3,494 results
2010New English Paperback. Pbo. 4to. (32 x 24 cm). Ills. In Turkish and English. 384 p. It is generally recognized that Greek painters from Istanbul contributed to a great extent to Ottoman and Turkish culture, beginning during the Byzantine era. Even after the end of the Byzantine era, however, Greek artists continued to play an active role in the development of art in Istanbul. Undeniably, one of the results of the Greeks having had to leave Turkey for political reasons has been the removal of an important treasure of art and culture from Istanbul. The beauty and splendor of Istanbul and the recurrent themes of migration and longing, are characteristic of the works of numerous Greek artists who left Istanbul at an early age and who developed or continued their artistic work in Greece or in various European countries. This book contains the biographies and more than five hundred works of nearly two hundred Greek artists of Istanbul.
2015New English Paperback. Pbo. 4to. (29 x 24 cm). In english and Turkish. 239, [5] p., color ills. 'Painter and Painting: A Mehmet Güleryüz Retrospective' presents an inventory of Güleryüz's oeuvre from the 1960s to the 2010s. The exhibition sheds light on the development and transformation of the artist's generous quest for expression, which ranges from painting, drawing, sculpture, and engraving to theater and performance. With his critical and expressionist style, Mehmet Güleryüz has earned himself a special and privileged place in the art scene in Turkey over half a century. His art centers on people and the sociopolitical conditions surrounding them. The artist, who was born in 1938, uses a critical and ironic language to express, through his figurative works, the effects of Turkey's sociocultural and political transformation on people. Love of family, male-female relationships, nature and living beings, and all the processes that influence oral and visual culture are manifested in his paintings as human acts. Güleryüz produces art through an approach that invites its viewers to take a stance, just like he does, and confront the processes they have experienced. Güleryüz studied at the State Academy of Fine Arts in the 1960s and made a mark in the Paris art environment in the 1970s with his happenings. From the 1980s on, he played an active part in the transformation of the art scene in Turkey. Güleryüz's art shows an unusual development, manifesting how an artist can generate his very own individual style. Güleryüz is also an active theater actor who performs on stage. The intimate connection he has established between theater and the visual arts is one of the most interesting examples of his interdisciplinary approach in art. Güleryüz's art is part of a social process: it is based on everyday perceptions and familiar and established feelings. Therefore, each work references the history of its own time. For nearly 60 years, Güleryüz's art has been charting its own course, becoming enriched and developing in the process. In terms of line and drawing, Mehmet Güleryüz has a unique character and style. For him, drawing is not simply an infrastructural element of painting, it is an artistic language in its own right. Drawing is to him a being that is as close to him as holding on to life, breathing, and celebrating one's existence. Mehmet Güleryüz has also produced countless works on the reflections of his drawings and paintings in the physical, three-dimensional world. Since the 1970s, he has produced important research on and examples of sculpture. Based on the human being's relationship with sculpture, he has followed the traces of his figures in the three-dimensional world.
2007Fine English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 271 p., color ills. Naci Kalmukoglu. Texts by Halilhan Dostal, Sema Olcay Kosan. Edited by Isa Kayaalp, Nadia Inciyan.
Disponemos de un tomo, 25 x 18 cm., hol. piel, que contiene los 12 números correspondientes al año 1935, M., 1935, de 16 a 32 págs. por número con ilustraciones intercaladas, conservando cubiertas originales.
Madrid, Blass y Cía, 1918, 35,5 x 26,5 cm., carpeta en tela original con texto encuadernado en cartulina editorial, 49 págs. + 1 hoja. + 30 láminas en fototipias por Hausser y Menet. (Sello de anterior poseedor).
Zaragoza, Instituto Camón Aznar, 1979, 31 x 25 cm., cartoné original con sobrecubiertas, 347 págs. con profusión de láminas en negro y color.
M., Mariano Barbasán Lucaferri, 1939, 24 x 17 cm., 54 págs. – 1 h. – 88 láminas en negro – 12 en colores – 2 h. (Tirada de 1.000 ejemplares).
Leiria, Tipografia Central, 1925, 23 x 17 cm., holandesa piel de época, conserva cubiertas originales, 256 págs. con letras capitulares a tinta roja y varias ilustraciones intercaladas + 26 láminas. (En esta obra el autor defiende la tesis que la figura central de los paneles de de San Vicente de Lisboa representa al Infante D. Fernando de Portugal).
2015New New English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In Turkish. 488 p., color ills. Biz mektup yazardik! Bedri Rahmi Eyuboglu ve çagdaslarindan mektuplar. Correspondence of Turkish artist and poet Bedri Rahmi Eyüboglu (1911-1973) with the important figures of art, literature, politics and business. These letters shed light to the period he lived in. The letters mirror many sections of his life including his education that began at the Istanbul Academy of Fine Arts and continued to Paris as well as his travels throughout Anatolia and his passion for painting.
1975Very Good French Paperback. Large roy. 8vo. (25 x 18 cm). In French and English. 85, [1] p., unnumbered color and b/w plates. Minor wear on spine. A very good copy. A catalogue of exhibition held on between 28 November - 8 January 1973-1974. This is the 4th Edition. Mahmal et Attatichs: Peintres et voyageurs en Turquie, en Egypte et en Afrique du Nord.
1968Texto bilingüe japnes-frances. 132 laminas y numerosas fotografias intercaladas en el texto.
1930ref. 2090202120415801Asahishinbunsha 1930. Soft Cover. Fine. Number of books: 1 Asahishinbunsha paperback
1992ref. 2090502113709224Not Available 1992. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Barcelona, Fundació Agbar - Edicions de l'Eixample, 2013. Textos de Nicanor Parra, Andrés Sanchez Robaína, María Luisa Rojo de Castro, Félix de Azúa, Pep Moll de Alba, Albert Espinosa, Pedro Madueño, Suso de Toro, Din Matamoro, Marcos Giralt Torrente, Patricio Court, Quim Monzó. Fotografías de Raimunod Hamilton, Pedro Madueño, Irene Morán, Pep Parer y Claudio Pérez. Reproducción de obras de María Luisa Rojo y Din Matamoros. Diseño gráfico de Salvador Saura y Ramón Torrente, Tela estampada con bonita sobrecubierta hecha a mano por el Molí Paperer de Capellades. Muy ilstr. Edición de 1500 ejemplares.
Madrid, Edit. Blume, 1989. Algunas ilustraciones en b/n. 170 p. 4º. Tela editorial con sobrecubierta ilustrada. Muy buen ejemplar.
Paris, Henri Laurens Éditeur, 1931. 300 grabados en b/n. 691p. 4º. Tela editorial estampada con lomo con dorados. Algunas manchas de óxido en páginas en blanco. Ex libris. Buen ejemplar. Libro en francés. Book in french. Livre en français.
1993ref. REG5733MBilbao. 1993. Bilbao Bizkaia Kutxa - Gipuzkoa Donostia Kutxa - Vital Kutxa. 4º mayor. Unas 140 pgs de promedio cada tomo. Profusión de reproducciones artísticas color. Rústica editorial. Muy buen estado.
Madrid, Edit. Alianza. 1985. Alianza Forma. Numerosas ilustraciones en b/n fuera texto. 215 p. 4º. Rústica editorial ilustrada con solapas. Muy buen ejemplar.
1972ref. 31367EDICION FACSIMIL.- Torremolinos Málaga 1972.- 3 Vols. 31 8; 37 5; 46 4 pp.: Ilustraciones; 4º 244 x 165 cm; Media piel color verde.- Estos tres ejemplares de la revista correspondientes al número doble especial 31-32 de su edición española son facsímiles de los primeros tres números de la revista publicados en México durante el exilio en los meses de julio agosto y septiembre de 1944. Estos facsímiles españoles fueron secuestrados temporalmente por orden gubernativa aunque finalmente se permitió su publicación con cierta demora; se acompaña nota del juzgado a este respecto. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español Sin editorial hardcover
Praga, Edit. Horejsova Galerie Praze, 1946. Ilustraciones en b/n. 13 p. 4º.mayor. Rústica editorial ilustrada, algo rozado. Book in Czech. Buen ejemplar.
198339x28. 357p. Fotogr. Prólg. D. Angulo. Facsímil del conservado en el Museo Lázaro Galdiano. Enc. Tela ed. Sobrecubierta.
Madrid, Graf. Valera, 1949. Numerosas ilustraciones en color y negro fuera texto. 126p. 4h. 4º. Cartoné editorial. Intonso. Muy buen ejemplar. Edición de mil ejemplares numerados impresos sobre papel Guarro especial verjurado a mano. El nuestro lleva el número 58. 1ª edición. Primera edición. 1st edition. First edition
Paris, Edit. Les Edic. de l'Amateur, 1975. Numerosas láminas en b/n. Tomos 1 a 3. 160 p. cada tomo. 4º mayor. Tela editorial con lámina montada en color. Protector de plástico transparente, algo rozado. Livre en français. Muy buen ejemplar.
2016New Turkish Original bdg. 4to. (28 x 24 cm). In Turkish. 151 p., color ills. Manzara ve natürmort. Exhibition catalogue of Turkish painter Adil Dogancay, (1900-1990).
2019New English Original cloth bdg. 4to. (29 x 24 cm). In English and Turkish. 217, [3] p., color and b/w ills. Altan Gürman. Prep. by Basak Doga Temür, Süreyyya Evren. Texts by Baris Acar, Selen Ansen, Ahu Antmen, Duygu Demir, Bora Gürdas, Ali Kayaalp, Iz Öztat, Nermin Sabasili. Every endeavour to review and write the history of contemporary art in Turkey calls upon the name of a pioneering, founding artist who marks a turning point, a moment of beginning: Altan Gürman (1935-1976). Altan Gürman s oeuvre is brought to viewers for the first time in such an exhaustive capacity through one of the inaugural exhibitions at Arter s new building in Dolapdere. The catalogue accompanying the exhibition, curated by Basak Doga Temür, not only features almost all of Altan Gürman s works included in the Arter Collection, but also presents to readers various documents, drawings, sketches, correspondences, photographs, class notes, slides, and meticulous arrangements from the artist s archives, as well as his theses permeated with a new concept of art that would leave its imprint on the 1960s and 1970s. The book includes essays by Baris Acar, Selen Ansen, Ahu Antmen, Duygu Demir, Bora Gu?rdas, Ali Kayaalp, Iz Öztat and Nermin Saybasili which carefully reread Altan Gürman from an art historical perspective, address the artist s impact and various stages of evolution, and open Gürman s works to new encounters by approaching each one individually. Both the exhibition and the accompanying book pay a collective homage to a mind-opening artist who passed away at a young age
