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1974Foxing to top of textblock else book has very minor shelfwear. DJ has chipping and small tears along top edge. DJ spine sunned. DJ has a few small scratches with colour loss. ; Janua Linguarum. Studia Memoriae Nicolai Van Wijk Dedicata. Series Maior, 76; 395 pages
1960Former owner's name stamped to ffep. Light browning to wraps. ; Parallel text in French and Greek. L, 59 pp; Collection Des Universités De France. Association Guillaume Budé; 109 pages
1958Octavo in orange illus paper wraps; 201p. In Spanish. Series: [ColecciÛn BiografÌa de AmÈrica. vol. 1.]
1966Very Good Italian Paperback. Demy 8vo. (21 x 15 cm). In Italian. 174, [2] p., indice analitico. Esercizi sulla morfologia Latina. A corredo della sintassi Latina. Exercises on Latin morphology.
1960Ex-library copy with usual stamps, call numbers and pocket. Former classics scholar's name on inner cover (J. A. Davison). Review references quoted on ffep. ; Commentary and notes on the text. ; Cambridge Classical Studies; Transactions of the Cambridge Philological Society Vol.10; 104 pages
1912Lettering a bit dulled. ; 111 + 219 pp; 266 pages
1983Light pencilling to a couple of pages. Scholar's name to ffep (Robert Brown). Very light shelfwear to book. DJ has a couple of small tears; with faint browning and 1 small stain to spine. ; 1.18 x 8.5 x 5.75 Inches; 360 pages; Extensive English introduction, commentary and Latin Text.
1890Ex-library copy with usual stamps, call numbers and pocket. Book has been rebound in blue boards with black leather spine. Gold lettering to spine. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 12mo 7" - 7½" tall; 343 pages
1975Minor shelfwear. ; 117 pages; Third Edition (including Book 3, Text and Translation)
1994Minor pencil markings to margins of a few pages. Faint creasing to spine and corner of front wrap. ; Italian and Latin text ; 573 pages
1947Very Good Turkish Paperback. Foolscap 8vo. (18 x 12 cm). In Turkish. 78 p. Pages untrimmed and unopened. Casina is a Latin play by the early Roman playwright Titus Maccius Plautus. Many of the characters in Casina are stock characters of Greek and Roman comedy, such as the old man chasing after the young slave woman. This is the first Turkish Edition of Casina by Plautus. It's translated by Nurullah Ataç, (1898-1957),(translated from French to Turkish), who was a Turkish writer, translator, poet and literary critic. He was born on 21 August 1898 in Istanbul, then the capital of the Ottoman Empire. He studied in the Galatasaray High School and the Faculty of Letters of Istanbul University. After his father's death in 1921, he began serving as a French teacher in various schools in Istanbul. After the proclamation of the Turkish Republic he also served in Ankara and Adana. In 1926 he married to Leman Ataç. He was appointed as an official translator of the presidency. He also served as the chairman of the media branch of the Turkish Language Association. Ataç is known as a productive writer with an excellent memory. He translated more than 70 books to Turkish. He wrote essays and poems using modern Turkish words. He was a champion of inverted sentences in his writings In his critics he was often relentless. OCLC has six copies: 32675443. First Turkish Edition.
1968Scripta a P.L. Travers, Picturas delineavit Mary Shepard. Latine reddidit G.M. Lyne."G.M.Lynes' scholarly translation, skilfully adapted to the demands of the ancient language, sacrifices none of the incomparable wit and charm of the original. The illustrations, though in a different color scheme, are the same ones that delight readers of the English language edition.Together text and pictures add up to a special treasure for Mary Poppins' admirers of all ages, as well as for Latinists, either beginning or advanced." Bookstore stamp on ffep, else fine Book
1905This is a very good softcover copy in the original publisher's decorated wrappers with just light wear. Very clean inside and out. Binding tight. Some professional restoration of spine tips. Stamp on title-page and endpaper 'Obsequio de los Editores'. Some foxing throughout. Text in Spanish. Some pages uncut. 9" high X 6" wide, 124 pages.
1915Pages unopened. Light foxing. A couple of small chips and light creasing to wraps. ; Text is in Latin. ; 8vo; 337 pages
1852pp. (50), 452. Tall 12mo. Foxed. Worn full roan binding; front board almost detached. Early ownerships of the Episcopalian minister and scholar, Charles James Wood. **PRICE JUST REDUCED! W120
1966Facsimile of the rare original account, first published in 1507. 8vo. Original leather grained cloth binding. Fine condition. These facsimiles are the most affordable way to study, own, and enjoy such rare Americana. NW29. **PRICE JUST REDUCED!
1985Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
2010Digitally reprinted. Minor shelfwear. Laminate to spine lifting a bit. ; Unchanged reprint of 1911 edition. ; 9.7 X 7.6 X 1.5 inches; 570 pages
1995The classic Latin text, newly edited by R.A.Lafleur. 40 chapters with grammatical explanations and readings based on ancient Roman authors, the position of the Latin language in linguisic history, a brief survey of Latin literature, the alphabet and pronunciation, supplementary syntax, summary of forms . also includes self-tutorial exercises with answer key for independent study, English-Latin /Latin-English vocabulary, etymologicl aids and a full index. 497p. Book
1980Inscribed by author to R. E. Fantham on ffep : "To Elaine with love from the author. 15. V. 80" top corners bumped. Minor shelfwear to book. DJ has large tear to front panel and creasing. DJ has chipping and tears. DJ is somewhat tatty. ; 312 pages; It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.; Signed by Author
1980Gift inscription from author to G. P. And Philippa Goold on ffep. Foxing/dustsoiling to top of textblock. DJ has minor edgewear. DJ spine a bit sunned. ; 312 pages; It has long been assumed that the language of Roman poetry was constructed under the dictates of elaborately defined rules of rhetoric, and its content determined according to the system of comparable classifications called invention. This belief has persisted in spite of the difficulty of fitting the works of Catullus, Horace, Virgil, Propertius, and Tibullus into such a rigid scheme. In this book Gordon Williams demonstrates that, although Ovid and his successors did indeed assimilate their poetry to the rhetorical rules devised for prose, the earlier poets employed a quite different method. Williams sees this method as falling into either a metaphorical or metonymic mode, both of which permitted the poet "to say one thing and mean another." Delicate and often startling transitions of thought could be grasped-though not necessarily on first reading-by readers "assumed by the poet to have a special access to the poet's process of thought." This access presupposed similarities of "education, social position, and sympathetic understanding." Through close analyses of many poems, Williams shows how poets in the fifty years before Horace's death exploited metaphor, metonymy, and a third device that he calls thematic anticipation to evoke subtle associations of thought. In doing so he elucidates problems of Latin poems that have been generally misunderstood almost since they day they were written.; Signed by Author
1958Scholar's name to inner cover (J. B. Clinard). Small stains and foxing to wraps. ; Acta Universitatis Gothoburgensis Vol. LXIV: 9 / Studia Graeca Et Latina Gothoburgensia VIII; 61 pages
1983Creasing along foreedge of front wrap. ; Mnemosyne, Supplements; 88 pages
1982IN ENGLISH AND SPANISH. In cardboard box. 27x26.5 cm. 216 pages. Hardcover in dust jacket. In Good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1802ref. THEO0798Brixinae, Sumptibus Episcopalis Seminarii apud Josephum Weger 1802. kl.-8°, X, 404 S., 1 nn. S. Errata, HLdr. d. Zt., berieb., bestoß., Rotschnitt, hint. Deckel an Seitenkante stärker aufgeplatzt, leicht stockfleck., vereinzelt Bleistiftrandverm.