Edited by ZEYNEP ERPAMIR.MareMagnum
2104 risultati
2017New New Turkish Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish. 2 volumes set: (333 p.; 265 p.), color and b/w ills. Istanbul sanayi tarihi: Sanayinin sonsuz isiginda üretenlerin öyküsü. Yeniden üretim ekonomisi, yeniden sanayilesme, yeniden üretim kültürü. 2 volumes set. Industrial Istanbul history. A comprehensive study. 700 copies were printed.
2018New English Original bdg. HC. 4to. (31 x 22 cm). In English and Turkish. 339 p., color and b/w ills. Papers bilingual in English and Turkish on urban history, architecture and archaeology in Avcilar district of Istanbul.
2018New New Turkish Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish 104 p., b/w and color ills. Hamîd-i Evvel Külliyesi ve çevresi.
1925Very Good Turkish, Ottoman (1500-1928) Paperback. Pbo. Demy 8vo. (22 x 16 cm). In Ottoman script. Photographic illustrated cover. 32 p., 1 folding map. Hejra: 1341 = Gregorian: 1925. Ozege: 21139. A rare guide of Topkapi Palace in Istanbul (Constantinople) in Ottoman Turkish. Istanbul Asar-i Atika Müzeleri Topkapu Sarayi muhtasar rehber.
1995Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 322 p. [50] p., facsimile in Ottoman Turkish , b/w ills. 2000 copies were printed. Istanbul armagani 1: Fetih ve Fatih.
1969Fine Turkish, Ottoman (1500-1928) Paperback. Demy 8vo. (21 x 14 cm). In Ottoman script. [2], 4, 23, 50, 86, 133 p. Hadâqat ül-vüzerâ (Der Garten der Wesire). Mit den Fortsetzungen (zeyl) des Dilâver Agazâde Ömer Efendi, Ahmed Gâvîd und Bagdâdî 'Abd ül-Fettah Sevqet. A very important reference on the Ottoman grand-viziers.
1996Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 208 p., b/w ills. Istanbul Üniversitesi tarihi, (1453-1993).= (A history of Istanbul University).
1996New English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [viii], 208 p., b/w ills. Istanbul Üniversitesi tarihi, (1453-1993).= (A history of Istanbul University).
2007New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 172 p., color and b/w ills. Wall, arch, dome: Byzantine Istanbul in the eyes of Ottoman photographers.= Sur, kemer, kubbe: Osmanli fotografçilarinin gözüyle Bizans Istanbulu. [Exhibition catalogue]. Text: Samih Rifat. One of the most outstanding characteristics of Istanbul's Byzan-tine monuments, as captured by Ottoman photographers, is their role as priceless documents in the city's history. The period between the second half of the 19th century and the turn of the 20th century is marked by profound changes in Istanbul with respect to urban structure, historical texture and monuments. A careful eye readily notices the considerable transformations spread over a hundred, hundred and fifty years in Istanbul city walls, Galata Tower, Hagia Sophia and the Hippodrome area. These photographs are replete with valuable clues for today's researchers, restorers, architectures and urban planners. Nonetheless, there is something beyond the obvious in these images: Istanbul's remaining city walls, arches, and domes of a far away past continue to survive in another form of existence in these old photographs, which reflect an age closer to us in time, yet just as rapidly vanished. The discolored surfaces permeating an indescribable sense of the old add another layer, another epoch to the historical richness of the city. Comprised of a selection from the Suna and Inan Kiraç Foundation Old Istanbul Photographs Collection, Wall Arch Dome ventures us into a journey in the same milieu and in a different time dimension. Yet, on this occasion, we find ourselves in an Istanbul more ancient, more distant than the Republican or Ottoman days; it is a Byzantine Istanbul of monuments, ruins and almost imperceptible traces from thousands of years past.
2016New Turkish Original bdg. HC. 4to. In Turkish. 826 p., ills. Istanbul ve Bogaziçi: Bizans ve Osmanli medeniyetlerinin asar-i bakiyesi. Edited by A. Sait Aykut. [2 volumes in 1].
2017Fine French Original bdg. HC. 4to. In French and Turkish. 168 p., ills. Pierre Loti et les silhouettes de Hassan: Portraits avant La II. Constitution.= Pierre Loti ve Hasan silüetleri: II. Mesrutiyet öncesi portreler. The novelist Julien Viaud, famous for his nickname Pierre Loti, is a traveling maritime officer. At the end of the 19th century and the beginning of the 20th century, he makes seven trips to Istanbul. In 1903, at the age of 53, Pierre Loti takes over Le Vautour, the first station ship to the French Embassy in Istanbul, during his fifth trip to Turkey. In the same period, Hasan signed cartoons start to circulate in Istanbul.The person who is hiding under Hasan is actually Robert de Guiroye, a naval officer. This person was then assigned to the auxiliary ship "La Mouette" (Seagull) under the command of Pierre Loti. It is thought that this officer made drawings on this ship in the evening after having spent a long time in important social clubs such as Cercle d'Orient, Pera Palas Ballroom, Tepebasi Theater. Who is actually Hasan / Who is the real Hasan? The answer to this problem is in the exhibition and detailed catalog. Let's see if they can help bring Hasan's identity to light. The "Pierre Loti and Hasan Silhouettes" exhibition is made up of documents obtained as a result of years of research by numerous collections and valuable collector Sayen Erol Makzume, who has vast knowledge of Hasan's lithographs in the early 20th century. The exhibition contains texts, cartoons and in-depth information, and sheds light on the transition period of Turkey after the Second Constitutional Monarchy.
1991New Turkish Paperback. Oblong large 8vo. (22 x 25 cm). In Turkish. 142, [2] p., b/w photos. Beyoglu 1930: Selahattin Giz'in fotograflariyla 1930'larda Beyoglu. Text by Ali Ozdamar. Preface by Demir Özlü.
1975Very Good Very Good English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English. [xxiv], 277 p., 131 numerous b/w plts. Roman sculpture in Side.
2011New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 69, [3] p., color ills. Innocent surrogates: Photographs of Lale Tara.= Masum suretler: Lale Tara fotograflari. Curated by Engin Özendes. Edited by Esin Eskinat. Lale Tara's new exhibition Innocent Surrogates in which the artist creates stories with no time or place out of silent surrogates which she uses as symbols. With her new series, Lale Tara invites the spectator "into a different world to view a story about alternative reality, hope, and disillusion conceived in imaginary time and space." Continuing the theme of the exhibitions Canli/Live, Hello Earth Goodbye, and Doppelgaenger (RUI), in this show Lale Tara adds yet another story to those she has created about surrogates she brings a new perspective to the theme of "mother and child" often treated in Renaissance painting.
2007New English Original bdg. Dust wrapper. Folio. (32 x 27 cm). In English and Turkish. 324 p., color ills. Earth fired in Anatolia. Gönül Paksoy Collection.= Anadolu'da pisen toprak. Gönül Paksoy Koleksiyonu. [Exhibition catalogue]. May 16 - July 22, 2007, Kadir Has University, Rezan Has Museum. Texts by Ahu Has, Gönül Paksoy, Erkan Konyar, Kemalettin Koroglu. "The 'Anatolian Terracotta' exhibition is composed of part of Gonul Paksoy's collection, registered at the Istanbul Museum of Archaeology. Artist, designer, academic and collector Gonul Paksoy has created her collection in long years of effort, patience and work. The terracotta works included in the collection and the catalogue shed light on the culture, daily life and faith of communities living in the period between 7000 B.C. and 1500 A.D.". Keramik aus Anatolien (Töpfereiwaren, Geschirr, Figurinen, Schmuck, Schmuckperlen, Öllampen usw.) von der Kupfersteinzeit bis zum 2. Jahrhundert nach Christus (ca. 5200 v.Chr.- 200 n.Chr.) aus der Sammlung Gönül Paksoy (Istanbul).
2018New Turkish Original bdg. HC. 4to. (30 x 22 cm). In Turkish. [10], 338, [4] p., b/w and color ills. Nicolas Andriomenos Photographe. Biography of Greek photographer Nicolas Andriomenos (1850-1929). He was a studio photographer and his son Athanasis Andriomenos continued his father's studio.
2016New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 364 p., color ills. Çerkesler ve gelenekleri. [= Adige khabze]. Translated by Yemuz Bayazit. Customs of Circassians. First Edition in Russian printed in Crimea.
Very Good English Original color map folded in its papers. Very good. Folded. Atlas folio. (60 x 47 cm). In English. [MAP of FRENCH MANDATE SYRIA and LEBANON] Map of Syria and Lebanon. Scale: 1:1.100.000. No date.
2015New Turkish Original bdg. HC. Folio. (31 x 24 cm). In Turkish with plates of Ottoman archival documents. 464 p., ills., with a CD. Arsiv belgelerine göre Osmanli'da kadin. Women based on Ottoman archive documents.
2000Fine Turkish Paperback. Cr. 8vo. :(20 x 14 cm). In Turkish. 240 p. Ku?resellesme, mekânsal etkileri ve Istanbul. Globalization; effects on; Turkey (Istanbul) social and economic conditions.
2018New Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 149 p., color and b/w ills., maps and documents. Osmanli-Meksika diplomatik iliskileri, (1864-1913): Elçilik raporlarinda Osmanlilarin Latin Amerika siyaseti. Ottoman - Mexican diplomatic relations between the years of 1864-1913: Turkish policy of Latin America based on embassy reports. Osmanisch-mexikanische diplomatische Beziehungen zwischen den Jahren 1864-1913: Die türkische Politik Lateinamerikas basiert auf Botschaftsberichten.
2018As New Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 149 p., color and b/w ills., maps and documents. Osmanli-Meksika diplomatik iliskileri, (1864-1913): Elçilik raporlarinda Osmanlilarin Latin Amerika siyaseti. Ottoman - Mexican diplomatic relations between the years of 1864-1913: Turkish policy of Latin America based on embassy reports. Osmanisch-mexikanische diplomatische Beziehungen zwischen den Jahren 1864-1913: Die türkische Politik Lateinamerikas basiert auf Botschaftsberichten.
2019New English Paperback. Large demy 8vo. (22 x 16 cm). In English. 320 p. The Church of Sancta Sophia Constantinople. Sancta Sophia is the most interesting building on the world's surface. Like Karnak in Egypt, or the Athenian Parthenon, it is one of the four great pinnacles of architecture, but unlike them this is no ruin, nor does it belong to a past world of constructive ideas although it precedes by seven hundred years the fourth culmination of the building art in Chartres, Amiens, or Bourges, and thus must ever stand as the supreme monument of the Christian cycle. Our first object has been to attempt some disentanglement of the history of the Church and an analysis of its design and construction; on the one hand, we have been led a step or two into the labyrinth of Constantinopolitan topography, on the other, we have thought that the great Church offers the best point of view for the observation of the Byzantine theory of building.
2018New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 311 p., color ills. Hammam (Bathhouse) culture in Anatolia from old age to our date. Gaziantep Metropolitan Municipality Hamam Museum.= Eskiçag'dan günümüze Anadolu'da hamam kültürü. Gaziantep Büyüksehir Belediyesi Hamam Müzesi. Contents: Introduction.; Preamble.; I. Historical evolution of hammam (bathhouse) culture and health effects. Haluk Perk, Burcu Özdemir. 1: Hammam culture in ancient history and health. 2: Bathe in hammam and its effects on health as to Ottoman medical manuscripts in Turkish, Prof. Dr. Nil Sari. 3: Hammam - bath culture at homes, Haluk Perk, Burcu Özdemir.; II. Photographs / documents and architectural elements regarding hammam structures. 1: Hammam architecture. 2: Hammam exterior appearance. 3: Hammam interior appearance. 4: Hammam documents. 5: Tap / Lüle (Pipe). III. Main cleaning materials in hammam. 1: Hammam pots. 2: Nalin (Bath slipper). 3: Soap and soap making. 4: Kildence (Soap box). 5: Personal cleaning (Cosmetic) tools. 5: Antique age cleaning tools. 6: Recent period cleaning (Cosmetic) kits. 7: Pumice (Heel) stone. 8: Kirdenlik (Laundry bowl). IV. Auxiliary hammam materials. 1: Hammam textile. 2: Mirror. 3: Comb. 4: Kohl and Kohl bottle. 5: Incensory. 6: Gulebdan (Rose water bottle). 7: Ibrik (Pitcher). 8: Candle holder. V. Hammam barbers. Bibliography. Richly illustrated.
2018As New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 311 p., color ills. Hammam (Bathhouse) culture in Anatolia from old age to our date. Gaziantep Metropolitan Municipality Hamam Museum.= Eskiçag'dan günümüze Anadolu'da hamam kültürü. Gaziantep Büyüksehir Belediyesi Hamam Müzesi. Contents: Introduction.; Preamble.; I. Historical evolution of hammam (bathhouse) culture and health effects. Haluk Perk, Burcu Özdemir. 1: Hammam culture in ancient history and health. 2: Bathe in hammam and its effects on health as to Ottoman medical manuscripts in Turkish, Prof. Dr. Nil Sari. 3: Hammam - bath culture at homes, Haluk Perk, Burcu Özdemir.; II. Photographs / documents and architectural elements regarding hammam structures. 1: Hammam architecture. 2: Hammam exterior appearance. 3: Hammam interior appearance. 4: Hammam documents. 5: Tap / Lüle (Pipe). III. Main cleaning materials in hammam. 1: Hammam pots. 2: Nalin (Bath slipper). 3: Soap and soap making. 4: Kildence (Soap box). 5: Personal cleaning (Cosmetic) tools. 5: Antique age cleaning tools. 6: Recent period cleaning (Cosmetic) kits. 7: Pumice (Heel) stone. 8: Kirdenlik (Laundry bowl). IV. Auxiliary hammam materials. 1: Hammam textile. 2: Mirror. 3: Comb. 4: Kohl and Kohl bottle. 5: Incensory. 6: Gulebdan (Rose water bottle). 7: Ibrik (Pitcher). 8: Candle holder. V. Hammam barbers. Bibliography. Richly illustrated.