910 Ergebnisse
1995Best.-Nr. x-0792325788Kluwer Academic Pub 1995. Hardcover. New. 371 pages. 10.00x6.75x1.25 inches. Kluwer Academic Pub hardcover
2024Best.-Nr. x-0226826201Univ of Chicago Pr 2024. Hardcover. New. 592 pages. 9.00x6.00x9.00 inches. Univ of Chicago Pr hardcover
1883Best.-Nr. 81900Paris: Au cabaret Le Chat noir 1883. Fine. Au cabaret Le Chat noir Paris 1883 31 x 45 cm broché First edition of this complete 1883 year containing 50 issues in original wrappers under blue temporary covers. Spine split with angular lacks to the covers. Each issue consists of four pages. Texts by Emile Goudeau Alphonse Allais Jean Richepin and Paul Verlaine ""Le Chat noir"" ""Langueur"" ""La Princesse Bérénice"" ""Pantoum négligé"" ""Paysage"" ""Conseil falot"" ""L'Aube à l'envers"" ""Un pouacre"" ""Madrigal"" notably. Drawings by Willette Rodolphe Salis Henri de Sta Tiret-Bognet Henri Pille Caran d'Ache etc. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its record. It published the texts recited during performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence characteristic of it. Au cabaret Le Chat noir unknown
2023Best.-Nr. x-1529224632Bristol Univ Pr 2023. Paperback. New. 208 pages. 9.21x6.14x0.49 inches. Bristol Univ Pr paperback
2020Best.-Nr. x-0198859910Oxford Univ Pr 2020. Hardcover. New. 258 pages. 9.25x6.25x0.75 inches. Oxford Univ Pr hardcover
1934Best.-Nr. 307411934. Rouen Henri Defontaine 1934. Un vol. au format gd in-8 215 x 173 mm de xxvi - 190 pp. Reliure de l'poque de demi-maroquin glac tabac filet vertical en noir port sur chacun des plats dos nerfs orns de filets gras froid titre dor tÂte mouchete couvertures et dos conservs. Exemplaire revÂtu d'une agrable reliure du temps. Un des 800 exemplaires du tirage numrot sur ''beau papier vlin''. Jolie typographie en deux tons ; agrmente de compositions de Pierre Le Trividic. ''Peintre de l'cole de Rouen Le Trividic suit les cours de l'cole des Beaux-Arts dans la section d'architecture o il remporte tous les premiers prix. C'est donc comme architecte qu'il s'installe en 1926. Mais parallÂlement il s'adonne sa passion pour le dessin et la peinture et dessine notamment pour la presse locale. Ouvert toutes les expressions artistiques il est aussi illustrateur d'ouvrages affichiste graveurÉ'' ''Les critures bizarres d'Alphonse Allais; par leurs tics clichs et allusions par le tour indfinissable de leur rhtorique et de leur maboulisme impliquent toute l'anarchie littraire de ces quinze derniÂres annes''. Dos trÂs lgÂrement pass. Du reste trÂs belle condition. b42961 unknown
2016Best.-Nr. 1-3330020784LAP LAMBERT Academic Publishing 2016. Paperback. New. 80 pages. 8.66x5.91x0.19 inches. LAP LAMBERT Academic Publishing paperback
Best.-Nr. ria9780226826202_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1680Best.-Nr. 16107Paris 1680. Folio. chez l'auteur Contemporary calf gold-tooled spine with title in second compartment marbled paste-downs. With large woodcut vignette of a flower basket on the letterpress title page a woodcut headpiece 2 woodcut decorative initials decorations built up from cast arabesque fleurons an engraved calligraphic title page and 22 of 23 engraved leaves with calligraphic writing samples and illustrations all engraved by Louis Senault. Lacking 1 engraved leaf without writing samples. 4 12 pp. plus 23 of 24 engr. ll. First edition of a very elaborate basic writing course and copy book minutely explaining the composition of the various calligraphic hands françoises bâtardes financieres as well as pen decorations and drawings. The engraved title-page reads "L'art d'écrire ou Le moyen d'exceler en cet art sans maistre" suggesting a break with the ancient tradition of learning by apprenticeship or under a school master. The writing examples include numerous exercises of single letters and many alphabets. It also includes illustrations of posture at the writing table the way to hold the pen and nibs with the angle of cutting and of the nib to the paper. Instructions are often added as well engraved in a small neat hand and attention is given to the lay-out of a manuscript. The course was designed by Jean Baptiste Allais dit le Beaulieu and engraved by Louis Senault who was a leading writing master in his own right and therefore ideally suited to engrave his colleague's writing book. At this date the pointed pen was replacing the broad-nibbed pen and one of the illustrations present here shows the nib of a pointed pen with the split tip spread open. Some copies were issued with only 4 letterpress leaves quire A and many copies are missing letterpress leaves or plates. With several calligraphic exercises by owners on the endpapers one with "Fait par moy René Brisson" another "fait par moy Bernard le Brot . a Paris" and a calligraphic title signed "Guerbois fils".Lacking the leaf on cutting the pen which included no writing samples but otherwise a good copy with one decorative flourish on the title-page shaved and some spots and stains. The binding is worn with some cut marks and scrapes and 3 small parts of the backstrip have been restored with gold-tooling. A rare attractive and detailed 17th-century French writing book in a contemporary binding.l Becker Practice of letters 91 without pi1-2 B1-2; Berlin Kat. 5117 lacking pi1-2 A1; Muller Cat. Calligr. 1 22 ll.; Marzoli 56; not in Ekström Coll. unknown
Best.-Nr. 22963Rouen E. Aug 1890. Un vol. au format gd in-4 328 x 257 mm de 2 ff. n.fol. viii - 252 pp. et 2 ff. n.fol. Reliure de l'poque de demi-percaline satine azur coins dos lisse orn de doubles filets dors fleuron central dor piÂce de titre de maroquin vieux-rouge titre dor tÂte mouchete couvertures conserves. Edition originale. L'ouvrage recÂle 120 charmantes compositions par Fraipont. Georges Fraipont ''fut lÂve de Grome et Merson. Socitaire des Artistes franÂais depuis 1905 on lui doit d'intressantes pointes-sÂches. Il a illustr un grand nombre d'oeuvres littraires''. In Bnzit. ''Il exposa au Salon des Artistes franÂais des vues de Paris et de la Bretagne''. in Osterwalder citant la prsente contribution de l'artiste. ''Le sujet de ce livre porte en soi-mÂme tant de grces et tant de charmes que la prose la plus modeste pourra peut-Âtre garder encore quelques traces de son dlicieux parfum''. Table : De Croisset JumiÂges - Flaubert Croisset - Caudebec - Saint-Wandrille - De Villequier Tancarville - Yvetot et ses environs - Doudeville - Pissy-Poville - Chteau d'Esneval Pavilly - Chteau de ClÂres - Saint-Georges de Boscherville - Plateau de Roumare - Corneille au Petit-Couronne. Bnzit IV Dictionnaire des peintres p. 475 - Osterwalder I Dictionnaire des illustrateurs p. 387. Angles lims. Coiffes lgÂrement embouties. PremiÂre garde fendille. Claires rousseurs dans le texte davantage marques aux premiers et derniers feuillets. Du reste bonne condition. b42961 unknown
1947Best.-Nr. 126465Paris: Imprimerie Nationale 1947. On the "golden rule of accumulation"; in the original wrappers First edition. Economie et Intérêt is Allais's second major publication a massive work on capital and interest which has formed the basis for the so-called "golden rule of accumulation". This states that to maximise real income the optimum rate of interest should equal the growth rate of the economy. Allais did not publish in English until late in his career and as a result was slow to receive the international recognition that was his due. 2 vols octavo. Original printed paper wrappers. Shelf marks to lower spines and front covers hand written in ink. Spines creased with very minor loss to ends wrappers toned with the occasional chip. Vol. 1: wrapper partly separated along inner hinge at head of spine. Vol. 2: two ink marks to front pastedown and facing endpaper some creasing to lower corners of text block. Overall a very good set. unknown
1680Best.-Nr. 88O9NF01U79OParis: chez l'auteur 1680. Disbound sewn on top. Folio. With large woodcut vignette of a flower basket on letterpress title-page a woodcut headpiece a woodcut decorative initials an engraved calligraphic title-page and 18 of 23 engraved leaves with calligraphic writing samples and illustrations all engraved by Louis Senault. First edition of a very elaborate basic writing course and copy book minutely explaining the composition of the various calligraphic hands franoises btardes financieres as well as pen decorations and drawings. The engraved title-page reads "L'art d'crire ou Le moyen d'exceler en cet art sans maistre" suggesting a break with the ancient tradition of learning by apprenticeship or under a school master and spells the author's name "Allais" while the letterpress title-page spells it "Alais". The course was designed by Jean Baptiste Allais dit le Beaulieu and engraved by Louis Senault who was a leading writing master in his own right and therefore ideally suited to engrave his colleague's writing book. Some copies were issued with 12 letterpress leaves and many copies are missing letterpress leaves or plates.Lacking five engraved leaves and browned along the edges.l Becker Practice of letters 91; Berlin Kat. 5117; Muller Cat. Calligr. 1; Marzoli 56. chez l'auteur, unknown
1947Best.-Nr. 16078Paris: Imprimerie National 1947. First edition of Allais' groundbreaking work. Octavo 2 volumes original wrappers as issued. Inscribed by Maurice Allais on the title page of volume one. From the library of fellow Nobel Prize-winning economist Kenneth Arrow with his name in each volume. In near fine condition with light shelfwear minor mending to the first few pages of volume one. A nice association linking these two Nobel Prize winning-economists and giants of twentieth century economics. In Économie & Intérêt Maurice Allais introduced the first overlapping generations model later popularized by Paul Samuelson in 1958 introduced the golden rule of optimal growth later popularized by Edmund Phelps or described the transaction demand for money rule later found in William Baumol's work. In 1988 Maurice Allais became the first French citizen to receive the Nobel Prize in economics. He won it for his contribution to the understanding of market behavior and the efficient use of resources. Allais also showed that his insights could be applied to help set efficient prices for state-owned monopolies of which France had many. Allais’s work paralleled and sometimes preceded similar work done by English-speaking economists Sir John Hicks and Paul Samuelson. He also proved a result in growth theory in 1947 that had been credited to Edmund Phelps. Allais did not get credit as early as his English counterparts because his work was in French. “Had Allais’ earliest writings been in English” commented Paul Samuelson “a generation of economic theory would have taken a different course.” Imprimerie National unknown
1971Best.-Nr. 321663New York: Albondocani Press 1971. Unbound. Fine. Printed yellow cardstock. 5" x 6". Fine. Gorey illustration with promotional and ordering information on the verso. Albondocani Press unknown
1997Best.-Nr. 017576Paris: Robert Laffont 1997. Brochado / Paperback / Broché. Muito Bom/Very Good/Très Bien. In-8º 195x130. 2 Vols de XLIV-3-1173-16/ XXXVIII-933-4 pp. Robert Laffont paperback
Best.-Nr. 0198801335.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. A9780198801337Paperback / softback. New. Lucy Allais presents a new account of Kant's transcendental idealism. She argues that Kant is committed to a genuine idealism about things as they appear to us but that this is not a phenomenalist idealism. Instead Kant's idealism depends instead on his notion of intuition and its role in cognition. paperback
Best.-Nr. SONG3484520337Used: Good unknown
1947Best.-Nr. 010063Paris: Fleche Publications 1947 soft covered issue wood imitation stiff paper covers sewn binding covers rubbed to edges feps splitting alone hinge fep has blacked out inscription 110pp 9 col. plates one plate short tear to bottom edge many illustrations throughout as well as the plates large book. First Edition. Soft Cover. Very Good/No Jacket. Illus. by Pierre Boucher . 4to - over 9 - 12" tall. Fleche Publications paperback
Best.-Nr. B9789401043847Paperback / softback. New. THE CONCEPTION OF THIS VOLUME This volume Cardinalism has been initiated by Ole Hagen and is now published due to his perseverance and to Kluwer Academic Publishers. Because of various activities and duties my contribution to the general conception of this volume has only been formal and all the credit for it is due to Ole Hagen. paperback
1947Best.-Nr. A114937Paris: Editions Fleche 1947. 1st edition. Near Fine. large octavo. chipped dust jacket 109pp. col. & b/w pls. text ills. Classic text. Very scarce especially in dust jacket Editions Fleche unknown
1979Best.-Nr. BN446433Dordrecht : Reidel 1979. 1979. Expected Utility Hypotheses and the Allais Paradox Contemporary Discussions of Decisions under Uncertainty with Allais Rejoinder Expected Utility Hypotheses and the Allais Paradox Contemporary Discussions of Decisions under Uncertainty with Allais Rejoinder Allais Maurice und Ole Hagen Dordrecht : Reidel unknown
1994Best.-Nr. BN526970Clément Juglar 1994. 1994. Traité d'économie pure Traité d'économie pure Maurice Allais Clément Juglar unknown
1994Best.-Nr. BN547853Maro Verlag 1994. 1994. Softcover. Ein gutpariserisches Melodram. / Die Templer. Zwei Novellen. Mit einem Streichholzbrief von Umberto Eco. Übersetzt von Burkhart Kroeber. Mit Illustrationen von Volker Pfüller. = "Die Tollen Hefte" Nr.10. Herausgegeben von Armin Abmeier. Ein gutpariserisches Melodram. / Die Templer. Zwei Novellen. Mit einem Streichholzbrief von Umberto Eco. Übersetzt von Burkhart Kroeber. Mit Illustrationen von Volker Pfüller. = "Die Tollen Hefte" Nr.10. Herausgegeben von Armin Abmeier. Allais Alphonse; Abmeier Armin Hrsg.; Pfüller Volker Illustrationen Maro Verlag paperback
2017Best.-Nr. BN679291Oxford University Press 2017. 2017. Manifest Reality: Kant's Idealism and his Realism Manifest Reality: Kant's Idealism and his Realism Lucy Allais Oxford University Press unknown
