MARANSANGE (H. PetitJean de)Livre Rare Book
5027 risultati
1926rif. 001035Bourges Imprimerie A. Tardy 1926
rif. 12335Paris, Librairie Gaston Saffroy, 1965-1976 ; 7 tomes grand in-8, brochés ; tome 1 : XXI, (1), 176 pp. ; tome 2 : (4), 201, (1) pp. ; tome 3 : (4), 202 pp. ; tome 4 : (4), 202 pp. ; tome 5 : (4), 202, (2) pp. ; tome 6 : (4), 198, (2) pp. ; tome 7 (Premier supplément. Sources utilisées et Bibliographie) : (4), VII, 203, (1) pp., couverture imprimée en rouge et noir, texte sur deux colones.
1925rif. 23321925. Excellent. Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge 14 1/8 x 9 1/8 inches 358 x 232 mm; sheet 18 1/8 x 11 inches 461 x 280 mm full margins. Signed and dated in pencil in the lower margin. Although the work is not identified by the artist given the special nature of the paper it is likely one of a very limited number of trial proof impressions. Minor mat tone otherwise in superb condition. Fletcher 166. unknown
1948rif. 6981948. Excellent. Etching on handmade cream laid paper 3 1/2 x 4 1/4 inches 890 x 108 mm full margins. Signed dated and inscribed "III" in pencil lower margin. Edition of 150 third state of three. No. 49 from the French Church Series. A beautiful bright inky impression in excellent condition with astonishing detail. Fletcher 411 iii/III. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1926rif. 6851926. Excellent. Etching on thin bluish-green cream laid paper 9 1/4 x 4 3/4 inches 233 x 120 mm full margins. Signed and dated in pencil lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in the lower left margin outside of image area. Printing anomaly along the extreme left sheet edge well outside of image area. A beautiful inky impression. Comparable impressions of this work may be found in the permanent collections of the Art Institute of Chicago the Toledo Museum of Art and the Cleveland Art Museum. Fletcher 197. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1924rif. 23201924. Excellent. Etching on laid paper 13 1/2 x 7 1/2 343 x 191; sheet 16 1/2 x 11 inches 420 x 280 mm full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 impressions printed in 1924 by Frederick Reynolds. Another edition of 50 impressions was subsequently printed by David Strang in 1938. According to Fletcher Arms mentioned a second state of the collaborative print but there appears to be no evidence of this in any known collection. Fletcher 144. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1928rif. 23301928. Excellent. Etching on Japon paper 13 1/4 x 6 3/4 inches 337 x 171 mm; sheet 16 1/8 x 8 3/4 inches 410 x 222 mm full margins. Signed dated and inscribed "second state" in pencil in the lower margin. From the regular published edition of 100 impressions printed by Frederick Reynolds aside from only two 2 recorded first state impressions. In excellent condition with some minor mat tone. Fletcher 211. unknown
1932rif. 030623Hollywood: Hollycrofters Inc. Ltd 1932. 1st Edition . Blue Cloth. Very Good . 121 Pp. #74 Of 150 Copies Of The Signed Limited Edition Signed By Author Editor And All Illustrators. Blue Cloth With Illustrated And Printed Cover Paste-On With Title And Illustration. Stories By Children Aged 7 To 14 Edited By Morrison. Paste-On Is Clean And Undamaged. Covers With Light Rubbing At Corners Hinges Tight. This Example With An Additional Inscription "Valentine Greetings To Julia From Lucile 1938" By The Editor Lucile Morrison. Hollycrofters Inc., Ltd hardcover
2004rif. Manohar-9781402023026Kluwer Academic Publishers 2004. Hardcover. New. Kluwer Academic Publishers hardcover
2004rif. Manohar-9781402023026Kluwer Academic Publishers 2004. Hardcover. New. Kluwer Academic Publishers hardcover
2003rif. 132BHeirloom & Howard Limited England 2003 Book. New. Hardcover. 1st Edition. English text; Hardcover leather bound in red morocco with dust jacket in slipcase LIMITED EDITION of 200 COPIES; 23.5 x 30.3 cm; 4.316 Kg; 904 pages with 1880 colour illustrations 1500 armorial services described; STILL WRAPPED IN PLASTIC.; In 1974 Faber & Faber published Chinese Armorial Porcelain which has remained the most comprehensive book on the subject. At that time David Howard did not anticipate the need for a second volume; however continued research has resulted in this book which illustrates 1380 services not illustrated in Volume I in addition to the 160 services which formed the addendum to that volume. The material in Chinese Armorial Porcelain Volume II is almost entirely additional to the first volume containing a new introduction and four new chapters on aspects of the China Trade. All the appendices are revised and extended and the index of mottoes and index of services cover both volumes the later containing an alphabetical list of over 4000 services - more than 3320 illustrated and 680 unillustrated - all made for the British or American market. This is an essential companion for those who own the first volume but this book certainly stands on its own and as Garter King of Arms writes in the foreword 'is an astounding work - destined to be a major reference source in the future'. While the book relies heavily on the evidence of armorials and their ability to date sometimes to the exact year when a service was made it also throws extra light on to the whole China Trade which was an integral part of the commercial success of the 18th Century Britain. The details of captains and supercargoes and the record of the sheer volume of trade which attended the growth of the largest company the world has ever known - the Honourable East India Company - provide a reliable and accurate backdrop to many other events in the 18th Century. This also enables researchers to use the evidence of heraldry and the 1980 illustrations all but 100 in colour to date many stylistic changes of porcelain in a way which because of the lack Chinese records of the export trade would not otherwise be possible. Publication of the first volume led to a reassessment of the scale of this specialist porcelain trade which was handled almost exclusively by private traders working with framework of the East India Company. Details of what these merchants purchased are not recorded in the India Office Library and it is only possible to gauge their influence on trade and decorative etiquette in Europe by studying what they brought home - some 12000 miles by sea - at a time when travel was far less certain than it is today. The chapters in this book explain not only the natural but also the political risks of trading in the 18th Century. To many this volume will provide the moment when the identity of a piece of porcelain is revealed. While the book with its considerable index of mottoes and cross-references to both volumes will fulfill that need in his foreword Garter King of Arms concludes 'Unlike so many works on an esoteric subject this had the aesthetic combined with the heraldic and genealogical to ensure a wider base of popular support - from the connoisseur to the armorist and from the collector of works of art to the social historian.'.;Containing: Introduction and four illustrated chapters on aspects of the China Trade: 1.Reflections Replacements Reproductions and Revival 2.Of Counters Carriages and Bookplates 3.Armorial Porcelain for Scotland and the role of the Swedish East India Company 4.Chinese Armorial Porcelain: The Market during the last Century and in the Future and The Laws of Blazon a chapter on understanding heraldry. Together with a comprehensive analysis and classification of styles and dates of armorial porcelain.General Index and 50-page comprehensive Index of Services. Heirloom & Howard Limited, England hardcover
1874rif. 4810Lyon, Imprimerie Aimé Vingtrinier, 1874 ; grand in-4 ; demi-chagrin brique, dos à nerfs, titre doré ; (2) ff. (faux-titre et titre), XII, 714 pp., (1) f. d’achevé d’imprimer, nombreux blasons in texte.
1929rif. 3587New York: Macmillan 1929. Limited Edition. Hardcover. Very good . Folio 179pp. illustrated with 51 etchings by John Taylor Arms with an original etching as frontispiece signed in pencil by John Taylor Arms as issued. A very good or better copy in the publisher's black cloth with white linen spine and applied label on front board. Some foxing to extremities including the fore-edge and the margins of a few leaves but really a clean and bright copy internally with tissue guards still present. The matte over the frontispiece is loosened from the etching itself though still bound in perhaps it was issued this way. The only notable flaw is a 2-inch closed tear to the front edge of the title page not approaching any text. This is copy number 53 of 200 copies SIGNED by the author on the limitation page. A truly scarce book as we found just one recent auction record for the signed limited edition from more than a decade ago and no copies in commerce as of this listing. Macmillan hardcover
1932rif. 80572New York:: The Macmillan Company 1932. First edition; No. 29 of 100 copies signed by Dorothy Noyes Arms. publisher's two-toned cloth . Very slightest of use to the cloth; clean tight and sound. Folio. With Fifty-Six Reproductions of Etchings Aquatints and Drawings by John Taylor Arms including a frontispiece original etching signed by John Taylor Arms. The Macmillan Company, hardcover
1889rif. 60848Chicago and New York: Rand McNally & Co 1889. First edition. 8vo. 339 pp. Illustrated from photographs and wood engravings plates vignettes and historiated initials; ad for two other Shields titles tipped in at the front endpaper. Inscribed by the author on the front endpaper to A.W. Hooper businessman and sportsman who served as President of the Tarpon Club in Port Aransas Texas in the early 1910s. Phillips p. 343. Heller 620: "The sporting adventures transpired in the Cascade Range in Oregon Washington and British Columbia the Rocky Mountains and the Texas Plains." Riling 1256. Bruns S-142. Fine bright copy. Original gilt-stamped decorated blue-green cloth floral endpapers. #7807. Rand, McNally & Co unknown
1889rif. 60848Chicago and New York: Rand McNally & Co 1889. First edition. 8vo. 339 pp. Illustrated from photographs and wood engravings plates vignettes and historiated initials; ad for two other Shields titles tipped in at the front endpaper. Inscribed by the author on the front endpaper to A.W. Hooper businessman and sportsman who served as President of the Tarpon Club in Port Aransas Texas in the early 1910s. Phillips p. 343. Heller 620: "The sporting adventures transpired in the Cascade Range in Oregon Washington and British Columbia the Rocky Mountains and the Texas Plains." Riling 1256. Bruns S-142. Fine bright copy. Original gilt-stamped decorated blue-green cloth floral endpapers. #7807. Rand, McNally & Co unknown books
1991rif. 26628Oceanside CA: Armory Publications. Fine with No dust jacket as issued. 1991-1992. 1st Thus. Hardcover. 8vo 8" - 9" tall . Armory Publications hardcover
rif. 13885Arms John Taylor. Arms John Taylor. MONT ST. MICHEL. Fletcher 182. Etching 1926. Edition of 100. Signed and dated in pencil. 15 x 11 3/4 inches 381 x 299 mm. plus full margins. Framed to 23 x 19 inches. Number 9 of the French Church series illustrated on page 64 of Dorothy Noyes Arms "Churches of Framce." In very good condition. unknown
2016rif. CBS-9781496321343Lww Exclusive Np 2016. New. Lww Exclusive Np unknown
2016rif. CBS-9781496321343Lww Exclusive Np 2016. New. Lww Exclusive Np unknown
2005rif. CBS-9780824729844Taylor & Francis 2005. New. Taylor & Francis unknown
2005rif. CBS-9780824729844Taylor & Francis 2005. New. Taylor & Francis unknown
rif. 23943900-nnew. unknown
rif. 32647A Rouen chez Pierre Le Boucher en 1734. Nouvelle édition augmentée des Traités du Blason des Armoiries de France. De l'Origine des Noms, des Sur-Noms, et du Ban et Arrière-Ban. In-4 avec 4 textes: Traité de la Noblesse et toutes ses Différentes Espèces- 426 pages et Table. Privilège- Traité Singulier du Blason contenant les Règles des Armoiries-52 pages et Table des Chapitres- Traité de l'Origine des Noms et de leur Diversité, de leurs changemens, etc..-80 pages et Table des Chapitres- Traité du Ban et Arrièreban de son Origine et ses Convocations Anciennes et Nouvelles- 163 pages avec la Table Alphabétique. Reliure d'époque, veau raciné au dos enrichi de fleurons dorés avec pièce de titre. Tranches rouges. Bon état malgré rousseurs éparses sans gravité.
rif. 46405090s. l. n. d. (Rouen, A. Malassis, 1604), pet. in-12, demi-basane brune postérieure. 1 f. non chiffré, 18 feuillets chiffrés.ÉDITION ORIGINALE extrêmement rare. “Cette plaquette dont on ne connaît qu’un exemplaire qui fait partie de la riche et curieuse bibliothèque de M. Alfred Crampon (...) Luzy est une poète fort médiocre et complètement inconnu.” dit Veyrières, dans Monographie du sonnet, sonnettistes anciens et modernes (Paris, 1869) I p. 224-25 . Le catalogue de la vente Morel (de Lyon) en 1873 en comptait un exemplaire (le même ?) au n°79, la description du lot précise que “C’est le second exemplaire que nous connaissions de ce petit livre très rare qui paraît n’avoir été publié qu’avec un faux-titre et sans autre indication”. Notre exemplaire comporte la même particularité, elle est vraisemblablement due au fait que cet ouvrage fut imprimé à la suite des Epîtres morale du même auteur comme c’est le cas du troisième exemplaire connu, celui de la BNF, avec un titre général (le feuillet 1 est registré Niiii). Inconnu de Cioranesco, Brunet, Viollet le Duc, de Backer, etc.L’ouvrage comprend les poèmes suivants : Au Roy Stances - Sonnet au Roy - Autre sonnet au Roy - Sonnet à Monsieur de Vicq - Stances funèbres sur la mort de feu Monsieur de Vidoyssan gouverneur de Calais - Sonnet sur les yeux de Mad. de Heruille, niepce de M. de Vicq - Stances sur les cheveux - Sonnet encor sur les yeux - Autre encor sur les yeux - Autre encor sur les yeux - Autre encor sur ses yeux - Sonnet sur ses mains - Sonnet sur ses cheveux - Sonnet sur les yeux de Mad. de Vidoyssan - Sonnet sur sa blancheur - Sonnet sur les cheveux de Mad. de Vidoyssan - Elegie sur ses yeux - Sonnet sur le partement de Mad. de Vidoyssan qui fut au mois de Décembre - Stances sur le partement de Mad. de Valence... - Sonnet sur les yeux de Mad. de Nully - Stances pour elle - Stances sur ses cheveux - Stances pour Mad. Favier - Sonnet - Ballet des Mores qui étoient partis expressément de Mauritanie pour venir voir le Roy... - Ballet de huit cavaliers Affriquains qui ne pouvant vivre chez eux en oisiveté, étoient partis partis pour aller à la guerre de Hollande... - Estans descendus, ils prioient Monsieur de Vicq de leur permettre d’aller saluer & remercier - En le saluant - Aux Dames - Ballet des païsans qui estoient venus à Calais pour se réjouir à cause d’une grande pluye extremement profitable pour eux - Autre Ballet de païsans - Ballet de ceux du Canada qui estoient partis expressément de leur païs pour venir voir la France.Ex-libris imprimé du début XIXe siècle : Ce livre fait partie de la bibliothèque de M. J. J. M. P. de la [nom gratté]. Charnières fendues.
