Jaques-Corentin RoyouLivre Rare Book
2 104 résultats
1803réf. HIS1393C88GARAn XII - 1803 / 567 pages. Relié. Editions L'auteur - Le Normant.
réf. 66004Pélagaud et cie 1850 livre récit 18*11 356 pages
1892réf. 23592Paris, Éditions Calmann Lévy, 1892, édition originale. Broché, 12 cm x 19 cm, 234 pages. Texte de Pierre Loti. Très bon état
1843réf. GIT00e4cParis Didier 1843. 2vol in-8 broché 577 551pp. Quelques rousseurs.
2007New English Paperback. 4to. (26 x 20 cm). In English. 275, [1] p., fully color and b/ ills. Consuming the orient. From travel posters to cigarette packs, from postcards to ornaments, from advertisements to comic strips, the Orient has often been turned by the West into yet another commodity for mass consumption. A closer look at the way in which the Orient was represented in Western consumer societies reveals a number of images and stereotypes revolving around four major themes: exoticism, ethnography, eroticism, and history. From the late nineteenth century to our times, these images have greatly evolved, from rough clichés to more neutral visions. Nevertheless, the attraction exerted by the Orient on the greater public continues unabated, even in Turkey, where almost two centuries of Westernization has ended up creating the very particular phenomenon of "Oriental Orientalism". OTTOMANIA Social history Travel Voyage Orient Collection Objects History of the art Eastern culture Levant Graphic arts Orientalism Constantinople - Istanbul - Konstantinopel.
2013New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 267 p. "Well-known specialists of Judeo-Spanish and newcomers explore the intersection of language and social identity in the chapters of this book. How did linguistic self-perception shape the thriving Judeo-Spanish speech and print cultures of the Jews in the Balkans, Turkey, and the Levant? Did their attitude toward language influence the crisis that they experienced after ncountering the assertive nationalisms of the twentieth century? Can identification with the language continue in other forms after emigration, or if the language no longer served the purpose of communication among the new generations?".
2008New English Original bdg. HC. 4to. (33 x 24 cm). In Turkish. 269, [2] p. Color and b/w ills. Historic gangboards (ferry piers) of Istanbul. Iskeleler sehri Istanbul. ISTANBUL Constantinople Ottoman sociel history Stemship Ship Transportation The Bosphorus The Golden Horn Haliç Bogaziçi.
2014New English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). In Turkish. 680 p., b/w ills. Tanzimat ve edebiyat: Osmanli Istanbulu'nda modern edebi kültür.
1997New New English Original bdg. Dust wrapper. 95, [1] p., 9 huge folding plans and maps. Color and b/w ills. Transmission water supplying lines to Topkapi Palace. Topkapi Sarayi'na su saglayan isale hatlari.
1997New New English Original bdg. Dust wrapper. 95, [1] p., 9 huge folding plans and maps. Color and b/w ills. Transmission water supplying lines to Topkapi Palace. Topkapi Sarayi'na su saglayan isale hatlari.
2010New Turkish Original bdg. HC. 4to. (31 x 22 cm). In Turkish. 278, [1] p., color and b/w ills. Buharli vapurlardan deniz otobüslerine Istanbul'da deniz ulasimi.
1999Fine English Paperback. Pbo. Oblong large Roy. 8vo. 108 p. In Turkish. Fully color ills. Koleksiyon Müzayede Türk - Islam eserleri müzayedesi. 1999, Maslak, Istanbul. [Auction catalogue].
1996Fine English Original cloth bdg. HC. 4to. (34 x 23 cm). In Turkish. B/w and color ills. 620 p. Istanbul sehreminleri. Prep. by Ahmed Nezih Galitekin.
1913Fine English Paperback. 12mo. (17 x 11 cm). In French. [8], 37, [5] p. Conclusions des reunions de la mission du 23 au 26 Juin, 1913. 2 stamps of 'Bibliotheque des Aug. de l'assomp., Kadi-Keuy'.
19138vo., First Edition thus; original series binding of red cloth, upper board blocked in blind, gilt back, red top, pictorial endpapers, covers lightly age-faded, backstrp lightly sunned else a very good, bright, clean copy. A SCARCE EVERYMAN. EL 655; Seymour 741.0
1922Very Good Turkish, Ottoman (1500-1928) Original Ottoman manuscript historical document. 28x21,5 cm. In Ottoman script (Old Turkish with Arabic letters). 10 lines on 1 p. Signed, and three Ottoman stamps. During the Haydarpasa Fire in 1922, the warning about the Jewish resident of Beyoglu Vitali Efendi's house on Haydarpasa, Mandira Street, where the windows were broken and they were not fitted. The aforementioned warning was prepared by Vitali Efendi's tenant "Abulafya". Transcription in Turkish: "Dersaadet Kâtîb-i Adlîligi Memûriyet-i Valâsina: Efendim, Beyoglu'nda, Tozkoparan'da Bahar Apartmani'nda mukîm Mösyö Vitali Bahar'in Haydarpasa'da, Mandira Sokagi'nda 80 numero ile mudkîm bir bab hanesinde müstecîren ikâmet etmekteyim. Geçen hafta vuku' cevelân harikte, harikin tesîrâti ile hanenin pencerelerinde mevcut camlar kirilip harap olmustur. Kendisine...". The fire in Haydarpasa 1922 came to be known in history as "the Fire of Haydarpasa Çayir", because it broke out in one of the houses in Çayirbasi and spread further. It broke out on July 29, 1922.
1967Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 43 p., b/w plates. Ressam Ali Beye göre yarim asir önce kahvehanelerimiz ve esyasi. Objects in the Turkish / Ottoman traditional coffeehouses based on Turkish painter Ali Bey in the last period of 19th century.
1997Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 137, [5] p., color ills. Alma Mater and story of Robert College, Istanbul - New York. Including the memoirs of boarding student, 1939-1946.
2013New Turkish Original bdg. HC. 4to. (29 x 24 cm). In Turkish. 148 p., b/w photos. Ara Güler'in gözünden Istanbul tramvaylari. Edited by Ahmet Akcan.
2009New New English Original bdg. Dust wrapper. 4to. (28 x 21 cm). In English. 177, [3] p., b/w photos, 2 maps. Ara Güler's Istanbul. Foreword by Orhan Pamuk. Ara Güler's Istanbul is a unique record of daily life in the cultural capital of Turkey from the 1940s to the 1980s, captured by the award-winning photographer and accompanied by an evocative foreword by Orhan Pamuk, the first Turkish recipient of the Nobel Prize in Literature. As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many layered as its history something that Güler's photographs convey with great sensitivity. In these remarkable black-and-white images, the city's melancholy aesthetic oscillates between tradition and modernity. Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a picture of his home town and captures its very soul. Ara Güler is one of Turkey's indeed the world's greatest photographers. The Nobel Prize-winning Orhan Pamuk is Turkey's best-known writer.
2018New Turkish Paperback. 4to. (29 x 23 cm). Edition in Turkish. 144 p., b/w photos. Babil'den sonra yasayacagiz. [Album of photographs]. [TURKISH EDITION]. This book brings together the short stories Ara Güler penned during his early period, and his photographs. Güler is known internationally as a photographer and considered the most important representative of creative photography in Turkey, however, he is a relative unknown as a short story writer, and the various aspects of Güler the writer appear in breathtaking range in We Will Live After Babylon. This new edition of three simultaneously published volumes in Turkish, Armenian and English, brings together Güler's visual production with his texts, who appear to also take photographs through the medium of the short story, to form a "photograph-short story album". Güler thinks that his early period short stories have an important role in his ability to "capture meaningful moments and combine them in a narrative", and describes these 13 short stories as "a kind of photography". There is no doubt that Güler is a "man of the visual world" and We Will Live After Babylon is a solid proof of that.
1992As New As New English Original bdg. Dust wrapper. Mint. 4to. (33 x 23 cm). In English. 128 p., 15, 42 b/w plates. "This book is a timely contribution to the study of early photography in Turkey. Historians will welcome the collation of these rare visual historical documents of the Ottoman Empire in mid nineteenth century.".
2006New English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 236 p., 1 b/w portrait of Redhouse frontispiece, b/w ills. Sir James W. Redhouse: The making of a perfect orientalist? = Sir James W. Redhouse: Mükemmel bir dogubilimcinin öyküsü? (American Board Library Occasional Publications No: 1). First published in the Journal of the American Oriental Society in 1979, and now revised and updated, Carter Findley's "The Making of a Perfect Orientalist?" is a scrupulously researched biography of the enigmatic nineteenth-century Turkish language scholar James W. Redhouse. Primarily embodied in two major dictionaries-A Lexicon, English and Turkish (1861) and A Turkish and English Lexicon (1890)-Redhouse's work established a crucial base for the further development of English-Turkish lexicography. Unparalleled at the time, his contributions remain vital today, forming the core of a number of bilingual English-Turkish dictionaries which still bear the Redhouse name. A brief overview of the press that published Redhouse's lexicons, as well as the reminiscences of two editors who helped revise them in the twentieth century, round out this provocative study of the life of James Redhouse.
1955Very Good Turkish Original TLS by Cemal Göktan. 19x15 cm. In Turkish. 1 p. 6 lines. "muhterem azizem, Tebrik telinizi aldik. Son derece memnun olduk. Pek çok tesekkürler eeder, Bedia ile sevgi ve saygilarimizi sunar, saglik ve saadetler dileriz, Ankara Valisi.". Dated 18/9/1955. It is the response of the Göktan appointed to the governorship right after Kemal Aygün, (duty: 1952-1955), in return for congratulations.
2010New English Original bdg. HC. Large 4to. (33 x 28 cm). In English. 120 p. Color and b/w ills. "The subject of this book is the understanding of the aesthetic message conveyed by the great wooden palaces.The great wooden Turkish dwellings that form the subject of this book have completely vanished, only their history and their memory remain,the visual memories consisting for the most part of engravings in the books and sketches in travel notes. The wooden palaces are presented in this book, not in the form of a sketch to be found in travel books, but rather as architectural drawings in a 1/100 scale, the reconstruction are interpretations, engravings and desseins of European artists.".
