3,494 results
2015New Turkish Paperback. 4to. (30 x 23 cm). In Turkish. 236, [12] p., color ills. Bir Salt kitabi.
2002New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
1962ref. 62193Hollywood & London: Max Factor Make-Up Studio 1962. Tall 8vo. 11 1 pp. Text illustrations & photos throughout diagrams tables. Self-printed colour-illustrated softcovers slight shelfwear very slight creasing to couple corners still VG. Later edition of this uncommon installment in the make-up course designed by the visionary make-up artist wig maker and inventor. Factor 1872-1938 was the former official cosmetics expert for the Russian Royal Family and the Imperial Russian Grand Opera who emigrated in 1904 eventually settling in Los Angeles where he created the signature looks of Ava Gardner Jean Harlow and Marlene Dietrich. He went onto found a cosmetics empire on the philosophy that any woman could be glamorous given the right tools and make-up artistry skills developing such products for women as the tru-colour lipstick lip gloss and the concept of colour harmony for make-up. These booklets were intended for use with the wide range of screen and stage make-ups the Max Factor Co. offered for sale out of their Los Angeles-based warehouses including grease paint foundations pan-cake make-ups face powders rouges lipsticks eyebrow pencils tooth enamel hair dyes and much more. Max Factor Make-Up Studio, paperback
2000ref. 23208EBeverly Hills CA 2000. Original printed invitation to the First Annual Make-Up Artists and Hair Stylists Awards for Motion Pictures and Television. Single sheet 7” x 7. With original envelope. Fine condition. Some of the winning shows and films included Star Trek: Voyager Sleepy Hollow MADtv The Thomas Crown Affair Mad About You The General’s Daughter Providence Tea with Mussolini And the Beat Goes On: The Sonny and Cher Story The X-Files Bicentennial Man Buffy the Vampire Slayer and Monte Westmore for Lifetime Achievement. unknown
1999Fine English Original bdg. HC. 4to. (28 x 20 cm). In English and Turkish. 315, [4] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri.
1997New Turkish Paperback. 4to. (28 x 23 cm). In Turkish. 208 p., color and b/w ills. This book has been prepared due to the exhibition held in the Military Museum and Culture Site between May 6 and May 15, 1997 in cooperation with the Municipality of Sisli and the Painting and Sculpture Museums Association. One of 1000 copies. "... The old "La Societa Operaia" and the new "Galatasaraylilar Yurdu" [i.e. Dormitory of Galatasaray Lycee] in Beyoglu, Pera started to host three art exhibitions; the first two would be held in the spring of 1916 and 1917, and the last one, which hosted paintings about the war - what would later become known as the Sisli Studio - was held in late 1917 before being brought to Vienna. The Vienna exhibition hosted 20 artists; Zekai Pasha, who had exhibited only one work in the late 1917 exhibition, "Bir Konak Dahili" [i.e. Interior of a Mansion] did not take part in the Vienna show, while the Prince Abdülmecid Efendi, the honorary president of the Society, who had not attended the 1917 exhibition, sent four paintings to Vienna. The opening of the Vienna exhibition was conducted by the Archduke himself. The exhibition, as Celal Esad pointed out, was well received by both Austrian visitors and the press. A poster was designed and the exhibition was accompanied with a German catalogue, Ausstellung Türkischer Maler [i.e. Exhibition of Turkish Painters]. Turkish artists who attended Vienna Exhibition are: Prince Abdulmejid, Ömer Adil Bey, Ali Cemal Ben'im, Ali Sami Boyar, Cevat Bey, Feyhaman Duran, Harika (Sirel Lifij) Hanim, Halil Pasha, Hikmet Onat, Hüseyin Avni Lifij, Ismail Hakki Bey, Mehmed Ali Laga, Mahmud Bey, Namik Ismail, Rusen Zamir Hanim, Mehmed Ruhi Bey, Mehmed Sami Bey (Yetik), Sevket Dag, Diyarbakirli Tahsin, and Ibrahim Çalli; with their 142 pieces of paintings totally, in different techniques.
2018New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
1991Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English, French, and Turkish. [6], 250 p., color plts. 2000 copies were printed. Ercümend Kalmik, 1908-1971. [Artist catalogue]. Ercümend Kalmik, (1908-1971), known for his work in understanding the lyrical-abstract Turkish painters. n 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli 's was a student. In 1937, after graduation time in various newspapers and magazines and worked. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats and sailboats in front of an abstract landscape imagery began funding. With solid color stain, which highlights the contours of a lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened.
2014New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 139 p., color ills. Özdemir Altan. Retrospective.= Retrospektif. TURKISH PAINTING History of art Painter Retrospective.
Belize, Edit. Team, 2013. Numerosas ilustraciones en color. s/p. 4º mayor. Tela editorial con sobrecubierta. Cerrado en funda de cartón. Libro en español e inglés. Book in English. Muy buen ejemplar.
Paris, Éditions de l'Illustration, 1946, 39 x 29'5 cm., 112 págs. profusamente ilustradas con láminas e ilustraciones al todo color - 2 h.
Paris, Éditions de l'Illustration, 1957, 39 x 29'5 cm., 122 págs. profusamente ilustradas con ilustraciones intercaladas y láminas a todo color - 2 h.
Lisboa, Typ. Universal, 1866, 18 x 12 cm., hol. piel, VII – 275 págs. – 2 h.
Oviedo, Imprenta del ?Boletín Oficial?, 1963, 25 x 18 cm., tela original, XVIII + 418 págs. + 2 h. + láminas en papel couché con 195 ilustraciones en negro y color.
Genève, Galerie Gérald Cramer, 1969, 22 x 29,5 cm., cartoné editorial con sobrecubiertas con una litografía en color original especialmente dibujada por Miró, 25 págs. incluso retrato + 8 láminas + 1 hoja. (Tirada de 1.650 ejemplares numerados).
M., Editorial Ameris, 1981, 27 x 26'5 cm., símil piel original con sobrecubiertas en colores, numerosas ilustraciones intercaladas en el texto, muchas de ellas a toda página, 160 págs. - 3 h.
Paris, Paul Ollendorff, s.a., 2 tomos, 20 x 13 cm., láminas, 2 h. - 321 págs. - 1 h. = 2 h. - 325 págs. (Ejemplar intonso).
London, Smith and Son, 1837, 26'5 x 17'5 cm., tela original, retrato - LXV págs. - 1 h. - 486 págs. - 1 h. - carta facsímil plegada y 6 láminas grabadas. (Ejemplar intonso).
London, Smith and Son, 1835, 26'5 x 17'5 cm., tela original con leve desgarro en la parte superior del lomo, retrato - VII págs. - 1 h. - 573 págs. - 1 h. y 5 láminas grabadas. (Ejemplar intonso).
London, Phaidon Press, 1953, 31 x 23 cm., tela original con sobrecubiertas, numerosas ilustraciones intercaladas, X - 199 págs. - 8 láminas en colores.
2014New English Original bdg. HC. Oblong large 4to. (21 x 41 cm). In Turkish. Color and b/w photos and ills. Akdemir's bicycle tour of Cuba and photographs taken during the tour by him with his travel notes. Küba iste böyle gezilir: Havana'dan, Türkler'den Kübalilar'dan, seyahatlerden konustuk. Publishing director: Eren Teoman. Project Coord.: Öykü Eras. [Album of photographs]. Preface by Bedri Baykam.
195734,5x25. 181p. 202p. 2 Vols. Láms. Col. Peinture, Couleur, Histoire. Enc. Tela ed. Sobrecubierta.
195735x26. 181p. 202p. 2 Vols. Láms. Col. Peinture, Couleur, Histoire. Enc. Tela ed. Sobrecubierta.
1964Retrato original hecho con rotulador y firmado con una dedicatoria autografa del propio A. Gironella al pintor Gonzalo Perales en la portadilla del libro. Esta fechado en Mexico el 31 de enero de 1979.
