26.071 resultados
1887Book has been rebound. Spine is frayed and chipped at ends. Tears to sides of backstrip but repaired along one side with black binding tape. Some scratches to marbled boards. Textblock is split in gutter of pages 32-33. Front board is close to detaching but still attached. Light Edgewear and scratches to boards. Gift Book plate to front inner cover. Inked number to 1 page. Scholar's stamp to ffep (Alan Samuel) and former owner's name to ffep. Corners are somewhat edgeworn. Corners are worn with corners chipped off. Light chipping to edges of a few pages. ; Text and preface are in Latin; cxxxv, 358 ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; Vol. 1; 12mo 7" - 7½" tall; 527 pages
1890Pencil markings to a few pages. Boards a bit edgeworn. Chipping to head of spine. First few pages loose but present. Contents a bit shaken. ; Latin text with English commentary and introduction. 92 pp + 102 pp ; 340 pages
19762 small tears to head of spine (1 cm). Minor rubbing to boards. Scholar's name to ffep (Robert Brown). ; Xvii, 270 pp ; College Classical Series; 270 pages
2010Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the Montpellier manuscript and Guido d'Arezzo's do-re-mi mnemonic share a common ancestor. The long-hidden St Petersburg codex is a virtual songbook with sixteen melodies reflecting secular as well as monastic traditions. These and other manuscripts provide persuasive evidence that Horace was sung for entertainment as well as teaching. While there is no provable link between early medieval performance and Horace's own practice, Lyons argues that the Horace of the Odes was a musical innovator, songwriter and entertainer, as well as a literary craftsman, and sang much of his lyric poetry to the accompaniment of his own lyre. With 50 illustrations, 12 colour plates and a comprehensive set of indexes this book will stimulate and inform both classicists and musical historians. ; 8vo - over 7¾" - 9¾" tall; 204 pages
1914Endpapers browned. Minor creasing to spine. Scholar's bookplate to inner cover (G. P. Goold). Original terracotta and black boards. ; Latin Text with Latin Apparatus ; Oxford Classical Texts Oct (Scriptorum Classicorum Bibliotheca Oxoniensis) Oxoniensis; 12mo 7" - 7½" tall; 190 pages
1961198 p. : ill. ; 27 cm. In Spanish. Argentine poetry -- 20th century. Poets, Argentine. 800 copies printed.
1993Foxing to top of textblock. Scholar's name in pencil to ffep (Goold). ; This book applies some of the procedures of modern critical theory to the interpretation of Latin poetry. The author argues for an approach that sees the meaning of a text as always and necessarily involved in the process of "reception," that is the way it has been read and interpreted from the time of its composition down to the present day. A study of its reception-history facilitates novel and more profitable ways of reading. He illustrates his approach with exemplary readings of Virgil, Ovid, Horace and Lucan. ; Roman Literature And Its Contexts; 8.1 X 5.3 X 0.6 inches; 135 pages
1974Dustjacket is protected in mylar. DJ is price-clipped. Dustjacket has minor shelfwear and rubbing. ; Adds about 1700 glosses and offers extensive information on their paleographic dating. Standard reference for those interested in German etymology, the history of the German language, and medieval Latin lexicography ; 154 pages
1988Very Good Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 167 p. 1000 copies were printed. This is numbered 50: (50/1000). First and Only Edition. Letter revolution (1928) in Turkish local press of Hatay city.
1975Spine a bit sunned. 1 corner of wraps creased. ; Deals with Roman art's unique nature how did it come into being? Also reprints 'Roman Art In Modern Perception'. ; University of California publications, classical studies ; v. 11; 207 pages
1961Small bookplate to inner cover (Wissenschaftliche Buchgesellschaft Darmstadt) . 1 corner bumped else book is fine. DJ has minor shelfwear. ; Latin and Greek Text with German translation includes ; Tusculum-Bücherei; 115 pages
1992This is a very good softcover copy with just light wear. Very clean inside and out, but short name on front endpaper. Text in Portuguese + an English language summary booklet laid in. Essays by Clarival do Prado Valladares and Marcus de Lontra Costa & Mario Jardim. Illustrated throughout in color. 12" high X 9" wide, 110 pages. This book will be securely packed and shipped with tracking.
2007Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 557-582 pp. Bir hayrat ve nostalji eseri: Sumnu'daki Tombul camii külliyesi ve banisi ve Serif Halil Pasa'nin vakfettigi kitap katalogu. [Separatum Enjeux politiques, economiques et militaires en Mer noire (XIV-XXI siecles) Etudes a la memoire de Mihail Guboglu]. Signed and inscribed by Sabev (Salih) to Machiel Kiel.
1980Faint dustsoiling to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Minor shelfwear to book and DJ. DJ spine browned. ; Tusculum-Bücherei; 775 pages
1970Scholar's small bookplate to ffep (R. E. Fantham). Minor shelfwear. DJ has a few tears and some chipping. ; Text is in Latin with extensive English commentary. ; 0.63 x 7.56 x 5.13 Inches; 168 pages; Text is in Latin with extensive english introduction and commentary.
1970Lower corners bumped. Former owner's name in pencil to ffep. Minor shelfwear. ; Text is in Latin with extensive English commentary. ; 0.63 x 7.56 x 5.13 Inches; 196 pages; Text is in Latin with extensive english introduction and commentary.
1968Literatures of the world in English translation : V.1 The Greek and Latin Literatures. Useful bibliographic guide covering books available before 1967. Covers Ancient,Byzantine and Modern Greek Latin thought to Medieval and NeoLatin.442p.index. Crisp sound copy, usual library marks, else fine. Ex-Library
2002Minor shelfwear. Publisher's stamp to rear inner cover. Faint yellowing to wraps. ; Index: Note a Cecilio Stazio - Lutazio Catullo poeta - spunti dalla lirica di Levio - Sueio, fr. 1 Mor - note al Bimarcus di Varrone - note a Calvo - Elvio Cinna e il suo esegeta - varius, fr. 4 Courtney = Blänsdorf e Verg. Ecl. 8,88 - l'Orpheus di Lucano - index rerum et verborum - index locorum - indice degli studiosi moderni. ; Testi E Manuali Per L'Insegnamento Universitario Del Latino; 71; 181 pages
1989Light edgewear. Minor shelfwear. ; In Dutch. ; 176 pages
1960Light foxing. Scholars' bookplate to inner cover. N. B. The first gathering is out of order so pagination and pages are not sequential but complete. Else VG. ; Reprint of 1906 edition. ; 362 pages
1954Former owner's bookplate on inner cover. Light discoloration to spine. Very light foxing to textblock. ; Includes essays by different scholars on: Homer, Early Greek Lyric Poetry, Greek Tragedy, Greek Comedy, Greek Philosophers, Greek Historians, Greek Orators and Rhetoric, Hellenistic Poetry, Roman Drama, Late Republican Poetry, Augustan Poets, Roman Oratory, Roman Historians, Silver Latin Poetry; 431 pages
1876Foxing and browning to endpapers. Rear hinge just starting to crack and weaken. Pages lightly browned. Blank leaves interleaved into latin text with some pencil notes to blank pages. Light foxing passim. Top of spine has a few small tears and fraying. Minor edgewear to corners. Possibly rebound in blue boards? ; Latin Text with German notes and introduction. ; 289 pages
1995Light shelfwear. Scholar's name to titlepage (Robert Brown). ; 238 pages
19001 corner bumped. Chipping and fraying to base of spine. Scholar's name to ffep (Albert Merriman). Light Red pencil marginalia and underlining to about 20 pages. Pencil marginalia on a couple of other pages. Else VG. ; Latin text with English commentary and introduction. ; 384 pages
1880Minor pencil underlining and marginalia on a few pages. Spine is discolored. Fraying to spine ends. Light Edgewear to extremities. Light tanning to pages. ; Latin Text with Extensive Commentary in English. ; 290 pages