Passe d.Ä., Crispijn de - 1565 Arnemuiden - Utrecht 1637Antiquariat.de
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rif. 044-Ao.J. Titelblatt und Wappen der Habsburger - Friedrich V., König von Böhmen und Kurfürst der Pfalz - Johann Georg, Herzog von Sachsen - Kaiser Matthias. 4 Blatt Kupferstiche, 1615, auf Bütten, aus der gleichnamigen, in Zusammenarbeit mit Simon, Willem und Crispijn (d.J.) de Passe entstandenen Folge. 27,5:19,5 cm bis 26,9:21,7 cm. Literatur: Franken 401, 404, 410 und 414; Hollstein 140 ad, I (von II), 143 ad, 149 und 153 ad. - 3. Bll. Mit dem Namenszug bzw. Monogramm des Künstlers, Bl. 1 mit dem Datum und latein. Text sowie sämtlich mit dem Titel in der Platte. - Abdrucke der Erstausgabe in hervorragender Druckqualität, sämtlich bis zur Einfassungslinie beschnitten.
1919rif. 10351919. Excellent. Etching on antique cream laid paper with a partial watermark likely Arches 12 1/8 x 6 1/8 inches 308 x 156 mm full margins. Signed and dated in pencil in the lower right margin. First state of 6. One of only approximately 23 impressions before steel facing printed by Frederick Reynolds. Minor area of rubbing in the top right corner of the image area along with some general age tone and a few inscriptions in pencil in the lower margin well outside of the image area. The impression itself is rich and extremely detailed with excellent inking and rich burr. Fletcher 32. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. An impression of this work may be viewed in the permanent collection of the Smithsonian Museum of American Art. unknown
1829rif. 2994Mexico City: January 5 1829. Very good. Broadside 12 x 8.25 inches. Light wear center horizontal fold pinholes along left edge. A rare decree issued by Jose Maria Tornel y Mendivil Governor of the Federal District attempting to regulate the disbursement and possession of guns in Mexico in 1829. Tornel notes that in recent times weapons belonging to the army have been "misplaced" around Mexico City. Collecting the weapons is "extremely urgent because the destiny of these weapons is to serve internal tranquility and the defense of the republic against external enemies." The order reserves the right of access to weapons for those "enlisted in the permanent active or local militia." Tornel authorizes the commanding general and local militia leaders to collect weapons held by civilians without a license to carry them. The bottom of the decree is signed in type by Tornel and his secretary. The presidential election of September 1 1828 saw Guerrero come in second. Two weeks later Santa Anna rose in support of Guerrero in Vera Cruz. In November of that year in Mexico City Guerrero supporters took control of the Acordada a former prison transformed into an armory and days of fighting broke out in the capital. These are no doubt the "recent events" referred to in the present decree that led to arms being scattered around the city. An interesting moment in the history of gun control in Mexico and a rare decree. OCLC reports just a single copy of this decree at the Bancroft Library. January 5 unknown
1829rif. 2994Mexico City: January 5 1829. Very good. Broadside 12 x 8.25 inches. Light wear center horizontal fold pinholes along left edge. A rare decree issued by Jose Maria Tornel y Mendivil Governor of the Federal District attempting to regulate the disbursement and possession of guns in Mexico in 1829. Tornel notes that in recent times weapons belonging to the army have been "misplaced" around Mexico City. Collecting the weapons is "extremely urgent because the destiny of these weapons is to serve internal tranquility and the defense of the republic against external enemies." The order reserves the right of access to weapons for those "enlisted in the permanent active or local militia." Tornel authorizes the commanding general and local militia leaders to collect weapons held by civilians without a license to carry them. The bottom of the decree is signed in type by Tornel and his secretary. The presidential election of September 1 1828 saw Guerrero come in second. Two weeks later Santa Anna rose in support of Guerrero in Vera Cruz. In November of that year in Mexico City Guerrero supporters took control of the Acordada a former prison transformed into an armory and days of fighting broke out in the capital. These are no doubt the "recent events" referred to in the present decree that led to arms being scattered around the city. An interesting moment in the history of gun control in Mexico and a rare decree. OCLC reports just a single copy of this decree at the Bancroft Library. January 5 unknown books
1933rif. 23431933. Excellent. Etching on cream laid paper 6 7/8 x 4 7/8 inches 178 x 127 mm; sheet 11 7/8 x 8 3/16 inches 302 x 213 mm full margins. From Demonstration Series #32. Printed on January 14 1933 at The University of New York City and inscribed in pencil "To Mr. and Mrs. Kennedy with my compliments John Taylor Arms 1933 Demonstration." In excellent condition. A very scarce work from an edition of less than 20 impressions. Fletcher 255. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1933rif. 6141933. Excellent. Ecthing in black ink on cream laid paper with a partial watermark 6 7/8 x 4 7/8 inches 174 x 125 mm full margins. In excellent condition. A very scarce work from an edition of less than 20 impressions. Signed dated and inscribed in pencil lower margin. From the Demonstration Series. Fletcher 255. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1927rif. 15281927. Arms John Taylor. Arms John Taylor. CHARTRES. Etching 1927 2d state; 13 1/8 x 9 7/8 signed dated annotated "Second Stat." Fletcher 193. Edition of 100. In excellent condition framed. French Church series #14. Dorothy Noyes Arms Churches of France Macmillan 1929 pp. 54ff. unknown
1845rif. 1358841845. Rare printing of the 1845 annual report of the Commissioner of the General Land Office of the United States of America. Octavo disbound. Contains numerous folding maps and public surveys of Indiana Michigan Iowa Wisconsin Missouri Illinois Arkansas South Tennessee Southeastern Louisiana Alabama showing Chickasaw Cherokee and Creek Cessions and the State of Florida. In near fine condition. Rare. The first great expansion of the United States of America came with the Louisiana Purchase of 1803 which doubled the country's territory although the southeastern border with Spanish Florida was the subject of much dispute until it and Spanish claims to the Oregon Country were ceded to the US in 1821. The annexation of the Republic of Texas in 1845 led directly to the Mexican–American War after which the victorious United States obtained the northern half of Mexico's territory including what was quickly made the state of California. However as the development of the country moved west the question of slavery became more important with vigorous debate over whether the new territories would allow slavery and events such as the Missouri Compromise and Bleeding Kansas. This came to a head in 1860 and 1861 when the governments of the southern states proclaimed their secession from the country and formed the Confederate States of America leading to the American Civil War. unknown
1991rif. 049362Armory Publications. very nice twelve-volume set; complete; fine condition; never read; . Fine. Hardcover. Reprint. 1991. Armory Publications hardcover
1988rif. 65915Washington DC: U.S. Government Printing Office 1988. Presumed first edition/first printing. Wraps. Very good. No dust jacket. 3 volumes Parts. xi 340; xi 242; xi 1646 p. 23 cm. Illustrations. Iran Chronology. Title continues: "First Session July 7 8 9 and 10 1987: Testimony of Oliver L. North. Document Number 100-7. Part I Testimony of Oliver L. North Questioning by Counsels; Part II Testimony of Oliver L. North and Robert C. McFarlane Questioning by Members; Part III Appendixes to Parts I and II. Ltc North was subsequently tried for perjury. Mr. McFarlane survived a suicide attempt. U.S. Government Printing Office paperback
1654rif. 3002Première édition de cet important armorial qui comprend : 1 titre gravé, 1 feuillet de dédicace à Monseigneur Molé, 2 feuillets Advertissement aux curieux, 12 pages non chiffrés de table puis 204 planches de blasons. La planche 51 est en double, la planche 58 en triple. Il manque les planches 55 et 122. La plupart des planches sont signées Nolin. Très bel exemplaire, d'une grande rareté. Plein parchemin, titre manuscrit au dos, plats règlés. Très bon Paris Berey 1654 1 volume petit in-folio.
18922 vols., sm. folio, with half-titles and titles in red and black, and 229 fine plates of crests; original brown buckram, bevelled boards, upper boards and backstrips lettered in gilt, green endpapers, backstrips chafed at heads and tails, joints minimally rubbed, corners lightly bruised, second volume neatly rebacked with old backstrip laid down, a very good, bright, clean copy. With the armorial bookplate of Wilfred Storr Park on front paste-downs.
1822rif. 41591822 Paris, chez Lefevre, 1822. Un volume in-4, cartonnage rouge, double filets dorés sur les plats, titre doré, [titre], [1 f.] avertissement, planches à pleine page numérotées 1 à 286, [titre], planches à pleine page numérotées 312 à 396, 8 ff. comportant les figures 397 à 435 + 8 blasons manuscrits (armoiries des Pairs de France sous la Restauration), 44 et 16 pp. de table. Les planches 287 à 311 (armoiries des Pairs de France morts sans postérité) ne sont pas gravées au moment de la publication de l'Armorial, et Saffroy, I - 9089, signale qu'elles ne le furent jamais. Bel exemplaire, intérieur frais, ex-libris de Charles Garnier en page de garde et celui, manuscrit, de son père Georges Garnier sur la même page, notes manuscrites de présentation de cette édition au premier feuillet blanc.
1927rif. 20331927. Excellent. Etching on handmade Japon paper with a deckle edge 13 1/8 x 9 7/8 inches 333 x 252 mm; sheet 18 1/4 x 13 3/4 inches 463 x 349 mm full margins. Signed dated and inscribed "Second State Trial Proof III" in pencil in the lower margin. This trial proof is the third impression of only 3 aside from regular second state edition of 100. Two trial proofs of the first state exist however the regular first state was never published. Bottom margin very slightly trimmed still leaving full margins and an unobtrusive printing anomaly occurring as a fine line across the upper-right quadrant of the sheet otherwise in superb condition. Printed by Frederick Reynolds. Fletcher 193. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1927rif. 23311927. Very good. Etching on antique watermarked Arches laid Japon paper with a deckle edge 8 x 12 1/2 inches 204 x 318 mm; sheet 12 1/4 x 17 3/4 311 x 451 mm full margins. One of only three recorded trial proof impressions aside from the regular edition of 100 printed by Frederick Reynolds. Signed dated and inscribed "Trial Proof No 3" in pencil in the lower margin. Age tone and one area of light soft rust colored discoloration in the lower left image area. A magnificent impression. Fletcher 205. unknown
1933rif. 20421933. Excellent. Etching on cream laid paper with a deckle edge 12 5/8 x 8 11/16 322 x 222 mm; sheet 18 x 11 1/2 inches 457 x 291 mm full margins. Signed by both Arms and Eby in the lower right margin dated by Arms. In excellent condition with no visible defects. This plate was the work of both Arms and Eby: Arms doing the buildings Eby the figures and trees. It is for this reason the most problematic plate of either artist. According to Fletcher there were 6 states each of which was printed and reworked by both artists. Between the 5th and 6th state the plate was steeled desteeled rebitten and had additional work done by Eby and then refaced in steel. The 6th state edition resulted in 100 total impressions printed by Eby 50 for Eby 50 for Arms. Those for Eby were for distribution through Frederick Keppel & Co. and those for Arms for Kennedy & Co. After 62 pullings of the 5th state Eby stopped the edition; defaced the plate rebit the surface in the center of the plate particularly in the area of the figures resteeled the surface and finished the edition with 38 pullings. Since the plate was reworked this is considered an additional state bringing the total to 6. This impression appears to be one of the last state impressions from either the edition of 62 5th state impressions or the group 38 6th state impressions. In the lower right there appear the letters "sb" whether this lends a clue to this particular print's origin is something lost to history. Fletcher 270B. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1860Série complète de 4 tomes (tout ce qui a paru) richement illustré dans le texte et avec des planches hors-texte coloriées et teintées (blasons, gravures des églises, plans,…), Contenu: Serie I: Eglises paroissiales Gand. Parochiekerken - Gent (2 volumes: 341 + xi,234pp.), Serie II: Eglises conventuelles Gand. Kloosterkerken Gent (vol.1: 302pp.), Serie III: Eglises des communes. Paroisses du doyenné de Gand, Extra muros. Buitengemeenten. Parochiekerken der dekenij van Gent. extra muros (vol.1: viii,315 + 25pp.), brochures muettes d'époque, qqs.rousseurs (surtout aux tranches), bon état, rare, OCLC: 55564008, poids total/gewicht: 10kg., B77284
1860rif. B77284Gent, Hebbelynck 1860-1870 Série complète de 4 tomes (tout ce qui a paru) richement illustré dans le texte et avec des planches hors-texte coloriées et teintées (blasons, gravures des églises, plans,), Contenu: Serie I: Eglises paroissiales Gand. Parochiekerken - Gent (2 volumes: 341 + xi,234pp.), Serie II: Eglises conventuelles Gand. Kloosterkerken Gent (vol.1: 302pp.), Serie III: Eglises des communes. Paroisses du doyenné de Gand, Extra muros. Buitengemeenten. Parochiekerken der dekenij van Gent. extra muros (vol.1: viii,315 + 25pp.), brochures muettes d'époque, qqs.rousseurs (surtout aux tranches), bon état, rare, OCLC: 55564008, poids total/gewicht: 10kg., B77284
1926rif. 001034Bourges Imprimerie A. Tardy 1926
1910rif. 25923Epworth Press London 1910 HARDBACK NODUSTJACKET GOOD/GOOD- AS-IS Condition NOJACKET Undated But Early around 1910. Internally light Wear Rub Foxing & some soil . Purple Cloth Cover of Alice Standing with Wavy Hair Wearing Blue Dress Light Brown Belt & Long Blue Socks & Black Slippers. Holding Baby who had turned into a Pig Lying on its Back in her Arms. hardcover Small Color combination on Spine Cvr with Strange Animal Standing spine Cvr with light rub Wear 5 X 7 34 in. with leading page edges untrimmed Red cloth-bound boards with colour illustration to spine and another to front cover Alice with baby who turned into a pig and full-colour plate as frontis illustration. Many line illustrations throughout text. Corners and spine ends no longer firm. 3 internal drawings 'coloured-in' with colour pencil. Stain to top margin on page 96-7 not effecting legibility. Book in GOOD- condition 202 pages. NO ADS IN BACK. Front Corner Cvr Ding .Previous owner's name and date of 1922 inside front cover "M Allen 24-5-22" . 3 Internal drawings 'coloured-in' with colour pencil. Blank endpaper Former Owner Name Date light soil . Title pg Illustration of Alice Falling Faling in room with Many Bks on Shelfs in B/W has been colored in with Crayon. alice Holding Baby who had turned into a Pig Lying on its Back in her Arms. Alices adventures. Hard Cover. Epworth Press, London, hardcover
1926rif. 138861926. Arms John Taylor. Arms John Taylor. ARCH OF THE CONCA PERUGIA. Etching 1926. 10 1/4" x 14 5/8 plus margins. Framed to 18 x 22 inches. Signed in pencil and annotated "Trial Proof No. 6"; only state. Fletcher 175. There were 12 trial proofs and an edition of 100. Printed by Frederick Reynolds. In excellent condition. Number 4 of the Italian Series and one of Arms' "Preferred" plates. Dorothy Noyes Arms Hill Towns of Northern Italy Macmillan 1930 P. 70. unknown
1930rif. 194London: Henry Carling 1930. Superb. Etching on cream laid paper 1930. 7 1/2 x 3 7/8 inches 190 x 970 mm full margins. Signed and inscribed "Edition 100" of a total of 101 in pencil lower margin. In very good condition with minor surface soiling from handling no visible defects. Plate #17 from The Italian Series. Fletcher 230 ii. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. Henry Carling unknown
1927rif. 103341927. Arms John Taylor. Arms John Taylor. ROCAMADOUR. Etching 1927; Fletcher 186; 13 3/4 x 9 5/8; signed titled and annotated "II" for Second State;" edition 100 in this state of a total edition of 150. This is #10 of the French Church Series. In excellent condition and nicely framed. The Calvary church at Rocamadour in the Auvergne was "perhaps the greatest pilgrimage spot of the twelfth cantury." The town is built vertically into the hillside. When John and Dorothy Arms visited the church "it was first necessary to go into our hotel by the front door climb three flights of stairs and go out by the roof.past a little garden.then on to the winding path which leads from one Station of the Cross to another." Dorothy Noyes Arms Churches of France Macmillan 1929 Pp 103-106. unknown
2002rif. 635610Simon & Schuster 2002. First Edition. Hardcover. Near Fine/Near Fine. THE FINEST IMAGINABLE COPY. The dedication copy signed and inscribed on front endpaper by Shields to his wife Laurie Shields the co-dedicatee with his daughter Natalie: 'For Laurie - It's no longer about me. It's about us truly. Love love love - David April 14 2002.' The date of the inscription was 9 days before publication. A near fine copy of the first edition hardcover in jacket. Simon & Schuster hardcover
1998rif. SBBIH-HOUSTLXEWIESWalker Books Ltd 1998. hardcover. Acceptable. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Walker Books Ltd hardcover
