2 106 résultats
1991New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 503 p. Premiere rencontre internationale sur l'Empire Ottoman et la Turquie Moderne I: Recherches sur la ville Ottomane: Le cas du quartier de Galata. II: La vie politique economique et socio-culturelle de l'Empire Ottoman à l'epoque Jeune-Turque.
2011New English Paperback. Pbo. Small 4to. (25 x 25 cm). In Turkish. 213 p., color and b/w ills. Ayasofya ve Fossati Kardesler, (1847-1858). Hagia Sophia and Fossati Brothers' architectural restoration.
réf. 0265824966.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 135894556X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1934Very Good English In modern aesthetic cloth bdg. Demy 8vo. (21 x 14 cm). In Turkish. 64, [16] p., b/w plates. Istanbul etnografyasi. Istanbul halkini kimler teskil ediyor? (Safranbollular - Bartinlilar). An extremely rare book on Istanbul ethnography. First and only edition.
1896Very Good French Paperback. Pages are not opened. Spine chipped. Roy. 8vo. (24 x 17 cm). In French. 80 p. La doctrine de Monroe a la fin du XIXe siecle. The Monroe Doctrine was a United States policy of opposing European colonialism in The Americas beginning in 1823. It stated that further efforts by European nations to take control of any independent state in North or South America would be viewed as "the manifestation of an unfriendly disposition toward the United States". At the same time, the doctrine noted that the U.S. would recognize and not interfere with existing European colonies nor meddle in the internal concerns of European countries. The Doctrine was issued on December 2, 1823 at a time when nearly all Latin American colonies of Spain and Portugal had achieved or were at the point of gaining independence from the Portuguese and Spanish Empires. Extrait (Separatum).
2016New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 560 p. Üsküdar bibliyografyasi. Bibliography of books, thesis, and articles on Scutari district of Istanbul city throughout the history.
2013New New English Original bdg. Dust wrapper. 4to. (33 x 25 cm). In Turkish. Many b/w and color ills. 384 p. History of street names of Scutari, Constantinople. A study on onomatics. Üsküdar sokak isimleri tarihçesi. Edited by Halil Ekiz. Texts by Bekir Bilgili.
1956Very Good Turkish Contemporary cloth. Roy. 8vo. (24 x 17 cm). In Turkish. [x], 223 p., 1 folding map. First Edition. Bizans tarihi. Translated by Vl[adimir] Mirmiroglu. Rare first Turkish Edition of Doukas' Byzantine chronicle.
2010New New English Original bdg with dust wrapper. 4to. (30 x 25 cm). 207 p. In Turkish and English. Color photos. From the windows of consulates Istanbul.= Konsolosluklarin penceresinden Istanbul.
2013New English Paperback. Color and b/w ills. 670 p. In English and Turkish. The anatomy of a tradition: 150 years of Robert College.= Bir gelenegin anatomisi: Robert Kolej'in 150 yili. [Exhibition catalogue]. A very heavy volume. Istanbul Research Institute in collaboration with Robert College presented the exhibition The Anatomy of a Tradition: 150 Years of Robert College 1863 - 2013 at the Istanbul Research Institute on the occasion of 150th anniversary of Robert College, one of the long-established and meritocratic educational institutions of Istanbul. Robert College was founded in Istanbul in 1863 by Cyrus Hamlin and Christopher R. Robert, two men who believed in the universal value of education. It was the first American school to be established in the Ottoman lands, and outside the USA. Surviving revolutions, wars, earthquakes, fires, and epidemics, the College never closed down a single day throughout its 150-year history. Robert College has educated seven prime ministers (four of them Bulgarian), countless statesmen, writers, artists, musicians, actors, athletes, businessmen, engineers, doctors, lawyers, and educators.It has been the standard against which other schools measure themselves, even when Robert College itself had the challenge of living up to its own standards, due to lack of funding, inadequate buildings etc. from time to time throughout its history. Curated by Cem Akas, the exhibition shed light on the 150 years of the College, as well as the educational, cultural, social and intellectual life in Istanbul through selected photographs and objects from Robert College Archives, Columbia University Rare Book & Manuscript Library and private collections.
2011New New English Original bdg. with dust wrapper. Mint. DJ. English. 4to. (33 x 25 cm). 459, [9] p. B/w ills. 2000 copies were printed. A heavy volume. Istanbul is invariably referred to as a bridge between continents or civilizations. At the same time, though, it is a particularly vibrant example of a city where successive generations have combined to yield a striking legacy, making Istanbul turly a capital of culture, art and architecture. In the course of time, artist of every kind sorking in Istanbul have blended together the traditions and styles of different civilizations, helping to forge a remarkably rich aesthetic.
2008New English Paperback. Large 8vo. (22 x 20 cm). In English, German, and Turkish. 339 p., color and b/w ills. Wooden Istanbul: Examples from housing architecture.= Istanbuls Holzhauser: Beispiele seiner historischen Wohnarchitektur.= Ahsap Istanbul: Konut mimarisinden örnekler. ''Istanbul's real interior view,'' writes Tanpinar in describing the wooden houses of Istanbul ''was created by a colorful civil architecture ornate with oriels, bow windows and projections, eaves and awnings, velvety soft lines and decorations.'' To his observations on the perished wooden seaside palaces of the Bosphorus he adds, ''Perhaps the history of the Bosphorus fascinates us more than others, for we no longer find in place what we are looking for. .What intrigues us, in fact is none other than the void these buildings leave behind.'' Today, although it is rarely encountered in the landscape of Istanbul, wooden housing architecture continues to preserve its place in the city's image as it is enshrined in collective memory. While many have us may not have spent a portion of our lives in such houses, the memories of family members and friends and the impressions from the literature of a recent past sustain our connection to these houses. Whether we are aware or not, this heritage enthralls us with the mystique of a lost world while offering certain clues on the creation of an inescapably reconstructed Istanbul identity, which is shaped not only through architecture but also an entire way of living.
2009New New Turkish Original bdg. Dust wrapper. 4to. (29 x 21 cm). In Turkish. 639 p., color and b/w ills. Afetlerin gölgesinde Istanbul.
2018New English Original bdg. HC. 4to. (31 x 22 cm). In English and Turkish. 339 p., color and b/w ills. Papers bilingual in English and Turkish on urban history, architecture and archaeology in Avcilar district of Istanbul.
2018New New English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English. 361 p., b/w and color ills. Everyday life in Istanbul: Social historical essays on people, culture and spatial relations. Third Edition. On the map of human existence. Istanbul throughout the age of empire represented the administrative power center. Rome, Byzantium and the Ottoman Empire each took its place in history as a ring of civilization that formed around this center. To view history from this perspective means to read the story of humanity in its pages and, in a sense, to rediscover each time this dazzling star that shone in the skies of Anatolia, the Balkans and the Mediterranean. As mankind discovered Istanbul, it also discovered itself as a passionate traveler on the road leading back to its own past. Istanbul today is a treasurehouse where all our lost values are carefully preserved. A compass for our social identity that has lost its way, a touchstonefor our decaying aesthetic taste, a trustworthy scale for our degenerating sense of justice - Istanbul can assume all these roles while at the same time generously offering us a human experience and store of knowledge capable of answering every question put to it. Everyday Life in Istanbul is a collection of striking images along a journey back to the roots of the Turks' social identity. A work embracing the history of an imperial city in a plane where Man, Culture and Space relate to each other, it is a noteworthy example of the new historiography, which sets up a balance among the social sciences. With its unique style and its theoretical framework set against a multidimensional background extending from politics to culture, from architecture to literature, it is at the same time a contemporary historian's gift to our city.
2007New Turkish Original cloth bdg. In special slip-case. 4to. (29 x 25 cm). In Turkish. 369, [1] p., color and b/w ills. Treasury land from Akintiburnu to Bebek Garden that was bestowed upon Janissary Hasan Halife by Sultan Murad IV (1623-1640), was transferred to national treasury following a rebellion in 1631-1632 in the reign of Sultan Mehmed IV (1648-1687). In the reign of Sultan Ahmed III (1703-1730), treasury land from Hasan Halife Garden to Kayalar Village, was sold by Grand Vizier Damad Ibrahim Pasha in 1724/25. Grand Vizier Izzet Mehmed Pasha, who has a share in the said lands, built a pavilion just for the Sultan. Sultan Selim III (1789-1807) set foot on Izzetabad Pavilion for the first time upon the invitation of GRAND Vizier Izzet Mehmed Pasha, but later he frequently came to the Pavilion for pleasure and entertaining activities. After a fire on May 15th, 1798; Izzetabad Pavilion was burnt down. And Grand Vizier Izzet Mehmed Pasha died in Manisa on September 18th, 1812. Treasury land from Akintiburnu to Bebek Garden that was bestowed upon Janissary Hasan Halife by Sultan Murad IV (1623-1640), was transferred to national treasury following a rebellion in 1631-1632 in the reign of Sultan Mehmed IV (1648-1687). The pavilion was rebuilt and redecorated by Chief Architect Mustafa and Hayrullah Efendi from Sehremini, between the years 1800-1804, and the palace was used by Sultan Selim III and Mahmud II (1808-1839). When the Bayraktar Group bought Izzetâbâd Pavilion, there was nothing more than relics of the basement. Its construction and renovation was completed in 1999. Thanks to the Bayraktar Group, Istanbul and Turkey have regained a precious heritage from the period of Selim III. After four years, in 2003, we started out to initiate the research which would unearth the mysterious history of Izzetâbâd Pavilion and Akintiburnu, together with Dear Emine Çigdem Tugay and Dear Mehmet Selim Tugay. In the corridors of the history of Akintiburnu, tracing back to nearly 2 thousand years ago, we started to discover the sophisticated and colorful history of Izzetâbâd Pavilion which witnessed great joys as well as torments and conspiracies to date. As a result, the book of Izzetâbâd Pavilion, Time Flies Away from Akintiburnu was published to reveal the history of Izzetâbâd Pavilion and Akintiburnu in light of historical documents. Today, we have this precious work of art written by Dear Emine Çigdem Tugay and Dear Mehmet Selim Tugay, and which gained further value thanks to the highly professional design by Dear Joelle Imamoglu.
2016New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 305, [3] p., b/w and color ills. Modern and contemporary approaches to photography in Turkey.= Türkiye'de fotografa modern ve çagdas yaklasimlar. Özellikle fotograf konusunda gerçeklestirdigi önemli arastirma ve belgeleme çalismalarinin yani sira yine bu alandaki kitaplariyla taninan Engin Özendes, Cumhuriyet'in ilk yillarindan günümüze kadar çagdas ve modern çalismalar yapmis sanatçilari ilk kez bir kitapta bir araya getirirken onlarin eserleri üzerinden Türkiye'deki fotografin gelisimini onar yillik periyotlarla anlatiyor. Magara duvari resimlerinden bir örnek verilerek, insanligin resmetme tutkusunun anlatilmasiyla baslayan kitapta, sanat akimlari, fotografin bulunusunun hemen ardindan, 1840'lardan baslatilarak ele aliniyor. Fotografa yön veren bu sanat akimlarinin okuyucu tarafindan daha iyi anlasilmasi amaciyla, dünya fotografçilarindan çok genis bir yelpazede seçim yapilarak, 17 sanatçinin 17 fotografi önemli arsivlerden alinarak sunuluyor. Ardindan, kitabin ana konusunu olusturan, Türkiye'deki çagdas ve modern fotograf alaninda isler üretmis sanatçilar tanitiliyor; onlarin bu kapsamdaki eserlerinden örnekler veriliyor. Türkçe-Ingilizce bir arada yayimlanan kitapta, aralarinda Othmar Pferschy, Baha Gelenbevi, Ara Güler, Gültekin Çizgen, Sakir Eczacibasi, Teoman Madra, Ersin Alok, Kamil Sükûn, Çerkes Karadag, Ahmet Ertug, Cengiz Karliova, Sitki Kösemen, Nuri Bilge Ceylan, Orhan Cem Çetin, Kamil Firat, Mehmet Günyeli, Ali Borovali, Aramis Kalay, Laleper Aytek, Ani Çelik Arevyan, Merih Akogul, Cemal Emden, Murat Germen, Silva Bingaz, Ali Taptik, Ahmet Polat, Burcu Aksoy, Serkan Taycan, Jak Baruh, Lale Tara, Seza Bali, Can Mocan gibi sanatçilarin yer aldigi 86 yerli fotografçinin 230 adet "modern ve çagdas" nitelikteki fotografi yer aliyor. Bugüne Kadar Kitaplastirilmamis Bir Konunun Kesiti". Engin Özendes, geçtigimiz yil yine YEM Yayin tarafindan yayimlanan Osmanli Imparatorlugu'nda Fotografçilik 1839-1923 adli kitabinin devami niteligi tasiyan Türkiye'de Fotografa Modern ve Çagdas Yaklasimlar'i söyle özetliyor: "Bu kitap, ne bir ansiklopedi ne de bir özgeçmisler listesidir. Baslibasina fotografin tarihiyle ilgili degildir. Çagdas ya da modern fotografla ilgili herkesin yer aldigi iddiasini da tasimaz. Bu kitap; simdiye kadar kitaplastirilmamis bir konunun bir kesit halinde sunulmasidir. Bugün yaraticiliklarini modern ve çagdas anlayisla ortaya koyan genç sanatçilarin, geçmiste bu yolda ugras veren, yadsinamayacak isimleri tanimalari için konunun baslangici eski yillara dayandirilmistir. Cumhuriyet dönemi fotografçiligi baslangiçtan günümüze kadar degerlendirilerek, çagdas ve modern çalismalar yapmis sanatçilara yer verilmektedir. Kitapta yer almayan sanatçilar yalnizca bu tür çalismalar yapmadiklari için örneklenmemektedir.". -- Fotograf Çagdas fotografçilik Türk fotografi.
2014New English Original bdg. HC. 4to. (29 x 25 cm). In Turkish. 746 p., color and b/w ills. Sehir sokak hafiza: Kuyulu'dan Biçki Yurdu'na Osman Nuri Ergin ile Istanbul sokak adlari. ISTANBUL Constantinople Local history Osman Nuri Ergin Urban history Onomastics Street names Turkish language Etymology.
2012New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In Turkish. 275 p., color and b/w ills. A study on 'tulip in history of art and history. Lâle: Dogada, tarihte, sanatta. TURKISH AND ISLAMIC ART History of art Tulip Ottoman art Traditional arts Flower painting Tile Miniature Illumination Weaving Ottoman culture Gardening.
2008Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xiii], 98 p., numerous b/w plates. Istanbul'da tarihi yapilarda uygulanan temel sistemleri. Base systems of the historical buildings and monuments in Istanbul. Scarce.
2000Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 23 cm). In Turkish. 336 p., 34 folding huge color Ottoman maps, 3 color folding gigantic maps in publisher's special pocket. Istanbul'un Osmanli dönemi suyollari. [= Waterways of Istanbul in the Ottoman period]. Prep. by Celâl Kolay.
1991Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 103 p., ills. Franz Liszt ve M[ahmut] R[agip] Gazimihal'in bir arastirmasi: 'Liszt'in Istanbul konserleri'. A study on Istanbul concerts of Franz Liszt, (1811-1886).
2002Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 77 p., 52 numerous color photographic plts. The Holy Trinity Monastery on the Island of Chalki. Lifetime, history and tradition of eleven centuries.
2002Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish. 456 p., color and b/w ills. Saray-i Hümayun. Topkapi Sarayi tarihi, mekanlari, kitabeleri ve anilari ile. A study on Topkapi Ottoman Palace. Arctitecture, memoirs, Ottoman culture, history, harem etc.
