Photos by ALI KONYALI.MareMagnum
2090 risultati
2000New New Turkish Original bdg. Dust wrapper. 4to (29 x 24 cm). In Turkish. 479 p., color ills. Topkapi Sarayi. Preface by Filiz Çagman. Texts by Hülya Tezcan et alli.
2011New Turkish Paperback. Large 8vo. (19 x 19 cm). In Turkish. 186 p., b/w ills. Yahudiler'in Istanbulu. Jewish Istanbul (Constantinople).
2012New Turkish Original bdg. HC. 4to. (28 x 22 cm). In Turkish. 503 p., b/w and color ills. Tekke kapisi: Yenikapi Mevlevihanesi'nin insanlari.
2013New Turkish Original bdg. HC. Oblong 4to. (23 x 31 cm). In French. 166 p., ills. Lettres de Constantinople. Docteur de I'Universite Paul Valery de Montpellier III, Rinaldo Marmara est I'historien officiel et I'attache culturel de la Conference Episcopale de Turquie (CET). Il a ete decore par le Saint-Siege et fait Chevalier de I'Ordre de Saint-Gregoire le Grand. Rinaldo Marmara dirige le Centre de Recherche Relations Diplomatiques Vatican-Turquie, cree par I'Universite Bahçesehir. Dans le domaine des recits de voyages, generalement reserve aux seuls voyaguers, nous avons souhaite tirer de I'oubli les pretres et les soeurs de la Congregation de la Mission, qui, ayant passe une grande partie de leur existence a Constantinople, ont ete a meme, et peut-etre mieux que quiconque, de relater la vie quotidienne de cette grande ville toujours enchanteresse et sublime situee sur les rives du Bosphore.
1993New German Paperback. Roy. 8vo. (24 x 17 cm). In German and Turkish. 143 p., b/w ills. Die höhe Medizinschule Galatasaray und ihre Bedeutung für die moderne türkische medizin. Berichte des Symposions am 18. 9. 1989 anlasslich des 150. Grundungsjahres.= Mekteb-i Tibbiye-i Adliye-i Sahane ve bizde modern tip egitiminin gelismesine katkilari. Kurulusunun 150. yildönümü anisina 18 Eylül 1989'da yapilan simpozyuma sunulan bildiriler.
2003New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 239 p. Beyoglu'nda Beyaz Ruslar. [Hardcover Edition]. A study on White Russians in Beyoglu, Pera.
1989Fine Near Fine Turkish Paperback. 4to. (29 x 25 cm). In Turkish. 191 p., ills. Signed and inscribed by Sözen to Tevfik Güngör Uras. Bin çesit Istanbul ve Bogaziçi yalilari.
2000New New English Original bdg. Dust wrapper. 4to. (28 x 24 cm) In English, Greek, and Turkish. 227 p., color and b/w photos. Merhaba Atina - Here Istanbul. An experimental encounter of photography between two cities: Athens and Istanbul.= Merhaba Atina Here Istanbul. Atina Istanbul arasinda fotografik deneysel bir bulusma. Photos by Nikos Desyllas, Nikos Economopoulos, Stathis Efstathiadis, Niki Typaldou, Alkis X. Xanthakis - Arif Asçi, Ara Güler, Izzet Keribar, Sinan Koçarslan, Cem Turgay.
1996New English Paperback. Folio. (33 x 23 cm). In English, German, and Turkish. 135 p., color and b/w ills. 3000 copies were printed. Istanbul. The city where faiths meet; all together and side by side.= Istanbul. Eine Stadt der Glaubensbegegnungen; Gemeinsam und miteinander.= Istanbul. Inançlarin bulustugu kent; birlikte ve yanyana. [Exhibiton catalogue and symposium papers]. Photos by Ara Güler, Ani Çelik Arevyan, Kamil Firat, Manuel Çitak, Murat Germen, Orhan Cem Çetin. Texts by Afife Batur, Murat Ural.
2004Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. [xxiv], 390 p., b/w ills. 550th Anniversary of Istanbul University International Byzantine and Ottoman Symposium (XVth Century).= Istanbul Üniversitesi 550. Yil Uluslararasi Bizans ve Osmanli Sempozyumu (XV. Yüzyil). 30-31 Mayis 2003.
2018New New English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English. 361 p., b/w and color ills. Everyday life in Istanbul: Social historical essays on people, culture and spatial relations. Third Edition. On the map of human existence. Istanbul throughout the age of empire represented the administrative power center. Rome, Byzantium and the Ottoman Empire each took its place in history as a ring of civilization that formed around this center. To view history from this perspective means to read the story of humanity in its pages and, in a sense, to rediscover each time this dazzling star that shone in the skies of Anatolia, the Balkans and the Mediterranean. As mankind discovered Istanbul, it also discovered itself as a passionate traveler on the road leading back to its own past. Istanbul today is a treasurehouse where all our lost values are carefully preserved. A compass for our social identity that has lost its way, a touchstonefor our decaying aesthetic taste, a trustworthy scale for our degenerating sense of justice - Istanbul can assume all these roles while at the same time generously offering us a human experience and store of knowledge capable of answering every question put to it. Everyday Life in Istanbul is a collection of striking images along a journey back to the roots of the Turks' social identity. A work embracing the history of an imperial city in a plane where Man, Culture and Space relate to each other, it is a noteworthy example of the new historiography, which sets up a balance among the social sciences. With its unique style and its theoretical framework set against a multidimensional background extending from politics to culture, from architecture to literature, it is at the same time a contemporary historian's gift to our city.
2003New New English Original bdg. Dust wrapper. 4to. (28 x 22 cm). In English. 361 p., b/w and color ills. Everyday life in Istanbul: Social historical essays on people, culture and spatial relations. Second Edition. On the map of human existence. Istanbul throughout the age of empire represented the administrative power center. Rome, Byzantium and the Ottoman Empire each took its place in history as a ring of civilization that formed around this center. To view history from this perspective means to read the story of humanity in its pages and, in a sense, to rediscover each time this dazzling star that shone in the skies of Anatolia, the Balkans and the Mediterranean. As mankind discovered Istanbul, it also discovered itself as a passionate traveler on the road leading back to its own past. Istanbul today is a treasurehouse where all our lost values are carefully preserved. A compass for our social identity that has lost its way, a touchstonefor our decaying aesthetic taste, a trustworthy scale for our degenerating sense of justice - Istanbul can assume all these roles while at the same time generously offering us a human experience and store of knowledge capable of answering every question put to it. Everyday Life in Istanbul is a collection of striking images along a journey back to the roots of the Turks' social identity. A work embracing the history of an imperial city in a plane where Man, Culture and Space relate to each other, it is a noteworthy example of the new historiography, which sets up a balance among the social sciences. With its unique style and its theoretical framework set against a multidimensional background extending from politics to culture, from architecture to literature, it is at the same time a contemporary historian's gift to our city.
2018New English Paperback. Large 8vo. In English, Armenian, and Turkish. 108 p., fully color photos. The Armenians of Istanbul.= Istanbuli Hayeri.= Istanbul Ermenileri. [Photographic exhibition catalogue].
2018New New English Original bdg. Dust wrapper. 4to. (28 x 25 cm) In English and Turkish. 269 p., color photos. Istanbul in photographs from the lens of Cemil Sahin.= Cemil Sahin'in objektifinden fotograflarla Istanbul. Edited by Firuze Suer.
2018New Armenian Original bdg. HC. 4to. (29 x 23 cm). Edition in Armenian. 144 p., b/w photos. Papelonen verç bidi abrink. [Album of photographs]. [ARMENIAN EDITION]. This book brings together the short stories Ara Güler penned during his early period, and his photographs. Güler is known internationally as a photographer and considered the most important representative of creative photography in Turkey, however, he is a relative unknown as a short story writer, and the various aspects of Güler the writer appear in breathtaking range in We Will Live After Babylon. This new edition of three simultaneously published volumes in Turkish, Armenian and English, brings together Güler's visual production with his texts, who appear to also take photographs through the medium of the short story, to form a "photograph-short story album". Güler thinks that his early period short stories have an important role in his ability to "capture meaningful moments and combine them in a narrative", and describes these 13 short stories as "a kind of photography". There is no doubt that Güler is a "man of the visual world" and We Will Live After Babylon is a solid proof of that.
2018New English Paperback. 4to. (29 x 23 cm). Edition in English. 144 p., b/w photos. We will live after Babylon. [Album of photographs]. [ENGLISH EDITION]. This book brings together the short stories Ara Güler penned during his early period, and his photographs. Güler is known internationally as a photographer and considered the most important representative of creative photography in Turkey, however, he is a relative unknown as a short story writer, and the various aspects of Güler the writer appear in breathtaking range in We Will Live After Babylon. This new edition of three simultaneously published volumes in Turkish, Armenian and English, brings together Güler's visual production with his texts, who appear to also take photographs through the medium of the short story, to form a "photograph-short story album". Güler thinks that his early period short stories have an important role in his ability to "capture meaningful moments and combine them in a narrative", and describes these 13 short stories as "a kind of photography". There is no doubt that Güler is a "man of the visual world" and We Will Live After Babylon is a solid proof of that.
2018New Turkish Paperback. 4to. (29 x 23 cm). Edition in Turkish. 144 p., b/w photos. Babil'den sonra yasayacagiz. [Album of photographs]. [TURKISH EDITION]. This book brings together the short stories Ara Güler penned during his early period, and his photographs. Güler is known internationally as a photographer and considered the most important representative of creative photography in Turkey, however, he is a relative unknown as a short story writer, and the various aspects of Güler the writer appear in breathtaking range in We Will Live After Babylon. This new edition of three simultaneously published volumes in Turkish, Armenian and English, brings together Güler's visual production with his texts, who appear to also take photographs through the medium of the short story, to form a "photograph-short story album". Güler thinks that his early period short stories have an important role in his ability to "capture meaningful moments and combine them in a narrative", and describes these 13 short stories as "a kind of photography". There is no doubt that Güler is a "man of the visual world" and We Will Live After Babylon is a solid proof of that.
2018New Turkish Paperback. 4to. In Turkish. 300 p., b/w and color photos. Islik çalan adam. Exhibition catalogue of Turkish Armenian photographer Ara Güler (1928- ) on the occasion of the inauguration of his museum.
1985Fine Fine Turkish Original red cloth bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish. 95, [1] p., ills. Istanbul'daki günes saatleri.
2018New Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 98 p., ills. II. Abdülhamid'in tarimsal kalkinma hamlesi: Konya Ovasi sulama projesi.
1998Fine Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. 287 p., ills. Bizans'ta günlük yasam: Konstantinopolis Bizans'in mücevheri. [= Everyday life in Byantium]. Translated by Bilgi Altinok. Ills. by Helen Nixon Fairfield.
2018New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [xi], 85 p., b/w ills. 1890'larda Istanbul. [= Old Constantinople]. Translated by Seniz Türkömer.
2017New Turkish Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [xii], 371 p., b/w ills. Genç Türkiye insa edilirken: Atatürk'ün mimarinin anilari, (1927-1940, 1953-1955). Translated into Turkish Güven Göktan Uçer. Memoirs of Egli, German architect in the early Republican Turkey. Translated from an unpublished German manuscript. Ernst Arnold Egli war österreichisch-schweizerischer Architekt und Stadtplaner in Wien und Zürich. Egli lebte lange in der Türkei, wo er den Großteil seines gebauten Werkes schuf. Er war 1924-27 Assistent von Clemens Holzmeister an der Wiener Akademie und kam auf dessen Empfehlung 1927 in die Türkei. Beider Arbeit beeinflusste maßgeblich den kemalistischen Aufbau des neuen Ankara in den Jahren 1927-1938. Von Mustafa Kemal Pascha ausdrücklich mit der Entwicklung einer modernen Architektur für den Schulbau beauftragt, prägte er die Moderne in der Türkei wesentlich. 1936-1937 errichtete er einige Bauten in der Atatürk-Waldfarm in Ankara.
2017As New Turkish Paperback. Mint. Cr. 8vo. (20 x 14 cm). In Turkish. [xii], 371 p., b/w ills. Genç Türkiye insa edilirken: Atatürk'ün mimarinin anilari, (1927-1940, 1953-1955). Translated into Turkish Güven Göktan Uçer. Memoirs of Egli, German architect in the early Republican Turkey. Translated from an unpublished German manuscript. Ernst Arnold Egli war österreichisch-schweizerischer Architekt und Stadtplaner in Wien und Zürich. Egli lebte lange in der Türkei, wo er den Großteil seines gebauten Werkes schuf. Er war 1924-27 Assistent von Clemens Holzmeister an der Wiener Akademie und kam auf dessen Empfehlung 1927 in die Türkei. Beider Arbeit beeinflusste maßgeblich den kemalistischen Aufbau des neuen Ankara in den Jahren 1927-1938. Von Mustafa Kemal Pascha ausdrücklich mit der Entwicklung einer modernen Architektur für den Schulbau beauftragt, prägte er die Moderne in der Türkei wesentlich. 1936-1937 errichtete er einige Bauten in der Atatürk-Waldfarm in Ankara.
1920Very Good Swedish Paperback. Roy. 8vo. (24 x 17 cm). In Swedish. 196-203 pp. Ett Svenskt forskningsinstitut I Konstantinopel. [Separatum -Ur Ymer- Tidskrift Utgiven av Svenska Sallskapet för Antropologi och Geografi Arg. 1920, H. 2-3. A Swedish research institute in Constantinople.