6 361 résultats
2007Alessandro Perissinotto ha scritto questo racconto per il Natale 2007 di In Adv, Media by Design, Inedithia, Dgt Media. Volume stampato in centocinquanta copie numerate di cui questa ? la copia 44. - Composto in Linotype con i caratteri Garamond Simoncini. Su carta Fabriano Artistica satinata. Finito di stampare nel mese di novembre 2007 dalla Tipografia Ernani in Torino. Scritto in esclusiva per l'Agenzia...Il volume, in carta di puro cotone, ? stato confezionato tutto a mano con brossura cucita a filo e copertina foderata con carta vegetale. Il testo, impaginato rigorosamente secondo i canoni classici, ? stato composto a piombo su Linotype modello 5 del 1906 e stampato tipograficamente su macchina Nebiolo Atena del 1960. Per garantire l'assoluta unicit? di quest'opera...ogni pagina ? stata scomposta dopo la stampa. Il corredo di buste e biglietti decorati con i 21 capilettera originali creati da Piero De Marchi, ? un omaggio alla piccola ritualit? della scrittura a mano, e insieme un invito a riscoprirne il piacere. Alessandro Perissinotto, Torino 1964, insegna Sociologia dei processi culturali all'Universit? di Torino...Piero De marchi, graphic designer, ha iniziato la sua carriera nel 1956 con Aldo Novarese allo Studio Artistico Nebiolo...passione per il lettering...calligrafia espressiva...grafica.. progettazione di caratteri...tecnica di incisione. 1 cofanetto rigido cartonato muto, contenente: quartino della Presentazione; volume dell'ABBECEDARIO; formato cm.,34,5x24,5, pp. 71 (4), testo in colonna centrale, protezione in carta velina; contenitore-astuccio con un corredo di 21 buste e biglietti con i capilettera originali; il tutto in un cofanetto, muto, rigido il tutto nella stessa tonalit?. Pregiata opera editoriale, strenna d'arte tipografica, racconto per lettera alfabetica originale, in italiano. Ottime condizioni. OPERA UNICA, solo in 150 esemplari, nostro il 44, eccezionale per gli amanti dell'ormai antica arte di stampa... Questo racconto non ? un racconto, ? un abbecedario, un abbecedario della memoria, un insieme di ricordi elencati secondo l'ordine pi? arbitrario, quello alfabetico...gusto di raccontare cose vecchie, cose mie, cose che non hanno interesse neppure per l'antiquario, ma forse per il rigattiere?...superati i quaranta, anche i ricordi pi? banali assumono profondit?, spessore. assumono il valore affettivo del 'c'era una volta'
2003Mm 220x300 Volume rilegato in tela con sovraccoperta figurata privo della paginazione, ma con 298 immagini di rarità librarie raffigurate. Copia ottima; spedizione in 24 ore dalla conferma dell'ordine
1938In-8° (cm. 24 ca-), pp. 34. Brossura editoriale. Nitida veste tipografica della grande raffinata scuola del Libro di urbino. Peccato per le cifre a biro vede in cop. Alcune correzioni (che immaginiamo dell'Autore) FRUGONI, che "ghignando" l'Alfieri definì il "pomposo galleggiante scioltista caposcuola", si distinse anche per un "famigerato documento di miserabile antidantismo". per "vita disordinata... troppo spesso trasmormava la divina arte dei versi in un mestiere il più possibile utilitario". Non manca ahimè il colpo di coda di un reboante pistolotto finale di questo Cian, erudito da battaglie di carta, lui sì miserabilmente strisciante sotto il Fascismo dell' "Italia imperiale e mussoliniana" che in quell'anno di disgrazia allude senza dirlo alle leggi razziste in via di apparizone per "salvare e purificare la civiltà europea, avvelenata e sconvolta da una coalizione diabolica di forze distruttive". Ce l'ha con gli Ebrei il miserabile tapino. Tutto il valore di questo opuscolo giace nella veste tipografica urbunate.
1991réf. 84972ABAmsterdam, 1991. 8°. 100 S. in 25 Bogen. Lose in bedruckter OBr.-Decke.
1964Pieghevole di 4 facciate cm 12,5 x 19 stampato a cura della Birmingham School of Librarianship con il Granjon arabesque al frontespizio distribuito in occasione del Convegno svoltosi a Birmingham il 6 luglio 1964 della A.B.L.S. (American Bryological and Lichenological Society ?).
1982This is a very good softcover copy with just light cover wear. Completely clean inside and very clean outside, just a few small handling marks. Text in German. Limited numbered edition, no. 163. Signed in ink by Andreas Brylka on the colophon. Also two original prints laid in. Each on a different type of paper, and each signed in pencil by Brylka. Essay by Eckhard Schaar. Illustrated throughout in black & white with 114 examples of Andreas Brylka's work. 11" high X 8" wide, 106 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1942pp. xiv, 216 + color frontis. Color text drawings by Edy Legrand from rubber plates cut by Herbert Rau. Designed by Francis Meynell. Tall 8vo. Original cloth backed paper binding, gold lettered spine. Original slip case. Hardbound. Nice copy. **PRICE JUST REDUCED! PRESS/W43
réf. 0259859222.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0332955818.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1932réf. 17935Paris, Harrison of Paris, 1932. 43,(1) Doppelseite. Orig.-Leinen.
2003réf. 84911ABUpper Saddie River, Prentice Hall, 2003. 8°. XI, 196 S. Mit vielen Abb. OBr.
1997réf. 86668ABCrans, Roto Vision, 1997. Mit ca. 100 n.n. Seiten, Falttafeln und vielen Abb. in Farbe. OPp.
197631p. Title decorated in red. Running title printed in red. Designed and printed by Henry Morris at the Bird & Bull Press. Tall 8vo. Original stitched printed wraps. Limited Edition of only 176 copies. Very nice copy. PRESS/W34
réf. 105554Paris and New York, Harrison of Paris / Minton, Balch & Company 1932, 220x140mm, 43pages, binding signed: G. Huser, Paris. Lower ribbed damaged otherwise nice binding in half sealskin with corners, with gilt title on the five-ribbed spine and 3 gilt fillets on both boards. Top edge gilt. Cardboard covers. Very nice copy on Imperial Iridescent Japan vellum, copy with no number (Out of 18 copies). With slipcase.
réf. GF9193Printed by jim Birnie. Written and designed by Ken Campbell during his Brinkley Fellowship in the department of graphic design in Norwich school of art 1983-84. Un volume grand in-4 de , une seule planche pliée (32 fois) "en accordéon "sur laquelle court le texte, typographié en bleu vert et marron, le tout étant retenu entre deux lais de bois, sous emboitage toilé.
réf. 101268Rhinocéros Rhinocéros Editions, 2013, 80 p., broché,
1896In 16, pp. 30. Br. ed. Interessante produzione della tipografia francescana di Gerusalemme, nata nel 1847 e tutt'ora esistente. Il salmo e' stato stampato in 8 lingue tra le quali l'arabo, l'ebraico, il copto etc.
2 Vols., in one, small 4to (260 x 160 mm), 103 leaves including title and two advertisement leaves; 22 leaves including title and advert leaf (ornaments numbered 1-103), all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, orig. boards with marbled covers, printed paper title label to spine (rubbed), inner hinges expertly repaired, a very good uncut copy with wide margins. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sole control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Berry & Johnson, p. 45; Mosley, 118 & 119.
Small 4to (250 x 155 mm), title with vignette, 2 ff. adverts, 126 ff. (i.e., 100ff. type specimens, 26 ff. ornaments, numbered 1-130) all printed on rectos only, printed on thick paper stock, 'Lepard' watermark, occasional spotting and turned corners, cont. calf, rubbed, joints cracked, black morocco spine label. The Fry's were a Bristol family, and Joseph Fry (1728-87) established the foundry at Bristol in 1764, in partnership with William Pine and Isaac Moore as manager and type-designer. By 1766 the foundry had moved to London, with Moore retiring in 1776 and Pine shortly after. In 1782 Fry took his sons Edmund (especially interested in exotic founts) and Henry into partnership, and made considerable purchases of Greeks and Orientals at the sale of James' foundry. Joseph retired in 1787 and in 1794 Isaac Steele joined as partner until 1808, when Edmund Fry was left in sloe control until he admitted his son to partnership. In 1829 the foundry was acquired by William Thorowgood. A very good copy of this extremely rare and substantial specimen book. Following an introduction, the specimens proceed from Ten line Pica to Diamond: 'the smallest Letter in the World. It gets in considerably more than the famous Dutch Diamond.' There are type in Hebrew and Greek, ornamental, Blacks, Exotics, Ships, Bands, frames, & decorative pieces composed of flowers continuing to a priced section of cast ornaments. This edition not listed by ESTC, Berry & Johnson and Mosley both cite the St. Bride copy only. Berry & Johnson, p. 46; Mosley, 122.
190436p. Printed on Japan vellum. Title and limitation pages decorated with Mosher's device in red. Inked ownership of J. F. Oller, 1924. Small 8vo. Original full Japan vellum binding, lettered in red and black. Original slip case. Hardbound. Limited Edition. Number 83 of only 100 copies. Very nice copy. PRESS/W39
1980A clean, unmarked book with a tight binding. Slight wear to cover. 244 pages of text, plus index. Many b&w illustrations.
1949This is a very good hardcover copy bound in quarter rust cloth and decorated paper-covered boards, with paper label with Wynkyn de Worde's device on upper cover, printed paper title label on spine. Corners rubbed. Completely clean. This is a limited edition of 375 copies. This copy has the original leaf from Wynken de Worde's 'The Golden Legend' number CCCXXIIII, tipped in. 14" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1870New York, Published by Geo. E. Woodward, 1870; in-4 oblong (280 x 176 mm), 3-47 ff., reliure d'éditeur pleine percaline, coloris marron, dos lisse, 1er plat estampé et imprimé. Drawn and Arranged by Fred'k S. Copley. Engraved by Korff Bros.
1936pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
1870réf. _201801845New York, Published by Geo. E. Woodward, 1870 ; in-4 oblong (280 x 176 mm), 3-47 ff., reliure d'éditeur pleine percaline, coloris marron, dos lisse, 1er plat estampé et imprimé. Drawn and Arranged by Fred'k S. Copley. Engraved by Korff Bros.
