3309 risultati
1920rif. 25924New York:: George H. Doran ca. 1920. Early edition. publisher's full pictorial gilt leather t.e.g. in publisher's plain box with printed paper label on one edge. A few light smudges to the binding; else fresh bright and unworn. The slipcase is rubbed at the joints but intact. Folio. Presented by Willy Pogany throughout including tipped-in color plates. George H. Doran, hardcover
1954rif. 1163Paris: B. Artaud 1954. First Edition First Printing. Hardcover. Near fine/near fine. Belleville Ménilmontant. Photographs by Willy Ronis. Claud Arthaud editor. Type design by Roger Excoffon. B. Arthaud Paris 1954. 96 pp. Quarto 11 x 9 in./28 x 23 cm First edition. Vol. II in the collection "Les Imaginaires". Hardbound with illustrated boards. Original acetate jacket and printed belly band. 93 gravure reproductions printed by Braun & Co. BOOK CONDITION: Near Fine; a solid tight clean copy with light wear to edges and corners; in a Near Fine dust jacket with slight wear at crown of spine including a tiny chip and tear to acetate; in a Near Fine yellow belly band with signs of uneven fading. The scarce hardbound issue of Ronis's classic! Before his death in 2009 Willy Ronis was one of the last of the surviving documentary photographers in the humanist tradition of Kertesz and Cartier-Bresson. During the 40s and 50s he was a prolific chronicler of many corners of French social life especially the working people of Paris. He tended to wear his politics on his sleeve often photographing strikes demonstrations occupations of factories and the like. For this reason he also kept his distance from the American and British press. In this scarce volume Pierre Mac Orlan offers his paean to the authenticity of these working class neighborhoods of Belleville-Menilmontant. Ronis discovered the area through Daniel Pipart a painter and friend of his wife who kept a studio there. He visited and photographed regularly from 1947-1950 with the aim of one day making a book from the images. Ronis's images like countless Realist artists before him aim to capture the poetry of the streets. Ever respectful of his subjects Ronis's gaze is always affectionate and discrete. Unlike many documentary photographers who search out freaks and weirdoes Ronis seeks out the typical and the ordinary. Yet beneath the surface one senses a subtle sense of melancholy and muted nostalgia. A masterpiece of book design and typography! The images contained in Belleville-Menilmontant are certainly among Ronis's finest and provide an essential point of entry into his work. Included in MM. Auer: 802 Photo Books. B. Artaud hardcover
rif. 83473Leder etwas berieben sonst gutes Exemplar. Konstruktion aus Nussbaum masssiv Sitzfläche und Rückenstütze mit Lederbespannung schwarz. In dieser Ausführung selten. Design Willy Guhl 1959. Hergestellt ca 1965 vermutlich Fa. Röthlisberger.Muss abgeholt werden. 010 unknown
1956rif. 18001THE EXPLORATION OF MARS Viking 1956 first edition fine in vg/near fine full color pictorial dust-wrapper with some light wear and tear with 16 wonderful full color illustrations by Bonestell. Indeed some of his best work. Viking unknown
rif. BN90575Springer Berlin. Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik Kreisprozesse Thermische Turbomaschinen Komponenten- und Emissionen VDI-Buch Bräunling Willy J.G. Springer Berlin unknown
rif. 1059551944. 41 x 50 cm gerahmt 27 x 36 cm Rückseitig etwas stockfl. sonst schönes Ex. - Bärtschi Willy Alexander 1906 - 1995 Maler Dozent und Publizist .Bauernsohn aus Lützelflüh Gymnasien in Zürich und Frauenfeld Kontakt mit dem Werk des Philosophen Holzapfel. 1928 Eintritt in die Kunstakademie Breslau die er aber bald wieder verliess. 1929 Eintritt in die Kunstakademie in Dresden ab 1930 Schüler von Otto Dix. Von 1934–1938 lebte Bärtschi als freier Maler in Dresden. 1938 Rückkehr nach Zürich kleinere Arbeiten für die Landi. Nach dem Aktivdienst 1943 Lehrer an der Kunstgewerbeschule in Zürich. Nach der Pensionierung 1971 widmete er sich wieder der Malerei. 010 1944 unknown
1967rif. 5048DB1967. Zürich Emil Matthieu 1967. 58 x 46 cm. 7 signierte Lithografien von Varlin. Halbleinenmappe mit Pappdeckeln. N°. 99 von 100 Exemplaren. Unten rechts mit Bleistift signiert und nummeriert. Mappe und Lithographien in sehr gutem Zustand. unknown
1896rif. 43069Leipzig Johann Ambrosius Barth 1896. 8vo. Contemporary half cloth with gilt title to spine. Band 58 of "Annalen der Physik und Chemie". Library stamp to verso of title-page. Light wear to edges and capitals and a damp-stain to the lower part of the last three leaves. Otherwise a clean and well preserved copy. The entire volume offered. Pp. 662-669. Entire volume: VIII 776 pp. 6 folded plates. First edition of Wilhelm Wien's highly influential paper on the phenomenon of radiation also known as Wien's displacement law. Wien followed Ludwig Boltzmann's approach when incorporating electrodynamics and thermodynamics in investigating radiation and its characteristics. "He argued that if a system reaches the same temperature by the increase of temperature or by the adiabatic compression of the volume containing heat radiation it should yield the same energy distribution. Considering also the Doppler effect of the radiation Wien arrived at an expression for energy distribution that states that the product of temperature and the wave length is a constant". Mathew Chandrankunnel Philosophy of physics 2000 4 p.Wien's empirical observations functioned as a starting point for Max Planck who wanted prove the theoretical foundation for Wien's wishing thus to justify the entropy law. Today Wien's approximation is also known as Wien-Planck law.This phenomenon was coined "Wien's displacement law" because the energy density curve is displaced correspondingly to the temperature; it implies that the hotter an object is the shorter the wavelength at which it will release most of its radiation. Wien's description of radiation awarded him the Nobel Prize in Physics in 1911. Wien's constant is today used in a wide range of different aspects of physics e.g. cosmic microwave background and the determination of how much energy is emitted from a light bulb. Magie "A Source Book in Physics". Pp. 597-600.Other papers of interest contained in the present volume:KOHLRAUSCH F. Ueber Widerstandsmessungen von Electrolyten mit Wechselströmen durch das Dynamometer. Pp. 514-516.BOLTZMANN L. Zur Energetik. Pp. 595-598.RYDBERG J. J. Die Neuen Grundstoffe des Cleveïtgases. Pp. 674-679.WIEN W. Ueber die auf einer schweren Flüssigkeit möglichen Wellen von sehr Höhe. Pp. 729-735.Etc. hardcover
rif. BN423897Bern : Benteli. Margrit Linck : keram. Skulpturen weisse Vasen. Margrit Linck : keram. Skulpturen weisse Vasen. Linck Margrit und Willy Rotzler Bern : Benteli unknown
rif. BN90633Springer Berlin. Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik ideale und reale Kreisprozesse Thermische Turbomaschinen Komponenten Emissionen und Systeme VDI-Buch Flugzeugtriebwerke: Grundlagen Aero-Thermodynamik ideale und reale Kreisprozesse Thermische Turbomaschinen Komponenten Emissionen und Systeme VDI-Buch Bräunling Willy J.G. Springer Berlin unknown
1931rif. 59999Philadelphia:: David McKay 1931. First trade edtion. publisher's black cloth stamped in silver with applied illustration. Slight rubbing at the corners of the cloth; otherwise very nice. 4to. Illustrated by Willy Pogany. Translated and Annotated by His Friend and Pupil Sir Richard Burton. Introduction by Dhan Gopal Murkerji. Inscribed on the half-title: "To my son Peter with best love from his Father -- 1931--" and at the top of the same page "This is my copy given to me by by Father Willy Pogany Peter Pogany Scott." David McKay, hardcover
1975rif. 091525-MNew York: Aperture 1975. Book. Illus. by Josef Koudelka. Near Fine. Hardcover. Signed By Photographer. 1st Edition. 4to - over 9¾ - 12" tall. 1st. Edition 1st. Printing 1975 as stated gray cloth hardcover with silver letters on the cover and spine and with the dust jacket 135 page book. A rear signed copy by this famous Czechoslovakian Photographer this being his first monograph.Illustrated with his full page black and white images . Condition : Near Fine with removed sticker on the end paper and inventory sticker at the back end paper.Ex-owner name penned top page edge above artist signature. Binding is tight very light spotting on the front board. Dust jacket is very good and complete not price clipped but with rips and nicks to the edges all tears have been archival tape repaired now in a clear mylar removable cover. . Aperture Hardcover
rif. 68080New York:: Printed in Great Britain by R.&. R. Clark forThomas Y. Crowell Co. no date. First American edition English sheets. publisher's pale salmon gild-decorated cloth with applied gilt and printed decorations t.e.g. in dust jacket and publisher's two-part printed box. A gorgeous copy. There is a 1/2" closed tear at the bottom edge of the dust jacket which is otherwise very fine. A few inoffensive stains to the unworn box. Very attractive. . Small folio. With12 tipped in full color plates by Willy Pogany as well as additional tipped in and printed decorations throughout. Laid in is an original etching signed in pencil by Willy Pogany similar in subject to the frontispiece. [Printed in Great Britain by R.&. R. Clark for]Thomas Y. Crowell Co., hardcover
1910rif. 011318Toronto: Copp Clark & Co 1910 288 pgs. TEG. Red cloth pictorially stamped in gilt with small color pastedown vertical crease to half-title else Fine; red paper dust jacket is sunned with old tape repairs to verso missing 2" from spine panel. 8 color plates plus stunning full page b&w plates and line art chapter heads and other illustrations within the text as well as gilt pictorial endpapers. A beautiful book rarely found in dust jacket. First Canadian Edition. Pictorial Cover. Near Fine/Fair. Illus. by Willy Pogany. 8vo. Copp Clark & Co hardcover
rif. 052500George G. Harrap & Company. Very Good with no dust jacket. Hardcover. Hardcover in slipcase. No publication date. Beautifully bound in full calf red leather by the distinguished bindery Bayntun-Riviere. Gold snake and goblet vignette on front board with gold ruling. Minor wear. Title and gold decorations in gold on spine between raised bands. Gilt edges. Marbleized endpapers with gold dentelle to inside paste downs. Text pages are crisp and clean. Beautiful color illustrations by Willy Pogany. Plain maroon cloth slipcase. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; 8vo 8" - 9" tall . N.D. George G. Harrap & Company hardcover
1972rif. 2941LINGEN HELMUT 1972. 1. hardcover. Elefantenleder-Einband! LINGEN, HELMUT hardcover
1964rif. 13688New York: Fuck You Press 1964. First Edition Thus. Original Wraps. Very Good in Wraps. First Edition Thus. Original Wraps. The cover is by Allen Ginsberg and the work a pamphlet of 12 staplebound pages in 3 paper colors was produced on a mimeograph in an edition of 500 copies though apparently a significant number were destroyed by the mimeo. Originally intended for inclusion in The Yage Letters it was considered so obscene it was cut by the English printers. An earlier version appeared in the journal Floating Bear 1961 before Ed Sanders printed this separate edition. Maynard & Miles A9 A handsome copy. Minor shelf/edge wear else tight bright and unmarred. Printed pink wraps and pink blue and white papper texkblock. Limited edition of 500 copies. Fuck You Press unknown
1913rif. 13119Paris: Librairie des Lettres 1913. First Edition. Printed wrappers. Very Good. Small 8vo. Pp. 307. Stiff printed wraps red titles in gray decorative frame. French text. Copyright 1913 stated no printing date. List of available works ends with Prrou Poucette et quelques autres 1913. Advertisement for the "Journal de Colette" appearing in Le Matin from October 1913 laid in. Moderate spine lean top edge dust soiled toning to leaf margins. Signed by Colette on the title page. Continuation of the character Renée Néré based on Colette's marriage to Henry Gauthier-Villars Willy and experiences in the Music-Hall. Colette had married Henry de Jouvenel editor of Le Matin in 1912. A well-preserved first edition signed by the author: scarce in either case. Librairie des Lettres unknown
1930rif. 1394289London: George G. Harrap 1930. Limited Edition #506/750. Hardcover. Quarto 171 5 pages. In Very Good condition. Bound in publisher's full teal morocco red and gilt floral circular emblem on front cover. Spine paneled with gilt. Some fading to spine and extremities. Light shelfwear to extremities. Limited Edition #506/750 of the British Issue. Signed twice by Pogany as issued on the limitation page and in pencil on the frontispiece. With twelve tipped-in color plates small black and white tipped in decorative pieces and printed head and tail pieces. Shelved case 0. There are 750 copies for England and another 500 copies for the United States. 1394289. Shelved Dupont Bookstore. George G. Harrap hardcover
rif. 022306New York; 1909: Thomas Y. Crowell and Co. Limited Edition. Small Quarto. Limited to 525 copies. The present copy is number 59 and signed by Willy Pogany the illustrator. Based on the first edition text of Edward Fitzgerald and illustrated with 24 full page color illustrations tipped-in text in oriental style script printed in brown within ornamental borders decorative endpapers plates are fine there is some light scattered foxing to mount sheets. Bound in full gilt decorated suede with yapped edges spine plain previous owner's gift inscription dated 1910 inner front hinge with some splitting but not broken. A very good copy. Thomas Y. Crowell and Co unknown
1962rif. 154817Hamburg: Freie Akademie Der Kunste 1962. Hardcover. Near Fine. First edition. Large quarto. Text in German. Paper covered boards. Bookplate light wear to the boards else near fine. copy number 34 of 100 numbered copies Signed by Willy Haas. Volume commenorating the German screenwriter's 70th birthday. Among many others he wrote screenpalys for The Burning Soil 1922 Joyless Street 1925 The Girl with a Patron 1925 One Does Not Play with Love 1926 The Brothers Schellenberg 1926 Dancing Vienna 1927 The Weavers 1927 and Napoleon at Saint Helena 1929. Freie Akademie Der Kunste hardcover
1975rif. 17068Millerton NY: Aperture 1975. Hardcover. SIGNED. First edition first printing. A collection of images made in the separated Gypsy settlements in East Slovakia between 1962 and 1968. The photographer's first monograph. Photographs by Josef Koudelka; afterword by Willy Guy; forewords by John Szarkowski and Anna Farova. SIGNED BY KOUDELKA on the title page; no inscription. Unpaginated 135 pages; 60 full-page b&w plates printed recto only; 12 x 10.75 inches. Condition: Near Fine clothbound hardcover with crisp silver-stamped titling to front and spine with a very slight bow to the fore edge of the boards and a light bump to one tip in a Very Good dust jacket with a touch of shelf wear a one-inch tear at the crown a small patch of laminate peel to the back and spots starting on the front and light rubbing to the extremities. LAID-IN is the original illustrated Aperture press release announcing the publication of this volume. Ref: Parr & Badger Photobook: Vol. I p.230; Roth Open Book p.304-5; Auer 802 Photo Books p.587. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Aperture hardcover
rif. BBS-2024251Willy Pogany. Loose Leaf. Good. Signed. nd ca 1930. 6 x 5 inches on inner and outer mounts total size about 12.5 x 10 inches. Signed by Pogany to the outer mount. The drawing is adhered to the inner mount with adhesive tape and has small closed tears at top right corner and from bottom edge at left. Some penciled notes to inner mount. A sweet drawing which depicts a child pushing a small plough with wings. Inquiries welcome; photographs available upon request. Willy Pogany unknown
rif. 51-3860Paris: 1898. . Original drawing from a French collection. 28.5 x 20 cm. Signed titled and dated. Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. Paris: 1898. unknown
rif. 51-3891Paris: Circa 1905. Original drawing from a French Collection. 32 x 23.5 cm.Expertise by Jean-Marc DECHAUD Expert CNES 10 rue de Chinon – 37220 CRISSAY sur MANSE. France. William Andrew Pogany born Vilmos András Pogány; August 24 1882 – July 30 1955 was a prolific Hungarian illustrator of children's and other books.Pogany spent two years in Paris.When he finally saved up some money from his work he left Paris to go to London. In London he crafted his quartet of masterpieces: The Rime of the Ancient Mariner 1910 Tannhauser 1911 Parsifal 1912 and Lohengrin 1913. Each of these was designed completely by Pogany from the covers and endpapers to the text written in pen and ink pencil wash color and tipped-on plates.After ten years in London Pogany emigrated to AmericaPogany worked as an art director on several Hollywood films including Fashions of 1934 and Dames. He began his involvement in motion picture set design in 1924 and worked in film until the end of the 1930s. He was commissioned by John Ringling Ettenger Reiner and WIlliam Randolph Hearst's Wyntoon Estate painted for the Barrymore family Douglas Fairbanks Jr. Carole Lombard Enrico Caruso Miriam Hopkins and many others. Paris: Circa 1905 unknown