Shields, Scott ABiblio.com
4974 risultati
2006rif. 50360University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 348 pages; many lovely illustrations in color and in black and white -- with a bonus offer-- . 2006. 0520247361 . University of California Press hardcover
2006rif. 74579University of California Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 348 pages; many lovely illustrations in color and in black and white -- with a bonus offer-- . 2006. 0520247396 . University of California Press paperback
2015rif. 112707Papadakis Dist A C. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 190650654X . Papadakis Dist A C hardcover
2012rif. 98127Pomegranate. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 272 pp. ; 176 illus. 138 in color. -- with a bonus offer-- . 2012. 0764960539 . Pomegranate hardcover
2008rif. 77172Pomegranate Communications. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 120 pp. With 92 ills. 86 col. . 23 x 27 cm. -- with a bonus offer--; The paintings of Edwin Deakin--beautiful romantic depictions of California's early architecture particularly its missions as well as picturesque and nostalgic scenes of California wilderness--are regarded as major achievements in early California art. Deakin's trip to Europe in 1877 also inspired breathtaking canvases notably of Notre Dame in Paris and the Castle of Chillon on Lake Geneva. Later in Deakin's career his brush captured the uniqueness of San Francisco's Chinatown and the destruction of the 1906 earthquake. Deakin 1838-1923 was equally gifted at still-life painting and produced magnificient compositions of fruits and flowers. Edwin Deakin: California Painter of the Picturesque is the first book to survey the artist's vast accomplishments bringing together examples from all the genres in which he worked--including all twenty-one of his paintings of the California missions. Born in Sheffield England Deakin first came to San Francisco in 1870. The next year he established a studio in the city and began exhibiting regularly. His later years were spent in Berkeley where in 1890 he purchased a large tract of land and built a mission-style home. Today a street in Berkeley is named in his honor. The Crocker Art Museum in Sacramento California developed this book in concert with an exhibition of the artist's paintings. Edwin Deakin has long been admired by aficionados of California art but wider recognition of his accomplishments is overdue. This publication with illuminating text by Alfred C. Harrison Jr. president of the The North Point Gallery and Scott A. Shields chief curator at the Crocker Art Museum strives to further the painter's legacy as an important contributor to the canon of California--and American--art. . 2008. 0764943510 . Pomegranate Communications hardcover
2016rif. 119999Unicorn Press Ltd. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . 2016. 1910787159 . Unicorn Press Ltd hardcover
2016rif. 120808Unicorn Press Ltd. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 1910787159 . Unicorn Press Ltd hardcover
2015rif. 120400Museum. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. -- with a bonus offer-- . 2015. 1884038263 . Museum hardcover
2022rif. 130880Hirmer Publishers. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer--; 9.75 X 0.7 X 10 inches; 136 pages . 2022. 3777438391 . Hirmer Publishers hardcover
2017rif. 126522Glitterati. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer . 2017. 1943876290 . Glitterati hardcover
2013rif. 106672It Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 0062238760 . It Books hardcover
1971rif. 67917London England: The Tate Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE 36 pages; 115 works catalogued; 9 black and white illustrations. -- with a bonus offer--; T-Constart; The Tate Gallery; Reid Norman foreword; Parris Leslie; Shields Conal; et al Constable : The Art of Nature - The Tate Gallery London - 7 June - 4 July 1971 . 1971. 0900874252 . The Tate Gallery paperback
1919rif. 9281919. Superb. Aquatint with hand coloring in watercolor on watermarked laid Arches paper 8 1/16 x 5 9/16 inches 206 x 142 mm full margins. Signed titled dated and numbered 22/40 in pencil lower margin. From the fourth state of 4 consisting of a total of 80 impressions only 40 of which have hand coloring in watercolor. In superb condition with light toning and archival tape tabs at the top right and left corners and lower right corner on the verso well outside of the image area. Printed by Frederick Reynolds. Fletcher 23. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. William Dolan Fletcher John Taylor Arms a Man for All Time: The Artist and His Work. Sign of the Arrow Eastern Press 1982. p. 15. unknown
1931rif. 19021931. Very good. Etching on antique laid Japon paper 14 1/2 x 7 5/8 inches 368 x 195 mm full margins. Signed dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressions of the second state of 2 printed in 1931. Fletcher 241 II; French Church Series No. 31. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize Society of American Etchers 1931; the Carle Blenner Best Entry Prize New Haven Paint and Clay Club 1950; and the Best Print Annual Exhibition Arts and Crafts Association Meridan Connecticut 1952. Paper: Arms was typical of the artists of this period: he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. - William Dolan Fletcher A Man For All Times p. 15. unknown
1931rif. 10331931. Good. Etching on antique laid Japon paper 10 x 14 13/16 inches 254 x 377 mm full margins. Signed in pencil and inscribed "Ed. 100" from a total edition of 128. Third state of three. Number 22 from the Italian Series. In good condition with scattered light surface soiling and archival paper tape hinges at the top right and left corners verso. A beautiful impression of this extremely scarce image. Fletcher 238iii/III Illustrated: Page 138 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy.". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. -William Dolan Fletcher A Man For All Times p. 15. unknown
1767rif. 002781Amsterdam, et se trouve à Paris Prault le Jeune, 1767
1879rif. 12340Paris, Librairie Générale (Imprimerie E. Capiomont et V. Renault), 1879 ; in-folio, demi-chagrin maroquiné cerise à coins, dos à nerfs soulignés de filets à froid, caissons décorés et dorés, double filet doré sur les plats, titre et tête dorés, filets dorés sur les plats (reliure de l’époque) ; (4), 66, (2) pp., 12 eaux-fortes hors-texte dont une aquarellée en frontispice.
1888Prima e unica edizione.
1657rif. 16495A Paris, chez Charles Clouzier, Gervais Clouzier & Antoine Clement, 1657. In-folio de [4]-48 (mal chiffrées 51) - 532 pages (très mal chiffrées 608), demi-veau brun à petits coins, dos à nerfs orné d'un pièce de titre beige, tranches mouchetées de rouge. Signature sur la page de titre Jacques Charles Bardin.
1630In -8°, pp. 45, (1) ma manca un ritratto calcografico a piena pagina di Santa Elisabetta, appena dopo il frontespizio. Manca anche la carta B7 che è stata manoscritta e riinserita. Legatura in marocchino alle armi Savoia. A portrait of Saint Elisabeth is missing just after the title page. Also B7 leaf is missing: it has been hand copied and reinserted. Morocco binding at Savoia arms.
1926rif. 142571926. Arms John Taylor. Arms John Taylor American 1887-1953. SHADOWS OF VENICE - IL PONTE DI RIALTO VENEZIA. Etching 1930. Edition of 140 14 Artist's Proofs. 10 x 12 inches Plate 11 3/8 x 157/8 inches sheet. Signed in pencil and inscribed "Edition 100." Fletcher 229. Printed by Henry E. Carling on green laid paper. In excellent condition. This is Number 16 of Arms' Italian Series. It is illustrated: Dorothy Noyes Arms Hill Towns and Cities of Northern Italy p. 208; The Print Collector's Quarterly 21 1934 at page 136; Fine Prints of the Year 1931 and Eric Denker Reflections & Undercurrents: Ernest Roth and Printmaking in Venice 1900-1940. This print. was the Arms submission for his application toThe Royal Society of Painter-Etchers in 1934. unknown
rif. 16-5727London: John Nichols for Richard Bigland 1791-1792. 2 volumes. Folio 263 x 424 mm. Contemporary half roan nd marbled boards spines with 6 raised bands morocco lettering pieces minor rubbing joints starting minor chipping.632 252pp 23 leaves of engraved plates hors texte in vol. 1 and 10 in vol.2 mostly 2 engravings per plate; numerous half page engravings in the text; Provenance: Rev. Gerald Charles Fenwicke armorial bookplate with motto "A Fenwyke! A Fenwyke"; Hoar armorial bookplate with motto "Constanter".Ralph Bigland was a noted antiquarian whose work was mostly focused on Gloucestershire. Over time he travelled the whole county accumulating historical information and making it his business to record the inscriptions on everything from great monuments to modest gravestones. Following his death his son Richard attempted to bring the work to print as a county history. A number of instalments of the Historical Monumental and Genealogical Collections relative to the County of Gloucester were published between 1786 and 1794 completing two volumes dated 1791 and 1794 and further instalments appeared sporadically through the 19th century.Ralph was born in 1712 the son of Richard and Mary Bigland. He was baptised at St Dunstan and All Saints Stepney on 30 Jan 1711.On 13 Jan 1737 he married Ann daughter of John Wilkins. Their marriage took place at Frocester Gloucestershire.Their son Richard was baptised at St Dunstan in the West City of London on 6 Apr 1738. . Ann died later that year and was buried at St Dunstan and All Saints on 3 Dec 1738.The artist Thomas Bonnor c.1740-c.1812 was born in Gloucestershire later moving to London where he studied under Henry Roberts d. 1790. According to Bryan's Dictionary Bonnor was 'celebrated as one of the best of the topographical draughtsmen and engravers of his day. London: John Nichols for Richard Bigland, 1791-1792 hardcover
1937rif. 471New York 1937. Superb. Etching and drypoint on watermarked F.J. Head cream-colored antique laid paper 6 3/4 x 9 7/8 inches 171 x 252 mm full margins. Signed and titled in French in pencil in the lower margin edition of 75. Printed by Frederick Thomas Reynolds New York. Plate number 4 from the Gargoyle Series. One small round pea-sized spot of paper thinning perhaps an innate defect in the paper well outside of image area and completely unobtrusive. A dark inky and rich impression framed handsomely with archival materials and museum grade glass in a wood gilt frame with a garland and flower motif. Illustrated: Dorothy Noyes Arms Churches of France p.20. Fletcher 102. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1930rif. 4981930. Very good. Etching and aquatint on antique laid paper 10 1/4 x 12 1/8 inches 262 x 308 mm wide margins. Signed dated and inscribed "Edition of 100" in pencil lower margin. Second state of 2. A rich and inky impression of this extraordinary image. Bottom edge is irregularly trimmed with the Conseil Départemental de la Haute-Garonne's tarriff stamp on the verso in two places. Areas of minor toning paper tape hinges at the top sheet edge some minor scattered surface soiling. Fletcher 229ii/II Illustrated: Page 208 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1931rif. 10361931. Superb. Etching on watermarked antique laid J Whatman Japon paper 14 1/2 x 7 5/8 inches 368 x 195 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. One of only 26 impressions of the second state of 2 printed in 1931. With the John Taylor Arms ink stamp in black ink in the lower-center margin. Fletcher 241 II; French Church Series No. 31. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize Society of American Etchers 1931; the Carle Blenner Best Entry Prize New Haven Paint and Clay Club 1950; and the Best Print Annual Exhibition Arts and Crafts Association Meridan Connecticut 1952. Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. - William Dolan Fletcher A Man For All Times p. 15. unknown
