Shields, John ArthenBiblio.com
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réf. 1019362383.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0900976519.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1590840925.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 0783816650.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1556231016.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0813527007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0241208742.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1848606648.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1880985071.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9798868503443_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Faith is trusting in God and in God's promises. However we cannot trust God's promises if we don't know what they are. The Purpose of Everything a four-part two-volume set presents in narrative form all the major events and people o hardcover
réf. ria9798868503436_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Faith is trusting in God and in God's promises. However we cannot trust God's promises if we don't know what they are. The Purpose of Everything a four-part two-volume set presents in narrative form all the major events and people o paperback
réf. KIBO84426Koleksiyon Yayincilik n/a. n/a Koleksiyon Yayincilik unknown
réf. 1025656342.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9781107670655Paperback / softback. New. This book explores the relationship between freedom and slavery in the antebellum American South studying authors who spoke for the Southwest's educated classes but often reached national readerships. Instead of treating freedom as an abstraction this book analyzes the practical meanings attached to liberty by people who treasured it even as they defended slavery. paperback
réf. B9781107449145Paperback / softback. New. This book examines the literary negotiation of Anglo-Scottish relations in the century following the 1707 Union between Scotland's and England's parliaments. paperback
réf. 0791064220.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1941réf. 24961941. Good. Etching on delicate antique laid paper image 5/16 x 1/2 inches 8 x 13 mm; plate 2 3/4 x 5 70 x 127 mm; sheet 4 x 5 inches 101 x 128 mm full margins. Signed in pencil in the lower margin. In good condition with minor mat tone inside the platemark. An astonishing work in miniature. Fletcher 362. The print depicts the Trinity Bridge in Crowland Lincolnshire-a unique 14th-century fourteenth-century triangular bridge that formerly spanned the confluence of the River Welland and a tributary. Arms was famously obsessive about architectural detail often using sewing needles and magnifying glasses to achieve the minute textures seen in the stonework and the neighboring buildings. This piece is occasionally found on a single sheet alongside another 1941 etching Pátzcuaro Michoacán Mexico Fletcher 361 as Arms sometimes printed smaller subjects together before cutting the plates. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1936réf. 24951936. Excellent. Etching on cream wove paper with a deckle edges 1 x 1 inch 24 x 24 mm full margins. Signed in pencil lower margin. Number 18 from the Christmas Card series; number 19 from the Miniature series. In excellent condition with all of the fine lines printing in astonishing detail. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1940réf. 22851940. Excellent. Etching on antique watermarked fine Barcelona cream laid paper 1 7/8 x 2 /12 inches 49 x 64 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. In excellent condition with a 3-digit accession number written in pencil in the lower margin on the recto. Likely one of only 16 proof impressions of the second state of 2 aside from the regular edition of 276. Printed by Charles S. White. Miniature Series #27; Yucatán Series No. 1. Fletcher 344. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1939réf. 22841939. Superb. Etching on cream wove paper 2 3/8 x 3/14 inches 61 x 83 full margins. Signed dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written in pencil in the lower right corner well outside of the image area. Fletcher states only two trial proofs this is perhaps an unrecorded proof aside from the additional edition of 101 printed by David Strang. Fletcher 324. This plate was the section cut from Stanwick becoming a separate plate after the additional work had been done on it edges beveled. William Dolan Fletcher p 206. unknown
1928réf. 23301928. Excellent. Etching on Japon paper 13 1/4 x 6 3/4 inches 337 x 171 mm; sheet 16 1/8 x 8 3/4 inches 410 x 222 mm full margins. Signed dated and inscribed "second state" in pencil in the lower margin. From the regular published edition of 100 impressions printed by Frederick Reynolds aside from only two 2 recorded first state impressions. In excellent condition with some minor mat tone. Fletcher 211. unknown
1925réf. 23321925. Excellent. Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge 14 1/8 x 9 1/8 inches 358 x 232 mm; sheet 18 1/8 x 11 inches 461 x 280 mm full margins. Signed and dated in pencil in the lower margin. Although the work is not identified by the artist given the special nature of the paper it is likely one of a very limited number of trial proof impressions. Minor mat tone otherwise in superb condition. Fletcher 166. unknown
1926réf. 23181926. Fine. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper 10 3/4 x 9 7/8 inches 272 x 252 mm; sheet 18 1/8 x 14 1/8 inches 461 x 360 mm full margins. A trial proof aside from the regular edition of 100. Signed dated inscribed "I" in pencil in the lower margin. From the small batch of impressions printed by Frederick Reynolds. With both the artist's moniker ink stamp and the Collection John Taylor Arms ink stamp both in black ink in the lower margin. There is also a New York Public Library accession number in the lower right as well as a pencil inscription indicating that the print was once in the Eddie Welch Estate collection 1975. Small loss at the top-left sheet edge well outside of the image area otherwise in excellent condition. Fletcher 181. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1924réf. 23201924. Excellent. Etching on laid paper 13 1/2 x 7 1/2 343 x 191; sheet 16 1/2 x 11 inches 420 x 280 mm full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 impressions printed in 1924 by Frederick Reynolds. Another edition of 50 impressions was subsequently printed by David Strang in 1938. According to Fletcher Arms mentioned a second state of the collaborative print but there appears to be no evidence of this in any known collection. Fletcher 144. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
