[Courbouleix, Léon] Musset, Alfred de :Livre Rare Book
1484 resultados
1950ref. 1179Sans lieu (Paris), sans nom (l’Artiste), sans date (1950), grand in-4, broché en feuillets sous couverture rempliée ; chemise étui crème, pièce de titre bordeaux ; (38) feuillets, 14 eaux-fortes dont sept hors-texte, toutes les pages ont des décors gravés dorés, nombreuses lettrines et majuscules rehaussées de gouache pourpre, portrait de Musset gravé à l’eau-forte sur la couverture.Tiré à 350 exemplaires (dont 20 sur Japon) ; celui-ci sur vélin d’Angoumois pur fil, demi à la main du moulin du Verger du Puy Moyen, signé par l’artiste.
1904ref. 904Lyon, Rey, 1904, très grand in-4 ; plein box bordeaux, dos à cinq nerfs (reliure moderne), couverture conservée ; XVIII-318 pages, imprimé sur vélin ivoire brillant, ouvrage illustré de plus de 170 dessins, croquis, gravures et photographies.
1930ref. 005585Paris Gallimard 1930 In-12 Broché Edition originale
1935ref. 2300Paris, Editions du Rameau d'or, 1935 ; 5 volumes in-4, brochés ; vol. I : (3) ff. (bl., faux-titre, titre), 207 pp., (3) ff. (achevé d'imprimer, 2 bl.), 10 planches hors-texte en couleurs ; vol. II : (3) ff. (bl., faux-titre, titre), 172 pp., (1) f. (achevé d'imprimer), 10 planches hors-texte en couleurs ; vol. III : (3) ff. (bl., faux-titre, titre), 233 pp., (2) ff. (achevé d'imprimer, bl.), 10 planches hors-texte en couleurs ; vol. IV : (3) ff. (bl., faux-titre, titre), 258 pp., (2) ff. (achevé d'imprimer, bl.), 10 planches hors-texte en couleurs ; vol. V : (3) ff. (bl., faux-titre, titre), 191 pp., (3) ff. (achevé d'imprimer, 2 bl.), 10 planches hors-texte en couleurs ; couverture blanche à rabats illustrée en couleurs.
ref. 7128Amsterdam, Sumptibus societatis, 1725. 2 volumes in-12 (99 x 158 mm), 69 ff. n. ch., 24 pp., 895 pp. chiffrées 903 ; 1 f. n. ch., 928 pp. Vélin, dos lisse avec titre à l'encre, tranches mouchetées et brunes, petites restaurations à l'angle de 3 ff. sans atteinte au texte (reliure de l'époque).
1948ref. 16381Paris, Guillot, 1948 ; in-folio, en feuilles sous couverture gaufrée blanc-cassé rempliée, chemise-étui orange d’éditeur, titre en rouge ; (4), 123, [124], (4) pp., 15 eaux-fortes à pleine page, en couleurs, dont le frontispice, titre sang et or avec un fleuron d’arabesques, lettrine, rosace et cartouche de l’achevé d’imprimer de style hispano-mauresque sang et or.
1934ref. 011303Paris Editions Surréalistes 1934 In-8 Broché Edition originale
1555ref. 1186Lyon, Jean de Tournes et Guillaume Gazeau, 1555, in-16 ; plein vélin ivoire, titre manuscrit (reliure de l'époque) ; (24) feuillets (titre, dédicace, index des plantes en grec, latin, français, italien), 976 pages, (8) feuillets d’explications.
1949ref. 000877Paris Aux dépens d'un ami ((Albert Skira) 1949 In-4 En feuilles, couv remp., étui Ed. originale
1927ref. 65131[Leipzig, Bibiliophilen-Abend, 1927]. 145 S., 1 Bl. Mit grün-schwarz gedrucktem Titel u. 5 Original-Lithographien von Alfred Kubin. 4to. OHPgt mit goldgeprägtem Rücken- u. Deckeltitel.
ref. 25979Paris, G. Cres, 1922 20x27.6 cm., 813 pp., relie demi-maroquin havane a coins, signee par Laurent Peeters - Anvers. Filet dore cernant les plats de pap., dos orne, dos a 5 nerfs et finnement fleuronnes dores (decor floral), tete doree, couverture imprimee d'editeur. edition transcrite et annotee par Henri Clouzot, conservateur du Musee Galliera et illustree de 525 vignettes en n/b par Joseph Hemard, Tirage limite. Tirage de 400 exemplaires sur velin a la forme des papeteries de rives.
1927ref. 137651927 Paris, Masson & Cie, s.d. (avant-propos daté d'octobre 1927), 1 vol. in-8° (250 x 160 mm) reliure du temps 1/2 chagrin marron, dos à 5 nerfs, auteur et titre dorés, plats de papier marbré, première de couverture illustrée d'une vignette photographique contrecollée conservé, de VIII pp. (faux-titre, titre et avant-propos) - 240 pp. - (1) f. (sommaire) - 48pl.Très bel exemplaire.
1644ref. 96370Frankfurt, Johann Beyer, gedruckt bei Caspar Röttel, 1644. Gestoch., illustr. "Titel Traiani Boccalini Relationes Auß Parnasso", [22] Bl., 702 S. 20 cm. Pgt d. Zeit mit umgebogenen langen Kanten.
1429ref. ST12778-0360Italy 1429. 323 x 173 mm. 12 3/4 x 6 3/4". Single column 60 lines in a neat cursive script. Notarial signature at lower left; verso with a date and notations in contemporary hands. ◆Vellum trimmed a little close four horizontal and three vertical fold creases slight darkening to verso five very small holes no text obscured and one larger naturally-occurring hole in the text otherwise in excellent condition with a very clear hand. This is a notarized document recording an agreement made between the chapel and convent i.e. the whole community of the house of St. John a group of female religious located in the parish of St. Peter and the brothers of Bonsignioribus another religious house in the parish of St. Laurence Major. The women of St. John agree to pay to the brothers of Bonsignioribus a sum of 11 libras 8 soldas and 9 denarios. The reason for this payment is unclear pending further investigation into some of the more abbreviated portions of the text. The document is of additional interest for the fact that several female members of the house of St. John are mentioned by name. Based on these names and that of the notary Ambrosius Spanzota . . . Parmensis it would appear that the document was written in Italy possibly in Parma and that the two houses were also located there. unknown books
1867ref. 18178Paris, Librairie Centrale (J. Lemer, éditeur), 1867 ; in-16, bradel de vélin-parchemin rigide à recouvrement, titre manuscrit en caractères gothiques bleus, plats décorés d’un encadrement doré et rouge orné, dans les coins, d’une composition de fruits tenus par un ruban noué, dragon volant au centre du plat supérieur, d’après celui qui orne la couverture et la page de titre tête dorée, étui bordé (Levitzky) ; 36 pp. , couverture en papier sulfurisé simili parchemin, en rouge et noir, l’eau-forte serait de Delor en frontispice.
1970ref. 009657Vaduz Brunidor 1970 In-folio En feuilles, couverture à rabats, chemise et étui toilé éditeur.
1669In -4°, pp. (12), 1144, (24); legatura alle armi (famiglia Colonna), piena pergamena, titolo ms al dorso. Difetti alla legatura. La vita della carmelitana genovese Maria Vittoria Centurione (1586-1645, in religione Paola Maria di Gesù), fondatrice dei monasteri delle Carmelitane scalze di Vienna e di Gratz. Di nascita napoletana e famiglia genovese, fu la prima a introdurre in Austria l’ordine teresiano. Oltre a notazioni interessanti sul peso della vita spirituale, si trovano in questo volume considerazioni originali sulla natura umana di Cristo (cfr. Moriones, “Dictionnaire de Spiritualité”, s.v.). The life of Maria Vittoria Centurione (1586-1645, Paola Maria di Gesù as a nun), who established the carmelite monasteries in Wien and Gratz. Beyond interesting notations on the spiritual life, in this book there are original considerations on the human nature of Christ.
1926ref. 009380Paris Marcel Seheur 1926 In-4 Broché, couverture rempliée
1592ref. 14640Lyon, Q. Hug. A Porta, Fratres de Gabiano (Excudebat Guichardus Jullieron anno 1592), 1592 ; in-8 (164), plein vélin ivoire à recouvrements de l'époque ; (8), 312, (7) index, (1 bl.) ; 34 pp., (1) p., (1 bl.), 2 ff. blancs.
1600ref. 88394Frankfurt a. M. Johannes Saur, 1600. [8], 791, [25] Seiten (Index), 1 Blatt. - /// Zusammen mit: [2.] Opera quae extant omnia Plutarchi Chaeronei: Ethica sive moralia complectentia interprete Herm Cruserio denuo recognita ... Ebda. 1605. 742; [32] Seiten (Index). - // Beide Werke mit Titelholzschnitten, Holzschnitten von Jost Amman (1539-1591) im Text u. geschnitt. Zierinitialen. 4to. 34 x 24 x 10 cm. Blindgeprägtes Pgt. d. Zt. auf 5 Bünden.
ref. ST21124c-02France or Low Countries 14th century. 270 x 461 mm. 10 5/8 x 18 1/8". Double columns 32 lines in a gothic book hand. Rubrics and staves in red three two-line initials in red or blue with contrasting penwork now quite faded. Unevenly trimmed missing at most a line of text at the bottom of each column and several words or part-words at corners of outer columns vellum with soiling browning small holes and paper residue consistent with having been used in a binding but the text entirely legible on one side and legible with effort on the other rather darkened side. From a noted Missal with large penwork initials this leaf was once used as the cover for a binding yet remains substantially complete. The text here comes from the Temporale containing the cycle of moveable feasts in the Christian year and includes Wednesday Feria IV after the fourth Sunday of Lent with a long passage from John 9. The musical notation on this leaf is highly developed consisting of a four-line staff clef marker and square neumes. unknown
ref. ST21124c-02France or Low Countries 14th century. 270 x 461 mm. 10 5/8 x 18 1/8". Double columns 32 lines in a gothic book hand. Rubrics and staves in red three two-line initials in red or blue with contrasting penwork now quite faded. Unevenly trimmed missing at most a line of text at the bottom of each column and several words or part-words at corners of outer columns vellum with soiling browning small holes and paper residue consistent with having been used in a binding but the text entirely legible on one side and legible with effort on the other rather darkened side. From a noted Missal with large penwork initials this leaf was once used as the cover for a binding yet remains substantially complete. The text here comes from the Temporale containing the cycle of moveable feasts in the Christian year and includes Wednesday Feria IV after the fourth Sunday of Lent with a long passage from John 9. The musical notation on this leaf is highly developed consisting of a four-line staff clef marker and square neumes. unknown books
ref. ST21065BNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black one-line initials in red or blue some with contrasting penwork each leaf with at least one large initial measuring a line of text plus a full stave in blue or red with blue and red penwork often extending several lines above or below. Later ink foliation in upper right corners; a couple leaves with remnants of older manuscript leaves enforcing the gutter. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Trimmed a little close at the top occasionally cutting into penwork decoration light to moderate soiling to vellum some leaves with light creasing small stains and/or wormholes a few leaves with more noticeable flaws but still in very good presentable condition. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with simple but attractive lettering in blue and red with contrasting penwork; there are also some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown
ref. ST21065BNortheastern France or Rhineland early 14th century. 345 x 239 mm. 13 1/2 x 9 3/8". Single column nine lines of music and text in a gothic hand. Rubrics and staves in red calligraphic initials in black one-line initials in red or blue some with contrasting penwork each leaf with at least one large initial measuring a line of text plus a full stave in blue or red with blue and red penwork often extending several lines above or below. Later ink foliation in upper right corners; a couple leaves with remnants of older manuscript leaves enforcing the gutter. See: de Hamel Christopher. "Medieval and Renaissance Manuscripts from the Library of Sir Sydney Cockerell" British Library Journal 13 1987. Trimmed a little close at the top occasionally cutting into penwork decoration light to moderate soiling to vellum some leaves with light creasing small stains and/or wormholes a few leaves with more noticeable flaws but still in very good presentable condition. From a manuscript fragment that once passed through the hands of Sir Sydney Cockerell the leaves in this group appear to come from a rarely seen liturgical text called a Sequentiary. Consisting of sung hymns called "sequences" performed between the Alleluia and Gospel readings during Mass a Sequentiary could be either a standalone volume or part of a longer work such as a Gradual or Missal. The script here is a neat and legible gothic book hand with simple but attractive lettering in blue and red with contrasting penwork; there are also some interesting calligraphic initials in black--some with little spikes or other flourishes--that might warrant further study. These leaves were previously bound into a later perhaps 18th century limp vellum binding the pastedown of which contained a tipped-on handwritten note from Cockerell 1867-1962 who was William Morris' private secretary and the director of the Fitzwilliam Museum for nearly 30 years. Cockerell attributed this manuscript to Northern France and suggested a date of ca. 1280 we believe it dates a little later noting that it was probably made for Dominican use based on the presence of the sequences for St. Peter Martyr and St. Dominic. It is unclear whether Cockerell actually owned this manuscript at one point or served as a consultant for a dealer or a private collector as he was known to do: in the words of de Hamel Cockerell became "the arbiter of quality before whom generations of collectors and scholars brought their acquisitions and attributions for judgement. . . . Dyson Perrins Yates Thompson Chester Beatty Pierpont Morgan St John Hornby Lord Kennet Francis Wormald Eric Millar J. R. Abbey and many others never felt that a manuscript acquisition was truly made until Sydney Cockerell had seen and approved it." De Hamel also notes that Cockerell "gave away sold or exchanged manuscripts on many occasions during his life of collecting" making it difficult to know exactly how this manuscript may have crossed his path or for how long it was in his possession. His appraisal does however suggest that this manuscript was in a defective state from at least the 1920s and probably a good deal earlier than that. Most of the choir book leaves that we offer for sale come from 15th and early 16th century manuscripts typically Italian or Spanish in origin; the present leaves offer an uncommon opportunity to purchase earlier specimens of musical notation from an unusual liturgical text with distinguished if uncertain ownership history and at an attainable price. The price given here is for a single leaf; for additional leaves from this same manuscript please see our website. unknown books
ref. 110751L'Edition d'Art H. Piazza et Cie, 1904, 1 volume in-8 de 230x170 mm environ, 261 pages, reliure signée S. de Lancker plein chagrin aubergine, dos à 5 nerfs portant titres dorés, tranche de tête dorée, gardes ornées de motifs dorés, sous étui recouvert du même papier que les gardes avec ouverture en cuir assorti et intérieur en suédine bleu clair, feuillets non rognés, couvertures et dos illustrés conservés. Exemplaire numéroté N° 185, un des 260 exemplaires sur papier vélin à la cuve, de Blanchet frères et Kléber, numérotés de 41 à 300, avec 1 dessin original non retenu pour le livre, et 63 compositions aquarellées, certains rehaussées à l'or, ainsi que quelques ornements décoratifs, par Manuel ORAZI. Dos et ouverture de l'étui insolés avec des frottements sur les mors et les coiffes et sur l'étui.
