NEJAT GÜLEN.MareMagnum
2148 risultati
2007Fine English Paperback., Very good., 21 x 15 cm, 166 p., b/w ills. "Heybeliada öyküleri. -Seçmeler-, NEJAT GÜLEN, Adali Yayinlari, Istanbul, 2007" Nejat Gülen'in Heybeliada ile ilgili ani ve öyküleri yazmaktaki esas amaci, Ada tutkusunu, Ada askini tatmin etmekten ibarettir. Hiç eskimeyen ve okuyucuya olaganüstü tad verecek öyküler bunlar.
1999Fine English Paperback. Pbo. Large roy. 8vo. (25 x 18 cm). In Turkish. 142 p., b/w and color ills. Beyoglu'nun yitip gitmis 3 oteli: Hotel d'Angleterre, Hotel Royal, Hotel Tokatliyan.
1994Fine English Paperback., Very good., 23 x 16 cm, oblong, 96 p., b/w ills., 5 color postcards. "Geçmis zaman fotograflarinda Büyükada, Haz: ÖZER KANGÜR, Büyükada Kültür ve Yardimlasma Dernegi Yayinlari, Istanbul, 1994"
2015New New English Original bdg. Dust wrapper. 4to. (31 x 24 cm). In English and Turkish. [xxvi], 168 p., b/w and color ills. Constantinople, 1918.= Konstantiniyye, 1918. Introducttion by Ali Serim. In this book you will see a city, which was Capital to empires during its poorest days. Once there was greatness and glory as in the drawings of Melchior Lorichs. The Ottoman naval defeat at Lepanto in 1571 or for some other people the failure of the second siege of Vienna in 1683 was the beginning of the decline. The Empire was effectively ended by the World War I (WWI) and those concerned were not able to preserve the city in the appropriate form it deserved. I purchased the album containing these pictures a decade ago. It is understood that an mysterious French Officer who came to Constantinople during the occupation of the city by Allied Forces at the end of WWI in 1918. He took photographs of buildings and people capturing interesting scenes from social life documented the need for extensive restoration of the old city.
2014New English Paperback. Pbo. Small 4to. (25 x 22,5 cm). In Turkish. 228 p., fully b/w and color ills. 500 copies were printed. Hamza Rüstem ve ogullari. Fotograf mesleginde bir yüz yil. A very comprehensive illustrated study on Turkish photographer, Hamza Rüstem, (1872-1971), who was born in Crete. Beside him, Rahmizâde Bahaeddin Bey (Bahaettin Rahmi Bediz, Rahmi Bediz after the 1934 - Law on Family Names in Turkey) was a Cretan Turk who is generally agreed by historians to be the first Turkish photographer by profession. He was a first photographer of archaeologist Evans' Knossos excavations. He started his career in Hanya, Crete in 1895, and went on to open photography studios in Izmir in 1910, in Istanbul in 1915 where he acquired his fame, and in Ankara after 1935 where, aside from his private business, he worked as the Chief of Photography Department in Turkish Historical Society. The thousands of photographs (especially portraits) he took during his career (Crete, Izmir, Istanbul, Ankara) have immense historical value. Before Hamza Rüstem was a photographer was trading some goods near English camp in Crete. Bediz discovered him in Crete as a trader, and he hand his photograph studio to Hamza Rüstem on in Constantinople, Istanbul after Second Constitution, 1909. Bediz was a first Muslim photographer who opened a studio in Ottoman geography according photographic literature. This book includes many postcards which photographed by Bediz, biography of Hamza Rüstem and sons and corporate history of his studio.
1913Fine English Paperback. 12mo. (17 x 11 cm). In French. [8], 37, [5] p. Conclusions des reunions de la mission du 23 au 26 Juin, 1913. 2 stamps of 'Bibliotheque des Aug. de l'assomp., Kadi-Keuy'.
1920Fine English Paperback. Large demy 8vo. (22 x 15 cm). In French. Mint condition. 72, [2] p., 4 maps. Avant-propos. / La Thrace. Etendue. Geologie. Orographie. Hydrographie. Climat. Productions naturelles. Richesses mineralles. Industrie. Villes principales. Elements d'etude. / La Thrace antique. Les Thraces. Moeurs. Civilisation. Colonies Grecques. Passages des Perses. Guerres contre la Grece. La dynastie odrysienne. Alexandre le Grand. Domination des rois syriens. Philippe V de Macedonie. Persee. Conquete romaine. / La Thrace Romaine. Situation de la Thrace sous les Romains. Invasions des Goths. Administration romaine. Divisions administratives. Le Christianisme en Thrace. Provinces ecclesiastiques. Conciles. / La Thrace Byzantine. Invasion des Huns, des Slaves, des Avars. Guerres contre les Bulgares. Kroum. Symeon. Basile le Bulgaroctone. Conquête de la Bulgarie. Invasions des Petcheneques et des Hongrois. Administration byzantine. Population. Commerce et industrie. / La Thrace Byzantine, (Suite). Les Croisades. Revolte des Bulgares et des Valaques. Empire latin de Constantinople. Guerre des Francs contre les Grecs et les Bulgares. Kaloian. Invasion des Tatars. Les Catalans. Incursions des Turcs. Guerres civiles. Conquête turque. Population. Commerce. / La Thrace Turque. Conquêtes de Mourad Ier a Mohamed II. Organisation de la Thrace par les Turcs. Situation des chretiens. Les Kirdjalis. Guerre russo-turque de 1828-1829. Guerre russo-turque de 1877-1878. Traites de San-Stefano et de Berlin. Revolution jeune-turque. Guerre Balkanique de 1912-1913. / Conclusion. Rare.
2013New English Paperback. 4to. (27 x 24 cm). In English and Turkish. B/w photographs. 150, [2] p. Lo and behold. Ara Güler in Mardin.= Seyreyle. Ara Güler Mardin'de. [Exhibition catalogue]. "Ara Güler's photographs will engrave on our memories the moments that he wishes us to experience. Likewise he will leave an indelible mark on the memory of Mardin. ". Anadolu insaninin yani sira Turk ve dunya unluleri, Ara Guler'in dogru, kusursuz, keskinlikle ifade edilmis, yanilmaz, emin tavriyla 'Yuz Yuze' adi altinda izlenebiliyor. Ara Guler'in cektigi portrelerde yasamin icinden secilerek on plana yerlestirilen her kisinin arka planla cok saglam iliskileri bulunuyor. Kisinin ya da kisilerin goruntusu, zaman akisindan koparilmis bir yasam oykusu anlatiyor. Dramatik isiklar, sonsuz ufuklar, koyu bulut kumeleri, zaman zaman anlatimda buyuk sorumluluk yukleniyor. Bunlar, leke dengeleri ozenle yerlestirilmis, ustun kompozisyonlar olusturuyor. Arka planda manzarayi panoya donusturen Guler, on plana cikardigi kisiyle yepyeni anlatimlar yaratiyor. Ucsuz bucaksiz Anadolu platosu, daglar, kentler Ara Guler'in fotograf karelerinde farkli bir estetikle 'Tanimak ve Anlamak' adi altinda sunuluyor.
2002Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 23 cm). In English. 319 p., many color and b/w ills. Reflections from life in Istanbul. Contents; Palaces and people in ancient Istanbul.; Daily life in ancient Istanbul.; Wearing apparel in ancient Istanbul.; Vehicles and transportation in ancient Istanbul.; Ramadans, festivals and entertainment in ancient Istanbul.; Life in the palace in ancient Istanbul.
2000New English Original bdg. HC. 4to. (32 x 23 cm). In Turkish and French. 239, [1] p. 2000 copies were printed. Lettres pour la Turquie.= Türkiye için mektuplar. Translator: Prof. Dr. Sevim Sönmez. Prep. by Fikret N. Üçcan. 2000 copies were printed.
2015New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 392 p. A breath of Istanbul. Within these pages, we experience Istanbul life, the "you and me" that is this place's heartbeat. Around us swirl the amazing colors of many rainbows and dozens of scents. Here the Istanbulites-Armenian, Greek, Kurdish, Jew, Alawite, Christian, the rich, the poor, the conservative, the marginal-all bear witness to Istanbul's many-faceted selves. This novel of hope is a small reflection of what some people call "utopia" and is foremost a story about living in harmony. Lose yourself in Istanbul's streets while wandering with me as we explore you, me, our lives, our loves, our unfulfilled feelings and wishes, our dreams, fears, hopes, loneliness, struggles, and the daily ups and downs of our fellow millennials. The meaning of Istanbul, Turkey, and the world is "you" for me. They are all "me" and "us." That's the only reality I believe in. Nothing-no work of art or music-will ever be able to fill and nourish your soul as Istanbul does. No scents will ever burn themselves into your memories like the ones in Istanbul. No wisdom except that which you find here will ever seem that real(istic) to you. I have taken a deep breath of IItanbul. All of its life-affirming air I have to share with you has been exhaled into these pages.
1986Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and with facsimile original French text. 131 p. 1000 copies were printed. Diatribe de l'Ingenieur Seid Moustapha, sur l'etat actuel de l'art militaire, du genie et des sciences a Constantinople.= Istanbul'da askerlik sanati, yeteneklerin ve bilimlerin durumu üzerine risale.
1989Good English Paperback. Pbo. Roy. 8vo. (23.5 x 16 cm). Color and b/w ills. Last 2 pages contains abstract in English. Eyup Sultan and his mausoleum.= Eyüp Sultan ve türbesi. Photos by Suat Eman.
2009Fine English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 177, [1] p., color ills. Exhibition catalog on history of insurance in the Ottoman Empire. What hurts the purse, hurts the soul. Insurance in the Ottoman Empire with documents from the Collection of David M. Kohen.= Mal canin yongasidir. David M. Kohen Koleksiyonundan belgelerle Osmanli Imparatorlugu'nda sigortacilik.
2005New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 312 p., b/w plts. and plans. A study on Turkish bath of Istanbul.
2002Fine English Paperback., Cr. 8vo. (20 x 14 cm)., 128 p., "Üsküdar, ah Üsküdar!", Ahmet Yüksel Özemre, Kaknüs Yayinlari, Ist., 2002. Üsküdar, ah Üsküdar!
2011New English Paperback. Pbo. 4to. (29 x 22 cm). In Turkish. 4 volumes set (1445 p.), b/w and color ills. Ülkemizin gurur kaynagi insanlarindan bir kesit: Galatasaray Liseli mezun, okumus, ögretmen, idareci yazarlar ve kitaplar. 4 volumes set. (A-Z.; Additional volume). Bibliography of authors and their publications, who graduated from the prestigious Galatasaray Highschool.
2013New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In Turkish. 528 p., b/w ills. Osmanli belgelerinde Beykoz. Beykoz (Beicos) based on the Ottoman archival documents. A very heavy volume.
2010New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [xx], [1], 145 p., b/w photos. Fifth Edition. From Konstantiniyye to Istanbul. Photographs of the Rumeli Shore of the Bosphorus from the mid-XIXth to the XXth century.= Konstantiniyye'den Istanbul'a. XIX. yüzyil ortalarindan XX. yüzyila Bogaziçi'nin Rumeli Yakasi fotograflari. [Exhibition catalogue]. The exhibition showcased works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and Inan Kiraç Foundation Photograph Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Istanbul past. Istanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.
2000Fine English Paperback. Pbo. Oblong large 8vo. (24 x 22 cm). In English. 216 p. Color ills. Many excellent studies of the fountains of Istanbul have been carried out in the past, and these provide valuable documentation and inventories of the city's fountains which are disappearing steadily one by oneo complement its predecessors by encompassing all the fountains built in the Ottoman Empire's last capital between the fifteenth and twenthieth centuries, presented in chronogical order, in the framework of a consistent typological analysis, and accompanied by photographs, drawings and other available visual documentation. The authors examine changes in style in Ottoman architecture over these five centuries in the context of fountains, so contributing not only to literature specifically on the subject of fountains, but also to the evolution of the Ottoman architectural identity, thereby filling an serious gap in literature on the subject.
2011New English Paperback. Pbo. 4to. (29 x 21 cm). In English, German and Turkish. 79 p. Color ills. Amadeo Preziosi, 1842-1882. For the love of Istanbul.= Aus liebe zu Istanbul.= Istanbul askina. [Exhibition catalogue]. A biographical study and selected paintings of the orientalist painter Preziosi, (1816-1882).
2002Fine English Sogukcesme street., Celik Gulersoy, Turing ve otomobil kurumu, Ist., 2002. Original hardcover. English. Fine. 79 p. Color and b/w ills. Cr. 8vo. (28 x 20 cm).
2003New New English Original bdg. Dust wrapper. 4to. (34 x 24 cm). In Turkish. 2 volumes set: (735 p.), b/w and color ills. Dersaadet'in fotografçilari. 19. yüzyil Istanbulunda fotograf: Öncüler, stüdyolar, sanatçilar. 2 volumes set. The photographers of Constantinople. Pioneers, studios and artists from 19th century Istanbul. Vol. 1: Texts and photographs: Istanbul photographers of the 1850"s exhibiting in London, Paris and Brussels; Ottoman court photographers; and studios and artists that made their mark. Vol. 2: The Album: the imperial family; statesmen, celebrities and court officials; memories of a vanished world; costumes; professions and street sellers; everyday life; palaces and other edifices; the sea and Istanbul; panoramas; bibliography and index.
New English Paperback. Pbo. Large 8vo. (22,5 x 22,5 cm). In Turkish. 32 p., color photos and ills. Beyoglu'nun çesmeleri. Photos by Timur Tahmaz. Fountains of Beyoglu, Pera in Istanbul.
1999Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.