6 478 résultats
réf. 29911699like new. unknown
réf. 29911699-nnew. unknown
réf. BN512838Arequipa Spanish Edition Gebundene Ausgabe Arequipa Spanish Edition Gebundene Ausgabe Arequipa Spanish Edition Gebundene Ausgabe unknown
193648 pages. This glamorous publication brought New York women important information including: news of the choicest fashion, entertainment, current happenings, where to go, what to see, and how much to pay. Features: Great color cover photo of cop writing ticket for fashionable lady whose dog has just soiled a hydrant; Nice one-page ad for Franklin Simon's features dresses for dining out; Letters; Half-page Best & Co. ad features photo of "Upholstery Damask"; Fantastic one-page ad for Singer sewing machines features attractive model and text aimed specifically to the women of New York; Opinions of the New York Woman; Great photos of people aboard New York subways; Fantastic photos of mannequins - under construction and finished; Women Among Men in the Business World; Photos of Spanish ex-pats in Manhattan's Spanish quarter protesting against the 'fascist raid on Spain'; Confessions of a Personal Maid (part 2 of 2); Gentlement for Hire - photo-illustrated article of Ted Peckham, who offers 135 impeccable male youths as escorts for lonely ladies; Fantastic one-page color photo of model in dark suede outfit; (Theatre) First Nighters are Terrible People; A Fashion Editor's Diary; Shoulders by Lynn Fontaine - photo-illustrated fashion article on selecting the right dress for the right body; Great winter fashion centerfold features black and white photo with color illustrations; So Much To Buy - So Much To Spend; Merrily We Roll Along - illustrated article on roller skating fashions; A Man's Closet; Rugs - pointers on selection and placing; Roasts for a family of two; Halloween table decoration; Leica photo contest entrants; Edna Ferber visits 47 W 53rd - home of theatrical hopefuls; Photos from the film "Garden of Allah" starring Marlene Dietrich; Interesting vintage half-page Kotex ad shows golfer in long dress and two other active ladies; Russeks Fifth Avenue half-page photo ad features squirrel fur coat; Tables About Town - details of offerings by local restaurants, with prices; Manhattan Date Book; Inside of back cover promotes upcoming feature article on photographer Victor Keppler with photos and text; and more. Unmarked with modest wear. A quality copy of this great vintage depression-era item. Magazine
Two volumes, complete. Jimenez Catalan's monumental bibliography of Zaragoza imprints from 1601 to 1800. XIII, 513, [6]; 489, [9] pp. 1420 + 1576 items arranged in chronological order and thoroughly described. Includes notes on the principal printers and booksellers, a few facsimiles, and lengthy extracts from particularly interesting publications. Fully indexed. 4to. First volume bound in quarter calf; second volume in buckram. Original front wrapper preserved in both volumes. A bit of wear to binding of first volume, else a FINE AND BRIGHT SET. Very scarce.
CD audiobooks ships directly from manufacturer. Pls. allow 20 - 25 days of business days deliveryt time. Junior Jukebox Espanol i s shipped to you individually packaged in four - color cardboard sl eeve.Junior Jukebox Espanol is a 24 CD collection of children's m usic wonderfully performed in Spanish by noted singer/songwriter Jorge Lan. This music is perfect for young Hispanic children or a s a teaching aid for English - speaking students looking to learn S panish in a musically - fun way. Weight: 2.50 lb(s) ASIN: B000U M4BB2 Shipping Method: UPS Manufacturer: PC Treasures
réf. 237944Paris, Rougeron, 1815 in-8, 296 pp., 1 feuillet d'errata, dérelié.
réf. 43451Paris Pierre Seghers, Editeur 1957 in 8 (27,5x19) 1 volume reliure cartonnée de l'éditeur, couverture rempliée, plat supérieur illustré par Pablo Picasso, 37 pages {1], avec 12 photographies en noir et blanc par Lucien Clergue, dont 2 sur double-page. Poème liminaire de Jean Cocteau. Première édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Barcelona, Trilla y Serra Editores,1880. Gran folio; 221 pp. de texto, con magníficas viñetas intercaladas entre el mismo, grabadas por Fusté y dibujadas por Apeles Mestres (1854-1936). Más 16 extraordinarias láminas aparte, litografiadas en color en la Litografía de Pigrau, obra del ilustrador Eusebio Planas(1833-1897). Encuadernación en media piel, de la época. La desgraciada peripecia de Margarita Gautier, la mas singular "traviata" de todos los tiempos, galantemente vestida aquí por Eusebio Planas, quien no puede reprimir guiños a su producción erótica del mismo año "Historia de una mujer", o a sus sicalípticas "Academias de mujer" y pornográfica "El noble arte del billar".
réf. 188486Madrid, Imprenta de D. M. de Burgos, mai 1817 in-12, [8]-263 pp., basane maroquinée cerise, dos lisse orné de guirlandes et fleurons dorés, pièce de titre verte, encadrement de guirlande dorée sur les plats, hachuré doré sur les coupes, tranches dorées (reliure de l'époque). Bel exemplaire.
1695réf. 1000019AGAmsterdam, Johannes van Keulen, [1695]. Kupferstich altkoloriert. 54 x 63 cm (Blattgröße), [7 Warenabbildungen] unter Glas gerahmt, leichte Mittelfalte etwas knittrig, kleinere Randläsuren, Rahmen etwas bestossen,
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 68, Delteil 70
1799Opera tratta dai Los Caprichos, per la prima volta pubblicati nel 1799.Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870.Acquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione.La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato.Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799.From the fourth edition of twelve of the so-called Los Caprichos series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, usual wide margins, in very good conditions.The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape.Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship.The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 68, Delteil 70.
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 102, Delteil 104.
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 111
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 109, Delteil 111.
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 65
1799Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 53, Delteil 55.
1948réf. 002874Paris, Les Presses de la Cité, 1948
1666In -8°, pp. (16), 692; molte illustrazioni nel testo, legatura in piena pelle coeva. Celebre libro spagnolo di stemmi, edito per la prima volta nel 1640, conobbe diverse edizioni nell’arco di tutto il secolo. Bell’esemplare, rifilato, ma mai oltre metà delle testatine; testo e immagini sono intatti.
réf. 129359hardcover. Real Academia Nacional de Medicina. 16 vols. 8vo flexible white cloth; slightly soiled. Madrid: Julio Cosano 1921-1949. A scholarly set on internal medicine biography epidemics pediatrics and other topics. unknown
réf. 129359hardcover. Real Academia Nacional de Medicina. 16 vols. 8vo flexible white cloth; slightly soiled. Madrid: Julio Cosano 1921-1949. A scholarly set on internal medicine biography epidemics pediatrics and other topics. unknown books
1920réf. 6853Barcelona: Encuardernaciones Patentadas Spirax Sol; Papeles de Estano-Barna 1920. Booklet spiral-bound along top edge 17 x 13 cm. 58 leaves printed rectos only. Illustrated throughout in chromolithography. Title from cover. FIRST & ONLY EDITION. A trade catalog for the distinctive and elaborate bottles for wine and spirits from the firm of Destilerias Hilario Botella from Jativa in Spanish Valencia. The first offerings are the highly decorated bottles in styles such as Anfora Valenciana Nagasaki del Japon Carmen Sevilla Piramidal Conica and most exciting the Botella Pinguino Patentada– a 1000 gram bottle in the shape of a penguin. Bottles for dozens of types of spirits are included as well as a lemonade dispensing device and two pages of fine leather goods. Some offsetting throughout; rear wrapper panel soiled but mostly clean and bright. Some early ink scribbles to front wrapper verso otherwise generally very good or better. Scarce. OCLC locates no copies. Encuardernaciones Patentadas Spirax Sol; Papeles de Estano-Barna hardcover
1920réf. 6853Barcelona: Encuardernaciones Patentadas Spirax Sol; Papeles de Estano-Barna 1920. Booklet spiral-bound along top edge 17 x 13 cm. 58 leaves printed rectos only. Illustrated throughout in chromolithography. Title from cover. FIRST & ONLY EDITION. A trade catalog for the distinctive and elaborate bottles for wine and spirits from the firm of Destilerias Hilario Botella from Jativa in Spanish Valencia. The first offerings are the highly decorated bottles in styles such as Anfora Valenciana Nagasaki del Japon Carmen Sevilla Piramidal Conica and most exciting the Botella Pinguino Patentada– a 1000 gram bottle in the shape of a penguin. Bottles for dozens of types of spirits are included as well as a lemonade dispensing device and two pages of fine leather goods. Some offsetting throughout; rear wrapper panel soiled but mostly clean and bright. Some early ink scribbles to front wrapper verso otherwise generally very good or better. Scarce. OCLC locates no copies. Encuardernaciones Patentadas Spirax Sol; Papeles de Estano-Barna hardcover books
1715réf. 21225London 1715. A petition to Parliament by the officers of Lieutenant General George Hamilton's Regiment of Foot seeking pay due for services abroad in the War of the Spanish Succession. Lord George Douglas-Hamilton 1666-1737 was a Scottish Williamite officer during the Glorious Revolution who later married William III's mistress Elizabeth Villiers became a confidant of William was created Earl of Orkney in 1696 was appointed Governor of Virginia in 1714 and in 1736 was the first British general promoted to the rank of Field Marshal. In 1701 at the beginning of the War of the Spanish Succession Hamilton led the First Regiment of Foot the Royal Scots to the Netherlands where the regiment fought for the remainder of the war. Despite their long service and the high position of Hamilton the officers suggest in the present petition that having been so long overseas they had been forgotten by the British government and charge that they had not received their pay even after frequent petitions. The document is an early example of lobbying literature which first began proliferating in the lobby of the House of Commons at the time of the accession of King George I and the British general election of 1715. ESTC records four copies two at the British Library one at Oxford and one at the National Library of Scotland. unknown