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1942ref. KIBU2693Gütersloh, Bertelsmann [1935-1942]. Je Heft 32 S. mit einigen s/w Abb. von Karl Mühlmeister, OBrosch mit farb. OUmschl., Heftumschläge teilw. mit Gebrauchsspuren Die Heftreihe erschien von 1925-1942 in 126 Heften, sie wurde nach dem Krieg in entnazifizierter Form weitergeführt. - Hopster S. 2142 ff. Vorhanden sind die Nrn. 2, 3, 8, 9, 10, 11, 14, 17-23, 25-27, 29, 30, 32-35, 38-42, 44-46,54-56, 58, 60, 62, 65, 67, 68, 73, 75, 76, 79, 80, 82, 86, 87, 94, 96, 118 [3 Warenabbildungen]
1934ref. 1199595Brunnen Verlag / Willi Bischoff; Berlin, 1934. 227 Seiten; viele Illustrationen (Fotografie); 22,5 cm; fadengeh., illustr. Orig.-Pappband.
1941ref. 49034Die Wehrmacht, Bln. 1941. Mit sehr zahlreichen s/w Abbildungen. Folio. OBrosch. Bei Heft 1 der Umschlag stärker beschädigt. Heft 18 mit Einrissen im unteren Rand. Sonst nur kleinere Gebrauchspuren.
1984329 pages. Index. Referrences. List of primary sources. Reproductions of black and white photos. "John Grierson, documentary film pioneer and founder of the National Film Board of Canada was a self-proclaimed propagandist who offered himself to Canada in the Second World War and won a place as director of Canada's official propaganda machine... But after the crisis had passed, Grierson and his idealistic associates ran up against the emerging pragmatic and functional policy approach of Mackenzie King's government." - from dust jacket. Moderate wear. Binding intact. Usual library markings. A sound copy. Book
194062 pages. Features: Mr. Keynes Has a Plan - super photo-illustrated article on this influential economist; Josephine Baker - star of the music halls - steps down; Rescue In the Arctic - the two-year drift of the Soviet icebreaker "Sedov" and its dramatic rescue; The Lives of Cabaret Girls - featuring Eileen O'Mahony, Barbara Wood, Marie Rennie, Bette Farrar, Baby Bradshaw and Freda Fairchild; British Propaganda Bombs are Duds - reflections on Look magazine's suggested improvements for British propaganda; The Story of Actor-Playwright Emlyn Willians; Volunteers for Finland - with photos and brief write-ups on George Ford, Pat McGee, John Hurman, Col. Kermit Roosevelt, Peter Farragut, Harry Connolly, Peter Broad and Edward Graham; Goose on the Loose - nice photos of the Goose of Montmartre on a walk through Paris; Diary of the War, #27 - The Twenty-Fifth Week; Cartoon by Low mocks Britain's lack of economic leadership; Are Economics Really Everything?; Nice two-colour ad for Bird's Custard on back cover. Many other wonderfully nostalgic ads. Clean and unmarked with light wear. A lovely vintage copy. Magazine
196530 pages. 7.25" x 5.6". Text in English. Each page charmingly illustrated in colour. Ten-year-old Ah-wu, his dog Blackie, and friend Ah-hsiao live on Hainan Island which has been occupied by the Japanese Army in 1939. Tells the dramatic tale of how the trio captures a Japanese soldier, then delivers him and his rifle to the guerrillas. Unmarked with light wear and soiling. A quality copy of this charming vintage work. Book
1936ref. 2751936 Band 1 : Die olympischen Winterspiele vorschau auf Berlin & Band 2 : Die XL olympischen Spiele in Berlin 1936. Cigaretten Bilderdienst Altona-Bahrenfeld, 1936. 2 volumes in-4 pleine toile bleue de l'éditeur, complets de toutes les images à coller et du plan in-fine. Bel exemplaire.
ref. L13486Éditeur. Saïgon/Hanoï, Office central du tourisme indochinois, 1940. In-4 br. Environ 80 pages. Presses de G. Duval, à Paris, Saïgon, Hanoï. Premier plat illustré. Nombreuses héliogravures et aquarelles exécutées dans chacun des pays de l'Union indochinoise, serpentes imprimées. Textes : A. Brunet, G. Grosler, P. Serruau, A. Consigny. E.O. de cette très belle brochure de propagande.
ref. 106.775Paris, Annuaire général du spectacle en France, 1944. 15 x 25, 996 pp., nombreuses illustrations et pages publicitaires, reliure carton brun d'édition (cartonnage), bon état.
1974Leningrad, 1974. Affiche couleurs au format 42 * 56 cm et provenant de l'album "L'éducation" du groupe Fighting Pencil (Beovoy Karendash) de Leningrad. Petite manque en bord et à l'angle droit inférieur. C'est au cours de Décembre 1939 ques des artistes de leningrad décident de créer le groupe Fighting pencil et produisent des affiches de propagande ou des affiches de caricature. Ses membres fondateurs étaient les artistes graphiques Ivan Astapov, Orest Vireysky, Valentin Kirdov, Vladimir Galba, Nikolai Muratov et Boris Semionov. La première affiche collective a été publié sur le sujet de la Guerre d' Hiver contre la Finlande," arbre de Noël..." et entièrrment peinte à la main. La première période de la "Bataille des Crayon" a pris fin avec la fin de la guerre avec la Finlande au printemps de 1940. En Octobre 1943, la première exposition du groupe Fighting Pencil s'ouvre à Moscou, à la Bibliothèque Lénine. Elle gagne l'attention du public, à la fois à Moscou et à Kouibychev ou l'exposition a été transporté. Après un arrêt de quelques années, le groupe reprend ses activités en 1956. Il produit à cette période, des affiches de satires sociales et politiques sur la vie interne en URSS et contre "l'impérialisme mondial", pour mener à bien la propagande politique visant à augmenter les taux de production et de la discipline du travail; à populariser le sport, l'hygiène et les règles de circulation; et la satire de la vie privée. L'association a continué à travailler jusqu'au début des années 1990, rejointe par des artistes tels que MS Belomlinsky, VA Galba, JV Efimovsky, VA Zavyalov, GV Kovenchuk, YP Lobachev et YV Trunev... D'autres affiches sont disponibles, envoi de photos sur demande.
1974ref. 126399Leningrad, 1974. Affiche couleurs Leningrad, 1974. Affiche couleurs au format 42 * 56 cm et provenant de l'album "L'éducation" du groupe Fighting Pencil (Beovoy Karendash) de Leningrad. Petite manque en bord et à l'angle droit inférieur. C'est au cours de Décembre 1939 ques des artistes de leningrad décident de créer le groupe Fighting pencil et produisent des affiches de propagande ou des affiches de caricature. Ses membres fondateurs étaient les artistes graphiques Ivan Astapov, Orest Vireysky, Valentin Kirdov, Vladimir Galba, Nikolai Muratov et Boris Semionov. La première affiche collective a été publié sur le sujet de la Guerre d' Hiver contre la Finlande," arbre de Noël..." et entièrrment peinte à la main. La première période de la "Bataille des Crayon" a pris fin avec la fin de la guerre avec la Finlande au printemps de 1940. En Octobre 1943, la première exposition du groupe Fighting Pencil s'ouvre à Moscou, à la Bibliothèque Lénine. Elle gagne l'attention du public, à la fois à Moscou et à Kouibychev ou l'exposition a été transporté. Après un arrêt de quelques années, le groupe reprend ses activités en 1956. Il produit à cette période, des affiches de satires sociales et politiques sur la vie interne en URSS et contre "l'impérialisme mondial", pour mener à bien la propagande politique visant à augmenter les taux de production et de la discipline du travail; à populariser le sport, l'hygiène et les règles de circulation; et la satire de la vie privée. L'association a continué à travailler jusqu'au début des années 1990, rejointe par des artistes tels que MS Belomlinsky, VA Galba, JV Efimovsky, VA Zavyalov, GV Kovenchuk, YP Lobachev et YV Trunev... D'autres affiches sont disponibles, envoi de photos sur demande.
1740In 8° (118x11,7 cm); (8), 184 pp. Legatura coeva in piena pergamena molle. Stemma xilografico al frontespizio. Tagli spruzzati. Un piccolo tarletto nel margine bianco del volume mai fastidioso o importante e nel complesso, esemplare in buone-ottime condizioni di conservazione. Terza edizione, anche se in realtà è conosciuta solo un’altra edizione antecedente questa, edita sempre dalla Propaganda Fide nel 1717, di questa celeberrima grammatica ebraica compilata dal noto professore francese, Jean Bouget (1692-1775) a lungo insegnante di lingua greca ed ebraica nell’ “Accademia Salmuriense”. L’opera è scritta in ebraico e latino. Bouget, nato a Saumur, da una famiglia di umili origini, il padre era un barcaiolo, fu uno degli orientalisti più apprezzati della prima metà del settecento. Fine conoscitore e traduttore dall’ebraico (oltre che dal greco), le sue grammatiche rappresentarono uno dei testi base dell’insegnamento della lingua ebraica nel corso di tutto il settecento. Rif. Bibl.: IT\ICCU\TO0E\041565.
1942ref. 52489Paris : [s.n.] 1942. 63 S. : mit zahlreichen s/w. Tiefdruck-Abbildungen im Text und auf Tafeln; 16 cm kart., Broschiert
1928In 8 (cm 17 x 24,5), pp. (2 bianche) + (8) + 152 + (2) + (2) di indice. Illustrazioni infantili intercalate al testo che ritraggono Mussolini. Gora al piatto anteriore, alla prima carta di sguardia e al taglio esterno del frontespizio. Brossura editoriale illustrata da Lucio Venna al piatto anteriore. Rara pubblicazione, con prefazione di Augusto Turati, in cui Dolores Mingozzi, maestra di Molinella, raccoglie e commenta i pensieri su Mussolini degli alunni e delle alunne della scuola elementare, giudizi che risentono della letteratura apologetica e propagandistica sulla figura del duce. L'immagine di onnipotenza propagandata dal regime alimentava il mito del superuomo dotato di poteri straordinari. Le qualita' sovrumane di Mussolini dettero origine all'immagine del duce come valoroso, impavido, eroico e capace di affrontare e riuscire in varie attivita' piu' o meno audaci. Tra i giudizi dei piccoli intervistati si legge: "Lavora sempre, e non dorme mai, o quasi. Chiude gli occhi ogni dieci minuti, poi si desta, si da' una bella lavata, e torna subito subito a lavorare che e' fresco come una rosa"; "Lui fa tutto, capisce tutto, sa tutto. Si mette a parlare con gli scienziati di tutte le cose piu' difficili e fa sempre la prima figura. Provano d'ammazzarlo e non son mai buoni di prenderci..."; "Mussolini hanno sempre tentato di ucciderlo, ma non vi sono mai riusciti. Dicono che abbia la camicia della Madonna. Ed e' proprio cosi'..." (S. Falasca Zamponi, "Lo spettacolo del Fascismo", 2003, p. 113; N. Turi, "Raccontare la guerra. I conflitti bellici e la modernita'", 2017; C. Berneri, "Mussolini, Psicologia di un dittatore, 1966).
1938ref. LIT9579MBroché, 305 pages, 34e tirage ordinaire de l'édition originale de chez Denoël paru en 1938, 19 rue Amélie, Paris. Très bonne conservation générale malgré de légères marques d'usages visibles sur les photos, intérieur encore frais. L'ECOLE DES CADAVRES n'est pas dirigée contre personnes. Elle attaque une politique. Afin de couper court a tout polémique particulière, l'auteur et l'éditeur de ce livre ont résolu, d'accord, de supprimer les pages 17 et 18, 121 et 122, 301 et 302 de cette édition et de toutes celles qui suivront. Frais de port offert vers l'UE, envoi suivi et assuré.
1934ref. 58724ABNeustadt-Aisch, Verlag Georg Aupperle, 1934. 8° (20x14), 109 S., 3 S. Geleitwort in Handschriftfaksimile, mit Textillustrationen und KartenSkizzen von S. Groh, sowie 53 fotograf Aufnahmen auf 30 Tafeln, 2 doppelseitige Flugbild-Tafeln, 1 montiertes 10-teiliges Panorama (La Basse 1917) auf letzem Blatt und hinterem Innenspiegel montiert, Oln mit roter TitelPrägug. 1. Aufl. (1.-5. Tsd.) Rücken mit Etiketten-Schatten, wohl leeres fliegendes Vorsatzblatt sauber entfernt, Panorama mit Fehlfalzungen und in den Falzen berieben, sonst sauber und ordentliches Belegexemplar,
1934ref. 032255Gerhard Stalling, Oldenburg i/o 1934. Hardcover Sehr gut
1918ref. 229271918. Nesbit Wilbur D. and Robert Speroy. Let's Keep the Glow in Old Glory And the Free in Freedom Too 1918 documents American patriotic culture during the final year of World War I when popular music functioned as a vehicle for national unity and wartime morale. Issued for domestic performance the piece supports research into American propaganda music history and visual culture demonstrating how commercial sheet music reinforced loyalty to the nation and framed military service as a collective moral obligation. The work situates the American flag as a central symbolic object linking civilian identity to wartime sacrifice and national purpose. Nesbit Wilbur D. Lyrics. Speroy Robert. Music. Let's Keep the Glow in Old Glory And the Free in Freedom Too. Chicago and New York: McKinley Music Company / Frank K. Root & Co. 1918. Folio. Illustrated sheet music. The cover features an allegorical composition of a woman draped in the American flag holding a child positioned above advancing soldiers with fixed bayonets visually combining maternal imagery with military action. Interior pages present musical notation marked Tempo di Marcia aligning the composition with the rhythm of a military march. Lyrics call for national unity and vigilance with lines invoking "Columbia" and urging preservation of the "Red White and Blue" emphasizing honor sacrifice and global perception of the United States. The structure and presentation reflect the integration of visual symbolism and musical form to convey patriotic messaging to a broad audience in homes and community settings. Folio format. Illustrated throughout. Moderate edge wear and corner softening light toning across sheets with scattered small stains and minor surface abrasions more visible at margins; interior pages clean and legible with strong notation and text clarity; overall good condition. Produced at a moment when music publishers actively contributed to wartime messaging the sheet provides material evidence of how popular song participated in shaping public sentiment offering value for the study of nationalism propaganda and cultural production in early twentieth-century America. unknown
1918ref. 229271918. Nesbit Wilbur D. and Robert Speroy. Let's Keep the Glow in Old Glory And the Free in Freedom Too 1918 documents American patriotic culture during the final year of World War I when popular music functioned as a vehicle for national unity and wartime morale. Issued for domestic performance the piece supports research into American propaganda music history and visual culture demonstrating how commercial sheet music reinforced loyalty to the nation and framed military service as a collective moral obligation. The work situates the American flag as a central symbolic object linking civilian identity to wartime sacrifice and national purpose. Nesbit Wilbur D. Lyrics. Speroy Robert. Music. Let's Keep the Glow in Old Glory And the Free in Freedom Too. Chicago and New York: McKinley Music Company / Frank K. Root & Co. 1918. Folio. Illustrated sheet music. The cover features an allegorical composition of a woman draped in the American flag holding a child positioned above advancing soldiers with fixed bayonets visually combining maternal imagery with military action. Interior pages present musical notation marked Tempo di Marcia aligning the composition with the rhythm of a military march. Lyrics call for national unity and vigilance with lines invoking "Columbia" and urging preservation of the "Red White and Blue" emphasizing honor sacrifice and global perception of the United States. The structure and presentation reflect the integration of visual symbolism and musical form to convey patriotic messaging to a broad audience in homes and community settings. Folio format. Illustrated throughout. Moderate edge wear and corner softening light toning across sheets with scattered small stains and minor surface abrasions more visible at margins; interior pages clean and legible with strong notation and text clarity; overall good condition. Produced at a moment when music publishers actively contributed to wartime messaging the sheet provides material evidence of how popular song participated in shaping public sentiment offering value for the study of nationalism propaganda and cultural production in early twentieth-century America. unknown books
1998Fine English Original red wrappers. Folio. (33 x 24 cm). In English and Turkish. 235, [1] p., color and b/w ills. This book was prepared on the occasion of the "Yurt Gezileri 1938-1943" [i.e. The homeland travels 1938-1943] Exhibition held in commemoration of the 75th Anniversary of the Turkish Republic. Authors and contributions by Ferit Edgü, Amelie Edgü, Ilhan Berk, Levent Çalikoglu, Murat Ural, et elli. Contents: 48 artists' venture into Anatolia: The "Ressamlarin Yurt Gezileri" Program and its consequences, TURAN EROL.; Romance of the Republic: Artists Tour the homeland (1938-1943), MURAT URAL.; 675 kayip resmin pesinde.; Ressamlar, resimler, belgeler [i.e. Artists, paintings, and documents].; Dergi ve gazetelerde Yurt Gezileri (1938-1943).; Kaynakça [i.e. Bibliography]. Eleven copies in OCLC worldwide: 247026206, 468469951, 43318681.
ref. 160351No place of publication.: No publication details. No date. Late 20th century. Large festive Chinese propaganda papercut on red paper with paper backing. The papercut depicts broad masses of people workers peasants and soldiers in uniform or recognisable minority peoples costumes gathered around Chairman Mao to show their support and admiration towards him. Many of them are holding the Little Red Book up high. Mao Zedong's head and collar portrait is centrally featured the sun and its rays extending behind him. In very good condition. Papercut sheet measures 50.1 x 70.1cm. . No publication details. unknown
1974ref. 158458Shanghai.: 上海人民出版社.Shanghai ren min chu ban she. circa1974. A colourful Chinese propaganda poster depicts a group of soldiers and peasants sitting down to watch a children's singing performance at the village's grain distribution centre. Five children all wearing red scarves are singing and dancing in the centre a female peasant is playing the accordion next to them on the right. Some of the soldiers are clapping while some continue to work while watching the performance. More peasants are working in the background. Chinese text on the cloth flower held by the performing children translates as "Store up grain reserves". . Excellent copy. Text in Chinese English French and German lower margin. Poster measures 52.9 x 76.9cm. French translation of the title reads "Militaire et civil célèbrent une récolte abondante" and the German title as "Soldaten und Bauern feiern eine reiche Ernte". . 上海人民出版社.[Shanghai ren min chu ban she]. hardcover
ref. 160165No publication details. No date. Late 20th Century. Large size Chinese propaganda papercut on red paper loosely presented on paper backing. Mao waves benevolently while a cadre standing next to Mao holds the Little Red Book. A huge crowd excitedly crowd cheers behind them some holding Mao's quotations and others Mao's Selected Works. Two lines of the revolutionary song 大海航行靠舵手Sailing the Seas Depends on the Helmsman and 干革命靠毛泽东思想 Carrying Forth Revolution Depends on Mao Zedong Thought are quoted on right and left edges. In very good condition text in Chinese papercut sheet measures 48.5 x 70.7cm. A revolution slogan upper section translates "to further carry forth the people's movement of actively studying and applying Chairman Mao’s Works". This long standing movement of idolising Mao and studying his works lasted over more than two decades between 1950s through to the 1970s. . No publication details. unknown
ref. 158687No publication details. No date. Late 20th Century. Large size Chinese propaganda papercut on red paper loosely presented on paper backing. Mao waves benevolently while a cadre standing next to Mao holds the Little Red Book. A huge crowd excitedly crowd cheers behind them some holding Mao's quotations and others Mao's Selected Works. Two lines of the revolutionary song 大海航行靠舵手Sailing the Seas Depends on the Helmsman and 干革命靠毛泽东思想 Carrying Forth Revolution Depends on Mao Zedong Thought are quoted on right and left edges. In very good condition text in Chinese papercut sheet measures 48.2 x 69.6cm. A revolution slogan upper section translates "to further carry forth the people's movement of actively studying and applying Chairman Mao’s Works". This long standing movement of idolising Mao and studying his works lasted over more than two decades between 1950s through to the 1970s. . No publication details. unknown
1966ref. 158371Shanghai.: 上海人民出版社.Shanghai ren min chu ban she. circa1966. Chinese propaganda poster in colour showing newly arrived five sent-down youths gathered around a peasant in the countryside of China during the Chinese Cultural Revolution. A red propaganda banner hangs at the side of a carriage in the upper right section proclaims "Welcome Down to the Countryside Sent-down Youth". A female sent-down youth holds a straw hat on which is written "To be Determined in the Countryside and Make Revolution". Mountains and agricultural fields form the background. Very good copy. Text in Chinese and English right and lower margin. Poster sheet measures 53.2 x 77.1cm. It is one of the many posters created to call for more young people to join the campaign of "Up to the mountains and Down to the Countryside Movement" . 上海人民出版社.[Shanghai ren min chu ban she]. unknown
