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Second edition, revised, 12mo, xxxvi,176pp., 12 illustrs., (6 of which are on 2 folding leaves), the folding leaves creased and waterstained, some light spotting and staining, bookplate of Jacob L. Chernofsky, new marbled endpapers, recent full calf. The second revised edition which was published in the same year as the first. It provides a good overall account of the art of lithography up this date and illustrates the apparatus involved along with examples of techniques. Michael Twyman, Lithography 1800-1850, p. 264.
2 Vols., 4to (280 x 215 mm), 141, [3]pp., number 17 of 50 de luxe copies signed by the author, Vivian Ridler and John Simmons, numerous plates and specimens tipped-in, quarter-bound red morocco, marbled paper boards, together with a portfolio of 12 additional specimen sheets, the whole presented in a slip-case, fine copy. Tells the story of the writing and printing of what was perhaps the masterpiece of printing in the 'Fell types' in the twentieth century: Stanley Morison's John Fell, the University Press and the 'Fell' types published by Oxford University Press in 1967. Prospectus inserted.
8vo (230 x 145 mm), title printed within a ornamental border, followed by [32] leaves of types specimens printed on rectos only, two minor worm pinholes, orig. cloth-backed blue card covers, worn, loss to front and rear cover covers. An apparently unrecorded specimen book from this firm of commercial printers. The firm traded from 14 College Hill, Cannon Street, London from c. 1895 to c. 1909, and were formerly connected with the house of Edward Saunders & Son. They specialised in supply banks and commercial houses with all manner of suitable stationery and account-books, all produced by the best and most artistic kind of lithographic and letterpress printing. No other copy located.
1870COMPLETE THREE VOLUME SET. RARE second edition of 'Voigt and Günther's Orbis pictus' - the classic illustrated textbook for children in the tradition of Comenius' 'Orbis Pictus'. Contains 90 full-page colored plates. [ALL VOLUMES]: 260x195mm. [148] + [138] + [VI+204] pages & 90 plates. Hardcover rebound with original boards (without the original spine). Gilt volume numbers on spine. Original boards and spine worn and stained. Cover corners and edges, and spine edges bumped and peeling. Few pages/plates slightly dirty. Some pages/plates age-stained. Few pages somewhat worn at corners and/or edges - no damage to text or plates. Pages yellowing and rough-cut. [VOL.I]: Ink inscription on front inner cover. Text page 45/46 edges worn, upper edge taped - NO damage to text. Plates XIII and XVIII mispaginated as nos.VI and VII. [VOL.3]: Puncture-marks on rear cover (not penetrating into inner cover). [SUMMARY]: This extremely rare and beautifully illustrated three volume classic children's textbook is otherwise in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1948ref. 8956Aurora, Hammerpresse, 1948. V, 171 S. Gr.-8°. OLwd. (leicht berieben).
ref. 82146aafAntwerpen, J. Gevers, 1935, in-4to, more than 1000 unnumb. p., richly ill. with logos, figures, signs,trade marks etc etc., orig. ill hardcover, stained spine. Binding used but firm.
ref. 2404Paris, s.n., octobre 1900- mars 1902. 3 volumes consécutifs (n°25 à 42). In-4° - 20 x 29 cm. Cartonnages de l’éditeur à la Bradel en pleine percaline bleu-gris imprimés et illustrés sur le dos et le premier plat d’un décor bleu nuit de style Art Nouveau (filets et volutes), avec le même décor, mais à froid, sur les seconds plats. 2 ff. (table des matières, hors-texte en couleurs, illustrations), 268 pp. ; 266 pp., 2 ff.(tables) ; 260 pp., 2 ff. (tables). Fort belle série de 18 numéros reliés en 3 volumes consécutifs (n°25-30, 3e année-1e semestre, octobre 1900-mars 1901 ; n°31-36, 3e année-2e semestre, avril-septembre 1901 ; n°37-42, 4e année-1er semestre, octobre 1901-mars 1902) de cette prestigieuse revue fondée en 1898 par Julius Meier-Graefe, historien d’art, critique et galeriste allemand. Abondamment illustrées dans le texte (parfois à pleine page), et bien complètes de respectivement 12, 16 et 14 hors-texte en couleurs, soit 42 planches h.t. au total, les livraisons témoignent de la diversité des sujets abordés, ne laissant dans l’ombre aucun domaine des arts décoratifs : architecture, décoration intérieure, bijouterie, art textile, céramique, mobilier, reliure, typographie, sculpture, arts graphiques, orfèvrerie, etc. Plusieurs articles sont consacrés à l’Exposition Universelle de Paris 1900, et de nombreuses monographies évoquent les oeuvres des plus grands artistes européens du temps (T.-A. Steinlen, J. Chéret, H. Vever, G. d’Espagnat, A. Besnard, R. Lalique, G. de Feure, L. Métivet, Ch. Plumet, G. Auriol, T. Selmersheim, E. Gallé, L. Majorelle, V. Horta, A. de la Gandara, K. Moser, H. de Waroquier, E. Grasset, G. Canape, H. Guimard, F. Jourdain, A. Mucha, H. Sauvage, Tiffany, M. Michel, H. Rivière, A.Renoir, …). Rédigée avec le concours d’écrivains, critiques et intellectuels d’avant-garde, la revue contribua activement à la diffusion des principes de l’Art Nouveau triomphant. Chers clients Abebooks, le poids et le volume important de cet ouvrage entraîneront des frais postaux additionnels, merci de le prendre en considération avant votre achat. Dear Abebooks customers, the weight and volume of this book will entail additionnal shipping fees, thank you for taking it into consideration before ordering.
19672 vol. in-4, pp.XXX, 218, 258, con 8 tavole fuori testo riproducenti le incisoni di Grimod de la Reyniere. Elegante copertina editoriale in cartoncino crème, sovracoperta in pelle con titolo in oro al dorso, astuccio in pelle. Magnifica edizione di 1000 esemplari ''sur vélin blanc pur chiffon fabriqué et filigrané au nom de Brillat-Savarin'' delle cartiere Ventura di Cernobbio. Il presente è il n.623, perfettamente conservato. L'edizione originale di questo notissimo classico della gastronomia era apparsa a Parigi nel 1826. La presente edizione adotta il testo di quella di Tessier del 1834. Esemplare freschissimo, un capolavoro della tipografia di Alberto Tallone uscito dai torchio di Alpignano. . .
1997ref. 010721Paris Le Cercle d'or 1997 In-4 carré En feuilles, couverture illustrée, emboitage éditeur
1960ref. 2244Sans lieu, sans éditeur, pièce unique, sans date (circa 1950-1960). Très grand format : 100 x 150 cm. Affiche originale, réalisée manuellement, au crayon et à la gouache (couleurs brun et rouge), sur papier.Il s'agit de l’œuvre d'un peintre en lettres pour servir de "catalogue" à ses clients. L'affiche comporte d'ailleurs 2 œillets afin de la suspendre plus facilement. L'artiste est très probablement Jacques Daugert ayant exercé cette profession en région parisienne dans les années 1950-1960.Nous disposons d'autres affiches de la même provenance, n'hésitez pas à les consulter. Pour des raisons de sécurité, l'affiche sera expédiée enroulée (en tube).
181922 cm, bella rilegatura coeva in piena pelle con titolo e fregi impressi in oro al dorso diviso da 5 nervi, filetti decorati impressi in oro ai piatti, risguardie ricoperte con carta marmorizzata, p. LXXXXVI, 427. Leggero alone al margine inferiore delle prime carte, poi ottimo. In barbe.
ref. 105318Affiche originale de l'exposition Musée Stedelijk, Amsterdam 1977, impression offset noir et blanc sur papier translucide, 980x690mm. Papier jauni et traces de pliage avec un petit manque. M. Nannucci, ED/MN 1967/2016, Éditions Viaindustraie, Foligno, 2016, p. 42. (105318)
1837in-8, pp. (6), 434, bella legatura coeva in pelle, cornice floreale ai piatti, raffinati motivi geometrici e floreali al dorso, il tutto impresso in oro. Completo del ritratto in antiporta di S. Nersete. Il testo comprende 24 preghiere al santo stampate in 24 lingue diverse, fra cui l'etiopico, l'armeno, l'ebraico, il gaelico, il russo, il cinese, lo svedese, il turco, il siriaco, con l'uso dei propri caratteri tipografici. Il monastero armeno fu votato a San Lazzaro nel 1717 da una congregazione di monaci seguaci di Mechitar. Bell' esemplare di questo graziosissimo saggio tipografico stampato nel monastero armeno sull'isola di san Lazzaro nella laguna di Venezia.. .
1912ref. 115901912 Paris, Gravure et Fonderie G. Peignot et fils, sans date ( c. 1912); plaquette in-4 oblong broché de 24 pages non chiffrées illustrées et imprimées en noir , jaune orange, ocre et 4 feuillets sur papier fin gris illustrés et imprimés en noir pour : "Les vignettes" et "Les Galvanos". Couverture beige illustrée et imprimée en noir, jaune et ocre, dos muet qui porte en titre "Le Bellery-Desfontaines et ses Ornements". Très bel ouvrage qui renferme l'alphabet et les vignettes commandées par Peignot à Henry Bellery -Desfontaines.
197533 cm, rilegatura in mezza pergamena, titolo in oro al dorso, solido cofanetto originale, telato ; p. LXXXVII, 251, (8). In barbe, segnalibro. Edizione di 470 esemplari numerati in numeri arabi, il nostro n. 93 su carta Ventura di Cernobbio.
1889ref. 054047Stuttgart, Julius Hoffmann, 1889. gr 4°, Halblwd. d. Zeit, 3 Bl., 121 TafelS. - Kanten etwas berieben, sonst gutes Exemplar
in-4, pp. 64, con un opuscolo e numerose incisioni n.t. e f.t., leg. in cart. edit (difetti al dorso). Splendida monografia sull'arte tipografica in Italia, la cui serie completa comprende: Fascicolo I, Francia e Belgio. Fascicolo II, Italia. Fascicolo III, Inghilterra, Stati Uniti d'America e Giappone.. .
1998ref. 240186Emmerthal, Edition Einstein 1998. 16 unpag. S. Durchgehend von Hans Witte typographisch illustriert. Quer-2°, 25 x 33,5 cm, ill. OPp.
1937ref. 9872AB1937. Portfolio with 6 prints by The Typophiles. New York 1937. 23 : 155 cm. With 6 booklets. Original cardboard portfolio. Portfolio of the Typophiles for the dinner party given for the british book-designer and author Beatrice Ward how wrote under the pseudonym of Paul Beaujon. There were published only very few portfolios of this type of this then young society of book-designers authors and book-lovers under the leadership of Pau. A. Bennett. They were all designed and produced by and for the members of the club. Contains: Paul A. Bennett Greetings - Paul Beujon Betrice Warde - The battle of the Century Beaujon verses Typophiles - Beatrice L. Warde Printing should be invisible - Stags and a few Dears A Souvenir - Alicis Paul Beaujon A portriat of him. - Very rare. unknown
1937ref. 9872ABNew York, 1937. 23 : 15,5 cm. With 6 booklets. Original cardboard portfolio. Portfolio with 6 prints by The Typophiles.
1834in-4, pp. pp. 398, (2), brossura editoriale con titolo in nero entro cornice floreale al piatto anteriore (antico restauro al dorso). Prima edizione. Importante e rara opera biografica e bibliografica dedicata ad autori e personaggi importanti di Soncino. Arricchita da indice cronologico, indice alfabetico dei personaggi, ed infine da un capitolo intitolato: Indagini sull'epoca della fondazione dell'Ebraica Tipografia in Soncino, comprensivo di un elenco descrittivo delle edizioni stampate dal 1484 al 1490. Ottimo esemplare, fresco e a pieni margini, al frontespizio timbro della Biblioteca Pubblica di Lucca e timbro di Cessione. . Lozzi 5191; Fumagalli, n. 446..
1930ref. 2409180253xbvkHalle, Karras & Koenneke (Schule, Satz und Druck), ohne Jahr (ca. 1930). 28 (v. 32*) unnummerierte Seiten, durchgehend fotografisch illustriert (sepia, Tiefdruck). - Graphisch und typographisch gestalteter kartonierter Originalumschlag mit Deckeltitel und Druckvermerk; kl.-4to.(ca. 25 x 18,5 cm).
Two volumes, complete. Jimenez Catalan's monumental bibliography of Zaragoza imprints from 1601 to 1800. XIII, 513, [6]; 489, [9] pp. 1420 + 1576 items arranged in chronological order and thoroughly described. Includes notes on the principal printers and booksellers, a few facsimiles, and lengthy extracts from particularly interesting publications. Fully indexed. 4to. First volume bound in quarter calf; second volume in buckram. Original front wrapper preserved in both volumes. A bit of wear to binding of first volume, else a FINE AND BRIGHT SET. Very scarce.
194618 vols., roy. 8vo., First Edition, with numerous illustrations throughout; two volumes in original cloth, the remainder in printed wrappers with tissue dustwrapper, a near fine run. A GOOD RUN IN UNUSALLY BRIGHT CONDITION.
First edition, 8vo (223 x 136 mm), [2, advert], iv, 446pp., WITHOUT the plate showing typographical marks, text moderately browned in places, 32 page author text followed by 326 pages of specimens of type in different sizes, from the foundry of Mr Thorne in Fan Street, Aldersgate Street, with footnotes by the author, pp. 359-446 contain tables with the regular charges for printing works of the same size type length and width as the foregoing specimen pages, later boards, signs of a label having been removed from base of spine, uncut. A compendium of information on the early nineteenth-century printing trade: payment for compositors, master printers' rates, typographical marks, casting off copy, type specimens, etc. This book is far scarcer than Stower's earlier work The Printer's Grammar of 1808.