Juliet ShieldsBiblio.com
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réf. B9781107449145Paperback / softback. New. This book examines the literary negotiation of Anglo-Scottish relations in the century following the 1707 Union between Scotland's and England's parliaments. paperback
réf. 0791064220.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1941réf. 24961941. Good. Etching on delicate antique laid paper image 5/16 x 1/2 inches 8 x 13 mm; plate 2 3/4 x 5 70 x 127 mm; sheet 4 x 5 inches 101 x 128 mm full margins. Signed in pencil in the lower margin. In good condition with minor mat tone inside the platemark. An astonishing work in miniature. Fletcher 362. The print depicts the Trinity Bridge in Crowland Lincolnshire-a unique 14th-century fourteenth-century triangular bridge that formerly spanned the confluence of the River Welland and a tributary. Arms was famously obsessive about architectural detail often using sewing needles and magnifying glasses to achieve the minute textures seen in the stonework and the neighboring buildings. This piece is occasionally found on a single sheet alongside another 1941 etching Pátzcuaro Michoacán Mexico Fletcher 361 as Arms sometimes printed smaller subjects together before cutting the plates. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1936réf. 24951936. Excellent. Etching on cream wove paper with a deckle edges 1 x 1 inch 24 x 24 mm full margins. Signed in pencil lower margin. Number 18 from the Christmas Card series; number 19 from the Miniature series. In excellent condition with all of the fine lines printing in astonishing detail. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1940réf. 22851940. Excellent. Etching on antique watermarked fine Barcelona cream laid paper 1 7/8 x 2 /12 inches 49 x 64 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. In excellent condition with a 3-digit accession number written in pencil in the lower margin on the recto. Likely one of only 16 proof impressions of the second state of 2 aside from the regular edition of 276. Printed by Charles S. White. Miniature Series #27; Yucatán Series No. 1. Fletcher 344. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1939réf. 22841939. Superb. Etching on cream wove paper 2 3/8 x 3/14 inches 61 x 83 full margins. Signed dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written in pencil in the lower right corner well outside of the image area. Fletcher states only two trial proofs this is perhaps an unrecorded proof aside from the additional edition of 101 printed by David Strang. Fletcher 324. This plate was the section cut from Stanwick becoming a separate plate after the additional work had been done on it edges beveled. William Dolan Fletcher p 206. unknown
1928réf. 23301928. Excellent. Etching on Japon paper 13 1/4 x 6 3/4 inches 337 x 171 mm; sheet 16 1/8 x 8 3/4 inches 410 x 222 mm full margins. Signed dated and inscribed "second state" in pencil in the lower margin. From the regular published edition of 100 impressions printed by Frederick Reynolds aside from only two 2 recorded first state impressions. In excellent condition with some minor mat tone. Fletcher 211. unknown
1925réf. 23321925. Excellent. Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge 14 1/8 x 9 1/8 inches 358 x 232 mm; sheet 18 1/8 x 11 inches 461 x 280 mm full margins. Signed and dated in pencil in the lower margin. Although the work is not identified by the artist given the special nature of the paper it is likely one of a very limited number of trial proof impressions. Minor mat tone otherwise in superb condition. Fletcher 166. unknown
1926réf. 23181926. Fine. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper 10 3/4 x 9 7/8 inches 272 x 252 mm; sheet 18 1/8 x 14 1/8 inches 461 x 360 mm full margins. A trial proof aside from the regular edition of 100. Signed dated inscribed "I" in pencil in the lower margin. From the small batch of impressions printed by Frederick Reynolds. With both the artist's moniker ink stamp and the Collection John Taylor Arms ink stamp both in black ink in the lower margin. There is also a New York Public Library accession number in the lower right as well as a pencil inscription indicating that the print was once in the Eddie Welch Estate collection 1975. Small loss at the top-left sheet edge well outside of the image area otherwise in excellent condition. Fletcher 181. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1924réf. 23201924. Excellent. Etching on laid paper 13 1/2 x 7 1/2 343 x 191; sheet 16 1/2 x 11 inches 420 x 280 mm full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 impressions printed in 1924 by Frederick Reynolds. Another edition of 50 impressions was subsequently printed by David Strang in 1938. According to Fletcher Arms mentioned a second state of the collaborative print but there appears to be no evidence of this in any known collection. Fletcher 144. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1933réf. 23431933. Excellent. Etching on cream laid paper 6 7/8 x 4 7/8 inches 178 x 127 mm; sheet 11 7/8 x 8 3/16 inches 302 x 213 mm full margins. From Demonstration Series #32. Printed on January 14 1933 at The University of New York City and inscribed in pencil "To Mr. and Mrs. Kennedy with my compliments John Taylor Arms 1933 Demonstration." In excellent condition. A very scarce work from an edition of less than 20 impressions. Fletcher 255. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1927réf. 20451927. Superb. Etching on antique blueish-gray antique laid paper with an unknown crown watermark 10 1/2 x 6 7/8 inches 268 x 175 mm; sheet 13 3/8 x 8 5/8 inches 349 x 224 mm full margins. Signed and dated in pencil in the lower right margin. From the published edition of 110 impressions printed by Frederick Reynolds. In superb condition with excellent detail and inking. Minor light toning at the extreme sheet edges and printing creases in the lower margin. A fine impression. French Church Series No. 15. Illustrated on p.136 Dorothy Noyes Arms Churches of France Fletcher 195. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1944réf. 20461944. Superb. Etching on antique grayish-blue laid paper 9 1/2 x 5 1/2 inches 242 x 140 mm; sheet 12 5/8 x 7 5/9 inches 325 x 198 mm full margins. Signed titled dated and inscribed Trial Proof XIII II Cavendish Church. Trial Proof XIII; second published state an old English early 19th. To my dearest sister with deepest devotion John Taylor Arms 1944. A trial proof aside from 155 impressions from the second state of 2. Printed by David Strang. English Series No. 11. In superb condition with excellent inking rich tonality and magnificent detail. On an impression owned by Arms biographer William Dolan Fletcher Arms notes that he spent 236 hours etching the first state and an additional 53 3/4 hours on the second state. Fletcher 381. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
réf. ria9781959620693_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In 1971 a young American couple in their twenties fly to Nairobi Kenya with their two young daughters to begin a five-year teaching contract at American-run Nairobi International School. Through a unique relationship with one of the hardcover
1927réf. 20331927. Excellent. Etching on handmade Japon paper with a deckle edge 13 1/8 x 9 7/8 inches 333 x 252 mm; sheet 18 1/4 x 13 3/4 inches 463 x 349 mm full margins. Signed dated and inscribed "Second State Trial Proof III" in pencil in the lower margin. This trial proof is the third impression of only 3 aside from regular second state edition of 100. Two trial proofs of the first state exist however the regular first state was never published. Bottom margin very slightly trimmed still leaving full margins and an unobtrusive printing anomaly occurring as a fine line across the upper-right quadrant of the sheet otherwise in superb condition. Printed by Frederick Reynolds. Fletcher 193. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1933réf. 20421933. Excellent. Etching on cream laid paper with a deckle edge 12 5/8 x 8 11/16 322 x 222 mm; sheet 18 x 11 1/2 inches 457 x 291 mm full margins. Signed by both Arms and Eby in the lower right margin dated by Arms. In excellent condition with no visible defects. This plate was the work of both Arms and Eby: Arms doing the buildings Eby the figures and trees. It is for this reason the most problematic plate of either artist. According to Fletcher there were 6 states each of which was printed and reworked by both artists. Between the 5th and 6th state the plate was steeled desteeled rebitten and had additional work done by Eby and then refaced in steel. The 6th state edition resulted in 100 total impressions printed by Eby 50 for Eby 50 for Arms. Those for Eby were for distribution through Frederick Keppel & Co. and those for Arms for Kennedy & Co. After 62 pullings of the 5th state Eby stopped the edition; defaced the plate rebit the surface in the center of the plate particularly in the area of the figures resteeled the surface and finished the edition with 38 pullings. Since the plate was reworked this is considered an additional state bringing the total to 6. This impression appears to be one of the last state impressions from either the edition of 62 5th state impressions or the group 38 6th state impressions. In the lower right there appear the letters "sb" whether this lends a clue to this particular print's origin is something lost to history. Fletcher 270B. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1939réf. 20361939. Superb. Etching on blue laid watermarked "Hand Made" paper 7 3/8 x 3/14 inches 188 x 83 mm; sheet 11 1/2 x 8 1/4 inches 292 x 209 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. From a small unknown number of second state of 3 proof impressions aside from the regular 3rd state edition of 210. Printed by David Strang. A truly superb impression with no visible defects. According to Fletcher this image is based on a drawing done by Arms on October 4 1936. Fletcher 323. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1925réf. 20431925. Superb. Etching on cream laid watermarked FJ Head paper with a deckle edge 10 1/4 x 5 3/8 inches 262 x 137 mm; sheet 18 1/8 x 10 1/4 inches 457 x 260 mm full margins. Signed titled dated and inscribed "Trial No. 3" in pencil in the lower margin. One of only 3 trial proof impressions before the regular edition of 150. In superb condition with no visible defects. Printed by Frederick Reynolds. Commissioned by The Northshore Arts Association Gloucester MA March 1925. The plate was canceled in May 1925. Fletcher 168. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1924réf. 20471924. Good. Etching on delicate fibrous Japon paper with a deckle edge 8 7/8 x 4 1/8 227 x 105 mm; sheet 12 x 7 7/8 inches 304 x 100 mm full margins. Signed and dated in pencil in the lower margin. Potentially one of two proof impressions on antique paper aside from the regular edition of 100 printed by Frederick Reynolds. In good condition with some minor toning and some very light scattered spots of discoloration throughout. Fletcher 187. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1950réf. 20531950. Good. Etching on antique cream laid paper with a deckle edge and an unidentified round watermark with an arm holding a torch 3 1/2 x 5 5/8 inches 89 x 144 mm; sheet 5 3/4 x 8 3/8 inches 146 x 212 mm full margins. Signed titled and inscribed "II" in pencil in the lower margin. One of 6 six proof impressions of the 2nd state of 2 aside from the regular edition of 300. Printed by Charles S. White. In good condition with minor mat tone and some inscriptions in pencil in the lower margin on ther verso. Ex-collection Atlantic Gallery Washington DC with the label on the mat-back. Fletcher 422. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
1940réf. 20521940. Excellent. Etching on cream laid antique J Whatman paper with a watermark 4 1/2 x 2 3/8 inches 109 x 61 mm; sheet 8 1/2 x 6 1/8 inches 216 x 153 mm full margins. A proof impression from the 2nd state of 3 aside from the regular edition of 432. Printed by David Strang. In excellent condition with no visible defects. Fletcher 335. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
réf. ria9783744678155_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The American Book of the Dog - The Origin Development Special Characteristics Utility Breeding Training etc. is an unchanged high-quality reprint of the original edition of 1891. Hansebooks is editor of the literature on differen paperback
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réf. ria9783337221713_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The final philosophy - System of perfectible knowledge issuing from the harmony of science and religion is an unchanged high-quality reprint of the original edition of 1877. Hansebooks is editor of the literature on different topic are paperback
réf. ria9783030889340_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book explores the experiences of working-class women undergraduates at three universities in the North of England. The author examines the women's identities choices and emotions in relation to higher education; and how they refra hardcover
