2 144 résultats
1784réf. PHO-1112Amsterdam, s.n., 1784, 3 tomes, in-8, lvj, 274 ; 301 ; 252-208pp. ,relié plein cuir moucheté , dos lisse orné avec pièces de titre et tomaison , frise dorée sur les plats , tranches marbrées, coins usés , frottements ,petites rousseurs , Joli cachet de l'École d'artillerie de la garde impériale »
1784réf. PHO-1205Amsterdam, s.n., 1784, 4 parties en 2 volumes , in-8, xl, 203 ; 220 ; 180-152pp. ,relié plein cuir marbré , dos à nerfs orné avec pièces de titre et tomaison , tranches marbrées, coins et coiffes usés , frottements ,ex-libris manuscrit barré aux titres (1 et 3)
1784réf. PHO-1774Amsterdam, s.n., 1784, 3 tomes en 2 volumes, in-8, lvj, 274 ; 301; 252-208pp., relié plein veau , dos lisse orné avec pièces de titre et tomaison (reliure moderne).
1785réf. 0045381785 Amsterdam, sans nom d'éditeur [Paris], 1785. Quatre tomes reliés en deux volumes in-8 (132 X 201 mm) demi-chevrette vert lierre, dos lisse cloisonné de grecques et filets dorés, compartiments ornés à la grotesque, titre doré (reliure de l'époque). Tome I : XL pages (dont titre), 203 pages - Tome II : (2) ff. de faux-titre et titre, 220 pages - Tome III : (2) ff. de faux-titre et titre, 180 pages - Tome IV : (2) ff. de faux-titre et titre, 152 pages. Ex-libris collé sur le premier contreplat de chaque volume. Quelques épidermures, frottements aux plats, cerne de mouillure très claire en marge des 10 premiers feuillets du tome III, pointes de rousseurs très éparses.
1957Very Good English Paperback. Pbo. Roy. 8vo. (24 x 13 cm). In Turkish. 32 p., b/w ills. Rumeli Hisari. A study on Rumeli fortress.
réf. 14224Presses De La Renaissance, 1983 - Fort et grand in octavo broché de 485 pages, couverture unie rouge titrée en blanc et noir, le texte est émaillé de nombreuses illustrations et photographies, important appendice - 467-485 p. Bel et frais exemplaire.
1995Fine English Paperback. Pbo. 4to. (29 x 21 cm). In Italian and Turkish. 93 p., color ills. Raimondo d'Aronco in Turchia, (1893-1909). Progetti della Galleria di Arte Moderna di Udine.= Udine Çagdas Sanat Galerisi Koleksiyonundan Raimondo d'Aronco'nun Türkiye yillari, (1893-1909).
1996New English Paperback. In publisher's special slip-case. 4to. (29 x 21 cm). In English, Italian, and Turkish. 127, [1] p., color ills. A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi. One of 2000 copies.
1664réf. PHO-1635Paris, Claude Barbin, 1664. In-4, relié plein veau marbré époque, dos à nerfs orné avec titre, une coiffe manque et accroc à la coiffe en pied, le frontispice manque, réparation au dernier caisson, tache d’encre pages 86-91, quelques feuillets brunis.
1980Roy. 8vo., Second Impression thus, with numerous fine coloured and monochrome photographs in the text, and coloured pictorial endpapers; pictorial boards, backstrip lettered in white, a near fine copy. SIGNED BY THE AUTHOR ON TITLE. The US edition was published in 1978.
1990New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. [2], 317, [1] p., 8 color plts. Constantinople - Istanbul en 1852. Texte presente et annote par Jacques Hure.
1991New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In French. 47 p. Theophile Gautier a Constantinople. Lettres presentees par Jean Richer.
1850Very Good French Original color copper engraving. Oblong folio. (26 x 36 cm). Description in French. Incendie du quartier de Pera a Constantinople, 9 Aôut 1839. Painted by Theodore Gudin, (1802-1880); Engraved by Joseph John Skelton, (1783-1871). Rare color engraved print. Shows 1839 fire in Pera area in Istanbul (probably that district is Kasimpasa which mostly mariners live in), and its chaos: hectic people have appeared on the roofs of the burning houses, law enforcement agencies are working, and the muezzin has been seen on balcony for 'selâ'. Jean Antoine Théodore Gudin was a French painter of the 19th century, born in Paris. He especially painted navy scenes, and was a pupil of Girodet-Trioson. Gudin was one of the first Peintres de la Marine, at the court of Louis-Philippe and Napoleon III. Gudin died at Boulogne-sur-Seine in 1880. His daughter Henriette Gudin also became a marine painter. Skelton was an English engraver. He was brother of William Skelton, and became an engraver specialising in topographical and antiquarian subjects. Before 1819 he went to live at Oxford. Later Skelton settled in France. He was elected a Fellow of the Society of Antiquaries of London in 1825; his name disappears from its lists in 1844. At Oxford he published Oxonia Antiqua Illustrata (1823); Antiquities of Oxfordshire, from drawings by F. Mackenzie (1823); Pietas Oxoniensis, or Records of Oxford Founders (1828); and Engraved Illustrations of Antient Arms and Armour from the Collection at Goodrich Court from the Drawings, and with the Descriptions of Dr. Meyrick, (2 volumes, 1830). He also engraved the heading to the Oxford almanacks for the years 1815 to 1831, from drawings by F. Mackenzie and C. Wild; and executed a set of fifty-six etchings of the antiquities of Bristol after H. O'Neill. (Source: Wikipedia).
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