20.759 resultados
1959ref. 142159France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing manuscript ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with manuscript annotations identifying the film and for layout. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. Proof photographs and negatives roughly 2 x 2 inches. Fine. Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown
1954ref. 144698N.p.: N.p. 1954. Original borderless photograph of director Jean Renoir and actors Henri Vidal and Jean-Pierre Aumont on the set of the 1954 theatre production. With manuscript annotations and an agency stamp on the verso. Staged for a single showing in the Roman Arena in Arles on the occasion of the 2000th anniversary of the foundation of the city by Julius Caesar. 11 x 8 inches Near Fine. N.p. unknown
1962ref. 151080N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso. Two photos shown please inquire to see others. Based on the 1947 novel by Jacques Perret. A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. Shot on location in Paris France and Vienna Austria. 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown
1951ref. 142076Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali." Set and shot on location in India. 10 x 8 inches. Slight wear around the edges else Near Fine. BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown
1947ref. 172385Culver City CA: RKO Radio Pictures 1947. Two vintage studio still photographs from the 1947 film noir. Based on the 1945 novel "None So Blind" by Mitchell Wilson. A Coast Guard officer develops feelings for a married woman despite the presence of her blind husband. Shot on location in Malibu CA. 8 x 10 inches. Very Good with a crease down the left side of the photos. One photo with a small tear at the right edge. One photograph with a loss at the top right corner. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown
1954ref. 144698N.p.: N.p. 1954. Original borderless photograph of director Jean Renoir and actors Henri Vidal and Jean-Pierre Aumont on the set of the 1954 theatre production. With manuscript annotations and an agency stamp on the verso. Staged for a single showing in the Roman Arena in Arles on the occasion of the 2000th anniversary of the foundation of the city by Julius Caesar. 11 x 8 inches Near Fine. N.p. unknown books
1959ref. 145128France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. 7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
1962ref. 151080N.p.: N.p. 1962. Five vintage borderless reference photographs from the 1962 film including one of Jean Renoir sitting amongst the cast on the set of the film. Layout annotations in manuscript pencil provenance stamp and label of film historian "Maurice Bessy" and "Le Caporal Epingle" stamp all on verso. Two photos shown please inquire to see others. Based on the 1947 novel by Jacques Perret. A comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII. A companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. Shot on location in Paris France and Vienna Austria. 9.5 x 7 inches. Some light edgewear else Near Fine. N.p. unknown books
1956ref. 144496Burbank CA: Warner Brothers 1956. Vintage photograph of Jean Renoir and Ingrid Bergman on the set of the 1956 French film. Agency stamps on the verso. A romantic-comedy set in 1890 Paris starring Ingrid Bergman as Elena Sokorowskaa Polish princess who has a reputation for bringing good luck to her lovers. While scheduled to be married to a wealthy family friend with plans to bring new money to the family's dwindling fortune she meets Count de Chevincourt Mel Ferrer the aide to General Rollan Jean Marais. Both men are taken by her charm and find themselves in a romantic knot with repercussions for all of France. Shot on location in and around Paris. 5 x 7 inches. Near Fine with single bottom margin. 244 Criterion Collection. Godard Histoires du cinema. Rosenbaum 1000. Warner Brothers unknown books
1959ref. 144576France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With manuscript annotations on the verso. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. 11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
1947ref. 172385Culver City CA: RKO Radio Pictures 1947. Two vintage studio still photographs from the 1947 film noir. Based on the 1945 novel "None So Blind" by Mitchell Wilson. A Coast Guard officer develops feelings for a married woman despite the presence of her blind husband. Shot on location in Malibu CA. 8 x 10 inches. Very Good with a crease down the left side of the photos. One photo with a small tear at the right edge. One photograph with a loss at the top right corner. Grant US. Rosenbaum 1000. Selby US Canon. Silver and Ward Classic Noir. Spicer US. RKO Radio Pictures unknown books
1959ref. 142159France: Radio-Television Francaise RTF / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir 1959. Archive of 36 press photographs taken on the set of the 1959 film mounted to four printed card stock proof sheets from "Telerama" magazine with each sheet containing manuscript ink annotations with the name of the production credits for Renoir and photographer R. Saguet and with three dated January 26 1959 and one dated April 4 1959. Accompanying the photographs are 35 negatives for photographs in the archive and 1 negative for a photograph that was not struck and mounted. All the photographs featuring cast and crew working on the set and 16 feature images of Renoir on the set. Also included are two vintage borderless press photographs depicting scenes for the film. Each with the stamp of "Telerama" on the verso along with manuscript annotations identifying the film and for layout. Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. Proof photographs and negatives roughly 2 x 2 inches. Fine. Proof sheets 11.5 x 9.5 inches. Card stock. About Near Fine with some wear at the corners. Press photographs 7.25 x 5 inches. Light diagonal creasing to the upper corner of one photograph else Near Fine. Radio-Television Francaise [RTF] / Societe Financiere de Radiodiffusion / Compagnie Jean Renoir unknown books
1951ref. 142076Beverly Hills CA: Oriental International Pictures / United Artists 1951. Vintage reference photograph from the 1951 film showing Renoir giving directions to an actor while members of the crew look on. Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali." Set and shot on location in India. 10 x 8 inches. Slight wear around the edges else Near Fine. BFI 619. Criterion Collection 276. Ebert III. Oriental International Pictures / United Artists unknown books
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown
1982ref. 156076Beverly Hills CA: United Artists 1982. Five vintage studio still photographs from the US release of the 1981 French film. Based on the 1979 novel by Daniel Odier writing under the pseudonym Delacora. A stylish and influential French thriller wherein a young postman and opera enthusiast inadvertently becomes entangled with the mob and the police after a woman slips a cassette that fingers a corrupt police chief into his bag. Set and shot on location in Paris France. 8 x 10 inches. One with a small chip and tape shadow at the bottom right corner else Near Fine. United Artists unknown books
1987ref. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown
1968ref. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown
1968ref. 148283N.p.: Athos Films 1968. Two vintage French color lobby cards from the 1968 film one with a stamp reading "P. Valadier" on the verso. Loosely based on the 1871 novel "Demons" by Fyodor Dostoyevsky. Godard's wry improvisational take on politics of the late 1960s follows five disaffected students studying the teachings of Mao Zedong and debating the use of terrorism to achieve revolution. Set in and shot on location in Paris. 11.75 x 9.5 inches. Very Good plus with pinholes at corners and edgewear. Rosenbaum 1000. Athos Films unknown books
1968ref. 144349N.p.: N.p. 1968. Two vintage borderless photographs from the set of the 1968 French experimental film mixing documentary with surreal imagery and fictitious characters. With mimeo snipe on one and manuscript annotations on the other. From the last scene of the film featuring "Eve Democracy" a graffiti artist played by Anne Wiazemsky who is followed by a film crew on the beach as she totes a rifle dressed in all white. "One Plus One" alternates documentary segments of The Rolling Stones creating the song "Sympathy for the Devil" in the studio during the band's last days with Brian Jones with surreal commentary about anarchy and revolution making references to Amiri Baraka Eldridge Cleaver and the Black Panthers pornography "Mein Kampf" and the Nazi movement. 10 x 7 inches. Near Fine. N.p. unknown books
1987ref. 144497Paris: Gaumont 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres twisting together a broad range of references to literature film comedy and the history of cinema. Starring Godard himself as a filmmaker thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327. Gaumont unknown books
1959ref. 144939Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. Two young men wander around Paris attempting to pick up women. 6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown
1959ref. 144939Paris: Les Films Fernand Rivers 1959. Vintage photograph of director Jean-Pierre Mocky behind a camera on the set of his 1959 directorial debut. Two young men wander around Paris attempting to pick up women. 6.75 x 5.5 inches. Near Fine. Les Films Fernand Rivers unknown books
1932ref. 171386Los Angeles: Paramount Pictures 1932. Vintage studio still photograph from the 1932 pre-Code film musical showing Jeanette MacDonald coyly looking toward Joseph Cawthorn. Based on Paul Armont and Léopold Marchand's 1924 play "Le Tailleur au Château" about a tailor who poses as a nobleman and falls in love with a young widowed princess. Rodgers and Hart's second motion picture following "Spring Is Here" 1930. 8 x 10 inches. Very Good plus. Paramount Pictures unknown
1932ref. 171386Los Angeles: Paramount Pictures 1932. Vintage studio still photograph from the 1932 pre-Code film musical showing Jeanette MacDonald coyly looking toward Joseph Cawthorn. Based on Paul Armont and Léopold Marchand's 1924 play "Le Tailleur au Château" about a tailor who poses as a nobleman and falls in love with a young widowed princess. Rodgers and Hart's second motion picture following "Spring Is Here" 1930. 8 x 10 inches. Very Good plus. Paramount Pictures unknown books
