20.752 resultados
1964ref. 161870N.p.: Juniper Productions 1964. Two vintage studio still photographs from the 1964 film. Both photographs with provenance stamps on the versos. An obscure 1960s sexploitation film from director and screenwriter Jai Hais. 8 x 10 inches. Near Fine. Juniper Productions unknown books
1978ref. 150730Utah: Sunn Classic Pictures 1978. Collection of five vintage color studio still photographs from the 1978 documentary film. One with the stamp of a Canadian film distributor on the verso and three with handwritten ink annotations noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding and dramatizations of people's near-death experiences focusing on visions of the Christian afterlife. A low-budget film which received limited release mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City Salt Lake City and Heber Utah. 10 x 8 inches. Near Fine. Sunn Classic Pictures unknown
1978ref. 150729Utah: Sunn Classic Pictures 1978. Five vintage studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding and dramatizations of people's near-death experiences focusing on visions of the Christian afterlife. A low-budget film which received limited release mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City Salt Lake City and Heber Utah. Approximately 8 x 10 inches. Four Very Good plus one Very Good with pinholes to the top edge and light ink residue on the center of the image. Sunn Classic Pictures unknown
1978ref. 150729Utah: Sunn Classic Pictures 1978. Five vintage studio still photographs from the 1978 film. With the stamp of a Canadian film distributor on the verso and a stamp noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding and dramatizations of people's near-death experiences focusing on visions of the Christian afterlife. A low-budget film which received limited release mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City Salt Lake City and Heber Utah. Approximately 8 x 10 inches. Four Very Good plus one Very Good with pinholes to the top edge and light ink residue on the center of the image. Sunn Classic Pictures unknown books
1978ref. 150730Utah: Sunn Classic Pictures 1978. Collection of five vintage color studio still photographs from the 1978 documentary film. One with the stamp of a Canadian film distributor on the verso and three with handwritten ink annotations noting production No. 78-740 on the bottom right corner of the recto. A collection of interviews regarding and dramatizations of people's near-death experiences focusing on visions of the Christian afterlife. A low-budget film which received limited release mainly in drive-in movie theaters in smaller towns and rural areas. Shot on location in Park City Salt Lake City and Heber Utah. 10 x 8 inches. Near Fine. Sunn Classic Pictures unknown books
1945ref. 162308N.p.: N.p. 1945. Two vintage reference photographs of actor James Mason from the 1945 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Left with amnesia after a suicide attempt a brilliant concert pianist undergoes hypnotherapy to recover memories of her unhappy former life. Winner of an Academy Award for Best Screenplay. 8 x 10 inches. Very Good plus lightly edgeworn and toned. N.p. unknown
1945ref. 162308N.p.: N.p. 1945. Two vintage reference photographs of actor James Mason from the 1945 British film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Left with amnesia after a suicide attempt a brilliant concert pianist undergoes hypnotherapy to recover memories of her unhappy former life. Winner of an Academy Award for Best Screenplay. 8 x 10 inches. Very Good plus lightly edgeworn and toned. N.p. unknown books
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown
1968ref. 171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film. Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958. Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. Set in Texas shot on location in Arizona Texas and Utah. 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image. Pitts 237. N.p. unknown books
1946ref. 146146Culver City CA: RKO Radio Pictures 1946. Vintage studio photograph of Mervyn LeRoy and Louella Parsons rehearsing on the set of the 1946 film. Based on the obscure 1946 pulp novel by Jane Allen and Mae Livingston about a best selling novelist who meets Marine who she thinks is perfect for the lead in an upcoming film adaptation although he doesn't her book. An abundance of Hollywood cameos with columnist Louella Parsons playing herself. 8.25 x 10 inches. Near Fine with some light creasing. RKO Radio Pictures unknown
1946ref. 146146Culver City CA: RKO Radio Pictures 1946. Vintage studio photograph of Mervyn LeRoy and Louella Parsons rehearsing on the set of the 1946 film. Based on the obscure 1946 pulp novel by Jane Allen and Mae Livingston about a best selling novelist who meets Marine who she thinks is perfect for the lead in an upcoming film adaptation although he doesn't her book. An abundance of Hollywood cameos with columnist Louella Parsons playing herself. 8.25 x 10 inches. Near Fine with some light creasing. RKO Radio Pictures unknown books
1986ref. 144120Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. Shot on location in Budapest Hungary. Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown
1986ref. 144120Budapest: MAFILM Objektiv Filmstudio 1986. Draft script for the 1987 film with the directors filmography and brief biography set in on the front wrapper. Text in English. A busy middle-class family at the end of Hungary's Kadar era use their kitchen chalk board as their primary mode of communication. The young son stays home from school and watches the family through periscopes. Shot on location in Budapest Hungary. Clear mylar front wrapper and black plastic rear wrapper. Title page present dated 1/20/86 with credits for screenwriter Miklos Vamos director Janos Rozsa dramaturge Istvan Kardos and translator Jack Jorgens. 109 leaves with last page of text numbered 108. Xerographically reproduced. Pages Fine wrapper Near Fine Comb binding. MAFILM Objektiv Filmstudio unknown books
1971ref. 150246N.p.: N.p. 1971. Vintage borderless black and white photograph of director Jean Becker behind the camera on the set of the 1971 short film. With a printed mimeo snipe affixed to the verso along with the stamps of Interfoto MTI and PIX agency. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A short educational television film for the "Shaping of the Western World" series reenacting the events of July 14 1789 the day a group of French revolutionaries stormed the Bastille in response to decades of political abuse and the monarchy's neglect. Set in France. 7 x 9 inches. Very Good plus with light creasing to the bottom left corner. N.p. unknown
1971ref. 150246N.p.: N.p. 1971. Vintage borderless black and white photograph of director Jean Becker behind the camera on the set of the 1971 short film. With a printed mimeo snipe affixed to the verso along with the stamps of Interfoto MTI and PIX agency. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A short educational television film for the "Shaping of the Western World" series reenacting the events of July 14 1789 the day a group of French revolutionaries stormed the Bastille in response to decades of political abuse and the monarchy's neglect. Set in France. 7 x 9 inches. Very Good plus with light creasing to the bottom left corner. N.p. unknown books
1950ref. 129161Culver City CA: Selznick Studio 1950. Draft English language script for the 1951 French-Italian film "Les miracles n'ont lieu qu'une fois" here under the English title "Miracles Only Happen Once." Based on an original scenario by Jacques Sigurd adapted to English by Hugh Brooke. Claudia Valli and Jerome Marais meet in Paris shortly before WWII fall in love and expect to get married. The war interrupts their romance and the two wait until after the war to rekindle their passion only the same passion seems to be lacking. Shot on location in France and Italy. Blue titled wrappers. Title page present dated December 5 1950 noted as English Screenplay with credits for screenwriters Brooke and Sigurd. 126 leaves with last page of text numbered 125. Carbon typescript. Pages and wrapper Near Fine internally bound with three gray brads. Selznick Studio unknown
1950ref. 129161Culver City CA: Selznick Studio 1950. Draft English language script for the 1951 French-Italian film "Les miracles n'ont lieu qu'une fois" here under the English title "Miracles Only Happen Once." Based on an original scenario by Jacques Sigurd adapted to English by Hugh Brooke. Claudia Valli and Jerome Marais meet in Paris shortly before WWII fall in love and expect to get married. The war interrupts their romance and the two wait until after the war to rekindle their passion only the same passion seems to be lacking. Shot on location in France and Italy. Blue titled wrappers. Title page present dated December 5 1950 noted as English Screenplay with credits for screenwriters Brooke and Sigurd. 126 leaves with last page of text numbered 125. Carbon typescript. Pages and wrapper Near Fine internally bound with three gray brads. Selznick Studio unknown books
1958ref. 143902Paris: Comedie-Francaise 1958. Collection of 19 original studio still color transparencies from the 1958 French film here under the original French title. Starring actors Meyer Seigner Marie Sabouret and Micheline Boudet figure prominently in the images in lavish period costumes. A few have layout annotations either on the glassine sleeve or on an affixed glassine slip. Laid in is a signed typescript letter from "Y. Guillot" addressed to Gay Lussac at Cinedis the film's distribution company and dated 1960. Guillot was "Le Chef du Service des Editions" and he thanks Lussac for sending him "ektachromes" from the film promising to include images in upcoming issues of his publication. Housed in an original French Crumiere paper photo box with annotations in manuscript ink and pencil on the lid. Based on Moliere's 1670 five-act play "Le Bourgeois gentilhomme" about social climbing and the bourgeois personality. Seigner plays Jourdain middle-aged and aspiring to aristocracy. He learns fencing dancing music and philosophy constantly making a fool of himself. The second adaptation of Moliere's play after Humberto Gómez Landero's "El gran Makakikus 1944 and preceding Roger Coggio's "Le bourgeois gentilhomme" 1982. 18 transparencies 3.25 x 4.5 inches 1 two-frame transparency 2.25 x 4.75 inches. Near Fine glassine sleeves with light soil. Letter Very Good plus folded twice. Box Very Good overall. Comedie-Francaise unknown
1958ref. 143902Paris: Comedie-Francaise 1958. Collection of 19 original studio still color transparencies from the 1958 French film here under the original French title. Starring actors Meyer Seigner Marie Sabouret and Micheline Boudet figure prominently in the images in lavish period costumes. A few have layout annotations either on the glassine sleeve or on an affixed glassine slip. Laid in is a signed typescript letter from "Y. Guillot" addressed to Gay Lussac at Cinedis the film's distribution company and dated 1960. Guillot was "Le Chef du Service des Editions" and he thanks Lussac for sending him "ektachromes" from the film promising to include images in upcoming issues of his publication. Housed in an original French Crumiere paper photo box with annotations in manuscript ink and pencil on the lid. Based on Moliere's 1670 five-act play "Le Bourgeois gentilhomme" about social climbing and the bourgeois personality. Seigner plays Jourdain middle-aged and aspiring to aristocracy. He learns fencing dancing music and philosophy constantly making a fool of himself. The second adaptation of Moliere's play after Humberto Gómez Landero's "El gran Makakikus 1944 and preceding Roger Coggio's "Le bourgeois gentilhomme" 1982. 18 transparencies 3.25 x 4.5 inches 1 two-frame transparency 2.25 x 4.75 inches. Near Fine glassine sleeves with light soil. Letter Very Good plus folded twice. Box Very Good overall. Comedie-Francaise unknown books
1956ref. 144496Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. Shot on location in and around Paris. 5 x 7 inches. Near Fine with single bottom margin. 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown
1959ref. 145128France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. 7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown
1959ref. 144576France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With manuscript annotations on the verso. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. 11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown
1959ref. 142159France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing manuscript ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with manuscript annotations identifying the film and for layout. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. Proof photographs and negatives roughly 2 x 2 inches. Fine. Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown
1954ref. 144698N.p.: N.p. 1954. Original borderless photograph of director Jean Renoir and actors Henri Vidal and Jean-Pierre Aumont on the set of the 1954 theatre production. With manuscript annotations and an agency stamp on the verso. Staged for a single showing in the Roman Arena in Arles on the occasion of the 2000th anniversary of the foundation of the city by Julius Caesar. 11 x 8 inches Near Fine. N.p. unknown
1962ref. 151080N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso. Two photos shown please inquire to see others. Based on the 1947 novel by Jacques Perret. A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. Shot on location in Paris France and Vienna Austria. 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown
