-white and color illustrations. As New. Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Oversize volume shipping billed at cost. Monacelli Press unknown books
2009ref. 170591New York: Monacelli Press 2009. First Edition. Hardcover. First Edition. With over 500 black-and-white and color illustrations. As New. Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Oversize volume shipping billed at cost. Monacelli Press unknown
2008ref. G1876509279I4N00Queensland Art Gallery 2008. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Queensland Art Gallery paperback
2008ref. 085249Queensland: Queensland Art Gallery 2008. First Edition . Hardcover. Very Good Plus/Good to Very Good Dust Jacket. Folio - over 12" - 15" tall. 312 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Good to very good dust jacket. Please Note: The dust jacket has two 1" closed edge tears along the lower front edge. First Edition. This is a limited edition numbered 0642 / 2000. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages referred to as signatures are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. Queensland Art Gallery hardcover
ref. dola219Sydney: Art Exhibitions AustraliaÖ 2008. First Edition. 4to. pp. 311 1. illus. throughout mostly in colour. biblio. wrs [Sydney]: Art Exhibitions AustraliaÖ, 2008 unknown
2009ref. 1677644669Monacelli Press 2009. Hardcover. Good. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Moderate wear to the boards. Sound binding. Clean interior pages. This could have light cosmetic flaws but remains in good condition. No dust jacket included with this book. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Monacelli Press hardcover
ref. 2754105840.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009ref. SONG1580932576The Monacelli Press 2009-11-17. hardcover. Used: Good. 5.00x1.00x1.00. Buy with confidence. Excellent Customer Service & Return policy. The Monacelli Press hardcover
ref. BN104324Encrage Editions. Softcover. Picardie Terre de frontière : Actes du colloque Amiens 26 avril 1997 Picardie Terre de frontière : Actes du colloque Amiens 26 avril 1997 Encrage Editions paperback
ref. SLIVCN-9782813215673TREDANIEL GUY EDITEUR
1870ref. 23701870. Tinted lithograph. 250mm by 360mm image 345mm by 500mm sheet. The Church of St. Ignatius of Loyola at Campus Martius is a Roman Catholic titular church dedicated to Ignatius of Loyola the founder of the Society of Jesus. It was built in the Baroque style between 1626 and 1650. From a French series titled 'Rome dans Sa Grandeur' circa 1870.Benoist was one of France's most gifted topographical artists of the 19th century he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist Philippe Benoist specialized in exterior and interior views of many famous European buildings. Faint foxing and soiling in margins. unknown
1870ref. 23551870. Tinted lithograph. 250mm by 355mm image 345mm by 500mm sheet. Depicts in the centre of the image the four ancient statues which portrayed demigods Castor and Pollux in the act of taming their horses and the obelisk erected by Pope Pius VI in 1786. From a French series titled 'Rome dans Sa Grandeur' circa 1870. Benoist was one of France's most gifted topographical artists of the 19th century he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist Philippe Benoist specialized in exterior and interior views of many famous European buildings. CONDITION : Some light foxing and a little soiling in the margins. Crease at top left corner of the sheet. Some light foxing on the back of the sheet. unknown
1823ref. 016312Paris: Selves Fils 1823. No printed date circa 1823. Folding linen backed uncoloured map of Rome. Map measures 53x40.cm plus marging in 15 secitions. Map has surface wear mainly to folds some light stain marking abrasion wear on margins. Generally map in good condition. F. Near Very Good. Selves Fils unknown
1971Pianeta n. 39, marzo/aprile 1971. Periodico bimestrale fondato da Louis Pauwels. Contiene numerose illustrazioni. Libro in buone condizioni. Piccole tracce d'uso. Non ci sono strappi o scritte al suo interno. Spedizioni tracciabili con raccomandata in tutta Italia entro 24 ore dall'ordine. First italian edition, first printing. Soft cover, in good conditions no inscriptions or markings inside. Worldwide delivery.
2015ref. 111414Harry N. Abrams. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 1419716883 . Harry N. Abrams hardcover
2013ref. 959712013 Hoëbeke - 2013 -In-4 couverture cartonnée illustrée - 121 pages - nombreuses illustrations
ref. 0469291133.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026ref. LRB31030253Paris: Editions Recreasoft 2026 Langue : Français. Environ 626 pages. Français : Réimpression à la demande. Édition originale : 1906. Ouvrage en français. Cette étude approfondie explore les interactions entre les Phéniciens et les Grecs en Italie analysées à travers le prisme de l'Odyssée. L'auteur adopte une méthode novatrice pour examiner les dimensions géographiques historiques et sociales de ces relations. L'ouvrage s'adresse aux chercheurs en histoire antique archéologie et études méditerranéennes. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1906. Text in French. This in-depth study examines the interactions between the Phoenicians and the Greeks in Italy analyzed through the lens of the Odyssey. The author employs a novel methodology to explore the geographical historical and social aspects of these relationships. The work is intended for scholars in ancient history archaeology and Mediterranean studies. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
ref. 1332488943.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. SLIVCN-9782813229922TREDANIEL GUY EDITEUR
ref. 68499, Brepols - Harvey Miller, 2026 HardbackPages: 347 pages, Size:216 x 280 mm, Illustrations:2 b/w, 176 col. Language:French. ISBN 9782503614083.
ref. 68377, Brepols - Harvey Miller, 2025 Hardcover with dusjacket, Pages: 347 pages, Size:216 x 280 mm, Illustrations:2 b/w, 176 col. Language :French. ISBN 9782503614083.
ref. BN383223Physique de l'Incarnation Enfanter et prendre corps dans l'art italien de la Renaissance Physique de l'Incarnation Enfanter et prendre corps dans l'art italien de la Renaissance Philippe Morel ed unknown
ref. 68377Brepols - Harvey Miller 2025. Hardcover with dusjacket Pages: 347 pages Size:216 x 280 mm Illustrations:2 b/w 176 col. Language :French. ISBN 9782503614083. Summary La question de l'Incarnation est ici abordée selon son acception la plus charnelle la plus physique voire la plus physiologique d'abord du point de vue du lieu matriciel que sont la maison le lit et le ventre de la Vierge puis en tant que mouvement épiphanique de venue au monde avant den considérer les prolongement et variations au sein d'autres contextes thématiques. Les nombreuses images qui se trouvent convoquées et analysées témoignent de lintérêt que les artistes les commanditaires et le public de la Renaissance italienne ont porté pour des considérations très humaines qui reconduisent Marie à son état de simple mère. Lapproche adoptée oscille entre la mise en évidence dune réalité physique de la gestation et de la parturition qui répond à la dévotion mariale des couples et des jeunes mères contemporaines en sattachant à des questions de nature obstétrique et labstraction figurale dune réalité textile qui interpelle limagination et la méditation pour les inviter à contempler lempreinte ou la marque du divin dans une matière qui se donne comme lenveloppe et la chair du Verbe incarné. Lidée de sortie ou de surgissement de seuil ou de passage est tout aussi prégnante dans son rapport aux drapés organiques de la Vierge dont sextrait lEnfant. Ce sont autant de détails qui dans le sillage décrits apocryphes anciens et dune littérature mystique féminine plus récente témoignent pour lessentiel du détournement ou de la mise en évidence par les artistes dun impensé théologique celui des conditions précises de la naissance de Jésus. TABLE OF CONTENTS Introduction Philippe Morel « Confirmer lIncarnation ». Nicée II et les théologiens de limage Maxime Deurbergue Première partie : LIncarnation en son lieu « Descendit de clis ». Exégèse visuelle et paysage de lIncarnation dans la peinture siennoise du Quattrocento Anne-Laure Imbert Linvention dune figure matricielle. La Santa Casa et liconographie de la Madone de Lorette XVe-XVIIe siècles Ralph Dekoninck « Creando el Creatore nel tuo talamo mondo ». Lherméneutique du Thalamus Virginis à la Renaissance Fiammetta Campagnoli LIncarnation et loreille dans lart italien de la Renaissance Marta Battisti De limago clipeata à la mandorle utérine. Ouverture et profondeur du lieu de lIncarnation au XVe siècle Clémence Legoux Deuxième partie : Venir au jour venir au monde La qualité émotive du drapé organique. Une image de lamour maternel de Gentile da Fabriano à Jacopo Bellini Marie Piccoli-Wentzo Enfanter le Sauveur naître de la Vierge. Michel-Ange et limpensé de lIncarnation Philippe Morel Culture de lornement et physique de lIncarnation. Les dispositifs textiles de limage mariale à la Renaissance Juliette Brack Encadrer lIncarnation. Le cadre fictif dans la Vierge à lEnfant avec deux anges de Filippo Lippi Galerie des Offices Florence Elizaveta Falkova Troisième partie : Aux marges de lIncarnation Corps régénérés. La chair la légèreté et la pesanteur des élus et des damnés au jour du Jugement Angèle Tence La chair et la voix du spectre. Interprétations picturales de lombre de Samuel Pierre Tchekhoff Roch gynécologue-obstétricien céleste au chevet des femmes Florence Larcher Fertilité de la nature et fécondité humaine dans la peinture flamande du début du XVIIe siècle. Réflexions autour de la figure de Cérès Cassandre Herbert Brepols - Harvey Miller 2025 hardcover
