2 104 résultats
2016New English Paperback. Small 4to. (26 x 22 cm). In English and Turkish. 328 p., color and b/w photos. Foto Galatasaray: Studio practice by Maryam Sahinyan. Foto Galatasaray project is based on the re-visualization of the complete professional archive of Maryam Sahinyan (Sivas, 1911 ¿ Istanbul, 1996), who worked as a photographer at her modest studio in Galatasaray, Beyoglu uninterruptedly from 1935 until 1985. The archive is a unique inventory of the demographic transformations occurring on the socio-cultural map of Istanbul after the declaration of the Republic and the historical period it witnessed; it is also a chronological record of a female Istanbulite studio photographer¿s professional career. Armed with the wooden bellows camera her father originally took over from a family that immigrated from the Balkans in the aftermath of the First World War and the black-and-white sheet film she continued to use until 1985, Sahinyan, in a sense, arrested time ¿ both against the technological advancements photography was experiencing and contemporary trends. In the end, she created an unparalleled visual coherence without compromising her technical and aesthetic principles. Consisting entirely of black-and-white and glass negatives, the physical archive of Foto Galatasaray is a rare surviving example of the classical photography studios of Istanbul¿s recent past. Changing hands after Sahinyan left the studio in 1985, the archive was transferred to a storehouse belonging to Yetvart Tomasyan, owner of Aras Publishing. Twenty-five years later, approximately 200,000 negatives in the archive were, over the course of two years, sorted, cleaned, digitized, digitally restored, categorized and protected by a team under the direction of artist/researcher Tayfun Serttas. Foto Galatasaray was never as visible as some of the elite photography studios, famous since the 19th century, like Phebus, Andriomenos or Sabah. Nonetheless, it played an important role in representing the middle and lower classes that ensured the continuity of the studio. Sahinyan was a devout Armenian woman, and her identity created a closely-knit circle that.
réf. 0259113670.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 605974Se Sl sd In-12 à l'italienne ( 170x225 mm, attache ficelle rouge, titre doré sur 1er plat, couverture cartonnée.24 planches photographiques.
réf. 10471à bord de son yatch le Sunbeam racontés par la mère. Traduit de l’anglais par J BUTLER. In 8 pleine toile rouge de l’éditeur à décor passe partout, titre dans cartouche. Faux-titre, frontispice sous serpente, titre, 302 pages, tranches dorées, 127 illustrations par A.Y BINGHAM dans le texte, hors-texte, en tête, culs de lampe. Paris librairie d’éducation Nationale sans date (1902.) Dos insolé. BRASSEY Lady Voyage d’une famille à travers la méditerranée, à bord de son yatch le Sunbeam racontés par la mère. Traduit de l’anglais par J BUTLER. In 8 pleine toile rouge de l’éditeur à décor passe partout, titre dans cartouche. Faux-titre, frontispice sous serpente, titre, 302 pages, tranches dorées, 127 illustrations par A.Y BINGHAM dans le texte, hors-texte, en tête, culs de lampe. Paris librairie d’éducation Nationale sans date (1902.) Dos insolé. 45€ premier voyage, Constantinople et les îles Ioniennes- second voyage Chypre, Constantinople.
grand in-8, 399 pp, planches, broché, couv. Bon état. [GD8-1]
1845xxxii + 436pp., relié en couverture moderne demi-toile (brochure originale conservée), bon état, R37530
1845réf. R37530Louvain, Fonteyn 1845 xxxii + 436pp., relié en couverture moderne demi-toile (brochure originale conservée), bon état, R37530
réf. 0259514853.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 13595Cercle d'Ecrits Caucasiens, 2005 - In-8, broché, couverture ill sobrement titrée en noir, 242 pages, très bel exemplaire.
2013New English Paperback. 4to. (27 x 24 cm). In English and Turkish. B/w photographs. 150, [2] p. Lo and behold. Ara Güler in Mardin.= Seyreyle. Ara Güler Mardin'de. [Exhibition catalogue]. "Ara Güler's photographs will engrave on our memories the moments that he wishes us to experience. Likewise he will leave an indelible mark on the memory of Mardin. ". Anadolu insaninin yani sira Turk ve dunya unluleri, Ara Guler'in dogru, kusursuz, keskinlikle ifade edilmis, yanilmaz, emin tavriyla 'Yuz Yuze' adi altinda izlenebiliyor. Ara Guler'in cektigi portrelerde yasamin icinden secilerek on plana yerlestirilen her kisinin arka planla cok saglam iliskileri bulunuyor. Kisinin ya da kisilerin goruntusu, zaman akisindan koparilmis bir yasam oykusu anlatiyor. Dramatik isiklar, sonsuz ufuklar, koyu bulut kumeleri, zaman zaman anlatimda buyuk sorumluluk yukleniyor. Bunlar, leke dengeleri ozenle yerlestirilmis, ustun kompozisyonlar olusturuyor. Arka planda manzarayi panoya donusturen Guler, on plana cikardigi kisiyle yepyeni anlatimlar yaratiyor. Ucsuz bucaksiz Anadolu platosu, daglar, kentler Ara Guler'in fotograf karelerinde farkli bir estetikle 'Tanimak ve Anlamak' adi altinda sunuluyor.
1996New English Paperback. Pbo. 4to. (30 x 22 cm). In Turkish. 258 p., ills. Türkiye Mimarligi Sempozyumu II. Kimlik, mesruiyet, etik.
2012New English Original bdg. HC. 4to. (31 x 25 cm). In Turkish. 312 p., b/w ills. Istanbul Teknik Üniversitesi ve mühendislik tarihimiz. Prep. by Mustafa Kaçar, Tuncay Zorlu et alli. Istanbul Technical University and engineering history of Ottomans / Turkey.
2016New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 143, [1] p., color and b/w ills., 1 folding b/w panorama of Constantinople. The city gates of Istanbul.= Dersaadet'in sur kapilari. Photographs by Halit Ömer Camci. Prep. by Fatih Güldal.
1890Very Good Turkish, Ottoman (1500-1928) Original manuscript document including notes the types and numbers of the rare books, photo albums and their languages, probably taken by the royal librarian of the Ottoman Yildiz Palace in the period. 21,5x13,5 cm. In Ottoman script (Old Turkish with Arabic letters). 1 p. No signature. Letterhead of "Yildiz Sarayi Alîsi Kütübhâne-i Hümâyûn-i Cenâb-i Mülûkâne" [i.e. Library of HM, Yildiz Palace].
1946Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xxxvii], 328, 64 p., b/w plates. Rare. First and Only Edition. Istanbul Üniversitesi tarihine baslangiç: Fatih Külliyesi ve zamani ilim hayati. Scientists and social life in the priod of Sultan Mehmet II (Conqueror). (Introduction to the history of Darülfünun = Istanbul University).
2015New English Original bdg. HC. 4to. (30 x 22 cm). In Turkish. 228 p., color ills. Sisli camileri. Mosques of Sisli town of Istanbul.
2015New English Paperback. Pbo. In special slip-case. 4to. (28 x 28 cm). In Turkish. 3 volumes set: (380 p.; 236 p.; 128 p.), many color and b/w ills. and maps. Bütün yönleriyle Arnavutköy. WITH BOX. 3 volumes set: Vol. 1: Osmanli'dan Cumhuriyet'e Arnavutköy (Osmanli arsiv belgelerinde Arnavutköy). Vol. 2: Cumhuriyet döneminde Arnavutköy. Vol. 3: Geçmisin sesinden Arnavutköy: Savasin ve göçün çocuklari.
2014New New English Original bdg. Dust wrapper. 4to. (30 x 29 cm). In English. 204 p., ills. Polonezköy: The eagle under the crescent and star. The culture array of Polonezköy expanding from Nazim Hikmet to Gencer, from Franz Liszt to Atatürk, from Gustave Flaubert to Pierre Loti, from Chopin to Czeslaw Milosz, from music to literature- is exposed by the book and photographs of the artist Akgün Akova. Artist Akgün Akova has got over five thousand photographs depicting Turkey and over four hundred articles about the country that appeared in magazines like Voyager, Skylife and National Geographic etc. The book titled 'The Eagle beneath the Crescent and Star: Polonezköy' by Akgün Akova aims at showing the meaning and importance of a tiny village in Istanbul that serves European culture and world peace. Founded in 1842 in Beykoz, Istanbul, the village Polonezköy established a strong bond between Turkey and Poland. This project is about a book and a photograph exhibition to be held in Istanbul and in Warsaw to tell about artists that relate to Polonezköy along with their stories. Within the scope of this project, Polonezköy will be told as a symbol of peace, friendship and fraternity between the peoples of Turkey and Poland all through a wide array of names such as Nazim Hikmet, Leyla Gencer, Franz Liszt, Atatürk, Gustave Flaubert, Pierre Loti, Chopin and Czeslaw Milosz. The story of Polish originated people living in Polonezköy will be examined through history, poetry, literature, music, photography and other lines of art.
1944Fine English Paperback., Fine., 24 x, 17 cm., 28 p., b/w ills., "Fatih devri; Istanbul ve Paris'te tip tahsili, sonradan niçin geri kaldik?", Akil Muhtar Özden, Özel Yayin, Istanbul, 1944.
2010New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).
2003New New English Original bdg. HC. 4to. (30 x 22 cm). In Turkish. 351 p. Color and b/w ills. Geçmisten günümüze Istanbul. Istanbul urban history throughout history.
1900Very Good Turkish, Ottoman (1500-1928) Original manuscript document on waqf and execution of a Greek citizen of the Ottoman Empire in Pera, Beyoglu, 1901. 33x21 cm. In Ottoman script. 1 p. Four lines and seal. Seal is bilingual in Ottoman script and French: "Chancellerie de la Legatiux Hellenique a Constantinople.". Gramatouplou was wife of Istepan Istepanou according to the document.
2006New New Turkish Original bdg. Dust wrapper. 4to. (29 x 21 cm). In Turkish. 170 p., b/w photos. Al iste Istanbul. 1969 yilinin yaz aylarinda, donemin buyuk gazetelerinden Aksam, gazeteci Cetin Altan ve Foto muhabiri Ara Guler'in "Al Iste Istanbul"adli yazi dizisini yayimladi. Cetin Altan ve Ara Guler, semt semt dolastiklari Istanbul'un o doneme ait panoramasini buyuk bir ustalikla ulastirmislardi okuyucuya. O Istanbul, simdi Turk basin dunyasinin duayenlerinden biri olan Cetin Altan'in kaleminden ve uluslararasi bir foto muhabiri olarak buyuk un kazanan Ara Guler'in vizorunden yeniden bulusuyor okuyucuyla. Cop yiginlari, sehir merkezindeki fabrikalari, gecekondulari, parsellenmis Bogaz'i, yok edilen tarihi eserleri ve -nasilsa- hep baki kalan guzelligiyle, 30 yil oncesinin Istanbul'u.Bu kitabi -bunca yil sonra hâlâ guncelligini koruyan sorunlariyla, gene de yok edilemeyen guzelligiyle, tarihiyle Istanbul'u- okurken, hep ayni seyi mirildaniyor insan: Al Iste Istanbul.
2011New New English Original bdg. Dust wrapper. 4to. (28 x 21 cm). In English. 177, [3] p., b/w photos, 2 maps. Ara Güler's Istanbul. Foreword by Orhan Pamuk. Ara Güler's Istanbul is a unique record of daily life in the cultural capital of Turkey from the 1940s to the 1980s, captured by the award-winning photographer and accompanied by an evocative foreword by Orhan Pamuk, the first Turkish recipient of the Nobel Prize in Literature. As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many layered as its history something that Güler's photographs convey with great sensitivity. In these remarkable black-and-white images, the city's melancholy aesthetic oscillates between tradition and modernity. Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a picture of his home town and captures its very soul. Ara Güler is one of Turkey's indeed the world's greatest photographers. The Nobel Prize-winning Orhan Pamuk is Turkey's best-known writer.
2018New Armenian Original bdg. HC. 4to. (29 x 23 cm). Edition in Armenian. 144 p., b/w photos. Papelonen verç bidi abrink. [Album of photographs]. [ARMENIAN EDITION]. This book brings together the short stories Ara Güler penned during his early period, and his photographs. Güler is known internationally as a photographer and considered the most important representative of creative photography in Turkey, however, he is a relative unknown as a short story writer, and the various aspects of Güler the writer appear in breathtaking range in We Will Live After Babylon. This new edition of three simultaneously published volumes in Turkish, Armenian and English, brings together Güler's visual production with his texts, who appear to also take photographs through the medium of the short story, to form a "photograph-short story album". Güler thinks that his early period short stories have an important role in his ability to "capture meaningful moments and combine them in a narrative", and describes these 13 short stories as "a kind of photography". There is no doubt that Güler is a "man of the visual world" and We Will Live After Babylon is a solid proof of that.
